The Sixties a “Generation In-Itself”: Authoritarian Rule, Exilic Mentality
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Taiwan Can Be a Reliable Partner for India on Mandarin Education Policy
Asian Journal of Education and Social Studies 13(3): 25-35, 2020; Article no.AJESS.63297 ISSN: 2581-6268 Taiwan Can be a Reliable Partner for India on Mandarin Education Policy Peters Li-Ying Chen1* 1Graduate Institute of National Development, National Taiwan University, Taiwan. Author’s contribution The sole author designed, analysed, interpreted and prepared the manuscript. Article Information DOI: 10.9734/AJESS/2020/v13i330332 Editor(s): (1) Dr. Bashar H. Malkawi, University of Sharjah, United Arab Emirates. (2) Dr. Roxana Plesa, University of Petrosani, Romania. Reviewers: (1) Kamila Alhadi Salim Algwil, University of Al-Asmaryia, Libya. (2) Firdaus Chaudhary, Aligarh Muslim University, India. (3) Azkia Muharom Albantani, Universitas Islam Negeri Syarif Hidayatullah, Indonesia. (4) Müfit Şenel, Ondokuz Mayis University, Turkey. Complete Peer review History: http://www.sdiarticle4.com/review-history/63297 Received 10 November 2020 Accepted 03 December 2020 Policy Article Published 15 December 2020 ABSTRACT This isan unprecedented policy paper on the development of Taiwan’s Mandarin education in India and its suggestion to Indian government for future policy direction. This research conducts literature review by having comprehensive study and interpretation of key figues and key terms in history and news. Although the perceived lack of dissertation and paper is seen in the paucity of research devoted to understanding this issue. Indian Prime Minister Narendra Modi has responded to the China’s aggression in the border of Eastern Ladakh in 2020, maybe even in terms of language, Indian government has dropped Mandarin among foreign languages in its National Education Policy (NEP) 2020. Indian government reviewed China's Confucius Institutes amid global concern, as well as university level memorandum of understanding between India and China. -
The History and Politics of Taiwan's February 28
The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of History © Yen-Kuang Kuo, 2020 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The History and Politics of Taiwan’s February 28 Incident, 1947- 2008 by Yen-Kuang Kuo BA, National Taiwan Univeristy, Taiwan, 1991 BA, University of Victoria, 2007 MA, University of Victoria, 2009 Supervisory Committee Dr. Zhongping Chen, Supervisor Department of History Dr. Gregory Blue, Departmental Member Department of History Dr. John Price, Departmental Member Department of History Dr. Andrew Marton, Outside Member Department of Pacific and Asian Studies iii Abstract Taiwan’s February 28 Incident happened in 1947 as a set of popular protests against the postwar policies of the Nationalist Party, and it then sparked militant actions and political struggles of Taiwanese but ended with military suppression and political persecution by the Nanjing government. The Nationalist Party first defined the Incident as a rebellion by pro-Japanese forces and communist saboteurs. As the enemy of the Nationalist Party in China’s Civil War (1946-1949), the Chinese Communist Party initially interpreted the Incident as a Taiwanese fight for political autonomy in the party’s wartime propaganda, and then reinterpreted the event as an anti-Nationalist uprising under its own leadership. -
Authoritarian Control Mechanism Over Chinese Intellectuals Under the KMT Regime: a Study on Its History and Effects
Open Access Library Journal 2018, Volume 5, e4235 ISSN Online: 2333-9721 ISSN Print: 2333-9705 Authoritarian Control Mechanism over Chinese Intellectuals under the KMT Regime: A Study on Its History and Effects Lei Gao1, Lu Xia2* 1Collaborative Innovation Center for the Theories & Practices of Open and Great Economy (建设开放型经济强国理论与实践研究 协同创新中心), University of International Business and Economics, Beijing, China 2Institute for History & Theories of the CCP, Renmin University of China, Beijing, China How to cite this paper: Gao, L. and Xia, L. Abstract (2018) Authoritarian Control Mechanism over Chinese Intellectuals under the KMT After the Kuomintang (KMT) established a nationalist regime on mainland Regime: A Study on Its History and Effects. China in 1927, some Chinese intellectuals were recruited into the regime and Open Access Library Journal, 5: e4235. served at even key positions, whereas others chose to maintain independence https://doi.org/10.4236/oalib.1104235 and autonomy in order to check the power of the authority. In 1949, the KMT Received: December 4, 2017 retreat from Mainland to Taiwan with many excellent intellectuals, including Accepted: January 6, 2018 both those pro-regime ones and those liberal ones. Due to the variation of the Published: January 9, 2018 components of intellectuals, the KMT authority adopted different tactics to Copyright © 2018 by authors and Open impose its control over them. By using censorship to the critical-oppositional Access Library Inc. intellectuals, imposing campus control to the active college students, and es- This work is licensed under the Creative tablishing political warfare system to restrict pro-government intellectuals, the Commons Attribution International License (CC BY 4.0). -
Ancient Fortifications, Modern Firepower, and Warlord Politics a Study on the Siege of Xi'an and Its Historical Significance
/Ancient Fortifications, Modern Firepower, and Warlord Politics A Study on the Siege of Xi'an and its Historical Significance by Kingsley Tsang |fJP=!(Zeng Qingzhang) B.A., The University of British Columbia, 2000 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts . in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 2 002 © Kingsley Tsang, 2002 In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of History The University of British Columbia Vancouver, Canada Date August 28, 2002 Abstract The Warlord period (1916-28) is a much-neglected era in modern Chinese scholarship. Scholars tend to ignore it because the events were complicated and the warlords acted without an ideological commitment. They are seen as violent but unsophisticated thugs with minimum affects on the history of Chinese military. The Siege of Xi'an (April to November 1926) demonstrated the fallacy of this assumption and the uniqueness of the warlord military system. The warlords managed to fuse the Chinese and Western military experience in a hybrid warring style. -
Reconsideration of the Huangpu Military Academy and the Huangpu Spirit
Journal of Politics and Law; Vol. 6, No. 2; 2013 ISSN 1913-9047 E-ISSN 1913-9055 Published by Canadian Center of Science and Education Reconsideration of the Huangpu Military Academy and the Huangpu Spirit Zhimin Lei1 1 College of Politics, Sichuan Agricultural University, Chengdu, China Correspondence: Zhimin Lei, College of Politics, Sichuan Agricultural University, Chengdu 611130, China. E-mail: [email protected] Received: March 2, 2013 Accepted: March 13, 2013 Online Published: May 30, 2013 doi:10.5539/jpl.v6n2p163 URL: http://dx.doi.org/10.5539/jpl.v6n2p163 Abstract Huangpu Military Academy is an outcome of cooperation between the two parties of the Kuomintang and the Communist Party of China and the spirit of Huangpu is an achievement of common cultivation of the two parties. In the new situation, a review of the establishment of Huangpu Military Academy and carrying forward the spirit of Huangpu is of important realistic significance to promote rejuvenation of the Chinese nation. Keywords: Huangpu Military Academy, Huangpu spirit, rejuvenation of the Chinese nation Huangpu Military Academy was established during the first Kuomintang-Communist cooperation period. At the times of the first revolutionary civil war, as Huangpu Military Academy was the first to break down the limitations between different parties and doctrines, to dedicate to common efforts by the two parties of the Kuomintang and the Communist Party, to realize the struggling target of “overthrowing big powers, eliminating warlord” and unifying the great China, -
Late Works of Mou Zongsan Modern Chinese Philosophy
Late Works of Mou Zongsan Modern Chinese Philosophy Edited by John Makeham, Australian National University VOLUME 7 The titles published in this series are listed at brill.com/mcp Late Works of Mou Zongsan Selected Essays on Chinese Philosophy Translated and edited by Jason Clower LEIDEN | BOSTON The book is an English translation of Mou Zongsan’s essays with the permission granted by the Foundation for the Study of Chinese Philosophy and Culture. Library of Congress Cataloging-in-Publication Data Mou, Zongsan, author. [Works. Selections. English] Late works of Mou Zongsan : selected essays on Chinese philosophy / translated and edited by Jason Clower. pages cm — (Modern Chinese philosophy ; VOLUME 7) Includes bibliographical references and index. ISBN 978-90-04-27889-9 (hardback : alk. paper) — ISBN 978-90-04-27890-5 (e-book) 1. Philosophy, Chinese. I. Clower, Jason (Jason T.), translator, editor. II. Title. B126.M66413 2014 181’.11—dc23 2014016448 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1875-9386 isbn 978 90 04 27889 9 (hardback) isbn 978 90 04 27890 5 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Nijhoff, Global Oriental and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C. -
WANG-DISSERTATION-2018.Pdf (1.469Mb)
Copyright by Ming-Huei Wang 2018 The Dissertation Committee for Ming-Huei Wang Certifies that this is the approved version of the following dissertation: Performing the Lyrical: Lyrical Essay and the Written Vernacular Mandarin Tradition in Postwar Taiwan Committee: Sung-sheng Yvonne Chang, Supervisor Katherine Arens Kirsten Cather (Fischer) Chien-hsin Tsai Performing the Lyrical: Lyrical Essay and the Written Vernacular Mandarin Tradition in Postwar Taiwan by Ming-Huei Wang Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2018 Dedication To Ming-Chen, Hsiao-Mao, Hsu-Yueh, and Shih-Kui Acknowledgements This work would not have been possible without the guidance and support of my mentor and advisor, Dr. Sung-sheng Yvonne Chang. She has taught me more than I could ever give her credit for here. She has shown me what it means to be a scholar and a mentor by her example. In my pursuit of this project, her infectious enthusiasm and ardent curiosity for knowledge have always been the greatest inspiration to me. I also would like to pay special thankfulness to my committee members, Dr. Katherine Arens, Dr. Kirsten Cather, and Dr. Chien-hsin Tsai, for their extensive professional advice and valuable comments on this work. My thankfulness also extends to the faculty, staff members of the Department of Asian Studies, whose services provide an environment that made this work possible. My research could not have been completed without the generous support from the Taiwan Studies Program Enhancement Fellowship, the Louise J. -
Tourism and Recreation
Tourism and Recreation Having gone through14 the evolution and integration of different cultures, Taipei has transformed into a diversified cultural city and also one that is full of surprises. With shopping, cultural creativity, delicacies, arts and literature, folk customs, and even simply a convenient life, one will definitely prolong their stay and want to come back again and again to feel the appeal of Taipei. There are new heartfelt experiences to be had for every traveler to Taipei. Yearbook 226 More than 7 million people traveled to Taiwan in 2012 and in 2013 that number reached 8.01 million. To cope with the increasing number of travelers, the Taipei City Government continued its efforts Tourism and to proactively create a comfortable travel environment, reinforce domestic and international marketing and promotion capability, and 14Recreation provide travelers with better quality services so that all travelers to Taipei, the city in Taiwan with the highest portion of international visitors, can enjoy their stay and feel the charm of the city. Part1 A Thoughtful Environment to Make Travelling Easy 1 . Understanding the Needs of facility where the audience can watch movies. The new film “Moments in Taipei,” completed Travelers and Providing Friendly in 2013, guides visitors through the historical Services highlights of Taipei and helps them see what The Department of Information and Tourism, Taipei looked like at different points in time. In Taipei City Government, has been conducting 2013, the display spaces on the first and third the “Annual Survey Report on Visitors floors were renovated. The Taipei Impression Expenditure and Trends in Taipei City” through Hall on the first floor features a giant silkscreen an outside contractor since July 2012, in order and modern projection technology to display to know why people travel to Taipei, where the infinite charm of changing Taipei. -
Proquest Dissertations
RICE UNIVERSITY Chen Duxiu's Early Years: The Importance of Personal Connections in the Social and Intellectual Transformation of China 1895-1920 by Anne Shen Chap A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE: Richar^TTSmith, Chair, Professor History, George and Nancy Rupp Professor of Humanities Nanxiu Qian,Associate Professor" Chinese Literature '^L*~* r^g^- ^J-£L&~^T Sarah Thai, Associate Professor History, University of Wisconsin- Madison HOUSTON, TEXAS APRIL 2009 UMI Number: 3362139 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362139 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI48106-1346 ABSTRACT Chen Duxiu's Early Years: The Importance of Personal Connections in the Social and Intellectual Transformation of China 1895-1920 by Anne Shen Chao Chen Duxiu (1879-1942), is without question one of the most significant figures in modern Chinese history. Yet his early life has been curiously neglected in Western scholarship. In this dissertation I examine the political, social and intellectual networks that played such an important role in his early career—a career that witnessed his transformation from a classical scholar in the Qing dynasty (1644-1912), to a reformer, to a revolutionary, to a renowned writer and editor, to a university dean, to a founder of the Chinese Communist Party, all in the space of about two decades. -
Chapter Four Shanghai: the Writing of Art History
Chapter Four Shanghai: the writing of art history Shanghai was the publishing centre of modern China. During the first three decades of the twentieth century, magazines and newspapers proliferated, owing to innovations in print technology and the need to disseminate ideas and information to readers in ever-changing times. Scholars looked to the nascent mass media industry as a means of employment and used their considerable intellectual skills to draw attention to and mediate the many cultural changes that were taking place. Huang Binhong was no exception. (Figure 4.1) He was closely involved with the newspaper industry as editor and head of the art department of the Shenzhou Daily and the Eastern Times newspapers.1 In early 1912 Huang Binhong began to write a regular column for the Shenzhou Daily entitled Shenzhou yuedan 神 州 月 旦. The newspaper, established by Yu Youren 于 右 任prior to the 1911 revolution, was managed by Wang Pengnian 汪 彭 年, who was also from Anhui.2 Huang’s columns were short and continued with great regularity, sometimes daily, until late 1913.3 From then until the end of 1914 he also wrote longer articles on subjects as diverse as art, history, literature, epigraphy and philosophy. These articles appeared daily and reflect the diversity of Huang Binhong’s interests and his ability to write with frequency and on a broad range of cultural subjects. Titles include “Spiritual civilisation associated with Chinese art,” “Talented women in troubled times,” “Books are valued overseas,” “ A record of travels to Mount Jiuhua,” “Ancient and modern discourses on ink,” and “A record of collecting imperial seals”. -
Writing an Image: Chinese Literati Art
Writing an Image: Chinese Literati Art Shuishan Yu Oakland University Art Gallery Rochester, Michigan Cover image: Chen Nian (Banding, 1876-1970), Plum Blossoms, 1941; ink on paper, 38 x 12 ½ inches, hanging scroll; Gift of Professor and Mrs. Amitendranath Tagore, Collection of Oakland University Writing an Image: Chinese Literati Art Shuishan Yu September 11-November 22, 2009 Oakland University Art Gallery Writing an Image: Chinese Literati Art Introduction Literati art, or Weren Yishu 文人藝術, is a Chinese art form nurtured and promoted by scholars. The creators of literati art do not consider themselves as specialized artists, but first and foremost as human beings completed by Confucian moral cultivation and elevated by Daoist integration with nature. Literati art thus emphasizes art as a way of life that, in turn, nurtures the cultivation and moral character of the practitioner. The learning and creative process of art are just as essential as the final product. The four noble arts of literati: calligraphy, painting, guqin (a seven-stringed musical instrument with a rich history dating back 5,000 years), and weiqi (an ancient Chinese board game), or qin qi shu hua 琴棋書畫 in Chinese, are inseparable and equally important in cultivating ideal personality and understanding the supreme truth Dao 道. Literati art thus casts a different look at amateurism, which does not mean unprofessional but rather anti-professional. For the literati artists, great art is created by pure enjoyment and a sincere motivation to share that pleasure. The professional divisions are deliberately abandoned. Built on common philosophical grounds, and sharing common terminologies and ideologies, art, music, literature, theatre, and architecture are often mutually inclusive in the literati tradition, creating an inter-disciplinary framework that provides unique perspectives for the understanding and conceiving of them all.