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Grace-Adinkus-CV-2021.Pdf Curriculum Vitae GRACE UCHECUKWU ADINKU Department of Performance Studies LAAH 204, Texas A&M University, TAMU 4240 College Station, TX. 77843 Email: [email protected] Education 2020 MA Performance Studies, Texas A&M University, College Station, Texas. 2013 Ph.D. African Arts and Culture Kwame Nkrumah University of Science and Technology Kumasi. Ghana. Dissertation: The Artistic Element in Dipo Custom of the Krobo in Ghana. 2010 M.Phil. Theatre Arts, University of Ibadan, Ibadan, Oyo State, Nigeria. 1999 MA Theatre Arts, University of Ibadan, Ibadan, Oyo State, Nigeria. 1995 BA Theatre Arts, University of Ibadan, Ibadan, Oyo State, Nigeria. 1991 Diploma in Theatre Arts, Department of Theatre Arts, University of Ibadan, Nigeria. Academic Positions 2020-present Lecturer, Texas A&M University. College Station, Texas. 2018- 2020 Graduate Assistant, Texas A&M University. College Station, Texas. 2012-2015 Lecturer, University of Ghana, Legon, Accra, Ghana. 2010 -2011 Visiting Lecturer, Redeemer’s University, Mowe. Ogun State, Nigeria. 2005-2008 Tutor, University of Ghana, Legon, Accra, Ghana. (I was on study leave for my Ph.D. from 2008-2012) 2003 Visiting Lecturer, Department of Theatre Arts, University of Ghana, Legon, Ghana 2000-2005 Junior Arts Fellow, University of Ibadan, Ibadan, Oyo State, Nigeria. Publications Book Chapter With Francis Gbomittah. “Makeup and Costume as a means of dramatic expression in selected Nigerian Yoruba Home videos”. Inside Nollywood: Issues and Perspectives on Nigerian Cinema. Edited by Sola Fosudo and Tunji Azeez. New York: Franklin International Publishers. (2017). 289309. 1 Refereed Journal Articles “Dipo: The Krobo Ghanaian Puberty Rite and Art.” Matatu: Journal for African Culture and Society. Vol 48, (2), (2016): 450-474. With Say, S. “Developmental phases of Ghanaian and Nigerian theatre from the late 19th century to date.” The PARNASSUS… University of Uyo Journal of Cultural Research, Vol.10, (2014): 40 - 53. With Gbormittah, F. “The impact of performativity on the form and aesthetics of African screen media in production and reception.” The Performer: Ilorin Journal of the Performing Arts, Vol.15. (2013): 68-74. With Adedina, B. N., & Bolaji, E. T. “Women of Osofisan: Beyond fiction.” European- American Journals, Vol.1.2. (2013): 59-66. With Kwakye-Opong, R. “Costume as a medium for cultural expression in stage performance.” Journal of Arts and Design Studies (IISTE) Vol. 8. (2013): 9-18. “Makeup: A significant tool for the theatre performer.” Ibadan Journal of Theatre Arts (IJOTA), Vols.7&8. (2011/2012):193-208. With Kwakye-Opong, R. “The challenges facing a fledgling home video Industry in Ghana.” The PARNASSUS…University of Uyo Journal of Cultural Research. Vol.6. (2010): 228-241. “Stage make-up: An actor’s affair.” Theatre Studies Review Journal, Vol.4.1. (2004): 50- 62. Work in progress Chapter in a Book Project “Performing Africa in America: An appraisal of the Costumes for The Reign of WAZOBIA on Eau Claire Stage”. Emerging Perspectives on Tess Onwueme, African world Press (Accepted for publication in a special volume edited by Maureen Eke. Expected 2021) Teaching Experience: Texas A&M University Department of Performance Studies Undergraduate Theatre History II (Fall2020 to present) Introduction to World Theatre. Taught assigned topics as graduate teaching assistant with Ann Quackenbush the class instructor ( Fall 2018-Spring 2020) Dress, Culture, & Society. Carried out assigned responsibilities as graduate teaching assistant with Rayna Middleton Dexter (Fall 2018) Design as performance. Performed assigned responsibilities as graduate teaching assistant with Rayna Middleton Dexter (Spring 2019) 2 University of Ghana Department of Theatre Arts Graduate Theatre Making Concepts. Team-taught with Sandy Arkhurst (Fall 2012- Spring 2015) Advanced Costume & Makeup. Team-taught with Regina Kwakye-Opong (Fall 2012- Spring 2015)) Period Style for the Theatre. (Fall 2012-Spring 2015) Seminar/Project presentation11 (Fall 2012-Spring 2015) Research Methods II (Fall 2012- Spring 2015). Undergraduate Theatre for Development (Fall 2013-Spring2015) Production Participation (Fall 2012-Spring 2015) Drama in African Societies (Fall 2013, Fall 2014, Fall2015) History of Drama and Theatre (Beginnings to Rome) (Fall 2012-Spring 2015) Redeemer University Theatre Arts Department Undergraduate Theatre Production Workshop III (Fall 2010- Spring2011) Design and Technical Theatre I & 11 (Costume & Make up option) (Fall 2010- Spring 2011) Costume and Makeup: Advance Study (Fall 2010) Costume and Makeup: Advance Practice (Spring 2011) University of Ghana Department of Theatre Arts (I was on study leave from 2008-2012) Undergraduate Production Participation (Fall 2005- Spring 2008) Theatre Management. Team-taught with Ben Abdallah (Spring 2005, Spring 2006 ) Costume and Make up. Team-taught with Cecilia Adjei (Fall 2005, Fall 2016, Fall 2007) Introduction to the Theatre (Fall 2005- Spring 2008) Theatre Workshop. Team-taught with Regina Kwakye-Opong(Fall 2005- Spring 2008) History of Drama and Theatre (Beginning to Rome) (Spring 2006, Spring 2007, 2008) Diploma History of Drama and Theatre (Fall 2005- Spring 2007) Production Participation (Fall 2005- Spring 2007) University of Ghana Department of Theatre Arts Undergraduate Drama in Education. Team-taught with Sandy Arkhurst (Fall 2003) Acting Techniques. Team-taught with Sandy Arkhurst (Fall 2003) Costume and Stage Make Up. Team-taught with Cecilia Adjei (Fall 2003) University of Ibadan Department of Theatre Arts Graduate Production Workshop (Spring 2000, Spring 2001, Spring 2002) Undergraduate Directing and Stage Management (Fall 2000, Fall 2021, Fall 2002) Production Workshop (Fall 2000-Fall2002,) Design and Technical Theatre (Fall 2000, Fall 2021, Fall 2002) Introduction to Theatre: Design and Organization (Fall 2000, Fall 2021- Fall 2002,) Costume and Makeup (Fall 2000, Fall 2021, Fall 2002) 3 Costume and Makeup (Spring 2000, Spring 2021,Spring 2002) Practical Theatre II (Spring- Spring 2002) Conference participation, presentations and panels chaired 2020 -“Higher Education Teaching and Learning in Texas A&M University system in the COVID- 19”. The 2nd National Association of Theatre Education Virtual International Conference. Lagos Nigeria. November 2020. 2020 - Book review and discussion of Kolera Kolej by Femi Osofisan. The 22nd Lagos Book & Art FestivalColloquium titled “The State of Flux”. Lagos Nigeria. November 2020. 2019 - Attended African Studies Association Conference. “Being, Belonging and Becoming in Africa”. Boston Marriott Copley Place, Boston, Massachusetts, November 2019. 2016 – with Bunmi Adedina & Oluwatoyin James. “Tales retold in select Femi Osofisan’s plays”. The Femi Osofisan, Post-Negritude Tradition and 50 years of Nigerian Literary Drama Conference. University of Ibadan, Ibadan, Nigeria. June 2016. 2015 - with Bunmi Adedina & Femi Adedina. “Women of power and power of the woman (A study of selected plays)”. First International conference of the African Studies Association of Africa (ASAA). University of Ibadan, Ibadan, Nigeria. Oct 2015. 2014 – with Iddirss Saudu. “The Popular Theatre Pedagogy: Panacea for the Unending Conflict of the Bawku Municipality”. 12th annual Colloquium of the Faculty of Arts. University of Ghana Legon. Accra. April 2014. 2013 - “Dipo: the Krobo Puberty Rites and Art”. Midwest Popular Culture Association and Midwest American Culture Association annual conference. St. Louis, Missouri. October 2013. 2013 - Chaired Panel “Global perspectives in Arts, Myth and Film.” the Midwest Popular Culture Association and Midwest American Culture Association annual conference. St. Louis, Missouri. October 2013. 2013 - “African Traditional Theatre: The Igbo Wrestling Experience”. 11th Annual Colloquium of the Faculty of Arts, University of Ghana, Legon. Accra. April 2013. 2012 - Chaired Panel “Performing Arts and National Cultures”, at the University of Ghana School of Performing Arts 50 years Anniversary International Conference. Accra, October 2012. 2010 - “Women of Osofisan: Beyond Fiction”. African Theatre Association (AfTA), Makerere University, Uganda, July 2010. 2010 - “Costume Design on the Nigerian Stage and Home video Industry: Function and Relevance”. Redeemers Christian Church of God Annual Drama Ministry convention/Solemn Assembly, Redeemers University Youth Centre, Ogun State, May 2010. 4 2009 - With Kwakye-Opong, R. “Echoes from Black Africa that cannot be buried: The Legacy of Efua Sutherland on the Image of African women”. African Literature Association (ALA), University of Vermont, Bloomington, April 2009. 2008 - with Kwakye-Opong, R. “The Challenges Facing the Fledgling Home Video Industry in Ghana”. African Literature Association (ALA), Western Illinois University, Macomb, April 2008. 2007 – with Kwakye-Opong, R. “Costume as Medium for Cultural Expression in Stage Performance”. African Theatre Association (AfTA), Goldsmiths University of London, U.K. August 2007. 2007 - “Theatre and Folk Media in Advocacy for HIV/AIDS Management”. International Federation of Theatre Research (IFTR-FIRT) Annual Conference, Stellenbosch University, South Africa, July 2007. 2006 – With Awo Asediu. “A Stab in the Dark and Ripples: Ghanaian Home Videos in search of an enduring Aesthetics”. African Studies Association of the UK Biennial Conference, SOAS University of London UK, September 2006. 2006 - “Aesthetics as a vehicle in African Drama: A study of Wole Soyinka’s Death and the King’s Horseman”. African Literature Association
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