THE BATTLE of ALCAZAR by George Peele
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Alcazar Återvänder Till Stockholm Med Årets Scenshow "Disco Defenders"
2016-02-09 10:17 CET Alcazar återvänder till Stockholm med Årets scenshow "Disco Defenders" Alcazar gör just nu succé ute på turné med sin storslagna och bejublade show "Disco Defenders”. På QX Gaygala 2016 igår kväll utsågs "Disco Defenders" till Årets scen och recensenterna är lyriska. VLT beskriver turnépremiären i Västerås som "kaxigt och extremt proffsigt”, GP konstaterar att det är en "maffig discoshow. Bara att kapitulera” och GT döper om gruppen till "FenomenAlcazar". Nu är det klart att Alcazar med anledning av det enorma intresset återvänder till Stockholm i höst för ännu en discofebrig säsong på Hamburger Börs. Den 15 september blir det nypremiär och biljetterna till höstsäsongen släpps torsdag den 25 februari. – Vi är otroligt glada och stolta över att ”Disco Defenders” har utsetts till "Årets scen”! Det är verkligen en bekräftelse på att discofebern intagit Sverige med full kraft. Nu fortsätter vi vår Sverigeturné med ännu mer energi och ser fram emot att återvända till Börsen i höst för en fjärde härlig spelsäsong, hälsar Alcazar. I "Disco Defenders" uppträder Andreas Lundstedt, Tess Merkel och Lina Hedlund tillsammans med några av Sveriges bästa dansare och musiker. De bjuder på discoklassiker från 70-talet och framåt och självklart också Alcazars egna hits så som "Crying at the Discoteque", "Not a Sinner, Nor a Saint", "Alcastar", "Stay the night" och “Blame it on the Disco”. Efter förra vårens spelsäsong i Göteborg och hösten på Börsen i Stockholm är Alcazar i vår ute på en stor Sverigeturné. Nu är det klart att "Disco Defenders” fortsätter i höst. Den 15 september återvänder Alcazar till Hamburger Börs och kommer sprida sitt bejublade discoglitter i Stockholm under hela hösten. -
Fakta Om Torsdagens Konsert
FAKTA OM TORSDAGENS KONSERT Ni är alla hjärtligt välkomna till torsdagens konsert på Malmö Youth Games. Konserten börjar kl:20.00 och slutar kl:23.00. Insläppet öppnar kl:18.00. Torsdagens artister är följande: Kl:20.00 Next 3 Kl:21.00 Alcazar Kl:22.00 Adam Tensta Nedan följer en presentation av artisterna: Next 3 Gruppen består av 17-åringarna Jimmy Almgren, Adam Soliman och Gonzalo Flores – alla från Norrköping När bidragen till 2009 års Melodifestival presenterades för ett tag sedan var det många som klagade över hur det bara var rutinerade låtskrivare som fått med låtar i tävlingen. Motbeviset var bidraget Esta Noche, skrivet av tre Norrköpingskillar som aldrig förr satt sin fot i festivalen och som kallar sig Next 3. Next 3 har hållit på som grupp tillsammans i ungefär ett och ett halvt år och gör lite allt möjligt; lite latinskt, r'n'b, hiphop och schlager, och det har gått framåt om man säger så. De började som grupp då de var med i en tävling som heter Talanger. Dock var de vid det tillfället delade och kom tvåa respektive trea, så efteråt bildade de Next 3. Next 3 beskriver sin musik som väldigt blandad, och även om den har sin tyngdpunkt i hiphop, r'n'b och reggaeton så innehåller den influenser av såväl pop som schlager. Killarna gillar att blanda friskt, både vad gäller musikstilar och språk. Next 3 släpper inom kort sin första singel och har en spännande tid att se fram emot. Alcazar Gruppen bildades 1998, då med de tre medlemmarna, Andreas Lundstedt, Tess Merkel och Annika Fjore Kjaergaard. -
PDF. Ksar Seghir 2500Ans D'échanges Inter-Civilisationnels En
Ksar Seghir 2500 ans d’échanges intercivilisationnels en Méditerranée • Première Edition : Institut des Etudes Hispanos-Lusophones. 2012 • Coordination éditoriale : Fatiha BENLABBAH et Abdelatif EL BOUDJAY • I.S.B.N : 978-9954-22-922-4 • Dépôt Légal: 2012 MO 1598 Tous droits réservés Sommaire SOMMAIRE • Préfaces 5 • Présentation 9 • Abdelaziz EL KHAYARI , Aomar AKERRAZ 11 Nouvelles données archéologiques sur l’occupation de la basse vallée de Ksar de la période tardo-antique au haut Moyen-âge • Tarik MOUJOUD 35 Ksar-Seghir d’après les sources médiévales d’histoire et de géographie • Patrice CRESSIER 61 Al-Qasr al-Saghîr, ville ronde • Jorge CORREIA 91 Ksar Seghir : Apports sur l’état de l’art et révisoin critique • Abdelatif ELBOUDJAY 107 La mise en valeur du site archéologique de Ksar Seghir Bilan et perspectives 155 عبد الهادي التازي • مدينة الق�رص ال�صغري من خﻻل التاريخ الدويل للمغرب Préfaces PREFACES e patrimoine archéologique marocain, outre qu’il contribue à mieux Lconnaître l’histoire de notre pays, il est aussi une source inépuisable et porteuse de richesse et un outil de développement par excellence. A travers le territoire du Maroc s’éparpillent une multitude de sites archéologiques allant du mineur au majeur. Citons entre autres les célèbres grottes préhistoriques de Casablanca, le singulier cromlech de Mzora, les villes antiques de Volubilis, de Lixus, de Banasa, de Tamuda et de Zilil, les sites archéologies médiévaux de Basra, Sijilmassa, Ghassasa, Mazemma, Aghmat, Tamdoult et Ksar Seghir objet de cet important colloque. Le site archéologique de Ksar Seghir est fameux par son évolution historique, par sa situation géographique et par son urbanisme particulier. -
The Relationship of the Dramatic Works of John Lyly to Later Elizabethan Comedies
Durham E-Theses The relationship of the dramatic works of John Lyly to later Elizabethan comedies Gilbert, Christopher G. How to cite: Gilbert, Christopher G. (1965) The relationship of the dramatic works of John Lyly to later Elizabethan comedies, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9816/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE RELATIONSHIP OP THE DRAMATIC WORKS OP JOHN LYLY TO LATER ELIZABETHAN COMEDIES A Thesis Submitted in candidature for the degree of Master of Arts of the University of Durham by Christopher G. Gilbert 1965 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. DECLARATION I declare this work is the result of my independent investigation. -
Tradition and Sustainability in Vernacular Architecture of Southeast Morocco
sustainability Article Tradition and Sustainability in Vernacular Architecture of Southeast Morocco Teresa Gil-Piqueras * and Pablo Rodríguez-Navarro Centro de Investigación en Arquitectura, Patrimonio y Gestión para el Desarrollo Sostenible–PEGASO, Universitat Politècnica de València, Cno. de Vera, s/n, 46022 Valencia, Spain; [email protected] * Correspondence: [email protected] Abstract: This article is presented after ten years of research on the earthen architecture of southeast- ern Morocco, more specifically that of the natural axis connecting the cities of Midelt and Er-Rachidia, located North and South of the Moroccan northern High Atlas. The typology studied is called ksar (ksour, pl.). Throughout various research projects, we have been able to explore this territory, documenting in field sheets the characteristics of a total of 30 ksour in the Outat valley, 20 in the mountain range and 53 in the Mdagra oasis. The objective of the present work is to analyze, through qualitative and quantitative data, the main characteristics of this vernacular architecture as a perfect example of an environmentally respectful habitat, obtaining concrete data on its traditional character and its sustainability. The methodology followed is based on case studies and, as a result, we have obtained a typological classification of the ksour of this region and their relationship with the territory, as well as the social, functional, defensive, productive, and building characteristics that define them. Knowing and puttin in value this vernacular heritage is the first step towards protecting it and to show our commitment to future generations. Keywords: ksar; vernacular architecture; rammed earth; Morocco; typologies; oasis; High Atlas; sustainable traditional architecture Citation: Gil-Piqueras, T.; Rodríguez-Navarro, P. -
Representations of Spain in Early Modern English Drama
Saugata Bhaduri Polycolonial Angst: Representations of Spain in Early Modern English Drama One of the important questions that this conference1 requires us to explore is how Spain was represented in early modern English theatre, and to examine such representation especially against the backdrop of the emergence of these two nations as arguably the most important players in the unfolding game of global imperialism. This is precisely what this article proposes to do: to take up representative English plays of the period belonging to the Anglo-Spanish War (1585–1604) which do mention Spain, analyse what the nature of their treat- ment of Spain is and hypothesise as to what may have been the reasons behind such a treatment.2 Given that England and Spain were at bitter war during these twenty years, and given furthermore that these two nations were the most prominent rivals in the global carving of the colonial pie that had already begun during this period, the commonsensical expectation from such plays, about the way Spain would be represented in them, should be of unambiguous Hispanophobia. There were several contextual reasons to occasion widespread Hispanophobia in the period. While Henry VIII’s marriage to Catherine of Aragon (1509) and its subsequent annulment (1533) had already sufficiently complicated Anglo-Hispanic relations, and their daughter Queen Mary I’s marriage to Philip II of Spain (1554) and his subsequent becoming the King of England and Ireland further aggravated the 1 The conference referred to here is the International Conference on Theatre Cultures within Globalizing Empires: Looking at Early Modern England and Spain, organised by the ERC Project “Early Modern European Drama and the Cultural Net (DramaNet),” at the Freie Universität, Ber- lin, November 15–16, 2012, where the preliminary version of this article was presented. -
1 Settlement Patterns in Roman Galicia
Settlement Patterns in Roman Galicia: Late Iron Age – Second Century AD Jonathan Wynne Rees Thesis submitted in requirement of fulfilments for the degree of Ph.D. in Archaeology, at the Institute of Archaeology, University College London University of London 2012 1 I, Jonathan Wynne Rees confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis examines the changes which occurred in the cultural landscapes of northwest Iberia, between the end of the Iron Age and the consolidation of the region by both the native elite and imperial authorities during the early Roman empire. As a means to analyse the impact of Roman power on the native peoples of northwest Iberia five study areas in northern Portugal were chosen, which stretch from the mountainous region of Trás-os-Montes near the modern-day Spanish border, moving west to the Tâmega Valley and the Atlantic coastal area. The divergent physical environments, different social practices and political affinities which these diverse regions offer, coupled with differing levels of contact with the Roman world, form the basis for a comparative examination of the area. In seeking to analyse the transformations which took place between the Late pre-Roman Iron Age and the early Roman period historical, archaeological and anthropological approaches from within Iberian academia and beyond were analysed. From these debates, three key questions were formulated, focusing on -
The Complement System: a Powerful Modulator and Effector of Astrocyte Function in the Healthy and Diseased Central Nervous System
cells Review The Complement System: A Powerful Modulator and Effector of Astrocyte Function in the Healthy and Diseased Central Nervous System Marcela Pekna 1,3,4,* and Milos Pekny 2,3,4 1 Laboratory of Regenerative Neuroimmunology, Center for Brain Repair, Department of Clinical Neuroscience, Institute of Neuroscience and Physiology, Sahlgrenska Academy at the University of Gothenburg, 40530 Gothenburg, Sweden 2 Laboratory of Astrocyte Biology and CNS Regeneration, Center for Brain Repair, Department of Clinical Neuroscience, Institute of Neuroscience and Physiology, Sahlgrenska Academy at the University of Gothenburg, 40530 Gothenburg, Sweden; [email protected] 3 Florey Institute of Neuroscience and Mental Health, Parkville, Melbourne 3010, Australia 4 School of Medicine and Public Health, University of Newcastle, Newcastle 2308, Australia * Correspondence: [email protected]; Tel.: +46-31-786-3581 Abstract: The complement system, an effector arm of the innate immune system that plays a critical role in tissue inflammation, the elimination of pathogens and the clearance of dead cells and cell debris, has emerged as a regulator of many processes in the central nervous system, including neural cell genesis and migration, control of synapse number and function, and modulation of glial cell responses. Complement dysfunction has also been put forward as a major contributor to neurological disease. Astrocytes are neuroectoderm-derived glial cells that maintain water and ionic homeostasis, and control cerebral blood flow and multiple aspects of neuronal functioning. By virtue of their Citation: Pekna, M.; Pekny, M. The Complement System: A Powerful expression of soluble as well as membrane-bound complement proteins and receptors, astrocytes are Modulator and Effector of Astrocyte able to both send and receive complement-related signals. -
English/French
World Heritage 36 COM WHC-12/36.COM/8D Paris, 1 June 2012 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Thirty-sixth Session Saint Petersburg, Russian Federation 24 June – 6 July 2012 Item 8 of the Provisional Agenda: Establishment of the World Heritage List and of the List of World Heritage in Danger 8D: Clarifications of property boundaries and areas by States Parties in response to the Retrospective Inventory SUMMARY This document refers to the results of the Retrospective Inventory of nomination files of properties inscribed on the World Heritage List in the period 1978 - 1998. To date, seventy States Parties have responded to the letters sent following the review of the individual files, in order to clarify the original intention of their nominations (or to submit appropriate cartographic documentation) for two hundred fifty-three World Heritage properties. This document presents fifty-five boundary clarifications received from twenty-five States Parties, as an answer to the Retrospective Inventory. Draft Decision: 36 COM 8D, see Point IV I. The Retrospective Inventory 1. The Retrospective Inventory, an in-depth examination of the Nomination dossiers available at the World Heritage Centre, ICOMOS and IUCN, was initiated in 2004, in parallel with the launching of the Periodic Reporting exercise in Europe, involving European properties inscribed on the World Heritage List in the period 1978 - 1998. The same year, the Retrospective Inventory was endorsed by the World Heritage Committee at its 7th extraordinary session (UNESCO, 2004; see Decision 7 EXT.COM 7.1). -
Melodifestivalen 2003 Svenska Folkets Röster Per Telefon
Melodifestivalen 2003 Svenska folkets röster per telefon. Resultat från deltävlingarna och Tittarnas val, det vill säga fem program februari– mars samt finalen (med poäng från folket och jurygrupperna). Antal röster efter samtliga tävlingar: 3 420 465 röster. Deltävling 1: Jönköping, Tipshallen, 15 februari 2003 Bidragen presenteras i startordning. Antal röster Artist – Låttitel Text (t) och musik (m) Omg 1 Omg 2 Placering 1. Crosstalk – STRONGER Mattias Reimer (tm), Lars Edvall (tm) 14 651 - 6 Utslagen 2. DeDe Lopez – SOMEONE, SOMEWHERE, SOMEDAY Mattias Holmlund (tm), Peter Ågren (tm) 5 386 - 7 Utslagen 3. Mendez – CARNAVAL Leopoldo Mendez, Patrik Henzel, Gustav Jonsson, Tommy Tysper, Markus Sepehrmanesh 26 836 34 576 3 Tittarnas val 4. Alive feat. Jessie Martins – INGEN ANNAN Mattias Reimer (tm), Lars Edvall (tm) 5 341 - 8 Utslagen 5. Jill Johnson – CRAZY IN LOVE Lennart Wastesson (tm), Larry Forsberg (tm), Sven-Inge Sjöberg (tm) 42 697 48 786 2 Till final 6. Da Buzz – STOP! LOOK! LISTEN! Per Lund, Urban Robertsson, Joakim Udd, Peter Boström 16 817 - 5 Utslagen 7. Markus Landgren – TELEVISION Pernilla Sahlin (t), Peter Sahlin (tm) 19 997 25 998 4 Tittarnas val 8. Pernilla Wahlgren & Jan Johansen – LET YOUR SPIRIT FLY Ola Höglund (tm), Anders Dannvik (tm) 95 703 90 302 1 Till final Telefonröster: 429 784 röster Till Radiohjälpen: 363 026,50 kronor Tv-tittare: 2 977 000 tittare Deltävling 2: Göteborg, Scandinavium, 22 februari 2003 Bidragen presenteras i startordning. Antal röster Artist – Låttitel Text (t) och musik (m) Omg 1 Omg 2 Placering 1. Andrés Esteche – JUST LIKE A BOOMERANG Tobias Lundgren (tm), Johan Fransson (tm), Tim Larsson (tm), Niklas Edberger (tm) 29 223 - 5 Utslagen 2. -
The Appearance of Blacks on the Early Modern Stage: Love's
Early Theatre 17-2 (2014), 77–94 DOI: http://dx.doi.org/10.12745/et.17.2.1206 matthieu a. chapman The Appearance of Blacks on the Early Modern Stage: Love’s Labour’s Lost’s African Connections to Court While scholarship is certain that white actors did appear in blackface on the Eliza- bethan stages, this paper argues for the additional possibility of actual moors and blacks appearing on stage in early modern London. Examining the positive social, political, and economic implications of using in performance these bodies per- ceived as exotic, I argue for the appearance of blacks in Love’s Labour’s Lost as a display of courtly power in its 1597–8 showing for Elizabeth I. Building on this precedent, Queen Anna’s staging of herself as black in the 1605 Masque of Black- ness, I argue, worked to assert the new Jacobean court’s power. In the year 1501, Spanish princess Catherine of Aragon arrived in England to marry Arthur, eldest son of Henry VII. The English greeted Catherine with much fanfare and were impressed with the pageantry of her entrance, which, as Sir Thomas More wrote, ‘thrilled the hearts of everyone’.1 In spite of the fanfare, not everything about Catherine’s entrance was entirely positive. The Spanish princess’s arrival brought not only a wife for the prince of Wales, but also attention to a confusion prevalent in English culture, the simultan- eous visibility and invisibility of blacks. Of the fifty-one members of Cath- erine of Aragon’s household to make the trip to England with her, two were black.2 Describing these individuals -
Revisiting Colonized Morocco: New Approaches and Recent Trends
Vendredi 5 juillet 2019 - Première session Atelier 32 Salle : 11 Revisiting Colonized Morocco: New Approaches and Recent Trends In the field of Modern North African studies in the last decades, the history of colonized Morocco has suffered from the boom of research dealing with Algeria, especially in the French academia; and to add to that, Spanish colonialism in the Northern zone occupies a marginal position in the field of Moroccan studies. A series of recent works tend to make this assertion evolve: this interdisciplinary panel aims to make new trends visible and to create an international space for reflection on Moroccan history in connexion to the Spanish protectorate and its legacies. The communications will focus on the colonial and postcolonial history of Spanish colonialism in Morocco, with a set of questions linked to its distinctive features, peculiarities and long-term consequences in the global history of Modern North Africa. Moroccan Nationalism in the Spanish Protectorate is still underestimated while it proved crucial for Moroccan national emancipation. Its significance in the history of the national movement needs to be reassessed, as a “hub of transnational anti-colonial activism” (Stenner). Spanish colonial administration, while presenting itself as liberal and more open-minded than its French neighbour, even playing on the sense of a supposed “Hispano-Arab fraternity”, proved ambivalent. The policy towards the press published in Arabic is a relevant case study in this framework, as it navigated between tolerance and repression (Velasco de Castro). The Spanish colonial policies regarding colonized populations, and notably the Jewish minority, is also an interesting point to study as “Hispano-Arab fraternity” rhetoric coexisted with “philo-Sephardism”.