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Ephemeral but Influential? the Correlation Between Facebook
healthcare Article Ephemeral But Influential? The Correlation between Facebook Stories Usage, Addiction, Narcissism, and Positive Affect Sen-Chi Yu 1,* and Hong-Ren Chen 2 1 Department of Counseling and Applied Psychology, National Taichung University of Education, Taichung City 40306, Taiwan 2 Department of Digital Content and Technology, National Taichung University of Education, Taichung City 40306, Taiwan; [email protected] * Correspondence: [email protected] Received: 8 September 2020; Accepted: 20 October 2020; Published: 26 October 2020 Abstract: Despite the steep increase in Facebook Stories users, there is scant research on this topic. This study compared the associations of frequency of Stories update, frequency of news feed updates, time spent reading Stories, and time spent reading news feeds, with regard to social media addiction, narcissism, and positive affect in college students. We recruited a sample of 316 college students from Taiwan. The analytical results show that Facebook Stories are more addictive and provoke more positive affect than conventional news feeds. Moreover, only usage behaviors associated with Stories predict narcissism. This study also found that the prediction of news feeds with regard to addiction, narcissism, and positive affect also seems to be diminishing and is being replaced by those of Stories. Future studies on the psychological consequences and predictors of social media usage should regard Stories as a crucial variable. Keywords: Facebook Stories; social media addiction; narcissism; positive affect 1. Introduction Facebook Stories are ephemeral, short user-generated photo and video collections that display shared content for a limited period of time [1]. Stories offer a news feed that relies on visual rather than written information. -
Jab, Jab, Jab, Right Hook: How to Tell Your Story in a Noisy Social World
DEDICATION TO MY TWO KIDS, MISHA AND XANDER. YOU HAVE BROUGHT A KNOCKOUT PUNCH OF LOVE TO MY LIFE THAT I DIDN’T KNOW EXISTED. AND TO THE WOMAN WHO BROUGHT THEM TO ME, THE LOVE OF MY LIFE, LIZZIE. CONTENTS Dedication Acknowledgments Author’s Note Introduction: Weigh-In Round 1: The Setup Round 2: The Characteristics of Great Content and Compelling Stories Round 3: Storytell on Facebook Round 4: Listen Well on Twitter Round 5: Glam It Up on Pinterest Round 6: Create Art on Instagram Round 7: Get Animated on Tumblr Round 8: Opportunities in Emerging Networks Round 9: Effort Round 10: All Companies Are Media Companies Round 11: Conclusion Round 12: Knockout Notes About the Author Also by Gary Vaynerchuk Credits Copyright About the Publisher ACKNOWLEDGMENTS I have so many people to thank I could never fit all their names into a tweet, so I decided to put them in an acknowledgments page. First and foremost, I want to thank my family, whom I love very much and who always help me, support me, and drive me. They really are the guiding light to my life. I also want to thank Stephanie Land, who is my true partner in writing these books. This is the third book we’ve written together. Steph—thank you so much. I truly, truly could never write a book without you. Huge shout-out to my boy Nathan Scherotter, who is the CEO of this book. Nate has been an amazing friend and business associate for many years. His help in guiding this book’s content and then its sales afterward was immensely important. -
VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning
AUGUST 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VERA BLUE: THE BLUEPRINT VERA BLUE It’s been a long road to Vera Blue’s debut album Perennial, but for label Universal, it’s still just the beginning. alk to a few Vera Blue fans in Her debut album Perennial entered the ST the crowd at Splendour in the ARIA charts at #6 (with the tragic anomaly AT Grass – where the singer popped of Chester Bennington’s death bumping ST TS Tup no less than three times, Linkin Park into the top spots), and she’s S cameoing onstage with Peking Duk and racked up over a million monthly listeners Slumberjack as well as her own epic set on Spotify and counting, showing just – and you’ll fnd any number of diferent how hungry for the full-length her fans things brought them there. One or two had grown. Vera Blue’s true range is may have followed Celia Pavey since clear for the frst time – from the witchy her appearance under her own name beats of potential single ‘Lady Powers’ on The Voice in 2013; plenty will have to the sly and soaring new anthem to been drawn in by the indelible chorus independence, ‘Regular Touch’, which 2015 – 'Hold' on Illy’s 2016 hit ‘Papercuts’, where Vera represents her strongest appeal to 18 million plays on Blue’s haunting, hooky guest vocal was commercial FM yet. Spotify a standout. But mostly it’s simply that she boasts one of the most powerful “It's about having that sense of voices in Australian music, as distinctive contentment and happiness, not as her sheet of luminous red hair, and a needing attention or affection to feel #2 songwriting talent to match that draws complete and of purpose,” she says. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3. -
Paper #3: Facebook
Yaletap University Thurman Arnold Project Digital Platform Theories of Harm Paper Series: 3 The Section 2 Case Against Facebook May 2020 Jackson Busch Michael Enseki-Frank Natalie Giotta Joe Linfield Przemyslaw Palka Emily Wang Introduction Facebook is currently facing four separate antitrust investigations by the DOJ, the FTC, a group of state attorneys general, and the House Judiciary Committee.1 Should one or more of these entities bring a monopolization claim against Facebook, they will need to provide robust evidence that Facebook possesses market power in a relevant antitrust market and that Facebook has acted anticompetitively in acquiring or maintaining that power. In this paper we show that, based solely on publicly available data, enforcement agencies have sufficient grounds to bring a strong case against Facebook under Section 2 of the Sherman Act. To show that Facebook has violated Section 2, the Supreme Court has laid out a two-part test. Plaintiffs must show “(1) the possession of monopoly power in the relevant market and (2) the willful acquisition or maintenance of that power as distinguished from growth or development as a consequence of a superior product, business acumen, or historic accident.”2 This report follows the Grinnell framework in organizing the Section 2 case against Facebook. Part I shows that Facebook possesses monopoly power in a relevant antitrust market. Because Facebook is a two-sided non-transactional market, we analyze the social media market and the digital advertising market separately. We discuss why each side of the platform constitutes a relevant antitrust market and provide “indirect evidence” that Facebook has market power by showing high market shares and barriers to entry. -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18
RIAA GOLD & PLATINUM LOGIC // EVERYBODY AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18 SZA // CTRL PLATINUM ALBUM In March, RIAA certified 199 Song Awards and 75 Album Awards. All RIAA Awards DEMI LOVATO // TELL ME YOU LOVE ME dating back to 1958, are available at GOLD ALBUM riaa.com/gold-platinum! Don’t miss the NEW riaa.com/goldandplatinum60 site celebrating 60 years of Gold & Platinum NF // PERCEPTION GOLD ALBUM Awards, and many #RIAATopCertified milestones for your favorite artists! JUSTIN TIMBERLAKE // MAN OF THE WOODS SONGS GOLD ALBUM www.riaa.com // // // GOLD & PLATINUM AWARDS MARCH // 3/1/18 - 3/31/18 MULTI PLATINUM SINGLE // 47 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// R&B/ 3/15/2018 IT'S A VIBE 2 CHAINZ DEF JAM 3/14/2017 HIP HOP R&B/ 3/1/2018 CAROLINE AMINE REPUBLIC RECORDS 8/26/2016 HIP HOP SIDE TO SIDE 3/9/2018 ARIANA GRANDE POP REPUBLIC RECORDS 5/20/2016 (FEAT. NICKI MINAJ) 3/20/2018 HOW FAR I'LL GO AULI'I CRAVALHO SOUNDTRACK WALT DISNEY RECORDS 11/18/2016 MEANT TO BE (FEAT. 3/28/2018 BEBE REXHA POP WARNER BROS RECORDS 8/11/2017 FLORIDA GEORGIA LINE) BRUNO MARS & 3/28/2018 FINESSE POP ATLANTIC RECORDS 11/18/2016 CARDI B HEY MAMA (FEAT. PARLOPHONE/ 3/19/2018 NICKI MINAJ, BEBE DAVID GUETTA POP 11/21/2014 ATLANTIC RECORDS REXHA, & AFROJACK) 3/1/2018 SORRY NOT SORRY DEMI LOVATO POP ISLAND RECORDS 7/11/2017 R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH -
La Valutazione in Sede Di IPO: Internet Company E Social Network
Corso di Laurea Magistrale in Sviluppo Economico e dell’Impresa Prova finale di Laurea La valutazione in sede di IPO: Internet Company e Social Network. Il caso Facebook Relatore Prof.essa Gloria Gardenal Laureando Pierantonio Portaluri Matricola 987373 Anno Accademico 2012-2013 INDICE Introduzione............................................................................................................ IV Capitolo Primo: Come si diventa una società quotata............................................. 2 1.1 IPO...................................................................................................................... 2 1.2 Una decisione importante.................................................................................... 3 1.2.1 Ragioni che portano alla quotazione............................................................. 4 1.3 I vantaggi............................................................................................................. 5 1.3.1 Si diventa un miglior competitor.................................................................. 5 1.3.2 Si crea un mercato dei titoli della società..................................................... 7 1.3.3 In futuro sarà più semplice trovare fonti di finanziamento.......................... 8 1.3.4 E’ possibile la raccolta di capitale ad un costo inferiore.............................. 9 1.3.5 Aumenta il prestigio e la riconoscibilità....................................................... 10 1.3.6 Utilizzare i propri titoli per acquisizioni future........................................... -
Sza Premieres Single and Video for “Love Galore” Featuring Travis Scott
SZA PREMIERES SINGLE AND VIDEO FOR “LOVE GALORE” FEATURING TRAVIS SCOTT TOP DAWG ENTERTAINMENT PARTNERS WITH RCA RECORDS FOR THE RELEASE OF SZA’S HIGHLY ANTICIPATED NEW ALBUM Ctrl [New York, NY – April 27, 2017] SZA, one of the redefining voices of today’s contemporary music era, premieres her new single and video “Love Galore” featuring Travis Scott, from her forthcoming album Ctrl. The single is currently available at all digital music providers. Click here to watch the video. On “Love Galore,” producers thankgod4cody and Carter Lang provide the scintillating track that allows SZA’s unique voice to shine through. The accompanying hypnotic music video was directed by Nabil (Kendrick Lamar “DNA,” Kanye West “Mercy,” ALT-J “Hunger of the Pine”). The release of “Love Galore” also signifies the newly formed partnership between Top Dawg Entertainment (TDE) and RCA Records for the launch of SZA’s forthcoming debut album Ctrl, slated for release this summer. SZA entered the music scene in 2012 with her first critically acclaimed EP, See.SZA.Run. Following that, she released S in 2013 and Z in 2014, both to rave reviews. In 2013, SZA signed to Top Dawg Entertainment, being the first female artist to join the label. SZA wrote and performed on Rihanna’s Anti Single “Consideration” in 2016 and helped write Nicki Minaj and Beyonce’s “Feelin Myself” in 2014. Earlier this year, SZA released “Drew Barrymore,” and made her national television debut performance of the song on Jimmy Kimmel Live. Born in Maplewood, New Jersey as Solána Rowe, SZA grew up listening to classic and avant-garde jazz, alternative, and rap. -
Claudio Luiz Cecim Abraao Filho.Pdf
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica COMUNICAÇÃO E SUBJETIVIDADE NA CIBERCULTURA Contribuição para a crítica da (des)subjetivação em redes sociais digitais Claudio Luiz Cecim Abraão Filho Mestrado em Comunicação e Semiótica São Paulo 2014 CLAUDIO LUIZ CECIM ABRAÃO FILHO COMUNICAÇÃO E SUBJETIVIDADE NA CIBERCULTURA Contribuição para a crítica da (des)subjetivação em redes sociais digitais Dissertação apresentada à Banca Examinadora em cumprimento à exigência parcial para obtenção do título de Mestre em Comunicação e Semiótica pelo Programa de Estudos Pós-Graduados em Comunicação e Semiótica da Pontifícia Universidade Católica de São Paulo (PEPGCOS/PUC-SP). Área de Concentração: Signo e significação nas mídias Linha de Pesquisa: Cultura e ambientes midiáticos São Paulo 2014 BANCA EXAMINADORA _______________________________________ _______________________________________ _______________________________________ AGRADECIMENTOS À CAPES, pelo apoio a esta pesquisa e por tornoar sua realização viável. A meus pais, Claudio e Beatriz, por sempre apoiarem minhas escolhas e nunca pouparem esforços para que eu as pudesse levar a termo. A meu orientador, Prof. Dr. Eugênio Trivinho, pelo tempo e atenção dedicados à minha formação como futuro pesquisador, docente e ser humano. Acima de tudo, pelo exemplo a ser seguido. Aos colegas do Centro Interdisciplinar de Pesquisas em Comunicação e Cibercultura (CENCIB), pelo carinho e respeito com o qual me acolheram em suas atividades, e pelas contribuições que fizeram a esta Pesquisa. Aos colegas, professores e funcionários do Programa de Estudos Pós-Graduandos em Comunicação e Semiótica (PEPGCOS), pelos encontros, conversas, descobertas e enriquecimentos diários. A Eleonora, pelo apoio, inspiração e graça. RESUMO A presente pesquisa versa sobre os modos de subjetivação na cibercultura, entendida como categoria de época atinente à fase avançada do capitalismo mediático. -
Ireland and Hit the Heights with Subsequent Successes in the TATTERSALLS MILLIONS IRISH CHAMPION S.-G1, Curragh=S G2 Futurity S
HEADLINE THREE CHIMNEYS NEWS The Idea is Excellence. For information about TDN, Another Stakes Score for Yes It's call 732-747-8060. www.thoroughbreddailynews.com True's YESBYJIMMINY (see p. 9) MONDAY, SEPTEMBER 8, 2008 TDN Feature Presentation THE BIG QUESTION It=ll be the best of times. It=ll be the worst of times. GRADE 1 WOODBINE MILE Or maybe it=ll be somewhere in between. Coming into the opening session of the Keeneland September Year- ling Sale, the only consensus be- tween buyers and sellers is that no one really knows what to expect when action commences this morn- DIXIE UNION- POWER GAME, 1ST RESTORATION S. ing at 10:00 a.m. in Lexington. An STEPHEN GOT EVEN- TREVOR’S CLEVER, 1ST JIM KOSTOFF S. uneven economy and stagnant Sunrise at Keeneland purse structure in several markets Horsephotos LEMON DROP KID- SWEET HOPE, 1ST G3 ENDINE H. are among factors that could affect trade. AIt=s a big question mark,@ said Three Chimneys JUDGMENT DAY IN WOODBINE MILE Farms= Case Clay. APerhaps more now than at any time With the presence of last year=s GI Breeders= Cup Mile in the last five years. Right now, it=s all speculation-- hero Kip Deville (Kipling) and the Grade I-winning filly hopefully we=ll be all right.@ Keeneland Director of Sales Ventura (Chester House) in Geoffrey Russell is confident that September has all the right ingredients to make for a successful sale. All I yesterday=s GI Woodbine Mile A can say is that everyone s here that should be here, in Toronto, there appeared to = @ said Russell. -
The Top Dance Songs of 2018 1
th 44 Year THE TOP DANCE SONGS OF 2018 1. ONE KISS – Calvin Harris ft. Dua Lipa (Columbia) 124 51. WASTE IT ON ME – Steve Aoki ft. BTS (Ultra) 96 2. BODY – Loud Luxury ft. Brando (Armada) 122 52. ALONE – Halsey ft. Big Sean & Stefflon Don (Astralwerks/Capitol) 100/124 3. THE MIDDLE – Zedd, Maren Morris & Grey (Interscope) 107/126 53. YOUR LOVE – David Guetta & Showtek (Atlantic) 125 4. JACKIE CHAN – Tiesto & Dzeko ft. Preme & Post Malone (Republic) 128 54. TELL ME YOU LOVE ME – Demi Lovato (Republic) 122/105 5. PROMISES – Calvin Harris ft. Sam Smith (Columbia) 123 55. GOD IS A WOMAN – Ariana Grande (Republic) 124/73 6. GIRLS LIKE YOU – Maroon 5 ft. Cardi B (Interscope) 123/125 56. GET IT RIGHT – Diplo ft. MO (Mad Decent) 80/106 7. ELECTRICITY – Silk City ft. Dua Lipa (Columbia) 123/118 57. LOST – Vassy & Afrojack ft. Oliver Rosa (Armada) 124/128 8. NO TEARS LEFT TO CRY – Ariana Grande (Republic) 124/65 58. FINEST HOUR – Cash Cash ft. Abir (Big Beat) 122/97 9. HAPPIER – Marshmello & Bastille (Astralwerks/Capitol) 126/100 59. AZUKITA – Steve Aoki, Daddy Yankee, Play-N-Skills & Elvis Crespo (Ultra) 130 10. NEW RULES – Dua Lipa (Warner Brothers) 127/122 60. X – Nicky Jam & J Balvin (Sony Latin) 90 11. WOLVES – Selena Gomez & Marshmello (Interscope) 128/62 61. LET ME LIVE – Rudimental & Major Lazer ft. Anne-Marie & Mr Eazi (Atlantic) 126/72 12. FRIENDS – Marshmello & Anne-Marie (Warner Brothers) 123/95 62. ALIEN – Sabrina Carpenter & Jonas Blue (Hollywood) 112 13. BREATHE – Jax Jones ft. Ina Wroldsen (Interscope) 126 63.