Advocacy and Women's Rights in Lagos and Ogun States
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2013'S Biggest Winner a PASSION for FASHION ONLINE MOVIE
Nolly Silver Screen ISSUE 01 FEB 2014 O.C. UKEJE 2013’s Biggest Winner A PASSION FOR FASHION Actors turned Designers ONLINE MOVIE HOW IT ALL STARTED STREAMING The History of Discover the best Nollywood 6 websites for Nollywood movies Editor’s NotE the amount of work that needed to be done. A lot of writing, editing, design- ing, following people up and yes, also elcome to our first edition W psyching myself. In the end, I knew that of Nolly Silver Screen magazine. The we had no choice but to just go for it idea of starting this publication came and put in nothing but our very best. while discussing with Adeniyi Olu- tayo of Nultan Nigeria Limited, own- To all the people who believed in this ers of tvNolly. He encouraged me to project and have lent their support go for it despite his fears of a lack of and time, I say a big THANK YOU. To audience; ‘who would read it?’ He had O.C. Ukeje, our cover star who I had the asked. This made me think and do pleasure of talking to quite a few times. some research. I found out that peo- He taught me something important: ple want content to entertain, inform when it is time, everything will just fall and help them connect with the stars. in place. And that is the Nolly Silver Nolly Silver Screen magazine aims to Screen story. Maybe it is time, maybe be that go-to guide for the industry. everything is falling into place, at least you have the magazine in front of you. -
A Consideration of Genevieve Nnaji's Lionheart
EJOTMAS: EKPOMA JOURNAL OF THEATRE AND MEDIA ARTS 83 http://dx.doi.org/10.4314/ejotmas.v7i1-2.6 BALANCING GENDER STEREOTYPES IN NOLLYWOOD: A CONSIDERATION OF GENEVIEVE NNAJI’S LIONHEART *Roselyn Vona DOGHUDJE Abstract The current increase in the protest for women’s right all over the world, amidst the resurgence of feminist critical thinking in mainstream culture, is giving film researchers a lot to reflect on. Based on previous researches, it can be deduced that very little progress has been made to correct the stereotypical portrayal of women in Nollywood films by both male and female producers. In order to examine the stereotypes and investigate the extent to these stereotypes reflect the social reality of both genders in real life, Lionheart, a movie produced by a veteran Nollywood actress, Genevieve Nnaji, with an average rating of 5.6/10 on IMDB (Internet Movie Database) and was nominated for an Oscar award was selected. Quantitative content analysis was applied and findings revealed that there was an effort by the producer to ‘demystify’ the power of men. The issues raised in the movie are topical and relevant to the feminist discourse on women’s representation in film and in the media generally. The movie also provides a way forward for gender-based discourse and serves as a point of reference for other female directors willing to interpret the role of women in a manner that is more accurate and truthfully reflective of their strengths and capacities. The study is anchored on stereotype content model (SCM). Keywords: Gender stereotypes, Nollywood films, Lionheart, Feminist critical thinking, SCM Introduction The discourse about gender stereotype is on the rise and there is no sign of slowing. -
Foreign Exchange Auction No 04/2004 of 14Th January, 2004
1 CENTRAL BANK OF NIGERIA, ABUJA TRADE AND EXCHANGE DEPARTMENT FOREIGN EXCHANGE AUCTION NO 04/2004 OF 14TH JANUARY, 2004 FOREIGN EXCHANGE SALES RESULT APPLICANT NAME FORM BID CUMMU BANK Weighted S/N A. QUALIFIED BIDS M/A NO. R/C NO. APPLICANT ADDRESS RATE AMOUNT TOTAL PURPOSE NAME Average 1 OLAKANPO OLUTOYIN AA 1376055 A 0310429 2, ONIKOYI ROAD, IKOYI, LAGOS 139.0000 2,000.00 2,000.00 PERSONAL TRAVEL ALLOWANCE FSB 0.0032 2 NATHOLAB ENGINEERING CO. MF 0538470 RC 144390 OGUN RIVER BASIN DEV. AUTH. COMPOUND 5 OYETIBO139.0000 CLOSE RINGROAD 17,550.00 IBADAN 19,550.00 IMPORTATION OF AGRICULTURAL IMPLEMENTS(PLOUGHS NEW) FTB 0.0282 3 FIDSON HEALTHCARE LTD MF 0494701 RC 267435 215/219 IKORODU ROAD, OBANIKORO, LAGOS 139.0000 17,775.00 37,325.00 CIPROTAB I.V - CIPROFLOXACIN INJ. USP. 200MG/100ML PACK GATEWAY 0.0286 4 SECURITIES AND EXCHANGE COMMISSION AA0908269 TOWER 421,CONSTITUTION AVENUE, ABUJA 138.5000 51,000.00 88,325.00 PAYMENT OF COURSE FEES TO HAVARD BUSINESS SCHOOL FSB 0.0816 5 DOBLINK KREDIT & COMMERCE MF 0574595 RC 142890 18/20 COMMERCIAL ROAD, APAPA, LAGOS 138.5000 51,120.00 139,445.00 36,000KG VINNOLIT C14/50V POLYMER EQUIVALENT K47/48 GATEWAY 0.0818 6 Nicapaco MF 0435414 RC 12108 23 Industrial Avenue , Ilupeju, Lagos. 138.0000 346,080.00 485,525.00 Industrial Raw Matetrial, Fluting Paper in Rolls Capital 0.5520 7 Nicapaco MF 0435415 RC 12108 23 Industrial Avenue , Ilupeju, Lagos. 138.0000 239,400.00 724,925.00 Kraftliner in Reels - Industrial Raw Materials Capital 0.3818 8 ORJI AUGUSTINE ONYEMA AA1216971 A0032887 7 OCHIEZE CLOSE, ABAYI, ABA,ABIA STATE 138.0000 4,500.00 729,425.00 TUITION EXPENSES DBL 0.0072 9 FASORANTI ADENIKE AA 1271972 A 1788281 4A IDOMA CLOSE, U/RIMI GRA, KADUNA 138.0000 2,000.00 731,425.00 PERSONAL TRAVEL ALLOWANCE FSB 0.0032 10 NOMSAK INDUSTRIES LTD MF 0050281 RC 76987 129 TENANAT ROAD, ABA 138.0000 66,020.00 797,445.00 IMPORTATION OF STOCK FISH HEAD FSB 0.1053 11 M.C. -
Report of the Special Committee to Review Historical Inequalities in Commemoration
Report of the Special Committee to Review Historical Inequalities in Commemoration Commonwealth War Graves Commission; Steinbach, Daniel Publication date: 2021 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Commonwealth War Graves Commission, & Steinbach, D. (2021). Report of the Special Committee to Review Historical Inequalities in Commemoration. Commonwealth War Graves Commission. Download date: 27. sep.. 2021 REPORT OF THE SPECIAL COMMITTEE TO REVIEW HISTORICAL INEQUALITIES IN COMMEMORATION MAIDENHEAD ORIGINALLY PUBLISHED BY THE COMMONWEALTH WAR GRAVES COMMISSION. 2021. REPORT OF THE SPECIAL COMMITTEE TO REVIEW HISTORICAL INEQUALITIES IN COMMEMORATION First published in Great Britain in 2021 by The Commonwealth War Graves Commission 2 Marlow Road, Maidenhead, SL6 7DX www.cwgc.org Copyright Commonwealth War Graves Commission 2021 Digital ISBN [978-0-9565074-1-9] Print ISBN [978-0-9565074-2-6] 2 REPORT OF THE SPECIAL COMMITTEE TO REVIEW HISTORICAL INEQUALITIES IN COMMEMORATION COMMITTEE MEMBERS COMMITTEE MEMBERS Committee Chair Sir Tim Hitchens KCVO CMG Researched, compiled and written by Dr George Hay Dr John Burke Committee Members Professor Michèle Barrett Shrabani Basu Selena Carty Blondel Cluff CBE Professor Mark Connelly Terry Denham Amandeep Madra OBE Edward Paice Trevor Phillips OBE Dr Gavin Rand Dr Anne Samson Dr Kevin Searle Dr Daniel Steinbach Dr Nicholas Westcott CMG 3 REPORT OF THE SPECIAL COMMITTEE TO REVIEW HISTORICAL INEQUALITIES IN COMMEMORATION In December 2019, the Commissioners of the Commonwealth War Graves Commission (CWGC) elected to appoint a committee of independent experts and community representatives with the following remit: • To analyse the historical actions of the CWGC within a global context to identify and, wherever possible, correct any gaps in commemoration. -
ADERINTO-DISSERTATION.Pdf (1.797Mb)
Copyright by Saheed Adeniyi Aderinto 2010 The Dissertation Committee for Saheed Adeniyi Aderinto Certifies that this is the approved version of the following dissertation: Sexualized Nationalism: Lagos and the Politics of Illicit Sexuality in Colonial Nigeria, 1918-1958 Committee: ________________________________ Oloruntoyin O. Falola, Supervisor ________________________________ Juliet E.K. Walker ________________________________ Emilio Zamora ________________________________ Ruramisai Charumbira ________________________________ Omoniyi Afolabi _________________________________ Aderonke Adesanya Sexualized Nationalism: Lagos and the Politics of Illicit Sexuality in Colonial Nigeria, 1918-1958 by Saheed Adeniyi Aderinto B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2010 For Olamide Aderinto Abstract Sexualized Nationalism: Lagos and the Politics of Illicit Sexuality in Colonial Nigeria, 1918-1958 Publication No___________________________ Saheed Adeniyi Aderinto, Ph.D The University of Texas at Austin, 2010 Supervisor: Oloruntoyin O. Falola In this dissertation, I argue that historians of Africa have overlooked the intersection between nationalism and sexuality, despite the fact that these two themes are related. In addition, instead of focusing on the now stale paradigm which emphasizes the importance of race and class in the discourse of sexuality, I offer -
Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 by Añulika Agina
Toolkit: Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 By Añulika Agina Copyright: Genevieve Nnaji/TEN - The Entertainment Network Toolkit: Southern Nigerian Cinema 3 By Añulika Agina Toolkit: Southern Nigerian Cinema A significant amount of literature exists on the southern Nigerian cinema, which was inaugurated with the 1992 Igbo-language film, Living in Bondage. Little is known and documented about the colonial cinema of Nigeria and the period immediately after colonial rule. Although films were made in the 1970s and 1980s by filmmakers such as Eddie Ugboma, Ola Balogun and Ladi Ladebo, such films and critical analyses about them are not readily accessible. Hyginus Ekwuazi, Jonathan Haynes and Onookome Okome (see texts below) have written excellent accounts of the history of Nigerian cinema, especially of the Nollywood boom and the socio- cultural contexts that gave rise to them. The film industry in southern Nigeria is today the largest in Africa, producing over a thousand film titles per annum with locally sourced funds and distributed internationally. Foreign investment in Nigerian film is on the rise given the visibility that local productions have created at home and abroad. The government has also taken notice of the commercial viability of the industry and pledged billions of naira through the Bank of Industry to support the film business. The films receive critical acclaim and are commercial hits within Africa and among Africans in the diaspora. The sections below provide some critical texts and film titles to guide new comers to the nature and scholarship on the Nigerian film industry. The lists are by no means exhaustive; they only serve as a tip of the iceberg in the hope that interested parties can request additional information by emailing aa207@ soas.ac.uk or [email protected] Some Key Texts Ekwuazi, H. -
Sub-Saharan Africa
UNIVERSITY OF SOUTHERN CALIFORNIA PUBLIC MAGAZINE ISSUE 15 WINTER 2016DIPLOMACY SUB-SAHARAN AFRICA publicdiplomacymagazine.com PUBLIC DIPLOMACY IN SUB-SAHARAN AFRICA EDITORIAL POLICY EDITORIAL BOARD Authors interested in contributing to Public Diplomacy Magazine should contact PUBLIC DIPLOMACY MAGAZINE EDITOR-IN-CHIEF PRODUCTION the editorial board about their proposals. SEEKS CONTRIBUTIONS FOR Sarah Valeria Salceda Nick Salata, Chromatic. Inc Articles submitted to Public Diplomacy EACH THEMED ISSUE BASED Magazine are reviewed by the editorial SENIOR EDITORS FACULTY ADVISORY BOARD board, composed entirely of graduate ON A STRUCTURED SOLICITA- Nastasha Everheart, Managing Editor Nicholas J. Cull, Director, students enrolled in the Master of Public TION SYSTEM. SUBMISSIONS Heba Gibani, Layout & Digital Editor Master of Public Diplomacy Program, USC Diplomacy program at the University of MUST BE INVITED BY THE EDI- Erica McNamara, Marketing Editor Jian (Jay) Wang, Director, Southern California. Articles are evaluated TORIAL BOARD. UNSOLICITED Sarah Chung, Submissions Editor USC Center on Public Diplomacy based on relevance, originality, prose, and ARTICLES WILL NOT BE Philip Seib, Vice Dean, USC Annenberg argumentation. CONSIDERED OR RETURNED. STAFF EDITORS School for Communication and Journalism The Editor-in-Chief, in consultation Amanda Lester with the editorial board, holds fnal authority Bret Schafer EX-OFFICIO MEMBERS for accepting or refusing submissions for Copyright of published articles remains with Maria Lattouf Abu Atmi Robert English, Director, School of publication. Authors are responsible for Public Diplomacy Magazine. No article in its Laurence Desroches International Relations, USC ensuring accuracy of their statements. The entirety or parts thereof may be published Jung-Hwa Kang Sherine Badawi Walton, Deputy Director, editorial staf will not conduct fact checks, in any form without proper citation credit. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society. -
OMC | Data Export
Josiane Nguimfack Zeufack, "Entry on: Blood Sisters by Tchidi Chikere, Omotola Jalade Ekeinde, Genevieve Nnaji", peer-reviewed by Daniel Nkemleke, Didymus Tsangue Douanla and Lisa Maurice. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2019). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/780. Entry version as of September 25, 2021. Tchidi Chikere , Omotola Jalade Ekeinde , Genevieve Nnaji Blood Sisters Nigeria TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Blood Sisters Studio/Production Company Great Future Production Country of the First Edition Nigeria Country/countries of popularity Nigeria Original Language English Blood Sisters, directed and written by Tchidi Chikere, Great First Edition Details Future Production, 2003, 105 min. Running time 105 min Genre Made-for-TV movies Target Audience Crossover Josiane Nguimfack Zeufack, University of Yaoundé 1, Author of the Entry [email protected] Daniel Nkemleke, ENS, University of Yaoundé 1, [email protected] Peer-reviewer of the Entry Didymus Tsangue Douanla, University of Yaoundé 1, [email protected] Lisa Maurice, Bar-Ilan University, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. Josiane Nguimfack Zeufack, "Entry on: Blood Sisters by Tchidi Chikere, Omotola Jalade Ekeinde, Genevieve Nnaji", peer-reviewed by Daniel Nkemleke, Didymus Tsangue Douanla and Lisa Maurice. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
TEFFEST | Nov 2019 1 2 TEFFEST | Nov 2019
TEFFEST | Nov 2019 1 2 TEFFEST | Nov 2019 Only the Chairman Can. The New Heineken Sleek Can. ENJOY RESPONSIBLY. NOT FOR SALE TO PERSONS UNDER THE AGE OF 18. www.insightpublicis.com aaan.0051 3 TEFFEST | Nov 2019 27 CONTENTS TEFFEST MODERATORS 2019 4 21 THE CONVENER ADVERT PAGE 28 SPEAKERS AT YOUNG 8 23 ENTERTAINERS INTRODUCING TEFFEST 2019 CONFERENCE THE VISION AGENDA 31 10 24 SPEAKERS AT THE ABOUT TEFFEST VISUAL RUN THROUGH THE BUSINESS/INDUSTRY OF THE FESTIVAL SEMINAR 16 THE DREAM TEAM 26 ANGEL INVESTORS TEFFEST | Nov 2019 4 35 HOW DIDDY USED HIS FAME TO MAKE MILLIONS. 37 SPEAKERS AT VETERANS CONFERENCE 40 SPECIAL GUEST APPEARANCE THE CONVENER OMOTOLA JALADE EKEINDE aka OMOT Popularly called Omosexy( born February 7,1978) is a multiple award winning Nigerian actress,Director,Singer, founder Omotola youth empowerment programme (Oyep) ,UNwfp ambassador and Amnesty international Activist. Cited by CNN as an example of the worldwide and has carved a niche 5th sexiest accent in the world, for herself as one of Africa’s Biggest the Screen Nation Best actress and screen goddesses. Beffta Film Icon is one of the most Intriguing women to ever grace the Omotola who was nicknamed the African screen. Cinema Box office Queen is cur- rently one the African Artistes with Married to Capt matthew Ekeinde highest combined following on the an Airline pilot since 1996,Omotola Internet. has 4 kids. She is the first ever celebrity in Omotola won her first Awards for Africa to Hit and surpass the 1m her portrayal of a sickle cell patient likes on Facebook ~ @Realomosexy. -
Foreign Exchange Auction No. 42/2002 of 16Th December, 2002 Applicant Name Form Bid Cumm Bank Weighted S/N A
CENTRAL BANK OF NIGERIA, ABUJA TRADE AND EXCHANGE DEPARTMENT FOREIGN EXCHANGE AUCTION NO. 42/2002 OF 16TH DECEMBER, 2002 APPLICANT NAME FORM BID CUMM BANK WEIGHTED S/N A. SUCCESSFUL BIDS M/A NO R/C NO APPLICANT ADDRESS RATE AMOUNT TOTAL PURPOSE NAME AVERAGE 1 SALCO LIMITED MF0042216 10980 42/15 MASALLACHIN JUMA STREET, OPPOSITE FIRE BRIGADEJOS 129.7600 34,146.41 34,146.41 LC/VETERINARY DRUGS GUARANTY 0.0393 2 ALUFOILS NIGERIA LIMITED AA0759714 RC 82064 KM 32, ABEOKUTA EXP. WAY, ALAGBADO, LAGOS 128.5000 31,227.39 65,373.80 ROYALTY FEES (INVISIBLE) INMB 0.0356 3 ALUFOILS NIGERIA LIMITED AA0794858 RC 82064 KM 32, ABEOKUTA EXP. WAY, ALAGBADO, LAGOS 128.5000 3,003.76 68,377.56 TECHNICAL FEES (INVISIBLE) INMB 0.0034 4 ASHAKACEM PLC MF032438 13422 PLT 193 JIDE OKI ST,VICTORIA ISLAND ANNEX,LAGOS 128.5000 77,602.00 145,979.56 DEMAG O/HEAD CRANES STANBIC 0.0885 5 GOLDSTONE VENTURES MF0324237 280757 GIDAN SHEHU AMED, 2 BANK RD, KANO 128.5000 6,587.50 152,567.06 CAR BURGLARY ALARM SYSTEMS STANBIC 0.0075 6 E.C. BROWN & CO. LTD MF0371246 296621 73, OZOMAGALA STREET, ONITSHA 128.0000 28,495.00 181,062.06 GALVANIZED MOSQUITO WIRE NETTING ACCESS 0.0324 7 ABIODUN ADEBANJO AA0906449 A1565118 NATIONAL OIL MARINA LAGOS 128.0000 2,000.00 183,062.06 PTA CHARTERED 0.0023 8 MONA STEEL & PLASTIC INDUSTRIES LIMITEDMF0193660 257751 PLOT 1617, DANMOLE STREET, V/I LAGOS 128.0000 55,120.00 238,182.06 MILD STEEL HOT ROLLED COILS QUALITY S235JRCITIBANK 0.0626 9 M.