Stanley G. Weinbaum's Planetary Stories
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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
04. Si Monsters
IV The Chemistry of Bug-Eyed Silicon Monsters 1. The Rise and Fall of an Analogy Carbon and silicon were not always regarded as isova- lent analogs of one another. The great Swedish chem- ist, Jöns Jakob Berzelius (figure 1), who was the first to isolate silicon as a simple substance in 1823, thought that it most resembled boron (1, 2). This assignment was based on the fact that both elements formed acidic, nonvolatile oxides which could act as glass formers, and on a similarity in the appearance of the simple substances themselves, both of which had been pre- pared only as highly-impure, amorphous, nonmetallic powders. This analogy was further reinforced by errors in the determination of their atomic weights, which assigned the analogous formulas, BO3 and SiO3, to their respective oxides, in sharp contrast to the formu- las, CO and CO2, assigned to the oxides of carbon. With the gradual correction of atomic weights and the equally gradual substitution of “stoichiometric type” or valence, in place of acidity and electronegativity, as the preferred basis for chemical classification, silicon was reassigned as an analog of carbon. In 1857, the German chemist, Friedrich Wöhler (figure 2), discovered silicon tetrahydride (SiH4), the stoichiometric and structural analog of methane (CH4), and the logical starting point for speculations on an Figure 2. Friedrich Wöhler (1800-1882). alternative organic chemistry based on silicon rather than carbon (3). Ironically, however, Wöhler did not consider this possibility until 1863 and then only as a result of a faulty interpretation of his experimental data. Having obtained, via the hydrolysis of magne- sium silicide, a series of apparent compounds of sili- con, hydrogen and oxygen, he found it very difficult to assign them exact formulas. -
Urantia, 606 of Satania by Israel Dix © 2010
1 Urantia, 606 of Satania By Israel Dix © 2010 Numbering the Stars Said Machiventa to Abraham: "Look now up to the heavens and number the stars if you are able; so numerous shall your seed be.”(1020.6) In attempting to do just that, to number the stars, you and I will most certainly be taking a journey over some steep, rocky terrain, number-crunching math, and, out of necessity I’m afraid, plenty of interesting quotes. Lots of them. Because of this I have attempted to keep reference numbers small and out of the way on the trail, so to avoid distraction from the easy flow of this adventure in star searching. Additionally is the added energy boost in knowing that, staying the course, there is at the end of our trek a beautiful picture, a surprisingly organized structure – the Satania System of worlds. So bear with me up this hill we are about to climb. We begin with the problem that set me out on this exploration in the first place: Why does Urantia, a decimal world, end on the peculiar number of six, rather than zero which is a multiple of ten? There must be some explanation for this, and it was a minute hunch that there was an answer that led me first to explore this seemingly unimportant information. The small but nagging question kept returning to mind on occasion, “Ought Urantia to end instead on a zero?” One might get the faint sense that there is an answer to this riddle. But do we have an indication of this, or is it simply a wild chase that dead ends in an attempt to number the stars. -
A DICTIONARY of SYMBOLS, Second Edition
A DICTIONARY OF SYMBOLS A DICTIONARY OF SYMBOLS Second Edition by J. E. CIRLOT Translated from the Spanish by JACK SAGE Foreword by Herbert Read LONDON Translated from the Spanish DICCIONARIO DE SIMBOLOS TRADICIONALES This edition published in the Taylor & Francis e-Library, 2001. English translation © Routledge & Kegan Paul Ltd 1962 Second edition 1971 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data available. ISBN 0–415–03649–6 (Print Edition) ISBN 0-203-13375-7 Master e-book ISBN ISBN 0-203-18928-0 (Glassbook Format) CONTENTS FOREWORD page ix INTRODUCTION xi DICTIONARY 1 BIBLIOGRAPHY OF PRINCIPAL SOURCES 387 ADDITIONAL BIBLIOGRAPHY 389 INDEX 401 PLATES Between pages 104 and 105 I. Roman sculpture incorporating symbolic motifs II. Modesto Cuixart. Painting, 1958 III. Portal of the church of San Pablo del Campo, Barcelona IV. Silver chalice, from Ardagh, Co. Longford V. Tenth-century monument at Clonmacnois VI. Chinese version of the cosmic dragon VII. A renaissance relief, from the Doge’s Palace at Venice VIII. Capitals, monastery of Santo Domingo de Silos IX. Early Christian Symbol—thirteenth-century gravestone X. Gothic fountain—Casa del Arcediano, Barcelona XI. Giorgione, The Storm XII. Roman statue of the Twins XIII. Gothic Miniature of The Apparition of the Holy Grail XIV. Bosch, Garden of Delights XV. Portal of the Romanesque cathedral at Clonfert, Co. -
The Art of Memory
FRANCES YATES Selected Works Volume III The Art of Memory London and New York FRANCES YATES Selected Works VOLUME I The Valois Tapestries VOLUME II Giordano Bruno and the Hermetic Tradition VOLUME III The Art of Memory VOLUME IV The Rosicrucian Enlightenment VOLUME V Astraea VOLUME VI Shakespeare's Last Plays VOLUME VII The Occult Philosophy in the Elizabethan Age VOLUME VIII Lull and Bruno VOLUME IX Renaissance and Reform: The Italian Contribution VOLUME X Ideas and Ideals in the North European Renaissance First published 1966 by Routledge & Kcgan Paul Reprinted by Routledge 1999 11 New Fetter Lane London EC4I' 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Croup © 1966 Frances A. Yates Printed and bound in Great Britain by Antony Rowe Ltd, Chippenham, Wiltshire Publisher's note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original book may be apparent. British Library Cataloguing in Publication Data A CIP record of this set is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book has been requested ISBN 0-415-22046-7 (Volume 3) 10 Volumes: ISBN 0-415-22043-2 (Set) Hermetic Silence. From Achilles Bocchius, Symbolicarum quaestionum . libri quinque, Bologna, 1555. Engraved by G. Bonasone (p. 170) FRANCES A.YATES THE ART OF MEMORY ARK PAPERBACKS London, Melbourne and Henley First published in 1966 ARK Edition 1984 ARK PAPERBACKS is an imprint of Routledgc & Kcgan Paul plc 14 Leicester Square, London WC2II 7PH, Kngland. -
The Practice of Astrology As a Technique of Human Understanding by Dane Rudhyar
The Practice of Astrology As a technique of human understanding By Dane Rudhyar TABLE OF CONTENTS INTRODUCTION THE FIRST STEP To Understand the Nature and Purpose of What One is About to Study THE SECOND STEP To Assume Personal Responsibility for the Use of One’s Knowledge THE THIRD STEP To Establish a Clear Procedure of Work THE FOURTH STEP A Clear Understanding of the Meaning of Zodiacal Signs and Houses THE FIFTH STEP The Use of the "Lights" THE SIXTH STEP The Study of the Planetary System as a Whole THE SEVENTH STEP Acquiring a Sense of Form and Accentuation THE EIGHTH STEP A Dynamic Understanding of Planetary Cycles and Aspects THE NINTH STEP Establishing a Proper Attitude Toward Astrological Prediction THE TENTH STEP The Study of Transits and Natural Cycles THE ELEVENTH STEP The Study of Progressions THE TWELFTH STEP The Significant use of Horary Techniques THE THIRTEENTH STEP The Establishment of Larger Frames of Reference for Individual Charts INTRODUCTION The text-books on astrology which have been written during the last seventy- five years reveal a definite evolution in astrological thinking and even in the character of astrological techniques. During the nineteenth century, English astrologers were in the forefront of the movement toward a restatement and popularization of this ancient system of thought, but they followed strictly in the footsteps of their Medieval and Renaissance predecessors, who in turn did little more than repeat what had been said by Ptolemy during the great days of the Roman Empire, when a vast era of human development was closing which had seen the birth, spread and triumph of astrology. -
Giorgio Vasari's Mercury
Cultural and Religious Studies, October 2019, Vol. 7, No. 10, 511-549 doi: 10.17265/2328-2177/2019.10.001 D DAVID PUBLISHING Giorgio Vasari’s Mercury: God of Magic and Wisdom Liana De Girolami Cheney Universidad de Coruña, Galicia, Spain In 1555, assisted by Cristofano Gherardi, Il Doceno (1508-1556), Giorgio Vasari (1511-1574) designed and painted a mythological and cosmological theme in the Sala degli Elementi, an apartment of Cosimo I de’ Medici (1519-1574), Duke of Florence, at the Palazzo Vecchio in Florence. The Apartment of the Elements is dedicated to the four elements (air, earth, fire, and water), which in antiquity were considered to be the basis of the material of the world. The four elements are personified as a history painting theme on the ceiling and the walls of the chamber. Accordingly, on the ceiling is the element of Air, personified by several events: Its center depicts Saturn Mutilating Heaven and surrounding this scene are The Chariots of the Sun and the Moon, the images of Day and Night, and the virtues of Peace, Fame, Justice, and Truth. On the walls of the chamber, there are personifications of the elements of Earth (north), Fire (east), and Water (south). The frescoes on the left hand wall relate to the element of Earth. In the center of the north wall, the first fruits of the Earth are offered to Saturn.1 On the adjacent wall, east wall, above the fireplace, are scenes relating to the element of Fire: Vulcan’s Forge is depicted in the center of wall.2 On the adjacent wall, south wall, the element of Water is symbolized with The Birth of Venus.3 On the window wall, west wall, are two large niches containing simulated sculptures of Hermes-Mercury and Hades-Pluto. -
Proper Boskonian 35
Boskone 33 Guest of Honor Lois McMaster Bujold Official Artist Gary Ruddell February 16-18,1996 Sheraton Tara, Framingham Lois McMaster Bujold is the winner of multiple Hugo Awards, best known for her stories of the mercenary, Admiral Miles Naismith - or are they stories about that sprig of Barrayar nobility, Lord Miles Vorkosigan? The first book about Miles was The Warrior's Apprentice, and the most recent was Mirror Dance. Gary Ruddell is a Hugo-nominated Artist who has done cover art for fantasy and SF titles, such as Dan Simmons’ Hyperion, Brin’s Glory Season, Greene's Brotherhood of the Stars, and many others. We intend to make Boskone 33 a weekend full of new entertainment, new experiences, and new ideas. We hope to see you therel MEMBERSHIPS: $33 until January 15,1996. Make checks payable to Boskone 33. We also accept Visa and MasterCard. Please don’t mail cash. I am buying______memberships at $33 US each, total $_________ . I am paying by:____check ____ cash ____ Visa ____MasterCard Credit Card #___________________________________________Expires:________________ Name on card:_________________________________________________________________ Signature:___________________________________ Name:________________________________________________________________________ Address:______________________________________________________________________ City:_____________________________________ State:_________ Zip:_________________ Please attach any additional memberships and addresses. Thank you. Please send me information about:____Volunteering -
Atomic Power in Space, Dr
,:,,, .,..., ,+ . :, DOE/NE/32117-Hl ,.., ,,,., ‘..’ . ..1.1 .3 ,:.. .;. ,. ,7.. ./. .;, Atomic Power ,., In Space ,,,.,. .,,,’., ; ,?, ,,... A History ,.,,, .,, ~,,;,,, ‘, ,,r .,.v . ,’*,; : ,- ,,,,,. , ,;..,. ,,;-,,,. ‘/., - :., ,, ~,/, ... , March 1987 ,’ .,’ J ,. ,1, , ,.,’ ,.,’.., ‘r, . DOE/NE/32117--Hl DE87 010618 ., . Prepared by: ,; Planning G Human Systems, Inc. Washington, DC $3 Under Contract No. DE-AC01;NE32117 ,: ,. ,,., Prepared for: U.S. Department of Energy Assistant Secretary for Nuclear Energy ,. : Deputy Assistant Secretary for Reactor Systems ,,, ,, Development and Technology .,,, Washington, DC 20545 ., MASTER f, .;. DISTRIBUTIONOf THIS @3WMfi4T IS UiJLirfilTED ,,, 9-J ., ,’ ..,;,. .$, . ,!, , (: ,.” CONTENTS .,’ . ~, ,: Forward ... ‘ Preface iv Chapter I Introduction . .*..*.*.. **.*..*.. 1 Chapter 11 The Beginnings ● *****O**. ● *O***.**. ● *.**. 4 .,, ! -, ,, .J, ,,, , ‘:., Chapter 111 .;, , .; ., ,. 1: Recognition of Potential . 14 , -:’ ,., ,,, .;. .,‘. Chapter IV ,,.- .~, ,, .,:’ Golden Days atthe AEC... .. 28 ,../ ,, ,,,, : .,,,. Chapter V , .- ,, “ ., ,! : ,’ Momentum from the Lunar Race . ...56 i .’:, .,’ ,., , ,,<,, Cliapter VI ,,>,;. i“,,’, ,!.,, A Maturing Program . 72 .;,, . ,, )., ,: Chapter VII ,,,,.. ,.,.-, ,,,,....:, Persistence Amid Change . 83 ‘f. , ., .(’ ,: Chapter VIII .,,. .. .,- .> Past Lessons and Future Challenges . 99 ,, ..- ./:,. ,-,.. ,,,.. ,,,., ,! Foreword FOREWORD On December 8, 1953 President Dwight D. Eisenhower, in his famous “Atoms-for-Peace” address, proposed that the United Nations -
A Martian Odyssey
A Martian Odyssey by Stanley Grauman Weinbaum, 1902-1935 Published: 1934 in »Wonder Stories« J J J J J I I I I I Isaac Asimov described »A Martian Odyssey« as "a perfect Campbellian science fiction story, before John W. Campbell." In Asimov's words, "[The Martian] Tweel may be the first creature in science fiction to fulfil Campbell's dictum, 'write me a creature who thinks as well as a man, or better than a man, but not like a man'." Asimov considered »A Martian Odyssey« to be one of only three stories that changed the way all subsequent ones in the science fiction genre were written. It is the oldest short story selected by the Science Fiction Writers of America for inclusion in The Science Fiction Hall of Fame, Volume One, 1929-1964. In 1970, it was voted one of the all-time best sci-fi stories, coming in second only to Isaac Asimov's »Nightfall«. JARVIS stretched himself as luxuriously as he could in the cramped general quarters of the Ares. "Air you can breathe!" he exulted. "It feels as thick as soup after the thin stuff out there!" He nodded at the Martian landscape stretching flat and desolate in the light of the nearer moon, beyond the glass of the port. The other three stared at him sympathetically—Putz, the engineer, Leroy, the biologist, and Harrison, the astronomer and captain of the expedition. Dick Jarvis was chemist of the famous crew, the Ares expedition, first human beings to set foot on the mysterious neighbor of the earth, the planet Mars. -
Persistence Amid Change
83 Chapter VII Persistence Amid Change Years of Uncertainty n January 19 1975, the Atomic Energy Commission was abolished and most of its functions fransferred to the new Energy Research o and Development Adminisfration (ERDA), except for regulatory functions which were fransferred to the Nuclear Regulatory Commission (NRC). Nuclear power, under increasing attacks from public interest groups, and losing favor on economic grounds among private developers, suffered further slip page through this loss of the AEC, chartered by Congress to promote its advancement. At ERDA, nuclear energy was reduced in status to an option in direct competition with such alternatives as fossil fuels, solar energy, energy conservation and a nascent synthetic fuels program. More than any of its competitors, nuclear energy became wrapped in confroversy. The confroversy led to uncertainty in the nuclear power space and RTG programs. After Seaborg left the AEC, the RTG program lost its most visible advocate and the agency's public announcements on the RTG role in space missions became muted. Mission launches and anniversaries of successfijl RTG missions were no longer used as occasions to issue statements projecting future applica tions of nuclear energy. No voice from ERDA, nor later from the Department of Energy, would direct messages to the public about the accomplishments and promise of the quiet technology. Critics of the AEC's dual mandate—to develop and promote nuclear power while protecting the public safety through regulation—argued that the AEC neglected nuclear safety research while encouraging commercial licensing. Seaborg's replacement, James R. Schlesinger, tried to change the agency's public image from that of an agent of the nuclear industi^; to that of a "referee serving the public interest."' His successor. -
Download a Martian Odyssey PDF
Download: A Martian Odyssey PDF Free [417.Book] Download A Martian Odyssey PDF By Stanley Weinbaum A Martian Odyssey you can download free book and read A Martian Odyssey for free here. Do you want to search free download A Martian Odyssey or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #A Martian Odyssey | #10544355 in Books | Ingramcontent | 2014-04-29 | Original language: English | PDF # 1 | 11.00 x .7 x 8.50l, .20 | File type: PDF | 28 pages | A Martian Odyssey | |0 of 0 people found the following review helpful.| A classic story remade into sterling audio drama | By Tim Lukeman |I actually bought this wonderful adaptation on audio cassette when it first came out; and while I'm happy to still have a working Walkman to enjoy it, I'm happy it's available as an MP3 as well. Even though the story was written in the early 1930s, it remains a classic of the science-fiction genre -- the first stor | | AWARDED "A MARTIAN ODYSSEY" Science Fiction Audio of the year 1997. -- The American Society For Science Fiction Audio Yearly, awards, 1997 This classic Golden age science fiction has been produced as an outstanding, 50 minute full cast radio A Martian Odyssey is a science fiction short story by Stanley G. Weinbaum originally published in the July 1934 issue of Wonder Stories. It was Weinbaum's second published story (in 1933 he had sold a romantic novel, The Lady Dances, to King Features Syndicate under the pseudonym Marge Stanley), and remains his best known.