Bilingualism and Language Maintenance in Small Language Communities in Nigeria: Case of Gungbe and Ò̟ Ko̟ 1
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Yoruba Art & Culture
Yoruba Art & Culture Phoebe A. Hearst Museum of Anthropology University of California, Berkeley Yoruba Art and Culture PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen Editors Liberty Marie Winn Ira Jacknis Special thanks to Tokunbo Adeniji Aare, Oduduwa Heritage Organization. COPYRIGHT © 2004 PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY AND THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY ◆ UNIVERSITY OF CALIFORNIA AT BERKELEY BERKELEY, CA 94720-3712 ◆ 510-642-3682 ◆ HTTP://HEARSTMUSEUM.BERKELEY.EDU Table of Contents Vocabulary....................4 Western Spellings and Pronunciation of Yoruba Words....................5 Africa....................6 Nigeria....................7 Political Structure and Economy....................8 The Yoruba....................9, 10 Yoruba Kingdoms....................11 The Story of How the Yoruba Kingdoms Were Created....................12 The Colonization and Independence of Nigeria....................13 Food, Agriculture and Trade....................14 Sculpture....................15 Pottery....................16 Leather and Beadwork....................17 Blacksmiths and Calabash Carvers....................18 Woodcarving....................19 Textiles....................20 Religious Beliefs....................21, 23 Creation Myth....................22 Ifa Divination....................24, 25 Music and Dance....................26 Gelede Festivals and Egugun Ceremonies....................27 Yoruba Diaspora....................28 -
Oja Representational Objects in Yewaland, Ogun State, Nigeria Ayedun Matthew Kolawole Ab
African Scholar VOL. 18 NO. 6 Publications & ISSN: 2110-2086 Research SEPTEMBER, 2020 International African Scholar Journal of Humanities and Social Sciences (JHSS-6) Study of Forms and Functions of Esu – Oja Representational Objects in Yewaland, Ogun State, Nigeria Ayedun Matthew Kolawole Fine and Applied Arts Department, School of Vocational and Technical Education, Tai Solarin College of Education, Omu – Ijebu Abstract The representational images such as pots, rattles, bracelets, stones, cutlasses, wooden combs, staffs, mortals, brooms, etc. are religious and its significance for the worshippers were that they had faith in it. The denominator in the worship of all gods and spirits everywhere is faith. The power of an image was believed to be more real than that of a living being. The Yoruba appear to be satisfied with the gods with whom they are in immediate touch because they believe that when the Orisa have been worshipped, they will transmit what is necessary to Olodumare. This paper examines the traditional practices of the people of Yewa and discovers why Esu is market appellate. It focuses on the classifications of the forms and functions of Esu-Oja representational objects in selected towns in Yewaland. Keywords: appellate, classifications, divinities, fragment, forms, images, libations, mystical powers, Olodumare, representational, sacred, sacrifices, shrine, spirit archetype, transmission and transformation. Introduction Yewa which was formally called there are issues of intra-regional “Egbado” is located on Nigeria’s border conflicts that call for urgent attention. with the Republic of Benin. Yewa claim The popular decision to change the common origin from Ile-Ife, Oyo, ketu, Egbado name according to Asiwaju and Benin. -
Land Accessibility Characteristics Among Migrants in Yewa North Local Government Area of Ogun State, Nigeria
Asian Research Journal of Arts & Social Sciences 2(1): 1-12, 2017; Article no.ARJASS.30086 SCIENCEDOMAIN international www.sciencedomain.org Land Accessibility Characteristics among Migrants in Yewa North Local Government Area of Ogun State, Nigeria Gbenga John Oladehinde 1* , Kehinde Popoola 1, Afolabi Fatusin 2 and Gideon Adeyeni 1 1Department of Urban and Regional Planning, Obafemi Awolowo University, Ile-Ife, Osun State Nigeria. 2Department of Geography and Planning Sciences, Adekunle Ajasin University, Akungba-Akoko, Ondo State, Nigeria. Authors’ contributions This work was carried out collaboratively by all authors. Author GJO designed the study and wrote the first draft of the manuscript. Authors KP and AF supervised the preparation of the first draft of the manuscript and managed the literature searches while author GA led and managed the data analyses. All authors read and approved the final manuscript. Article Information DOI: 10.9734/ARJASS/2017/30086 Editor(s): (1) Raffaela Giovagnoli, Pontifical Lateran University, Piazza San Giovanni in Laterano 4, Rome, Italy. (2) Sheying Chen, Social Policy and Administration, Pace University, New York, USA. Reviewers: (1) F. Famuyiwa, University of Lagos, Nigeria. (2) Lusugga Kironde, Ardhi University, Dar es Salaam, Tanzania. Complete Peer review History: http://www.sciencedomain.org/review-history/17570 Received 16 th October 2016 Accepted 14 th January 2017 Original Research Article st Published 21 January 2017 ABSTRACT Aim: The study investigated challenges of land accessibility among migrants in Yewa North Local Government Area of Ogun State, Nigeria. Methodology: Data were obtained through questionnaire administration on a Migrant household head. Multistage sampling technique was used for selection of 161 respondents for the study. -
African Concepts of Energy and Their Manifestations Through Art
AFRICAN CONCEPTS OF ENERGY AND THEIR MANIFESTATIONS THROUGH ART A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Renée B. Waite August, 2016 Thesis written by Renée B. Waite B.A., Ohio University, 2012 M.A., Kent State University, 2016 Approved by ____________________________________________________ Fred Smith, Ph.D., Advisor ____________________________________________________ Michael Loderstedt, M.F.A., Interim Director, School of Art ____________________________________________________ John R. Crawford-Spinelli, D.Ed., Dean, College of the Arts TABLE OF CONTENTS LIST OF FIGURES………………………………………….. iv ACKNOWLEDGMENTS …………………………………… vi CHAPTERS I. Introduction ………………………………………………… 1 II. Terms and Art ……………………………………………... 4 III. Myths of Origin …………………………………………. 11 IV. Social Structure …………………………………………. 20 V. Divination Arts …………………………………………... 30 VI. Women as Vessels of Energy …………………………… 42 VII. Conclusion ……………………………………….…...... 56 VIII. Images ………………………………………………… 60 IX. Bibliography …………………………………………….. 84 X. Further Reading ………………………………………….. 86 iii LIST OF FIGURES Figure 1: Porogun Quarter, Ijebu-Ode, Nigeria, 1992, Photograph by John Pemberton III http://africa.si.edu/exhibits/cosmos/models.html. ……………………………………… 60 Figure 2: Yoruba Ifa Divination Tapper (Iroke Ifa) Nigeria; Ivory. 12in, Baltimore Museum of Art http://www.artbma.org/. ……………………………………………… 61 Figure 3.; Yoruba Opon Ifa (Divination Tray), Nigerian; carved wood 3/4 x 12 7/8 x 16 in. Smith College Museum of Art, http://www.smith.edu/artmuseum/. ………………….. 62 Figure 4. Ifa Divination Vessel; Female Caryatid (Agere Ifa); Ivory, wood or coconut shell inlay. Nigeria, Guinea Coast The Metropolitan Museum of Art, http://www.metmuseum.org. ……………………… 63 Figure 5. Beaded Crown of a Yoruba King. Nigerian; L.15 (crown), L.15 (fringe) in. -
Orisha Journeys: the Role of Travel in the Birth of Yorùbá-Atlantic Religions 1
Arch. de Sc. soc. des Rel., 2002, 117 (janvier-mars) 17-36 Peter F. COHEN ORISHA JOURNEYS: THE ROLE OF TRAVEL IN THE BIRTH OF YORÙBÁ-ATLANTIC RELIGIONS 1 Introduction 2 In recent years the array of Orisha 3 traditions associated withtheYorùbá- speaking peoples of West Africa has largely broken free of the category of “Afri- can traditional religion” and begun to gain recognition as a nascent world religion in its own right. While Orisha religions are today both trans-national and pan-eth- nic, they are nonetheless the historical precipitate of the actions and interactions of particular individuals. At their human epicenter are the hundreds of thousands of Yorùbá-speaking people who left their country during the first half of the 19th cen- tury in one of the most brutal processes of insertion into the world economy under- gone by any people anywhere; the Atlantic slave trade. While the journey of the Middle Passage is well known, other journeys under- taken freely by Africans during the period of the slave trade – in a variety of direc- tions, for a multiplicity of reasons, often at great expense, and sometimes at great personal risk – are less so. These voyages culminated in a veritable transmigration involving thousands of Yorùbá-speaking people and several points on both sides of 1 Paper presented at the 1999 meeting of the Société Internationale de la Sociologie des Religions. This article was originally prepared in 1999. Since then, an impressive amount of literature has been published on the subject, which only serves to strengthen our case. A great deal of new of theoretical work on the African Diaspora in terms of trans-national networks and mutual exchanges has not so much challenged our arguments as diminished their novelty. -
Oral Performance of Ìrègún Music in Yagbaland, Kogi State, Nigeria: an Overview
ORAL PERFORMANCE OF ÌRÈGÚN MUSIC IN YAGBALAND, KOGI STATE, NIGERIA: AN OVERVIEW Stephen Olusegun Titus, Obafemi Awolowo University, Nigeria. Abstract Performance is one of the major arts in most African countries. Among the Yoruba in Nigeria several genre of oral performance has been researched and documented. These include the ijala, iwi, oriki ekun iyawo, Iyere Ifa, iwure, among others. However, very little attention and studies have been committed to oral performance of Ìrègún chants and songs in Yagbaland. This paper, therefore, focuses on the evaluation of oral performance of Ìrègún chants and songs among Yagba people in Kogi State, located in North central of Nigeria. Primary data were collected through 3 In-depth and 3 Key Informant interviews of leaders and members of Ìrègún musical groups. In addition to 3 Participant Observation and 3 Non-Participant Observation meth- ods from Yagba-West, Yagba-East and Mopamuro Local Government Areas of Kogi State, music recordings, photographs of Ìrègún performances, and 6 chants were purposefully sampled. Secondary data were collected through library, archival and Internet sources. Although closely interwoven, Ìrègún performance is structured into preparation, actual and post-performance activities. While chanting, singing, playing of musical instruments and dancing forms the performance dimensions. Ire- gun music serves as veritable mirror and cultural preserver in Yagba communities. Keywords: Iregun Music; Performance; Yagbaland; Chants and Songs Epiphany: Journal of Transdisciplinary Studies, Vol. 8, No. 1, (2015) © Faculty of Arts and Social Sciences 9 S.O. Titus Introduction Performance of oral genre varies in Yoruba culture as varied as contexts for per- formance. In essence, oral performance can only be realized when it is actually performed. -
The Untold Stories of the Esie Stone Figurines
December 2008 Newsletter Exploring Frontiers of Archaeology and Cultural Resource Management: Untold Stories of the Esie Stone Figurines B y J. O. Aleru and K. Adekola* Abstract The north central Yorubaland homeland of the Igbomina Yoruba, in the modern Kwara State of Nigeria, is endowed with abundant natural and cultural resources. The cultural landscape of the area is indeed very rich. However, the vast majority of these significant elements of cultural heritage remain unexamined. In fact, most of these resources are hardly known. For about seven decades since the first and best known elements of cultural heritage in the area were unearthed in the town of Esie, we have yet to substantially expand the repertoire of knowledge concerning the cultural history of the region. For several decades, a number of scholars have decried the inadequacy of information on the ancient political, social, economic and religious structures that existed in this region (Aremu 1991, 2006; Folorunso, 2006; Obayemi, 1982; Onabajo, 1988, 1994; Pogoson, 1990; Aribidesi et al. 2005; Aleru, 2006). Yet, little research has been conducted to improve the situation. This article reports on the potential elements of natural and cultural heritage in the homeland of the Igbomina people, and of recent archaeological work undertaken by the authors within the region. Introduction Among the most prominent of known elements of cultural heritage in the homeland region of the Igbomina are 800 representational statues carved in steatite (or “soapstone”) found in the landscape surrounding the town of Esie in the modern Kwara State of Nigeria (Figs. 1-3). These figurines, ranging in size from 14 centimeters to over one meter in height, represent both men and women, often in positions seated on stools, kneeling, playing musical instruments, holding machetes, or with their hands placed upon their knees. -
Yoruba Culture of Nigeria: Creating Space for an Endangered Specie
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 9, No. 4, 2013, pp. 23-29 www.cscanada.net DOI:10.3968/j.ccc.1923670020130904.2598 www.cscanada.org Yoruba Culture of Nigeria: Creating Space for an Endangered Specie Adepeju Oti[a],*; Oyebola Ayeni[b] [a]Ph.D, Née Aderogba. Lead City University, Ibadan, Nigeria. [b] INTRODUCTION Ph.D. Lead City University, Ibadan, Nigeria. *Corresponding author. Culture refers to the cumulative deposit of knowledge, experience, beliefs, values, attitudes, meanings, Received 16 March 2013; accepted 11 July 2013 hierarchies, religion, notions of time, roles, spatial relations, concepts of the universe, and material objects Abstract and possessions acquired by a group of people in the The history of colonisation dates back to the 19th course of generations through individual and group Century. Africa and indeed Nigeria could not exercise striving (Hofstede, 1997). It is a collective programming her sovereignty during this period. In fact, the experience of the mind that distinguishes the members of one group of colonisation was a bitter sweet experience for the or category of people from another. The position that continent of Africa and indeed Nigeria, this is because the ideas, meanings, beliefs and values people learn as the same colonialist and explorers who exploited the members of society determines human nature. People are African and Nigerian economy; using it to develop theirs, what they learn, therefore, culture ultimately determine the quality in a person or society that arises from a were the same people who brought western education, concern for what is regarded as excellent in arts, letters, modern health care, writing and recently technology. -
The African Bronze Art Culture of the Bight of Benin and Its Influence on Modern Art
The African Bronze Art Culture of the Bight of Benin and its Influence on Modern Art This article is dedicated to Dr. Leroy Bynum, the pioneer Dean of the College of Arts and Humanities at Albany State University (2006-2014), for his 22-years of devoted service to this institution. Emmanuel Konde Department of History and Political Science Introduction There are two “Benins” in West Africa. Both straddle the coastline area known as the Bight of Benin that encompasses, among other nations, Nigeria and the Republic of Benin. One is the former Kingdom of Benin in present-day Nigeria; the other a successor state of the former Kingdom of Dahomey, now called the Republic of Benin. These kingdoms were the products of two significant waves of social change that dominated Africa’s history from the earliest times to the 19th century: migration and state formation. Migration and state formation trends in Africa’s precolonial history often intersected and interwove. As John Lamphear observed, these trends involved internal population movements “that typically led to the formation of new societies, linguistic groups, and states.”1 Historical evidence suggests that the rise of the two Benin kingdoms was influenced by similar social forces and that the founders of these kingdoms shared a strong cultural affinity. Consequently, both Benins developed a sculptural art form in bronze casting of high quality that probably issued from the same culture complex and shared experiences. If the peoples of the kingdoms of Benin and Dahomey were not originally the same people who were eventually separated by migrations occasioned by the struggles of state formation, at least a vibrant and dynamic culture contact between them culminated in a diffusion of arts and crafts that ultimately resulted in striking similarities between their bronze sculptures. -
Full Dissertation V3
UNIVERSITY OF CALIFORNIA Los Angeles Utilitarian Pleasures: Print Culture and the Development of a Reading Public in Southwestern Nigeria A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Regan Buck Bardeen 2013 © Copyright by Regan Buck Bardeen 2013 ABSTRACT OF THE DISSERTATION Utilitarian Pleasures: The Production of Literature and the Development of a Reading Public in Southwestern Nigeria by Regan Buck Bardeen Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Edward Alpers, Co-chair Professor Andrew Apter, Co-chair Beginning with Christian missionary efforts to create a standardized Yoruba print language in the mid-nineteenth century, the Yoruba-speaking region of southwestern Nigeria was rapidly integrated into a network of print production that spanned the Atlantic Ocean. The emergence of a local reading public engendered the desire of administrative and religious stakeholder agencies to dictate the development of a print culture in southwestern Nigeria. These agencies saw their work on the production and dissemination of literature as a political and moral investment in the region, one that would pay dividends with the development of a Yoruba reading public whose worldview aligned with their own. This dissertation examines the strategies used by missionaries, philanthropists and government administrators to control how and what Nigerians read, ii from the colonial period through independent rule and up to the economic collapse of the 1980s. It argues that independent Nigerian governments echoed the desires of earlier agencies that literature be used to teach moral lessons or practical skills, with the aim being the education of a nationalized citizenry. -
Yoruba Culture & Customs
Instructor: Kole Odutola, PhD Yoruba Culture & customs Email: [email protected] Course number: SSA 4930 Special Topics, spring 2019 Office: 351 Pugh Hall, Office phone #: (352) 273-2959 Office Hours: Tuesdays -2-3pm Pugh Hall 351 Venue: AND 0013 Time: Tuesday 5-6 (11:45am to 1:40pm Thursday: 12:50 to 1:40pm) Introduction. The two concepts of culture and customs are interrelated; one is the totality of the ways of life of a people while “custom is a traditional way of behaving or doing something that is specific to a particular place, time or society.” Customs, therefore, are a part of the cultural matrix. There are many ways to learn about other people and their ways of life. Understanding the culture and customs of people different from us allows us to deeply appreciate what is ours. There are about 30 million native speakers of the language found in southwestern Nigeria and South-eastern Benin Republic. There are also descendants of Yorùbá people transported to the New World during the Transatlantic slavery of 18th to 19th centuries; most especially in Brazil, Cuba, Haiti, Trinidad, Puerto Rico, etc. who speak variations of the language and claim the Yoruba identity. Course Description Multi-faceted perspectives will be provided on the lived experiences of Yorùbá people with insights from anthropology, arts, language and linguistics, literature, history, religion, sociology, philosophy, psychology, criminology, law, technology, medicine, pharmacy, engineering, economics, education, political science, music, theater, popular culture, cultural studies, migration, gender and diaspora studies etc. Each week the class will address selected cultural practices and follow with tangible changes that have taken place in the culture over time. -
INTERNATIONAL JOURNAL FINAL Finalweb
THE CHALLENGES OF RELIGION AND ETHNIC IDENTITY IN NIGERIA By Ijeoma G. Ibezim Abstract The study investigated the challenges of religion and ethnic identity in Nigeria. Albeit religion and ethnic identity give people a sense of belonging, but there are factors that impede their progress in Nigeria. These factors were identified through secondary source of data collections and simple observation. The findings show that ethno- religious conflict and acculturation were among the factors that threaten religion and ethnic identity in Nigeria. In view of these findings, the researcher recommends that the government should introduce ethnic identity day and inter-religious quiz on moral education to enhance ethno-religious harmony in Nigeria. Introduction There are over 250 ethnic groups in Nigeria with three main religious groups namely: African traditional religion, Islam and Christianity. Oduwobi and Iwuagwu (cited by Obiajulu, 2003) identified 131 ethnic groups and their states of origin in their ethno- historical survey of Nigerian states. The populations, religious and political influences of these groups broadly divide the groups into majority and minority groups. The majority groups are Hausa, Yoruba and Igbo. Other ethnic groups which are classified as minority groups are Tiv. Nupe, Efik, Fulani among others. In a pluralistic society members do not share the same culture. Therefore Nigeria unequivocally is a pluralistic society with diverse ethnic groups, linguistics, cultures and religions. Culture is the people's way of life and their identity. It includes the way they dress, the type of houses they build, the food they eat, and their language and belief system. Therefore religion as an aspect of culture is the people's identity.