„Spirit'n'jazz – Can You See...?“
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Interview with Jb (Rastagrafix) by Michael Erlewine
Interview with jb (rastagrafix) by Michael Erlewine Interview with jb (rastagrafix) by Demetrios and his florescent puppets Michael Erlewine upstairs at the Avalon (whatever [email protected] happened to him), that darned white rabbit poster above my refrigerator... Michael Erlewine: When and how did you get interested in art? Michael Erlewine: What was your first concert-music poster? Jb: One of my earliest memories was of my dad drawing an Indian. I was Jb: After a sailing trip to the Lesser stunned that you could just make a Antilles in '72, I started seriously picture of something like that! Later, in hanging out at Kingston Records on high school, I knew I was going to be an Fillmore Street, Ruel Mill's tiny enclave artist, and I worked hard at it, even of riddim and vibes. One day I saw Ruel drawing up a flyer for a concert he was winning an award or two. I went to work early-on in a local art gallery, and then producing with Toots, Dennis Brown, during the Vietnam era enlisted in the air and Jacob Miller at Winterland. He was force, ended up at the Defense doing such a lousy job that I offered to Language Institute studying Chinese whip something together overnight, during the week and dropping out on the gratis. The result was crude, but after weekends. When I got out in 1968, I hanging out later with the talent I figured lived in the Haight and worked in it was a pretty cool gig. galleries again, but as time passed I Michael Erlewine: What are the main became more interested in restoring art bands you have done posters for? than in creating it. -
Bob Marley Poems
Bob marley poems Continue Adult - Christian - Death - Family - Friendship - Haiku - Hope - Sense of Humor - Love - Nature - Pain - Sad - Spiritual - Teen - Wedding - Marley's Birthday redirects here. For other purposes, see Marley (disambiguation). Jamaican singer-songwriter The HonourableBob MarleyOMMarley performs in 1980BornRobert Nesta Marley (1945- 02-06)February 6, 1945Nine Mile, Mile St. Ann Parish, Colony jamaicaDied11 May 1981 (1981-05-11) (age 36)Miami, Florida, USA Cause of deathMamanoma (skin cancer)Other names Donald Marley Taff Gong Profession Singer Wife (s) Rita Anderson (m. After 1966) Partner (s) Cindy Breakspeare (1977-1978)Children 11 SharonSeddaDavid Siggy StephenRobertRohan Karen StephanieJulianKy-ManiDamian Parent (s) Norval Marley Sedella Booker Relatives Skip Marley (grandson) Nico Marley (grandson) Musical careerGenres Reggae rock Music Instruments Vocals Guitar Drums Years active1962-1981Labels Beverly Studio One JAD Wail'n Soul'm Upsetter Taff Gong Island Associated ActsBob Marley and WailersWebsitebobmarley.com Robert Nesta Marley, OM (February 6, 1945 - May 11, 1981) was Jamaican singer, songwriter and musician. Considered one of the pioneers of reggae, his musical career was marked by a fusion of elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contribution to music has increased the visibility of Jamaican music around the world and has made him a global figure in popular culture for more than a decade. During his career, Marley became known as the Rastafari icon, and he imbued his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and has been controversial in his outspoken support for marijuana legalization, while he has also advocated for pan-African. -
The Perfect Pitch 2012
2012 2011–2012 Javier Alvarez, Composer Samuel Ramey, Bass-Baritone Peter Bagley, Conductor Sandra Rivers, Piano Jay Batzner, Composer Gail Robertson, Euphonium Shawn Bell Quartet Christine Salerno and ZIJI Fred Hersch, Piano and Composer Justin Benavidez, Tuba Mauricio Salguero, Clarinet Janet Hilton, Clarinet Gene Bertoncini, Guitar John Sampen, Saxophone Edith Hines, Baroque Violin Alex Brown, Piano San Francisco Jazz Collective Jon Holden, Clarinet Mark Bunce, Composer and Engineer Nina Schumann and Lúis Magalháes, Piano Pat Hughes, Horn Roger Chase, Viola Dan Scott, String Education Specialist Naoko Imafuku, Piano Larry Clark, Conductor Kendrick Scott, Drums JaLaLa Evan Conroy, Bass Trombone Mira Shifrin, Flute Lia Jensen-Abbott, Piano Mike Crotty, Multi-instrumentalist Alan Siebert, Trumpet Mayumi Kanagawa, Violin Vocal Coach and Piano Composer Vera Danchenko-Stern, (Stulberg Silver Medalist) Mark Snyder, Joel Davel, Percussion Jack Stamp, Conductor and Composer Christopher Kantner, Flute The Quincy Davis Project Elizabeth Start, Cello Kontras String Quartet Alissa Deeter, Soprano John Chappell Stowe, Organ and Harpsichord Massimo LaRosa, Trombone Detroit Symphony Orchestra Brass Players Mihai Tetel, Cello Dan Levitin, Neuroscientist Piano Piano Ron DiSalvio, and Cognitive Psychologist Yu-Lien The, Paquito D’Rivera, Clarinet, Saxophone, Walter Thompson, Soundpainter and Composer The Dave Liebman Group and Composer Trollstilt Andrew List, Composer John Duykers, Tenor Dan Trueman, Composer Paul Loesel, Piano and Composer Euclid Quartet -
Rolling Stones - Connection
Rolling Stones - Connection Relevant Recent Additions To “The Ultimate Guide” © Felix Aeppli 2019-07-23 0.225A 1972 SINGLE, LONDON/KING RECORDS Q-4 (JAPAN) A Little Queenie (Berry) B Love In Vain (Johnson) Side A: Recorded at Madison Square Garden, New York City, November 28, 1969 (early show). Side B: Recorded at Civic Center, Baltimore, Maryland, November 26, 1969. NOTES: Side A: Special edition featuring an edited intro. 0.229B FEBRUARY 11, 1973 WESTERN SPRINGS STADIUM, AUCKLAND, NEW ZEALAND 1 Brown Sugar 4 Gimmie Shelter Song 1 (lip-synched): Circulated on video (professional multi-camera recording). Songs 1, 4 (both incomplete [4 lip-synched]), Line 14: Shown in an unidentified New Zealand news clip, February, 1973. 1142C 1983 New York City: MICK JAGGER & DAVID LEE ROTH, THE INSIDE TRACK # 15 (D.I.R. Broadcasting, no catalogue number, May, 1983): 1. Mick Jagger Interview by Lisa Robinson. 3422A 2018 or early 2019 Probably New York City: KR interview for “John Lee Hooker: The Boogie Man” (directed by Todd Austin; BBC Four, April 26, 2019). 3422B 2018 or early 2019 KR’s house in Weston, Connecticut: KR interview for “Remastered - Devil At The Crossroads” (Robert Johnson documentary, directed by Brian Oaks; Netflix streaming, April 26, 2019 [US]). 6107B February 5, 2003 Stan Levey’s home, Los Angeles: “Stan Meets Charlie” (directed by Arthur Shelby Pritz; YouTube/Shearman Oaks video stream, May 24, 2019) CW, Jim Keltner, Harvey Kubernik, Stan & Angela Levey in conversation; also CW interview (recorded at a later date). 8182A April 21, 1993 Ceremony at the Eglise Collegiale and Party at the Restaurant La Colombe d’Or, St. -
Influence of African Oral Tradition in Winning Jah's Reggae Music
International Journal of Research in Humanities and Social Studies Volume 5, Issue 3, 2018, PP 11-15 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) Influence of African Oral Tradition in Winning Jah’s Reggae Music Solomon Awuzie, PhD Department of English, Edo University Iyamho, Edo State, Nigeria *Corresponding Author: Solomon Awuzie, Department of English, Edo University Iyamho, Edo State, Nigeria. ABSTRACT Since Bob Marley’s visit to Africa, the reggae music has become one of the music genres the African artistes imbibed. By joining in singing the reggae music, the African artistes have succeeded in spicing up the reggae music with the African oral tradition. Using Winning Jah’s selected reggae songs the influence of African oral tradition on the African reggae music is revealed. The paper concludes that African reggae artistes, such as Winning Jah, have succeeded in adding African flavour to the reggae music. The essence of this is to make it fit as an instrument for African social and political correction. Keywords: Reggae, Winning Jah, African Oral tradition, music INTRODUCTION also given the song the status of the symbol. It has musical makeup that has strong impact on Even though the popularity of the reggae music the African reggae music and that has also in Africa dates back to the 1980s when the distinguished it from other reggae music from Jamaican reggae stars, Bob Marley, Peter Tosh around the world. Jasper Onuekwusi has argued and Jimmy Cliff and others became known in that the African oral tradition “cannot exist the world for the reggae music. Bob Marley’s outside music, melody and rhythm for the trip to Zimbabwe, Burning Spear’s trip to musical impulse often forms the base of [its] Senegal and Jimmy Cliff’s journey to Senegal poetic composition” (118). -
Toots & the Maytals
Toots & The Maytals Live At Reggae Sunsplash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Live At Reggae Sunsplash Released: 1994 Style: Roots Reggae MP3 version RAR size: 1281 mb FLAC version RAR size: 1460 mb WMA version RAR size: 1931 mb Rating: 4.5 Votes: 414 Other Formats: XM DXD WAV DTS VOX RA AC3 Tracklist Introduction By M.C. Winston Barnes 0:57 1 Pressure Drop 4:27 2 Get Up Stand Up 6:27 3 Monkey Man 4:10 4 (Marley's Gone...) His Songs Live On 6:09 5 It's You 3:49 6 Bam Bam / Pomp And Pride (Medley) 4:36 Companies, etc. Licensed From – Sunsplash Records Credits Bass – Jackie Jackson Drums – Paul Douglas Keyboards – Harold Butler, Winston Wright Lead Guitar – Carl Harvey Lead Vocals – Toots Hibbert Rhythm Guitar – Hux Brown Notes Recorded live at Reggae Sunsplash August 4, 1982 Barcode and Other Identifiers Barcode: 3 448963 600320 Other versions Category Artist Title (Format) Label Category Country Year Toots & The Live At Reggae Sunsplash Sunsplash RS 8901 RS 8901 US 1983 Maytals (LP, Album) Records Toots & The Live At Reggae Sunsplash Sunsplash RS 8901 RS 8901 US 1983 Maytals (LP, Album) Records Toots & The Live at Reggae Sunsplash GCD 8801 Genes Records GCD 8801 US 1983 Maytals (CD, Album) Toots & The Live At Reggae Sunsplash VSLP 8901 Vista Sounds VSLP 8901 France 1983 Maytals (LP, Album) Toots & The Live At Reggae Sunsplash VSLP 8901 Vista Sounds VSLP 8901 UK 1983 Maytals (LP, Album) Related Music albums to Live At Reggae Sunsplash by Toots & The Maytals Toots & The Maytals - If You Act This Way. -
Daily Eastern News: February 15, 1991 Eastern Illinois University
Eastern Illinois University The Keep February 1991 2-15-1991 Daily Eastern News: February 15, 1991 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1991_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 15, 1991" (1991). February. 10. http://thekeep.eiu.edu/den_1991_feb/10 This is brought to you for free and open access by the 1991 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. Surprise Phone registration requires $100 down By LORI HIGGINS will be able to tell if a student has Campus editor not met with an adviser. "There's an indicator on each Students who plan to take cours student's record that says whether es during the summer or fall they have been advised," Taylor semesters must pay an advance fee said. If the student has met with an of $25 or $100, respectively, to be adviser. the adviser \.\411 indicate used for the touch-tone phone reg that on the student's record. istration system the university is Taylor added this rule does not implementing beginning in March. apply to graduate students, who do However, these fees are not in not have to be advised. addition to tuition and other fees Once those three pre-registering that students must pay, said requirements have been met, Taylor Michael Taylor, the director of reg said all students have to do is find a istration. "It's part of their next fall touch-tone phone and register or next summer fees," he said. -
Never Grow Old
LivingLiving Legend:Legend: TooTooTTss HibberHibberTT By Carter van Pelt Photo by © Lee Abel 28 Reggae Festival guide 2018 he adjective “legendary” gets thrown Hibbert was exposed from an early age to around often describing influential the rhythmic and melodic framework of musicians, but nothing could be Jamaican gospel, and of course schooled more applicable to describe Frederick in its Old Testament narratives. While these T“Toots” Hibbert. A 60-year veteran of the elements are at the core of his identity, an Jamaican music industry, the first use of the exposure to Rastafari also marked an essential term “reggae” in a popular recording traces phase in the young singer’s development, directly to him, placing him at the foundation as he explained to archivist Steve Barrow in of a global movement. When “Do The Reggay” a 1995 Palm Pictures interview. became a hit in 1968, his group the Maytals “I used to go to church with my parents. It had already played an essential role in the was a kind of clap-hand church. They used emergence and popularity of Jamaica’s first to have concerts. I was about 12. Every time international music: ska. I sang, people would clap and [be] joyful. Most The Maytals had been around for over a of my songs are coming from the church, not decade by the time Perry Henzell’s 1972 film, political really, although sometimes people The Harder They Come, brought reggae and may find it that way too…I was about 13, the mystique of Jamaican counterculture coming to Kingston, I found this church to an international audience. -
Eastern Progress Eastern Progress 1970-1971
Eastern Progress Eastern Progress 1970-1971 Eastern Kentucky University Year 1971 Eastern Progress - 29 Apr 1971 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1970-71/30 t'» // / Margaret \ Exam > Skaggs Schedule Pkr4 / Sitting Tli§ toe* In A Print*ssii* fra / Page 6 i . i si?'' ■■ 48th Year, Number 30 Student Publication of Eastern Kentucky University, Richmond, Ky. 12 Pages April 29,1971 Student Regent Election Slated For Today* By RAY WALKER Blair was the first to ask run anyway because no one never advocated this nor will Board meetings, park their should have at least one would work for it on the "There are two ways you can Staff Reporter any questions when he asked would listen to some one who I." ears, eat lunch, then leave and student member and both Board. serve on the Board of Regents. A special election for the Hatfield if he could give won an election unopposed. Chuck Kelhoffer, newly not return until the next favored letting the faculty and Bill Ramey asked both Do what Robert Martin wants student (non-voting) member adequate representation to the Charles Abner asked Blair elected president of the meeting." student regent member be candidates what they thought you to do or to serve 'the non-Greeks on campus if he had accepted a Student Association, asked given voting privileges with of the Center Board's students. I have talked with of the Board of Regents will All Regents Should Vote be held today from 10 a.m. to Hatfield answered that he had commission in the Navy.