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'I Have Enormous Sadness In
THETIMESThursdayDecember102009 THETIMESThursdayDecember102009 arts times2 615 MAIN IMAGE: CHRIS HARRIS FOR THE TIMES plots,castles,gettingbanished,butafterPe- ter I played Electra. It felt right to act it. It wasn’t like I was acting out my grief but I certainly felt it expunged. Up to that point The odd couple — acting had been a facility,after it,it became a reality. With a part like that you’re com- municating the private sorrows of an audi- ence. I am very interested in playing a psy- chologist next, to be the recipient of some- and the other guy oneelse’sstoriesratherthantheteller.” What about Lady Macbeth: she hasn’t Rachel Campbell- doneheryet?“Ijustmight,”shesaysquizzi- cally. “Alan Rickman asked me recently, Johnston goes to a ‘Whatever happened to us doing the Mac- beths?’” What? Those two as Mr and Mrs party thrown by M?Bestillourbeating. As for the insane Harry Potter slip- three artists with stream, she is almost dismissive. “Harry Melling, the young man who plays my son little in common he’ll be going up ladders again. My mum Fiona Shaw, left, near to in Mother Courage, plays my son in Potter visits him every day” — she smiles — home base on Primrose (they are Petunia and Dudley Dursley re- “apart from her days off in France.” She Hill; as Harry Potter’s spectively), and we’re the poor relations. Visual Art notes my stricken expression. “As a family Aunt Petunia (with We never do any magic, we have it done to wehaveratheraperfunctoryattitudetoill- Harry Melling and us. The odd thing is leaving the set and to Sargent, Sickert, ness. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
ROSALIND-Film-Links
THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND SOME LINKS FOR YOUR VIEWING PLEASURE YOUTUBE…. FILM PRODUCTION TWENTIETH CENTURY FOX (1936) Directed by Paul Czinner Laurence Olivier, Elisabeth Bergner, Sophie Stewart With English Captions: https://www.youtube.com/watch?v=wFChichBoPI&t=16s Without English Captions: https://www.youtube.com/watch?v=RxBwHQSbUdY&list=RDCMUCWNH6WeWgwMaWbO_ 5VfhiTQ&start_radio=1&t=24 BBC – THE OPEN UNIVERSITY “AS YOU LIKE IT” DOCUMENTARY (2016) Award-winning British Actress Fiona Shaw Lectures, Scene Study with Exercises https://www.youtube.com/watch?v=1bTlH-EQSJE&t=2202s FULL AMATEUR PRODUCTIONS THE PUBLIC THEATER OF MINNESOTA SHAKESPEARE FESTIVAL (2013) Filmed Outdoor Stage Production https://www.youtube.com/watch?v=dDVnVpgzG5U&t=6848s SHAKESPEARE BY-THE-SEA (2015) Filmed Live Outdoor Stage Production https://www.youtube.com/watch?v=ZTSaCh02s8U&list=PLH0M7jdxVB3vfSQjS6gAMm6M3h Ox6cXP-&index=25 AUDIO RECORDING LIBRIVOX AUDIOBOOKS (2019) https://www.youtube.com/watch?v=hhcLW0FaCBk OREGON SHAKESPEARE FESTIVAL (1950) https://www.youtube.com/watch?v=8yOhKvUtF3c&t=5539s KANOPY- FREE Through many Maine Public Libraries with Library card FILM PRODUCTION THE BBC SERIES – COMPLETE PLAYS OF SHAKESPEARE (1978) Directed by Basil Coleman Helen Mirren, Brian Stirner, Richard Pasco AMAZON PRIME VIDEO…… FILM PRODUCTIONS ROYAL SHAKESPEARE COMPANY (2019) Directed by Kimberly Sykes & Robert Lough Lucy Phelps , Antony Byrne , Sophie Khan Levy ROYAL SHAKESPEARE COMPANY (2010) Directed by Michael Boyd Jonjo O'Neill , Katy Stephens -
Talking Theatre Extract
Richard Eyre TALKING THEATRE Interviews with Theatre People Contents Introduction xiii Interviews John Gielgud 1 Peter Brook 16 Margaret ‘Percy’ Harris 29 Peter Hall 35 Ian McKellen 52 Judi Dench 57 Trevor Nunn 62 Vanessa Redgrave 67 NICK HERN BOOKS Fiona Shaw 71 London Liam Neeson 80 www.nickhernbooks.co.uk Stephen Rea 87 ix RICHARD EYRE CONTENTS Stephen Sondheim 94 Steven Berkoff 286 Arthur Laurents 102 Willem Dafoe 291 Arthur Miller 114 Deborah Warner 297 August Wilson 128 Simon McBurney 302 Jason Robards 134 Robert Lepage 306 Kim Hunter 139 Appendix Tony Kushner 144 John Johnston 313 Luise Rainer 154 Alan Bennett 161 Index 321 Harold Pinter 168 Tom Stoppard 178 David Hare 183 Jocelyn Herbert 192 William Gaskill 200 Arnold Wesker 211 Peter Gill 218 Christopher Hampton 225 Peter Shaffer 232 Frith Banbury 239 Alan Ayckbourn 248 John Bury 253 Victor Spinetti 259 John McGrath 266 Cameron Mackintosh 276 Patrick Marber 280 x xi JOHN GIELGUD Would you say the real father—or mother—of the National Theatre and the Royal Shakespeare Company is Lilian Baylis? Well, I think she didn’t know her arse from her elbow. She was an extraordinary old woman, really. And I never knew anybody who knew her really well. The books are quite good about her, but except for her eccentricities there’s nothing about her professional appreciation of Shakespeare. She had this faith which led her to the people she needed. Did she choose the actors? I don’t think so. She chose the directors. John Gielgud Yes, she had a very difficult time with them. -
BAM's 2008 Spring Season Opens with Samuel Beckett's Happy Days
BAM’s 2008 Spring Season opens with Samuel Beckett’s Happy Days— in the acclaimed National Theatre of Great Britain production, directed by Deborah Warner and featuring Fiona Shaw BAM 2008 Spring Season is sponsored by Bloomberg Happy Days By Samuel Beckett National Theatre of Great Britain Directed by Deborah Warner Set design by Tom Pye Lighting design by Jean Kalman Sound score by Mel Mercier Sound design by Christopher Shutt Costume consultant Luca Costigliolo BAM Harvey Theater (651 Fulton St) Jan 8, 9*, 10—12, 15—19, 22—26, 29—31, Feb 1 and 2 at 7:30pm; Jan 12, 19, 26, and Feb 2 at 2pm; Jan 13, 20, and 27 at 3pm *press opening Tickets: $25, 45, 65, 75 BAMdialogue with Fiona Shaw Jan 10, post-show (free for same-day ticket holders) “...a tour de force of wondrous invention and energy.” —The Daily Telegraph (U.K.) Brooklyn, N.Y./Nov 26, 2007—Director Deborah Warner and actress Fiona Shaw—who riveted BAM audiences with the 2002 Next Wave Festival production of Medea—return with the National Theatre of Great Britain production of Samuel Beckett's existential masterpiece, Happy Days. Buried to above her waist and woken by a piercing bell, Winnie chatters away to her husband Willie (played by Tim Potter), who all but ignores her. She rummages in a bag, brushes her teeth, pulls out and kisses a gun, surrounded by blazing light and a scorched-earth landscape which, in the second act, becomes an even more futile post-apocalyptic scenario. The 1961 work is a darkly humorous look at the human condition. -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory -
Theatre Archive Project
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Helen Neale – interview transcript Interviewer: Dominic Shellard 4 September 2006 Actress and theatre-goer. Peggy Ashcroft; As You Like It; Richard Burton; Agatha Christie's plays; critics; Frances Cuka; The Guildhall; John Gielgud; learning parts; Joan Plowright; Terence Rattigan; repertory; rehearsal structure; revue; Roots; Separate Tables; Shakespeare; Stratford; theatre-going; Kenneth Tynan; Peter Ustinov; West Side Story; women. DS: Hello, it’s delightful to be able to meet you. Can I just ask at the beginning of the interview whether we have your permission to place the interview in the National Sound Archive for the British Library so people can quote from it? HN: Yes. DS: Thank you very much indeed. OK, I think we’re going to divide this interview into two sections – we’re going to talk about your theatre going and about your training as an actress and your experience of weekly rep. Shall we start with the theatre going, in the early 1950s? HN: Yes. Well, the first really exciting thing that happened was my parents booked in for us to have a holiday, myself and my sister and them, at Stratford in 1950. And this was very exciting because this was the beginning of the new Stratford, this was Anthony Quayle, Glen Byam Shaw, only five plays being done, which they started in April - you didn’t get the full five in repertory until August, so we went in August. Also, I didn’t realise at the time, but I have read Gielgud’s letters since, and of course it is the beginning of his second stage as an actor, it’s when he takes on the deeply unpleasant part of Angelo in Measure for Measure, plays his first Cassius, which is terrific. -
2008 Next BAM Endowment Trust Wave Festival
BAMAnnual2oo6—2oo8 MUSIC, THEATER, FILM, COmmUNITY, ART, DANCE Brooklyn, New York Since 1861 2 BAM Chair Letter 4 President & Exec. Producer Letter 6 2006 Next Wave Festival 8 2007 Next Wave Festival 10 BAM Dance 12 BAM Music/Opera 14 BAM Theater 16 BAM Rose Cinemas BAMcinématek 20 Sundance Institute at BAM 21 Takeover 22 Between the Lines 23 The Met: Live in HD 24 BAMart 26 BAMcafé Live 30 Community 32 Education 34 Humanities 38 Hamm Archives 40 BAM Next Stage Campaign 50 Staff 52 Mission Statement 53 Board 62 Financial Statements Amjad, 2008 Next BAM ENDOWMENT TRUST Wave Festival. A-1 BET Chair Letter Photo courtesy Édouard Lock A-3 BET Mission Statement A-4 BET Board A-5 BET Financial Statements Alan H. Fishman To the BAM family: The past two performance seasons once In 2007, major milestone anniversaries Building. This building will be a much- valued leadership. I welcome the new again demonstrated the excellence of were celebrated by two of our anchor needed facility used to introduce emerging members who have joined since July BAM’s programming and the family of programs: the Next Wave Festival and artists to our audience as well as expand 2006: Linda Chinn, William Edwards, artists, patrons, audiences, and staff DanceAfrica. The Next Wave Festival our community and arts education pro- Richard Feldman, Derek Jenkins, Gary whose dedication and effort make it all celebrated its 25th season and its 25th grams. I encourage all of you to join me in Lynch, Donald R. Mullen, Jr., Brian Nigito, possible. The achievements delineated on consecutive year of sponsorship and part- supporting this landmark fundraising effort Steven Sachs, Timothy Sebunya, Jessica the following pages would not be possible nership from Altria Group, Inc. -
Introduction
chapter one Introduction Feeling the Potential of Elsewhere Since the early nineteenth century, “utopia” has become a polemical political concept that everyone uses against everyone else. —Jürgen Habermas, Jürgen Habermas on Society and Politics The consideration of the power inherent in performance to transform social structures opens the way to a range of addi- tional considerations concerning the role of the performer in society. Perhaps there is a key here to the persistently docu- mented tendency for performers to be both admired and feared—admired for their artistic skill and power and for the enhancement of experience they provide, feared because of the potential they represent for subverting and transforming the status quo. Here too may lie a reason for the equally per- sistent association between performers and marginality or deviance, for in the special emergent quality of performance the capacity for change may be highlighted and made mani- fest to the community. —Richard Bauman, Verbal Arts on Performance Artaud believed that the function of theatre was to teach us that “the sky can still fall on our heads.” We’ve known for some time that this vision of theatre is impossible, Utopian, possibly even hysterical (Artaud as Chicken Little). But the Slapstick Tragedy that opened on September 11th was also a Theatre of Cruelty and might warrant some utopian explo- rations. The sky has fallen on our heads, and what we are see- ing . threatens to blind us. At a time when every cultural practice is reassessing itself and its role, perhaps we will re- entertain Artaud’s mad vision of theatre as a place to 1 2 Utopia in Performance encounter the unknown and the unimaginable, a place that teaches the necessary humility of not knowing. -
Saplings Cover
Face to Face AUTUMN/WINTER 2011 My Favourite Portrait by Erin O’Connor The First Actresses: Nell Gwyn to Sarah Siddons Taylor Wessing Photographic Portrait Prize 2011 Comedians: From the 1940s to Now COVER DETAIL AND BELOW Frances Abington as Prue in Love for Love by Sir Joshua Reynolds, 1771 © Yale Center for British Art. Paul Mellon Collection This portrait will feature in the exhibition The First Actresses: Nell Gwyn to Sarah Siddons from 20 October 2011 until 8 January 2012 in the Wolfson Gallery Face to Face Issue 37 Communications & Development Director and Deputy Director Pim Baxter Communications Officer Helen Corcoran Editor Elisabeth Ingles Designer Annabel Dalziel All images National Portrait Gallery, London and © National Portrait Gallery, London, unless stated www.npg.org.uk Recorded Information Line 020 7312 2463 FROM THE DIRECTOR THIS OCTOBER the Gallery presents The First we preview Scott of the Antarctic, a select Actresses: Nell Gwyn to Sarah Siddons, the display of rarely seen photographs of the ill- first exhibition to explore art and theatre in fated expedition. Arriving at the Gallery after eighteenth-century England through portraiture. a national tour, Comedians: From the 1940s A major exhibition featuring portraits of to Now will be on show from September; learn actresses such as Nell Gwyn, Elizabeth Farren, more about this photographic display, and its Lavinia Fenton and Sarah Siddons by artists origins, on pages 14–15. 2011 marks the third including Reynolds, Gainsborough, Hogarth year of Chasing Mirrors, a partnership project and Gillray, it will include major loans from between the National Portrait Gallery and other museums, alongside works from private young people involved with community collections on show to the public for the first organisations in Brent, Barnet and Ealing, time. -
Copy of New 71St-Nominations-Press-Brv1
71st Emmy® Awards Nominations Announcements July 16, 2019 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) First Time Performer Nominees Amy Adams Sharp Objects Alfie Allen Game Of Thrones Michael Angarano This Is Us Asante Blackk When They See Us Marsha Stephanie Blake When They See Us Anthony Carrigan Barry Gwendoline Christie Game Of Thrones Sian Clifford Fleabag Jodie Comer Killing Eve Paul Dano Escape At Dannemora Benicio del Toro Escape At Dannemora Aunjanue Ellis When They See Us Julia Garner Ozark Sarah Goldberg Barry Hugh Grant A Very English Scandal Jessica Hecht Special Marin Hinkle The Marvelous Mrs. Maisel Eric Jacobson When You Wish Upon A Pickle: A Sesame Street Special Jharrel Jerome When They See Us Joey King The Act Luke Kirby The Marvelous Mrs. Maisel Marie Kondo Tidying Up With Marie Kondo Michael McKean Better Call Saul Mandy Moore This Is Us Kumail Nanjiani The Twilight Zone Ryan O'Connell Special Chris O’Dowd State Of The Union Nick Offerman Making It Punam Patel Special Rosamund Pike State Of The Union Billy Porter Pose updated 7.19.2019 Page 1 of 2 71st Emmy® Awards Nominations Announcements July 16, 2019 Margaret Qualley Fosse/Verdon Kevin Michael Richardson F Is For Family Sam Rockwell Fosse/Verdon Stephen Root Barry Kristin Scott Thomas Fleabag Rufus Sewell The Marvelous Mrs. Maisel Fiona Shaw Killing Eve and Fleabag Juliet Stevenson Queens Of Mystery Stellan Skarsgård Chernobyl Chris Sullivan This Is Us Sophie Turner Game Of Thrones Carice van Houten Game Of Thrones Emily Watson Chernobyl Ben Whishaw A Very English Scandal Michelle Williams Fosse/Verdon updated 7.19.2019 Page 2 of 2. -
Ammonite Production Notes FINAL 29042020
AMMONITE A film by Francis Lee PRESS KIT KATE WINSLET………………………………………………………………………………………………….……….MARY ANNING SAOIRSE RONAN……………………………………………………………………….………………CHARLOTTE MURCHISON GEMMA JONES…………………………………………………………………………….………….………………MOLLY ANNING JAMES McARDLE………………………………………………………………….……………………..RODERICK MURCHISON ALEC SECAREANU……………………………………………………………………………………………..DOCTOR LIEBERSON FIONA SHAW………………………………………………………………………………..……………………ELIZABETH PHILPOT A Sony Pictures Releasing International & Stage 6 Film Release BBC Films & BFI Present In association with Cross City Films A See-Saw Films Production A Film By………………….…………….…………………….…………………….………………….…………………….FRANCIS LEE Written & Directed by…………………….…………….…………………….………………….…………………….FRANCIS LEE Produced by……………IAIN CANNING p.g.a., EMILE SHERMAN p.g.a., FODHLA CRONIN O’REILLY p.g.a. Executive Producers……………………………. SIMON GILLIS, MARY BURKE, ROSE GARNETT, ZYGI KAMASA Co-Producers…………………….…………………….…………………….………..…………ROB HOW, NICKY EARNSHAW Director of Photography…………………….…………………….………………….….………STÉPHANE FONTAINE, AFC Film Editor…………………….…………………….…………………….…………………….…………………………CHRIS WYATT Production Designer…………………….…………………….…………………….………………………….…… SARAH FINLAY Costume Designer…………………….…………………….…………………….…………………….... MICHAEL O’CONNOR Hair & Make Up Designer…………………….…………………….………………………………………… IVANA PRIMORAC Sound Designer…………………….…………………….…………………….………………………..…………… JOHNNIE BURN Composers…………………….…………………………………….…….DUSTIN O’HALLORAN, VOLKER BERTELMANN Casting Director…………………….…………………….…………………….…………………………….……..…… FIONA