2019-2020 Catalog Addendum December 2019
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Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Macomb Community College Respiratory Therapy Articulation
Respiratory Therapy Bachelor of Science Degree Macomb Community College (MCC) Articulation Agreement and Transfer Guide This agreement offers students of Macomb Community College the opportunity to complete a bachelor’s degree in Respiratory Therapy after obtaining the National Board for Respiratory Care (NBRC) Registered Respiratory Therapist (RRT) credential. This program will provide graduates of an entry into respiratory care professional practice degree program with additional knowledge, skills, and attributes in leadership, management, education, research, or advanced clinical practice both to meet their current professional goals and to prepare them for practice as advanced degree respiratory therapists. The program is provisionally accredited by the Commission on Accreditation for Respiratory Care (CoARC) #510005. Communication Competency Requirements FSU Course FSU Course Title FSU Cr. Hrs. MCC Equiv. MCC Course Title MCC Cr. Hrs. COMM 105 or Interpersonal Communication or 3 *SPCH 2100 or Interpersonal Communication or 3 COMM 121 or Fundamentals of Public Speaking SPCH 1060 or Speech Communication or COMM 221 or Small Group Decision Making SPCH 1200 Group Discussion / Leadership or or or or COMM 251 Argumentation & Debate SPCH 2550 Argumentation & Debate ENGL 150 English 1 3 **ENGL 1180 or Communications 1 or 4 or ENGL 1210 Composition 1 3 ENGL 250 English 2 3 *ENGL 1190 or Communications 2 or 4 or ENGL 1220 Composition 2 3 Quantitative Literacy Requirements FSU Course FSU Course Title FSU Cr. Hrs. MCC Equiv. MCC Course Title MCC Cr. Hrs. MATH 115 Intermediate Algebra or ACT 24, 3 *MATH 1000 Intermediate Algebra 4 or SAT 580 or or or or MATH 117 Contemporary Mathematics or 4 MATH 1100 Everyday Mathematics ACT 24 or SAT 580 Natural Sciences Competency Requirements - 1 course with lab FSU Course FSU Course Title FSU Cr. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Jazz Ensemble
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 10-12-2019 Concert: Jazz Ensemble Ithaca College Jazz Ensemble Mike Titlebaum Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Jazz Ensemble and Titlebaum, Mike, "Concert: Jazz Ensemble" (2019). All Concert & Recital Programs. 6308. https://digitalcommons.ithaca.edu/music_programs/6308 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Jazz Ensemble Mike Titlebaum, director Ford Hall Saturday, October 12th, 2019 8:15 pm Program Groove Merchant Thad Jones Michael Passarelli, piano Shaun Rimkunas, trumpet Theo Curtin, guitar Us Thad Jones David Florentin, soprano sax Blues and the Alternative Fact Ezra Weiss Sebastian Posada, baritone saxophone Kurt Eide, trombone Donna Lee Charlie Parker arr. Bill Holman Kurt Eide, trombone Drew Martin, tenor saxophone Is 8 Enough? Mike Titlebaum Drew Martin, tenor saxophone Intermission World War II Pizza Man Mike Titlebaum Harlem Airshaft Duke Ellington Concerto for Cootie Duke Ellington Dan Yapp, trumpet Told You So Bill Holman Steven Foti, flute Kurt Eide, trombone Mike Titlebaum Mike Titlebaum, director of jazz studies at the Ithaca College School of Music, teaches jazz saxophone, arranging, improvisation, theory, and leads the hard-swinging Ithaca College Jazz Ensemble. He has also taught at the Ethical Culture/Fieldston Schools in New York City, Florida A&M University in Tallahassee and the Eastman School of Music. -
Showcase Autumn 18
Contact us Cover and back page: University of Chichester, Tel: 01243 816000 Musical Theatre, Notre Dame. www.chi.ac.uk Photo credit Andrew Worsfold. SPRING 2019 What’s On Listings for February 2019 to August 2019 Be our Guest! Acting For Film students welcome Disclaimer Emily Watson Please note that the views expressed in this A large print, text-only copy is available by calling magazine are attributable to the contributor and do not necessarily reflect those of the 01243 816000 or emailing [email protected] University of Chichester. PLEASE RECYCLE AFTER USE www.chi.ac.uk/events Photo credit: Andrew Worsfold. Welcome Hello and welcome to our Spring 2019 edition of ShowCase magazine. In this issue we’ll be looking at some of the work that our students and staff have been up to as well as sharing with you an extensive list of upcoming events that are sure to be a real treat. We also look at the many ensembles and workshops available to help you on your creative journeys In this edition of Showcase we track There's a glimpse at the sheer more than 80 of our recent graduates variety and scope of our ensembles, as they embark on their new careers, performance classes and skills and we celebrate some exciting programme, and listings for the collaborations with Glyndebourne, amazing number of concerts, New Sussex Opera, The Hanover theatre shows, masterclasses and Band, Goodwood Festival of Speed public events at the university in and two times Oscar nominated the coming months - for more British actor, Emily Watson. -
Academiccatalog 2017.Pdf
New England Conservatory Founded 1867 290 Huntington Avenue Boston, Massachusetts 02115 necmusic.edu (617) 585-1100 Office of Admissions (617) 585-1101 Office of the President (617) 585-1200 Office of the Provost (617) 585-1305 Office of Student Services (617) 585-1310 Office of Financial Aid (617) 585-1110 Business Office (617) 585-1220 Fax (617) 262-0500 New England Conservatory is accredited by the New England Association of Schools and Colleges. New England Conservatory does not discriminate on the basis of race, color, religion, sex, age, national or ethnic origin, sexual orientation, physical or mental disability, genetic make-up, or veteran status in the administration of its educational policies, admission policies, employment policies, scholarship and loan programs or other Conservatory-sponsored activities. For more information, see the Policy Sections found in the NEC Student Handbook and Employee Handbook. Edited by Suzanne Hegland, June 2016. #e information herein is subject to change and amendment without notice. Table of Contents 2-3 College Administrative Personnel 4-9 College Faculty 10-11 Academic Calendar 13-57 Academic Regulations and Information 59-61 Health Services and Residence Hall Information 63-69 Financial Information 71-85 Undergraduate Programs of Study Bachelor of Music Undergraduate Diploma Undergraduate Minors (Bachelor of Music) 87 Music-in-Education Concentration 89-105 Graduate Programs of Study Master of Music Vocal Pedagogy Concentration Graduate Diploma Professional String Quartet Training Program Professional -
Program Review
12/4/2019 https://programreviewblob.blob.core.windows.net/programreviewblob-prod/review-report-a82c59bc-c908-459e-9ceb-fa13bb663d58.html Welcome to Program Revie w 1 College of Alameda - 2019 BIOL - Instruction Program Review Program Overview Please verify the mission statement for your program. If your program has not created a mission statement, provide details on how your program supports and contributes to the College mission. We strive to provide a learning environment that values diversity, intellectual discussion, crical thinking, and problem-solving. We provide students the opportunity to explore the science of life. We are commied to excellence in our teaching, and help students acquire a knowledge of basic facts and theories in biology. Biology Department offers an Associate degree and is commied to teaching our students a history of scienfic discovery in biology, science concepts and how to test biological hypotheses. Students should appreciate the hierarchical nature of biological complexity and the importance of biological knowledge for solving societal problems through crical thinking. The courses in our department empower students to enhance their intellectual competence to achieve personal and professional goals. Program Total Faculty and/or Staff Full Time Part Time Reza Majlesi Leslie Bach Leslie Reiman Scott Shultz Peter Niloufari Vaishali Bhagwat Karen Wedaman Constanze Weyhenmeyer Muwafaqu Alasad Blank The Program Goals below are from your most recent Program Review or APU. If none are listed, please add your most recent program goals. Then, indicate the status of this goal, and which College and District goal your program goal aligns to. If your goal has been completed, please answer the follow up queson regarding how you measured the achievement of this goal. -
Mingus Big Band Teacher Resource Guide 3 3 Table of Contents the University Musical Society’S 2000 - 2001 Youth Education Program
1 1 university musical society 2000-2001 youth education mingus big band teacher resource guide 3 3 Table of Contents the university musical society’s 2000 - 2001 youth education program mingus big band youth performance tuesday, january 16, 2001 hill auditorium, ann arbor Performances of the Mingus Big Band are sponsored by the Detroit Edison Foundation. The media sponsors are WEMU 89.1 FM and WDET 101.9FM. Presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. This performance is co-presented by the U-M Office of Multicultural Initiatives. We are grateful for Youth Education support from the following organizations: Ford Motor Company Fund, Michigan Council for Arts and Cultural Affairs, Heartland Arts Fund, AAA Michigan, Alcan Automotive Products, Ann Arbor Area Community Foundation African-American Endowment Fund, Association of Performing Arts Presenters, Charles Reinhart Company Realtors, Community Foundation of Southeastern Michigan, Consumers Energy Foundation, Detroit Edison Foundation, Doris Duke Charitable Foundation, Dow Automotive, J.F. Ervin Foundation, The Ford Foundation, Forest Health Services / Mary and Randall Pittman, Café Marie / David Loesel, Masco Corporation, Friends of Robert Meredith, National Endowment for the Arts, Pfizer Global Research and Development, Ann Arbor Laboratories, Target, Texaco Foundation, UMS Advisory Committee, Office of the Provost - University of Michigan, and the Wallace-Reader’s Digest Funds. This study guide is a production of the University Musical Society’s Department of Education and Audience Development. It was compiled by Jennie Salmon, Shaila Guthikonda, Kate Meyer, Kristin Fontichiaro, and Ben Johnson. -
About Jazz New York
July 2010 | No. 99 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com KARL BERGER FREEdom In dIscIpLInE JAZZ NEWHOMEGROWN YORK’S ONLY GAZETTE Rufus Reid • John Butcher • NoBusiness • Event Calendar Welcome to AllAboutJazz-New York. This may sound strange after 98 issues and over eight years but you can tell from our new logo that something is different. With this issue, one shy of our Centennial, we are announcing our formal New York@Night separation from the All About Jazz.com website. From now on, we are a 4 completely independent entity (check us out online at aaj-ny.com). What does this mean for you, our valued readers? Not to worry...we will continue to bring you Interview: Rufus Reid the best that New York City has to offer its jazz fans. AllAboutJazz-New York will 6 by Ken Dryden still have its award-nominated feature coverage, slew of timely CD reviews and an Event Calendar matched by no one. And this new arrangement will allow us to Artist Feature: John Butcher expand our mission and better serve the city’s jazz community, the thing that has 7 by Stuart Broomer kept us going for so long. To that end, this month’s issue - which also can be used to fan yourself during On The Cover: Karl Berger the balmy summer days - features articles on vibraphonist/pianist/organizer Karl 9 by Martin Longley Berger (On the Cover), who curates The Stone this month and appears with Encore: Lest We Forget: various groups; ubiquitous bassist extraordinaire Rufus Reid (Interview) who leads his own trio for a weekend at The Kitano and adventurous and experimental 10 Herb Jeffries Illinois Jacquet saxophonist John Butcher (Artist Feature), appearing as part of the Whitney by Marcia Hillman by Donald Elfman Museum’s Christian Marclay: Festival as well as a couple of forays into Brooklyn. -
Thèse Et Mémoire
Université de Montréal Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Par Frédérique Khazoom Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, Faculté des arts et des sciences Mémoire présenté en vue de l’obtention du grade de Maîtrise ès arts en Maîtrise en cinéma, option Cheminement international Décembre 2019 © Frédérique Khazoom, 2019 Université de Montréal Département d’histoire de l’art et d’études cinématographiques Ce mémoire intitulé Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Présenté par Frédérique Khazoom A été évalué par un jury composé des personnes suivantes Zaira Zarza Président-rapporteur Marta Boni Directeur de recherche Stéfany Boisvert Membre du jury Résumé Lors des années 2000, le paysage télévisuel américain a été profondément bouleversé par l’arrivée d’Internet. Que ce soit dans sa production, sa création ou sa réception, l’évolution rapide des technologies numériques et l’apparition des nouveaux médias ont contraint l’industrie télévisuelle à changer, parfois contre son gré. C’est le cas de la chaîne généraliste américaine NBC, pour qui cette période de transition a été particulièrement difficile à traverser. Au cœur de ce moment charnière dans l’histoire de la télévision aux États-Unis, la sitcom Community (NBC, 2009- 2014; Yahoo!Screen, 2015) incarne et témoigne bien de différentes transformations amenées par cette convergence entre Internet et la télévision et des conséquences de cette dernière dans l’industrie télévisuelle. L’observation du parcours tumultueux de la comédie de situation ayant débuté sur les ondes de NBC dans le cadre de sa programmation Must-See TV, entre 2009 et 2014, avant de se terminer sur le service par contournement Yahoo! Screen, en 2015, permet de constater que Community est un objet télévisuel qui a constamment cherché à s’adapter à un média en pleine mutation. -
Download the Academic Plan
Page 1 of 5 WEST KENTUCKY COMMUNITY AND TECHNICAL COLLEGE HEALTH SCIENCE TECHNOLOGY Health Science Technology Associate in Applied Science Academic Plan Code 5100007019 Contact Information: Melissa Burgess [email protected] 270-534-3495 Student Name ID# Course Hours Grade Semester GENERAL EDUCATION MAT 110 Applied Math** OR 3 MAT 150 College Algebra and Functions (3) ENG 101 Writing I 3 FYE 105 First Year Experience 3 BIO 135 Basic Human Anatomy/Physiology with Lab** OR 4 BIO 137 Human Anatomy and Physiology I AND (4) BIO 139 Human Anatomy and Physiology II (4) PSY 110 General Psychology 3 Social/Behavioral Sciences 3 Heritage/Humanities 3 Oral Communications 3 Subtotal 25-29 REQUIRED TECHNICAL AND CERTIFICATE COURSES CLA 131 Medical Terminology from Greek and Latin OR 3 AHS 115 Medical Terminology OR (3) MIT 103 Medical Office Terminology (3) NAA 100 Nursing Assistant Skills I** 3 Digital Literacy* 0-3 Health Science Technical Courses (See below and next pages for a listing of applicable technical courses) 29-30 Subtotal 35-39 TOTAL 60-68 Students may take the following courses to meet the required 60 credit hours needed for the Health Science Technology degree: AHS 100, AHS 105, AHS 115, AHS 201, AHS 203, BAS 120, BIO 137, BIO 139, BIO 225 CIT 105, COM 181, COM 252, EFM 100, HST 101, HST 102, HST 103, HST 104, HST 121, HST 122, HST 123, NAA 102, OST 110, PHY 152, PHY 171, PHY 172, PLW 130, PLW 135, PLW 140, TEC 200, WPP 200 *Digital Literacy must be demonstrated by competency exam or successfully completing a digital literacy course. -
Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011.