Programme 2017 1914 - 1918
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COMMEMORATION OF THE CENTENARY OF THE FIRST WORLD WAR: HISTORICAL INTERPRETATION GROUP – FIFTH MEETING 14:00 – 15:30, Friday 23 January 2015 Video Conference: Room 15, Welsh Government office, Rhodfa Padarn, Aberystwyth Room 3.020, Welsh Government office, Cathays Park (CP2), Cardiff VC Room, Welsh Government office, Penrallt, Caernarfon Present: Cardiff: [St Cyres School Official 1] ([job title redacted] St Cyres School, Penarth) [Swansea University Official 1] (Swansea University) [RWF Trust Official 1] Royal Welch Fusiliers Trust [Welsh Government Official 1] (Welsh Government) Aberystwyth: [NLW Official 1] (Retired [job title redacted] – National Library of Wales) [Aberystwyth University Official 1] (Aberystwyth University) Caernarfon: [AC-NMW Official 1] ([job title redacted] National Slate Museum) Apologies: Professor Sir Deian Hopkin (First Minister’s Expert Adviser on the First World War) [British Council Official 1] (Chair, British Council) [Bangor University Official 1] (Bangor University) [WFA Official 1] (Chair, Western Front Association, Gwent Branch) [Cardiff University Official] (Cardiff University) 1. Welcome and minutes of previous meeting [St Cyres School Official 1] welcomed group members to the meeting. The minutes of the previous meeting were agreed. Swansea University Official 1] asked that an amendment be made to page 3 – funding is available to be applied for to hold conferences from September 2015. 2. Update on the Wales at War Educational App –[St Cyres School Official 1] and Swansea University Official 1] [Name redacted] has now been appointed as Project Manager. The testing phase will begin today (23 January) and the teachers who are involved will have access to the material from next Friday onwards. The testing phase will involve 6 schools, Page 1 of 3 including a mix of both Welsh and English-medium secondary and primary schools. -
War Poets Anthology
,The War Poets An Anthology if the War Poetry -of the 20th Century . Edited with :an Introduction by Oscar Williams \\ . [, l , The]ohn Day Company • New York Virginia Commonwealth Univers~ty library :,\ " . P/1" I::}J$ Contents COPYRIGHT, 1945, BY OSCAR WILLIAMS W5~" , Introduction 3 All rights reserved. This book, or parts thereof, must not be reproduced in any form without permission. ,,Comments by the Poets. 12 Poems must not be reprinted without permission E. E. Cummings, 12; Geoffrey Grigson, 13; John Mani from the poets, their publishers or theiro agents. fold, 14; Donald Stau!fer, 15; Vernon Watkins, 16; Mark Van Doren, 17; Julian Symons, 17; Richard Eberhart, 18; Henry Treece, 20; Frederic Prokosch, ,21; Selden Rod Second Impression man, 22; Wallace Stevens, 23; Alan Ross, 24; Muriel Rukeyser, '25; Edwin Muir, 26; Karl Shapiro, 26; Hubert Creekmore, 27; Gavin Ewart, 28; John Pudney, 29; John Be"yman,29. , , , ' ;,THOMAS HARDY S POEM ON THE TURN OF THE . I CENTURY: The Darkling Thrush 31 ,'1 THE POETRY OF WORLD WAR I The Pity of It,' by THOMAs HARDY 33 WILFRED OWEN , Greater Love, 35; Arms and the Boy, 35; Inspection, 36; Anthem for Doomed Youth, 36; Dulce Et Decorum Est 37; Exposure, 38; Disabled,. 39; The Show, 40; Memai Cases, 41; Insensibility, 42; A Terre, 44; Strange Meeting 46. ' RUPERT BROOKE The Soldier; 48; The Great Lover, 48. E. E. CUMMINGS I Sing of Olaf, 51; my sweet old etcetera, 52. ROBERT GRAVES Recalling War, 54; Defeat of the Rebels, 55. HERBERT READ The End of a War, 56. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
Powys War Memorials Project Officer, Us Live with Its Long-Term Impacts
How to use this toolkit This toolkit helps local communities to record and research 4 Recording and looking after war memorials their First World War memorials. Condition of memorials Preparing a Conservation Maintenance Plan It includes information about the war, the different types of memorials Involving the community and how communities can record, research and care for their memorials. Grants It also includes case studies of five communities who have researched and produced fascinating materials about their memorials and the people they 5 Researching war memorials, the war and its stories commemorate. Finding out more about the people on the memorials The toolkit is divided into seven sections: Top tips for researching Useful websites 1 Commemorating the centenary of the First World War Places to find out more Tips from the experts 2 The First World War Regiments in Wales A truly global conflict Gathering local stories How did it all begin? A very short history of the war 6 What to do with the information Wales and the First World War A leaflet The men of Powys An interpretive panel Effects of war on communities and survivors An exhibition Why so many memorials? A First World War trail Memorials in Powys A poetry competition Poetry and musical events 3 War memorials What is a war memorial? 7 Case studies History of war memorials Brecon University of the Third Age Family History Group Types of war memorial Newtown Local History Group Symbolism of memorials Ystradgynlais Library Epitaphs The YEARGroup Materials used in war memorials L.L.A.N.I. Ltd Who is commemorated on memorials? How the names were recorded Just click on the tags below to move between the sections… 1 and were deeply affected by their experiences, sometimes for the rest Commemorating of their lives. -
The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales
Volume 3 │ Issue 1 │ 2018 The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales McKinley Terry Abilene Christian University Texas Psi Chapter Vol. 3(1), 2018 Article Title: The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales DOI: 10.21081/AX0173 ISSN: 2381-800X Key Words: Wales, poets, 20th Century, World War I, memorials, bards This work is licensed under a Creative Commons Attribution 4.0 International License. Author contact information is available from the Editor at [email protected]. Aletheia—The Alpha Chi Journal of Undergraduate Scholarship • This publication is an online, peer-reviewed, interdisciplinary undergraduate journal, whose mission is to promote high quality research and scholarship among undergraduates by showcasing exemplary work. • Submissions can be in any basic or applied field of study, including the physical and life sciences, the social sciences, the humanities, education, engineering, and the arts. • Publication in Aletheia will recognize students who excel academically and foster mentor/mentee relationships between faculty and students. • In keeping with the strong tradition of student involvement in all levels of Alpha Chi, the journal will also provide a forum for students to become actively involved in the writing, peer review, and publication process. • More information and instructions for authors is available under the publications tab at www.AlphaChiHonor.org. Questions to the editor may be directed to [email protected]. Alpha Chi is a national college honor society that admits students from all academic disciplines, with membership limited to the top 10 percent of an institution’s juniors, seniors, and graduate students. -
Sidney Keyes: the War-Poet Who 'Groped for Death'
PINAKI ROY Sidney Keyes: The War-Poet Who ‘Groped For Death’ f the Second World War (1939-45) was marked by the unforeseen annihilation of human beings—with approximately 60 million military and civilian deaths (Mercatante 3)—the second global belligerence was also marked by an Iunforeseen scarcity in literary commemoration of the all-destructive belligerence. Unlike the First World War (1914-18) memories of which were recorded mellifluously by numerous efficient poets from both the sides of the Triple Entente and Central Powers, the period of the Second World War witnessed so limited a publication of war-writing in its early stages that the Anglo-Irish litterateur Cecil Day-Lewis (1904-72), then working as a publications-editor at the English Ministry of Information, was galvanised into publishing “Where are the War Poets?” in Penguin New Writing of February 1941, exasperatedly writing: ‘They who in folly or mere greed / Enslaved religion, markets, laws, / Borrow our language now and bid / Us to speak up in freedom’s cause. / It is the logic of our times, / No subject for immortal verse—/ That we who lived by honest dreams / Defend the bad against the worse’. Significantly, while millions of Europeans and Americans enthusiastically enlisted themselves to serve in the Great War and its leaders were principally motivated by the ideas of patriotism, courage, and ancient chivalric codes of conduct, the 1939-45 combat occurred amidst the selfishness of politicians, confusing international politics, and, as William Shirer notes, by unsubstantiated feelings of defeatism among world powers like England and France, who could have deterred the offensive Nazis at the very onset of hostilities (795-813). -
The Poet's Corpus WILFRED OWEN WAS AN
CHARLES HUNTER JOPLIN The Poet’s Corpus Meter, Memory, and Monumentality in Wilfred Owen’s “The Show” The treatment worked: to use one of his favorite metaphors, [Owen] looked into the eyes of the Gorgon and was not turned to stone. In due course the nightmares that might have destroyed him were objectified into poetry. —Dominic Hibberd, Wilfred Owen: A New Biography WILFRED OWEN WAS AN ENGLISH POET who wrote his best work during the autumn of 1917 while recovering from shell shock in Craiglockhart War Hospital for Neurasthenic Officers. Although a few of his poems were published during his short lifetime, Owen died on November 8, 1918 in the Sambre-Oise Canal, before he could publish his book of war poetry. Owen’s body of work was collected by his mother and seven of those poems were edited by Edith Sitwell and published in a special edition of the avant-garde art magazine Wheels: 1919, which was dedicated to the memory of “Wilfred Owen, M.C.” (Stallworthy 81; v.). Following the Wheels edition, Owen’s war poetry spread slowly throughout the Western world. His work appeared in two separate collections in 1920 and 1931, saw widespread circulation during World War II, formed the basis for Benjamin Britten’s War Requiem in 1962, circulated in two more collections in 1963 and 1983, and rose to become a staple of twentieth century poetry anthologies (Stallworthy 81). Although there are other “trench poets” who achieved notoriety after the war’s end, the gradual canonization of Owen’s corpus has entrenched his life and works as a literary monument to our prevailing myths, feelings, and narratives of the First World War.1 Owen’s monumental status in English literature is appropriate because, during his time as a war poet, he carried a monumental mission. -
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Drum-Taps: Whitman's Problematic Legacy as a War Poet Fahri Öz, Ankara University, Turkey The Asian Conference on Literature, Librarianship & Archival Science 2016 Official Conference Proceedings Abstract This paper analyzes Walt Whitman’s Civil War poems in Drum-Taps in comparison with the poetry written by British soldier-poets of WWI. These poems present Whitman as a problematic model for future generations of war poets since he hardly ever questions the meaninglessness of bloodshed in the battlefield, a trait which is almost a defining characteristic of WWI poetry. War poetry in this article stands for anti-war poems that question and criticizes bloodshed rather than celebrating it. Whitman the war poet encourages people to take part in the war without making it clear what one is supposed to fight for or against. His poems divest individuals of their personality and turn them into parts of the war machine. The poems in Drum- Taps depend heavily on the use of visual images, while his British successors opted for a variety of images that implied proximity. Whitman’s poetry suggests lack of involvement since he was not a solider-poet, which to a great extent renders him a questionable role model for future poets. Therefore, though some of his elegiac pieces may serve as models for future poets, Whitman’s legacy as a war poet poses a problem for his British antecedents with its, artistic, ethical and political implications. Keywords: Walt Whitman, Drum-Taps, war poetry, WWI British poets, tradition iafor The International Academic Forum www.iafor.org Introduction Nineteenth century American literati were concerned with establishing the identity of America through works of art, especially literature. -
The Llyn Ac Eifionydd Junior Football League Constitutional Rules Part 1
TYMOR 2015-16 LLAWLYFR CLYBIAU Cynghrair Pêl -Droed Iau Llŷn & Eifionydd Junior Football League CLUBS HANDBOOK SEASON 2015 - 2016 1 SWYDDOGION Y GYNGHRAIR – LEAGUE OFFICERS SAFLE ENW CYFEIRIAD FFÔN E-BOST POSITION NAME ADDRESS PHONE E-MAIL CADEIRYDD Darren Vaughan Tegfryn 07949429380 CHAIRMAN Bryncrug LL36 9PA YSGRIFENNYDD SECRETARY IS-GADEIRYDD VICE CHAIRMAN YSGRIFENNYDD Colin Dukes 41 Adwy Ddu 01766770854 [email protected] GEMAU Penrhyndeudraeth anadoo.co.uk Gwynedd 07863348589 FIXTURE LL48 6AP SECRETARY YSGRIFENNYDD Vicky Jones Dolgellau COFRESTRU REGISTRATION SECRETARY SWYDDOG LLES Ivonica Jones Fflur y Main 01766 810671 tjones.llynsports@ Ty’n Rhos btinternet.com Chwilog, 07884161807 WELFARE Pwllheli OFFICER LL53 6SF TRYSORYDD Andrew Roberts 8 Bowydd View 07787522992 [email protected] Blaenau Ffestiniog m Gwynedd TREASURER LL41 3YW NWCFA REP Chris Jones Pentwyll 01758740521 [email protected] Mynytho 07919098565 Pwllheli CYN. NWCFA LL53 7SD 2 CLYBIAU A’U TIMAU - CLUBS AND THEIR TEAMS U6 U8 U10 U12 U14 U16 BARMOUTH JUNIORS X2 BLAENAU AMATEURS BRO DYSYNNI BRO HEDD WYN CELTS DOLGELLAU LLANYSTUMDWY PENLLYN – NEFYN PENRHYN JUNIORS PORTHMADOG JUNIORS PWLLHELI JUNIORS x 2 x 3 3 YSGRIFENYDD CLYBIAU -– CLUB SECRETERIES CLWB CYSWLLT CYFEIRIAD CLUB CONTACT ADDRESS BARMOUTH JUNIORS Alan Mercer Wesley House 01341 529 Bennar Terrace [email protected] Barmouth GwyneddLL42 1BT BLAENAU AMATEURS Mr Andrew Roberts 8 Bowydd View 07787522992 Blaenau Ffestiniog [email protected] Gwynedd LL41 3YW BRO DYSYNNI Lorraine Rodgers Bryn Awel 01341250404 Llwyngwril 07882153373 Gwynedd [email protected] LL37 2JQ BRO HEDD WYN CELTS Gareth Lewis Bryn Eithin 07788553231 Bryn Eithin [email protected] Trawsfynydd Gwynedd DOLGELLAU Mr Stephen Parry BRYN Y GWIN UCHAF, 01341423935 DOLGELLAU. -
Download the Programme for the Xvith International Congress of Celtic Studies
Logo a chynllun y clawr Cynlluniwyd logo’r XVIeg Gyngres gan Tom Pollock, ac mae’n seiliedig ar Frigwrn Capel Garmon (tua 50CC-OC50) a ddarganfuwyd ym 1852 ger fferm Carreg Goedog, Capel Garmon, ger Llanrwst, Conwy. Ceir rhagor o wybodaeth ar wefan Sain Ffagan Amgueddfa Werin Cymru: https://amgueddfa.cymru/oes_haearn_athrawon/gwrthrychau/brigwrn_capel_garmon/?_ga=2.228244894.201309 1070.1562827471-35887991.1562827471 Cynlluniwyd y clawr gan Meilyr Lynch ar sail delweddau o Lawysgrif Bangor 1 (Archifau a Chasgliadau Arbennig Prifysgol Bangor) a luniwyd yn y cyfnod 1425−75. Mae’r testun yn nelwedd y clawr blaen yn cynnwys rhan agoriadol Pwyll y Pader o Ddull Hu Sant, cyfieithiad Cymraeg o De Quinque Septenis seu Septenariis Opusculum, gan Hu Sant (Hugo o St. Victor). Rhan o ramadeg barddol a geir ar y clawr ôl. Logo and cover design The XVIth Congress logo was designed by Tom Pollock and is based on the Capel Garmon Firedog (c. 50BC-AD50) which was discovered in 1852 near Carreg Goedog farm, Capel Garmon, near Llanrwst, Conwy. Further information will be found on the St Fagans National Museum of History wesite: https://museum.wales/iron_age_teachers/artefacts/capel_garmon_firedog/?_ga=2.228244894.2013091070.156282 7471-35887991.1562827471 The cover design, by Meilyr Lynch, is based on images from Bangor 1 Manuscript (Bangor University Archives and Special Collections) which was copied 1425−75. The text on the front cover is the opening part of Pwyll y Pader o Ddull Hu Sant, a Welsh translation of De Quinque Septenis seu Septenariis Opusculum (Hugo of St. Victor). The back-cover text comes from the Bangor 1 bardic grammar. -
The Oval Zone
Pwllheli finish The Oval Zone season in style! The rugby magazine for North and Mid Wales - Issue 45, 6th May, 2015 Pwllheli’s senior teams rounded off the 2014-15 season with two cup final wins and the Division One North title presentation at Eirias Park The first team overcame Bro Ffestiniog by 19-6 in the Senior Plate Final whilst the 2nds were victorious against Llangefni in the 2nd XV League Cup Final. Pwllheli win North ALL THE LATEST RUGBY NEWS FROM NORTH/MID WALES Wales One DESIGN AND PRINT WELCOME TO THE OVAL ZONE www.ovalzone.co.uk Welcome to the latest issue of The Oval Zone. As we approach the end of the season and the league titles are all decided, it’s time for the Cup Finals to take centre stage. There is so Welshpool Printing Group much going on in the final two or three weeks of the season, it does beg the question of whether some of these finals could, or should, Phone 07713 514 375 for a free quotation. be played a bit earlier. Contact Gary Williams to discuss your However, you can be sure that The Oval Zone will get to as many next print requirements - games as possible and, if not, we’re pinning our hopes on all you [email protected] great photographers and scribes out there to keep us up-to-date. As I said in the last issue, The Oval Zone will be available in printed editions next season (10 issues) and will be delivered direct to your door. -
The Third Battle of Ypres
CENTENARY OF THE FIRST WORLD WAR THE CENTENARY OF PASSCHENDAELE – THE THIRD BATTLE OF YPRES The National Commemoration of the Centenary of Passchendaele – The Third Battle of Ypres The Commonwealth War Graves Commission’s Tyne Cot Cemetery 31 July 2017 THE NATIONAL COMMEMORATION OF THE CENTENARY OF PASSCHENDAELE – THE THIRD BATTLE OF YPRES The Commonwealth War Graves Commission’s Tyne Cot Cemetery 31 July 2017 Front cover: Stretcher bearers struggle in the mud at the Battle of Pilckem Ridge, 1 August 1917 © IWM 1 One hundred years ago today, British troops began their attempt to break out of the Ypres Salient. To mark this centenary, we return to the battlefield to honour all those involved in the ensuing battle which was fought in some of the most wretched conditions of the First World War. The battlefield of the Third Battle of Ypres, or Passchendaele as it became known, was like no other. A desolate landscape of quagmires and mud, coupled with fierce fighting, concentrated in a small area of ground across which thousands passed; the experience of Passchendaele was seared into the memory of all who survived. It is deeply humbling to consider how these men, on both sides, withstood such deplorable conditions. Passchendaele is in many ways a tale of human endurance and perseverance, through camaraderie and comradeship, bravery, humour and bittersweet memories of home. Many who survived the destruction of the battle, as well as the bereaved, would return after the war, bound to the fields of Flanders, to visit their own hallowed corners of the landscape, from beloved sanctuaries behind the front lines to the graves of fallen comrades and loved ones.