U.S. Capitol Visitor Center Statues
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Cesarean Section Rates from the 2015 Leapfrog Hospital Survey
Cesarean Section Rates from the 2015 Leapfrog Hospital Survey Results reflect submissions received by December 31, 2015 Hospital City State Rate Performance Alaska Regional Hospital Anchorage AK 33.5% Willing to Report Bartlett Regional Hospital Juneau AK Declined to Respond Central Peninsula General Hospital Soldotna AK Declined to Respond Fairbanks Memorial Hospital Fairbanks AK 15.3% Fully Meets Standard Mat‐Su Regional Medical Center Palmer AK Declined to Respond Providence Alaska Medical Center Anchorage AK 20.0% Fully Meets Standard Andalusia Regional Hospital Andalusia AL 22.1% Fully Meets Standard Athens‐Limestone Hospital Athens AL Declined to Respond Atmore Community Hospital Atmore AL Declined to Respond Baptist Medical Center East Montgomery AL Declined to Respond Baptist Medical Center South Montgomery AL Declined to Respond Bibb Medical Center Centreville AL Declined to Respond Brookwood Medical Center Birmingham AL 31.9% Some Progress Bryan W. Whitfield Memorial Hospital Demopolis AL Declined to Respond Bullock County Hospital Union Springs AL Declined to Respond Cherokee Medical Center Centre AL Declined to Respond Citizens Baptist Medical Center Talladega AL Declined to Respond Clay County Hospital Ashland AL Declined to Respond Community Hospital of Tallassee Tallassee AL Declined to Respond Coosa Valley Medical Center Sylacauga AL Declined to Respond Crenshaw Community Hospital Luverne AL Declined to Respond Crestwood Medical Center Huntsville AL Declined to Respond Cullman Regional Medical Center Cullman AL Declined -
LIST of STATUES in the NATIONAL STATUARY HALL COLLECTION As of April 2017
history, art & archives | u. s. house of representatives LIST OF STATUES IN THE NATIONAL STATUARY HALL COLLECTION as of April 2017 STATE STATUE SCULPTOR Alabama Helen Keller Edward Hlavka Alabama Joseph Wheeler Berthold Nebel Alaska Edward Lewis “Bob” Bartlett Felix de Weldon Alaska Ernest Gruening George Anthonisen Arizona Barry Goldwater Deborah Copenhaver Fellows Arizona Eusebio F. Kino Suzanne Silvercruys Arkansas James Paul Clarke Pompeo Coppini Arkansas Uriah M. Rose Frederic Ruckstull California Ronald Wilson Reagan Chas Fagan California Junipero Serra Ettore Cadorin Colorado Florence Sabin Joy Buba Colorado John “Jack” Swigert George and Mark Lundeen Connecticut Roger Sherman Chauncey Ives Connecticut Jonathan Trumbull Chauncey Ives Delaware John Clayton Bryant Baker Delaware Caesar Rodney Bryant Baker Florida John Gorrie Charles A. Pillars Florida Edmund Kirby Smith Charles A. Pillars Georgia Crawford Long J. Massey Rhind Georgia Alexander H. Stephens Gutzon Borglum Hawaii Father Damien Marisol Escobar Hawaii Kamehameha I C. P. Curtis and Ortho Fairbanks, after Thomas Gould Idaho William Borah Bryant Baker Idaho George Shoup Frederick Triebel Illinois James Shields Leonard Volk Illinois Frances Willard Helen Mears Indiana Oliver Hazard Morton Charles Niehaus Indiana Lewis Wallace Andrew O’Connor Iowa Norman E. Borlaug Benjamin Victor Iowa Samuel Jordan Kirkwood Vinnie Ream Kansas Dwight D. Eisenhower Jim Brothers Kansas John James Ingalls Charles Niehaus Kentucky Henry Clay Charles Niehaus Kentucky Ephraim McDowell Charles Niehaus -
Poncan Theatre
A Directory of Cultural Sites and Museums in Ponca City , Oklahoma Purpose of Directory Guidebook A tour guide or docent is usually available for assistance. Th is person is knowledgeable Th is “Adventures in History & Heritage” directory guidebook is intended to be a about the museums and collections. Listen and respect them and follow their lead. resource for teachers and citizens. It represents each cultural and/or historic site in Th ey have a wealth of knowledge to share. the Ponca City area and contains information to assist those interested in planning Show respect for the valuable artifacts and treasured items in a museum or a cultural educational visits. We hope you will fi nd the content informative and useful in site. Most items could not be replaced if destroyed. A “hands off ” policy is best when scheduling fi eld trips, group tours or individual visits. Enjoy the adventure and what touring. can be discovered along the way. At the end of the visit, be sure to show your appreciation and thank your guide. Why Cultural Heritage Field Trips are important… Table of Contents • Th ey help others discover the history and roots of a community. City Hall, Centennial Plaza, and Historic Downtown . 4 • Th ey create community awareness. Conoco Museum. 6 • Th ey enhance community pride. Marland Estate Mansion. 8 • Th ey encourage community involvement. Marland’s Grand Home.. 10 • Th ey generate partnerships between local schools, cultural heritage sites, Pioneer Woman Museum. 12 students and citizens. Ponca City Art Center. 14 Ponca City Library Matzene Art Collection. 16 Poncan Th eatre. -
Changing Faces Your State Hero in the U.S
Social Studies and the Young Learner 23 (4), pp. 4–9 ©2011 National Council for the Social Studies Changing Faces Your State Hero in the U.S. Capitol Dennis Denenberg here’s an exciting change occurring in the U.S. Capitol proposal — to replace one of Kansas’ statues! WHAT? How in our nation’s capital of Washington, D.C. — and YOU could anyone suggest removing a “hero” — where would the Tand YOUR STUDENTS can become involved in the old statue go? And why would anyone even bring up such an story. But before I can tell you how to play a role, I need to absurd proposal? It’s actually amusing how the idea surfaced. provide the plot! The Representative noticed that the toes of the Will Rogers statue from Oklahoma were all shiny. The statue of this beloved Pride in the Union 1930s humorist and cowboy was made of bronze, and people The story begins in 1864, while our nation was still experienc- rubbed his foot for good luck as they walked past it. But no ing the agony of the Civil War. Congressman Justin Morill one stopped to look at either of Kansas’ statues because, quite of Vermont sponsored a bill inviting every state to send two frankly, nobody knew who they were! So, what to do? Would statues of noteworthy individuals from that state for permanent Congress allow a state to take such a bold step? The citizens display in the expanded U.S. Capitol. A new wing of the House from Kansas decided not to wait; they forged ahead in the hope featuring a larger House Chamber was also constructed from Congress would accommodate their request. -
U.S. Capitol Visitor Guide
United States Capitol VISITOR GUide Welcome to the United States Capitol our visit to the GUIDED TOURS OF THE U.S. CAPITOL historic U.S. Guided tours of the U.S. Capitol begin at the Orientation Theaters on Capitol begins the lower level of the Capitol Visitor Center. “Out of Many, One,” Yas you enter the Capitol a 13-minute film, illustrates how this country established a new form of Visitor Center. With government; highlights the vital role that Congress plays in the its soaring spaces and daily lives of Americans; and introduces you to the building that houses skylight views of the the U.S. Congress. Capitol Dome, the Capitol Visitor Center Tours are free and are offered throughout the day between welcomes you on a 8:40 a.m. – 3:20 p.m., Monday – Saturday. Tour passes are required. journey of discovery. Advance Passes: Tours may The U.S. Capitol be booked in advance online at is home to the U.S. www.visitthecapitol.gov, through Congress and its two the offices of your senators or legislative bodies, representative, or through the the U.S. House of The Apotheosis of George Washington Office of Visitor Services by Representatives calling 202.226.8000. and the U.S. Senate. Through films, exhibits, and tours, you will learn about how Congress works, how this magnificent building was built, Same-Day Passes: A limited and how citizens can participate in this extraordinary experiment called number of passes are available representative democracy. each day at the Information Desks in Emancipation Hall on the lower The U.S. -
Crouch, Casting the Republic in White
ISSN: 2471-6839 Cite this article: Christian Ayne Crouch, “Casting the Republic in White,” in Art and Politics in the US Capitol, special section, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021) doi.org/10.24926/24716839.11763. Casting the Republic in White Christian Ayne Crouch, Associate Professor, Historical Studies Program, Bard College You are looking at freedom here, as cast by the United States (fig. 1). Beneath a plaster cast of Thomas Crawford’s Statue of Freedom, the allegorical female figure who adorns the US Capitol dome, troops gather in the United States Capitol Visitor Center to protect Congress. This photograph appeared a week after the harrowing attempted coup at the Capitol, and, as versions of it circulated coast-to-coast, the image of the Statue of Freedom surrounded by National Guardsmen and women offered stability and calm to a divided nation. It was the antithesis of the images of seditionists and rioters invading, looting, and screaming that dominated the news media in the days following the insurrection. The Statue of Freedom is protected by and protecting these troops, standing vigilant over the brave, personifying the pledge of allegiance to a republic, one and indivisible, now in crisis. Consider her gladiatorial calm and the fact that she stands at rest, but armed and alert. We see the symbiosis between this goddess of the republic and the troops brought into her temple to aid in her defense. Fig. 1. “Impeachment of Donald Trump,” January 13, 2021. Photograph courtesy Kent Nishimura/Los Angeles Times via Getty Images Now look again. -
The American Pioneer Woman Circa 1930: Cultural Debates and the Role of Public Art
The American Pioneer Woman Circa 1930 85 The American Pioneer Woman Circa 1930: Cultural Debates and the Role of Public Art Janet Galligani Casey Last February a dozen women set out to tour the U.S. They were a curious company. Dressed in the style of the early 19th century, they remained totally impervious to the appraising stares of approximately 750,000 persons. —Time Magazine, January 2, 19281 In 1927, an unusual contest seized the attention of the American public. Oklahoma oil magnate E. W. Marland, inspired to commemorate the role of women on the American frontier, set aside more than $300,000 for the eventual erection of a monument in his hometown of Ponca City and invited prominent sculptors to submit appropriate designs. Over the next several months, twelve miniature bronze casts based on those designs were exhibited in major cities throughout the U.S., drawing tens of thousands of visitors who were invited to share their opinions via formal ballot. Although Marland retained the right to make the final decision, art critics, cultural commentators, and ordinary citizens nonetheless engaged in robust debate about the suitability of each of the models and, by extension, the symbolic parameters for an iconic female of the frontier. When the completed full-sized monument was unveiled in 1930 before a crowd estimated at 40,000—on a specially declared state holiday featuring Indian pow-wows, fiddling contests, and parades of Conestoga wagons—the cultural 0026-3079/2010/5103/4-085$2.50/0 American Studies, 51:3/4 (Fall/Winter 2010): 85-107 85 86 Janet Galligani Casey significance of the moment was reinforced through public addresses by none other than President Herbert Hoover and Secretary of War (and Oklahoma native) Patrick J. -
The Kamehameha Statue
The Kamehameha Statue Jacob Adler In the Hawaiian legislature of 1878, Walter Murray Gibson, then a freshman member for Lahaina, Maui, proposed a monument to the centennial of Hawaii's "discovery" by Captain James Cook. Gibson said in part: Kamehameha the Great "was among the first to greet the discoverer Cook on board his ship in 1778 . and this Hawaiian chief's great mind, though [he was] a mere youth then, well appreciated the mighty changes that must follow after the arrival of the white strangers." After reviewing the hundred years since Cook, Gibson went on: And is not this history at which we have glanced worthy of some commemoration? All nations keep their epochs and their eras. ... By commemorating notable periods, nations renew as they review their national life. Some would appreciate a utilitarian monument, such as a prominent light- house; others, a building for instruction or a museum; and I highly appreciate the utilitarian view, yet I am inclined to favor a work of art. And what is the most notable event, and character, apart from discovery, in this century, for Hawaiians to com- memorate? What else but the consolidation of the archipelago by the hero Kamehameha? The warrior chief of Kohala towers far above any other one of his race in all Oceanica. Therefore . lift up your hero before the eyes of the people, not only in story, but in everlasting bronze.1 The legislature appropriated $10,000, and appointed a committee to choose the monument and carry out the work: Walter M. Gibson, chairman; Archibald S. -
National Statuary Hall Collection: Background and Legislative Options
National Statuary Hall Collection: Background and Legislative Options Updated December 3, 2019 Congressional Research Service https://crsreports.congress.gov R42812 National Statuary Hall Collection: Background and Legislative Options Summary The National Statuary Hall Collection, located in the U.S. Capitol, comprises 100 statues provided by individual states to honor persons notable for their historic renown or for distinguished services. The collection was authorized in 1864, at the same time that Congress redesignated the hall where the House of Representatives formerly met as National Statuary Hall. The first statue, depicting Nathanael Greene, was provided in 1870 by Rhode Island. The collection has consisted of 100 statues—two statues per state—since 2005, when New Mexico sent a statue of Po’pay. At various times, aesthetic and structural concerns necessitated the relocation of some statues throughout the Capitol. Today, some of the 100 individual statues in the National Statuary Hall Collection are located in the House and Senate wings of the Capitol, the Rotunda, the Crypt, and the Capitol Visitor Center. Legislation to increase the size of the National Statuary Hall Collection was introduced in several Congresses. These measures would permit states to furnish more than two statues or allow the District of Columbia and the U.S. territories to provide statues to the collection. None of these proposals were enacted. Should Congress choose to expand the number of statues in the National Statuary Hall Collection, the Joint Committee on the Library and the Architect of the Capitol (AOC) may need to address statue location to address aesthetic, structural, and safety concerns in National Statuary Hall, the Capitol Visitor Center, and other areas of the Capitol. -
Grand Lodge of Alabama Visits the Memorial
Fall 2001 Grand Lodge of Alabama Visits the Memorial The Grand Lodge Free & Accepted Masons of Alabama held an emergent Grand Lodge Communication at The George Washington Masonic Memorial to inaugurate November 2001 as The Grand Lodge of Alabama Month at the Memorial. Officers of the Grand Lodge of Alabama who participated were: M.W. V. Wayne Causey, Grand Master; R.W. Roger A. Simmons, Deputy Grand Master; R.W. Billy C. Ford, Senior Grand Warden; R.W. Darrell Neill, Junior Grand Warden; M.W. Jerry M. Underwood, PGM and Grand Secretary; W. Lew W. Jones, Junior Grand Deacon; Lyn Emfinger, Senior Grand Steward; and Luther S. (Pythagoras) Holder, Chairman, Committee on Work and Past Junior Grand Steward. Also present at the meeting was R.W. Robert H. Starr, Deputy Grand Master of the Grand Lodge of the District of Columbia and W. George D. Seghers, Executive Secretary-Treasurer of The George Washington Masonic Memorial and Grand Marshal of the Grand Lodge of the District of Columbia. The Brethren from Alabama presented an excellent exhibit about the Grand Lodge of Alabama, which was installed in Assembly Hall. The Grand Master and Grand Lodge Officers toured The George Washington Masonic Memorial and the House of the Temple, the headquarters for the Supreme Council, 33°, Ancient and Accepted Scottish Rite of Freemasonry of the Southern Jurisdiction, U.S.A. They also attended the Grand Visitation by M.W. Grant R. Berning, Grand Master and the Officers of the Grand Lodge, F.A.A.M. of the District of Columbia to Potomac Lodge No. -
Guide to State Statues in the National Statuary Hall Collection
U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN CVC 19-107 Edition V Senator Mazie Hirono of Hawaii addresses a group of high school students gathered in front of the statue of King Kamehameha in the Capitol Visitor Center. TOM FONTANA U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN STATE PAGE STATE PAGE Alabama . 3 Montana . .28 Alaska . 4 Nebraska . .29 Arizona . .5 Nevada . 30 Arkansas . 6 New Hampshire . .31 California . .7 New Jersey . 32 Colorado . 8 New Mexico . 33 Connecticut . 9 New York . .34 Delaware . .10 North Carolina . 35 Florida . .11 North Dakota . .36 Georgia . 12 Ohio . 37 Hawaii . .13 Oklahoma . 38 Idaho . 14 Oregon . 39 Illinois . .15 Pennsylvania . 40 Indiana . 16 Rhode Island . 41 Iowa . .17 South Carolina . 42 Kansas . .18 South Dakota . .43 Kentucky . .19 Tennessee . 44 Louisiana . .20 Texas . 45 Maine . .21 Utah . 46 Maryland . .22 Vermont . .47 Massachusetts . .23 Virginia . 48 Michigan . .24 Washington . .49 Minnesota . 25 West Virginia . 50 Mississippi . 26 Wisconsin . 51 Missouri . .27 Wyoming . .52 Statue photography by Architect of the Capitol The Guide to State Statues in the National Statuary Hall Collection is available as a free mobile app via the iTunes app store or Google play. 2 GUIDE TO STATE STATUES IN THE NATIONAL STATUARY HALL COLLECTION U.S. CAPITOL VISITOR CENTER AlabaMa he National Statuary Hall Collection in the United States Capitol is comprised of statues donated by individual states to honor persons notable in their history. The entire collection now consists of 100 statues contributed by 50 states. -
THOLOS Spring 2018
VOLUME VOLUME 8 SPRING 2018 FEATURE: EVOLUTION OF WOMEN IN ART AT THE U.S. CAPITOL COOL TOOLS: BUMP CAPS PROFILE IN HISTORY: JOB W. ANGUS FEATURE: An in-depth look at the evolution of women in 6 art at the U.S. Capitol. In This Issue 15 1 ARCHITECT’S NOTEBOOK BEHIND THE SCENES: Learn more about how our 2 PROFILE IN HISTORY employees care for the historic Job W. Angus floors in the Senate. 6 FEATURE The Evolution of Women in Art at the U.S. Capitol 15 BEHIND THE SCENES Restoration and Care of Historic Marble Floors BY THE NUMBERS: 17 BY THE NUMBERS A look at the Capitol Visitor Center’s busiest season. Capitol Visitor Center 20 COOL TOOLS Making Heads Safer, 17 One Bump Cap at a Time COOL TOOLS: Read how this cool cap is keeping Capitol Building employees safer. COVER: A detailed view of the U.S. Capitol’s Statue of Freedom. 20 Photo illustration by Michael Dunn Photo by James Rosenthal ARCHITECT’S NOTEBOOK Finding Comfort In Balance t is human nature to try to find order and balance in and is topped off with intricate details of the entablature our surroundings. One of the ways I do this in my with its projecting cornice. own life is to be as organized as possible. My desk Architectural balance is also often achieved through Iis proof of this as it is always arranged neatly with symmetry. In the Main Reading Room, the art, decoration nothing out of place. This gives me a sense of ease so I and sculpture reinforce a sense of order by the strong can focus on other tasks at hand.