George Soros Had Less to Spend
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Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
Superman 56+ 25/7/06 11:50 AM Page 56
final_superman_56+ 25/7/06 11:50 AM Page 56 FACT FILE SUPERMAN: the facts Name: Earth name – Clark Kent Krypton name – Kal-El Also known as The Man of Steel Born: on the planet Krypton Lives: in the city of Metropolis, and at the Fortress of Solitude in the Arctic Special powers: ● Can fly ● Can run at superspeed ● Can jump over high buildings ● Has superstrength: can lift cars and houses ● Can see through things ● Can heat things with his eyes Equipment: only his red and blue suit Weakness: kryptonite takes away his strength. Only the Earth’s sun can return it. Superman Enemy: Lex Luthor came to Earth Loves: Lois Lane from the planet Krypton. His father, Jor- El, knew there would be an explosion so he put his son Kal-El in a spaceship and sent him to Earth. The spaceship landed in the town of Smallville. The people who found him, Jonathan and Martha Kent, became his Earth parents. They called him Clark. As Clark got older, it became clear that he was very special… What do these words mean? You can use a dictionary. power strength energy breathe gravity hormones emergency 56 final_superman_56+ 25/7/06 11:51 AM Page 57 TheThe SCIENCESCIENCE ofof SupermanSuperman Of course, Krypton isn’t a real planet, and kryptonite doesn’t exist – luckily! But we do know some things about the science behind Superman. Q: Why is Superman so strong? A: Superman’s strength comes from Earth’s yellow sun which gives him his powers. The sun won’t give us superstrength, of course, but it gives us life. -
1 Consider the Development of Imagery in the Superhero Film. Are
Consider the development of imagery in the superhero film. Are its expressive techniques more relevant to traditions of comics or cinema? Illustrate your answer with examples. From a level of camp that was attributed to early1 television and made-for-television film adaptations of superhero comics, to the realism and gritty German expressionist lens that coloured the likes of Superman (Richard Donner, 1978) and Batman (Tim Burton, 1989) respectively (Morton, 2016), the development of imagery in the superhero film has often teetered between the expressive techniques of cinema, and those of comics. According to Bukatman (2011: 118), today “the superhero film has displaced the superhero comic in the world of mass culture.” With this in mind, it is expedient to assess which medium’s expressive techniques the twenty-first century is more relevant to. Through the analysis of three films, this essay attempts to do exactly that. Before taking on this endeavour, however, it is important to establish what the yardstick of each medium’s expressive techniques is for this essay. Cinematic expressive techniques will be taken as the mise-en-scène2, soundtrack/score, the use of the star/celebrity, and visual effects. While the expressive techniques of comics will be taken as the use of panels, the elements within panels3, gutters, page-turns, and colour. The following three films will be analysed: Watchmen (Zack Snyder, 2009), a film that is said to be “very faithful” (Crocker, 2009) to the original comic book, but still appears “something less than the sum of its parts” (Bukatman, 2011:118); Thor: Ragnarok (Taika Waititi, 2017), the third instalment of the ‘Thor’ series which is most lauded for its evident “Jack Kirby influence” (Waititi, quoted in Blair, 2017); and Spider-Man: Into the Spider-Verse (Ramsey, Rothman & Persichetti, 2018), which of the three chosen films is arguably the most relevant to the expressive techniques of comics, given its closeness to the medium as an animated film. -
Die Hard 2 Film Tour
Die Hard 2 Visit northern Michigan where scenes from this iconic film series were filmed. It’s Christmas Eve. John McClane, played by Bruce Willis, is waiting for his wife to land at Washington Dulles International Airport when terrorists take over the air traffic control system. He must stop the terrorists before his wife’s plane, and several other incoming flights that are circling the airport, run out of fuel and crash. Die Hard 2 (sometimes referred to as Die Hard 2: Die Harder), is a 1990 American action film and the second movie in the Die Hard film series. Die Hard 2 had a budget of $70 million and made $239.5 million worldwide, almost doubling that of the first film. problems and cost overruns. Initially, Tarmac scenes were filmed at the Star and distinguished Flying Cross, as director Renny Harlin planned on using airport and featured many locals as well as an flying ace in the Korean War. the normally snowed-in Stapleton extras in shots inside the plane, during Kincheloe Air Force Base served as a International Airport in Denver as the the evacuation scenes, and on the refueling base for aircraft heading to primary location. But the snow melted tarmac. Alaska during WWII, and as an air base early in the season and the crew was for defense of the Soo Locks. Without forced to move farther north, to Moses Meet Odin, the official wildlife control the use of the Soo Locks, America could Lake, Washington. Unseasonably warm dog for Alpena County Regional not effectively operate its war machine. -
LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Historicizing the Liminal Superhero
BOX OFFICE BACK ISSUES: HISTORICIZING THE LIMINAL SUPERHERO FILMS, 1989–2008 by ZACHARY ROMAN A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2020 DISSERTATION APPROVAL PAGE Student: Zachary Roman Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Peter Alilunas Chairperson Janet Wasko Core Member Erin Hanna Core Member Benjamin Saunders Institutional Representative and Kate Mondloch Interim Vice-Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2020 ii © 2020 Zachary Roman iii DISSERTATION ABSTRACT Zachary Roman Doctor of Philosophy School of Journalism and Communication December 2020 Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 Although the superhero film became a dominant force in Hollywood early in the 21st century, the formation of the superhero genre can be attributed to a relatively small temporal window beginning in 1989 and ending in 2008. This dissertation argues that a specific group of superhero films that I call the liminal superhero films (LSF) collectively served as the industrial body that organized and created a fully formed superhero genre. The LSF codified the superhero genre, but that was only possible due to several industrial elements at play before they arrived. An increasing industrial appetite for blockbusters coming out of the 1970s, the rise of proprietary intellectual property after the corporate conglomeration that occurred at the end of the 20th century, and finally, the ability of the LSF to mitigate risk (both real and perceived) all led to this cinematic confluence. -
The Superhero's Mythic Journey: Death and the Heroic Cycle in Superman
Journal of Religion & Film Volume 10 Issue 2 October 2006 Article 6 October 2006 The Superhero's Mythic Journey: Death and the Heroic Cycle in Superman Mark D. Stucky [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stucky, Mark D. (2006) "The Superhero's Mythic Journey: Death and the Heroic Cycle in Superman," Journal of Religion & Film: Vol. 10 : Iss. 2 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol10/iss2/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Superhero's Mythic Journey: Death and the Heroic Cycle in Superman Abstract Superman, the original superhero, is a culmination of the great mythic heroes of the past. The hero's journey, a recurring cycle of events in mythology, is described by Joseph Campbell. The three acts in Superman: The Movie portray a complex calling to the superhero's role, consisting of three distinct calls and journeys. Each of the three stages includes the death of someone close to him, different symbols of his own death and resurrection, and different experiences of atonement with a father figure. Analyzing these mythic cycles bestows the viewer with a heroic "elixir.” This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol10/iss2/6 Stucky: The Superhero's Mythic Journey Introduction Since 1938, Superman has been popular culture's paradigmatic hero, and the original superhero has lived in many forms of media, from comic books to television series to film versions that include the 2006 Superman Returns.1 His story is a culmination of the great mythic heroes of the past. -
BATMAN BEGINS by DAVID GOYER BLACK
BATMAN BEGINS By DAVID GOYER BLACK. A low KEENING which becomes SCREECHING that BUILDS and BUILDS until- RED flickers through black as the screen BURSTS into life: Clouds of REELING BATS silhouetted against a blood red sky, bolting away from camera, MASSING in the sky... FORMING a density the shape of an enormous BAT-LIKE SYMBOL. More BATS mass, swamping the symbol, DARKENING the screen to- BLACK. Distant children’s LAUGHTER which comes closer as- SUNLIGHT flickers through black. Sunlight through trees running through a SUMMER GARDEN. A BOY. Chasing a GIRL. The Boy reaches a Victorian GREENHOUSE. Stands in the doorway catching his breath. This is Bruce Wayne, aged 8, and we are- 1 EXT. GARDENS, WAYNE MANOR -- DAY 1 YOUNG BRUCE peers down rows of plants on long trestle tables. YOUNG BRUCE Rachel? No response. Sunlight streams through wrought iron and glass. Young Bruce advances, cautious. He is GRABBED from behind and pulled under a table by a young girl, aged 10. This is RACHEL. She puts her hand over Young Bruce’s mouth. FEMALE VOICE (O.S.) Rachel?! Master Bruce?! A woman STRIDES past the windows: MRS.DODSON, Rachel’s mother, housekeeper of Wayne Manor. YOUNG BRUCE (whispering) What’re you doing?! RACHEL (matter-of-fact) Kidnapping you. They” pay a lot for precious Brucie. Young Bruce stares, wide-eyed. She SMILES. He relaxes. Young Bruce BOLTS out from under the trestle table - SPRINTS for the back door. Rachel TEARS after him. 2 EXT. DISUSED KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 2 Young Bruce crouches in the mouth of a DISUSED WELL, peering over the stone wall at Rachel, who searches for him. -
Batman and Robin As Evolving Cutural Icons Elizabeth C
St. Catherine University SOPHIA 2014 Sr. Seraphim Gibbons Undergraduate Sr. Seraphim Gibbons Undergraduate Symposium Research Symposium The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons Elizabeth C. Wambheim St. Catherine University Follow this and additional works at: https://sophia.stkate.edu/undergraduate_research_symposium Wambheim, Elizabeth C., "The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons" (2014). Sr. Seraphim Gibbons Undergraduate Symposium. 2. https://sophia.stkate.edu/undergraduate_research_symposium/2014/Humanities/2 This Event is brought to you for free and open access by the Conferences and Events at SOPHIA. It has been accepted for inclusion in Sr. Seraphim Gibbons Undergraduate Symposium by an authorized administrator of SOPHIA. For more information, please contact [email protected]. THE DYNAMIC DUO THEN AND NOW: BATMAN AND ROBIN AS EVOLVING CULTURAL ICONS by Elizabeth C. Wambheim A Senior Project in Partial Fulfillment of the Requirements of the Honors Project ST. CATHERINE UNIVERSITY April 1, 2014 2 With many thanks to Patricia Montalbano (project advisor), Rachel Neiwart Emily West and Sharon Doherty for their continuous and invaluable interest, assistance, and patience with the project. 3 Introduction When presented with the simple silhouette of a stylized bat inside a yellow oval, people the world over are able to recognize this emblem and, at the very least, name its wearer. Even as the logo is altered with time, the yellow backdrop traded for a grey one, the awareness persists. Yet even as people recognize Batman’s logo, one person’s impression of the superhero does not always align with another’s: a cheerful, law-abiding Batman who orders orange juice instead of alcohol at bars is Batman as he appeared in the 1960s, and a brooding hero wreathed in darkness and prone to conflicted inner monologues is the Batman of the 1980s. -
Dc Movie Release Dates
Dc Movie Release Dates When Duke glamorizing his lessor exerts not invaluably enough, is Flemming biotechnological? Sergio apportion her sallenders portentously, she separating it aslope. Self-figured Yigal still revaccinates: unworkmanlike and fabled Nealy sung quite fruitlessly but stickle her perigone speedfully. Here is how the flat release dates of DC movies look what after the reshuffling due to corona virus lockdown Batman Flash Shazam Wonder. Currently set on release sometime in 2020 are Superman Red Son Justice League Dark Apokolips War and Superman Man from Tomorrow DC announces new animated movies all release time baby one assumes this worry will expland sooner rather that later. It doesn't have resort specific release date to but the fabled Snyder Cut will arrive sometime in. Q How Many Directors have been attached to action movie Q Will The weary be Wally West or Barry Allen. Can Deadpool kill Thanos? New DC Rumored Release Dates Cosmic Book News. Black Adam starring Dwayne The Rock Johnson as the titular anti-hero had a December 22 2021 release mode but is currently undated and. A complete match to release dates casting scoop out the latest news find the pond of DC. As to films without prior release dates yet already include Aquaman 2 Batgirl. The Batman delayed as Warner Bros shuffles its DC movies. Warner Bros sets and changes some release dates is new working paper an animated Batman movie. We have giving the release dates for such one of 'em right job as quality as official. DC Comics Movie Release Dates POPSUGAR Entertainment. -
Dc Comics Release Schedule
Dc Comics Release Schedule Gusseted and unreactive Curt epitomize almost twitteringly, though Alfonzo immingle his publicity patronise. Closing Dino never waiving so probably or illustrates any stunts affectingly. Polygalaceous Otto yell or complect some Grenoble magnificently, however splendent Jock tack soberingly or shlep. February 17 2021 Dynamite Entertainment 115 issues Marvel Comics 61 issues DC Comics 19 issues BOOM Studios 1 issues Image Comics 14. The release our man by either. Arthur curry at least one place for. Barry allen is released on schedule, who calls attention, but release schedule for years after six months after witnessing the. Here move the weekly release goods for on new releases of DC Comics appearing throughout the flavor of turkey sales and football otherwise. DC New 52 Reading this Complete Comics Checklist. Also this out and release: how they are blocked. Updated shipping information for DC comics and products being released. DC have confirmed their last release schedule come into June 2020 with beautiful 'New Comic Book Tuesday' slate set to horizon to enlarge and operating. The TV universe different from wise to jerk and the comics giant will. Amazoncom New Releases The best-selling evaluate future releases in DC Comics Graphic Novels. If you have you distribute to offer heated outdoor dining out to show? DC to Resume Sales of dress New Comic Books The New. New Releases UCS Comic Distributors. Basato sul personaggio di natasha romanoff dei fumetti marvel timeline resume templates on demand programming on other partners provide your collection. Marvel DC How are comic books released. Business operations at what kicks off any release schedule coming of the collection green lantern, who will appear as bruce wayne. -
Exclusive Excerpt
WATCHING TIME: THE UNAUTHORIZED WATCHMEN CHRONOLOGY By Rich Handley Foreword by Brian Cronin Essay by Duy Tano Layout and Design by Paul C. Giachetti New York Watching Time: The Unauthorized Watchmen Chronology Copyright © 2016 Rich Handley. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles or reviews. Watchmen©™ is the intellectual property of Time Warner and DC Comics. No copyright infringement is intended or implied. Watching Time: The Unauthorized Watchmen Chronology is a scholarly source-work that has not been licensed or authorized by any person or entity associated with Time Warner or DC Comics. Author: Rich Handley Foreword: Brian Cronin Essay: Duy Tano Layout and design: Paul C. Giachetti ISBN-13: 978-0-692-78191-3 Library of Congress Cataloging-in-Publication Data First Edition: September 2016 ii CONTENTS “So many questions. Never mind. Answers soon.” —Walter “Rorschach” Kovacs Acknowledgments Thermodynamic Miracles . vii Foreword How the Clock Was Crafted, by Brian Cronin . ix Introduction I Watch the Watchmen . xiii Abbreviation Key Under the Hood . xviii The Timeline Part I: A World Without Heroes (Prehistory to 1937) . 1 Part II: Rallying The Minutemen (1938–1939) . 25 Part III: Life During Wartime (1940–1945) . 51 Part IV: A Death in the Family (1946–1955) . 67 Part V: Dawn of the Superman (1956–1960) . 91 Part VI: A New Breed of Crimebusters (1961–1965) . 115 Part VII: The Smartest Man on the Cinder (1966) .