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My Troubleshooting Textbook by Max Robinson
My Troubleshooting Textbook by Max Robinson Chapter 1 Introduction to Troubleshooting. Chapter 2 Test Equipment. 2.1 The Volt-Ohm-Milliammeter (VOM). 2.2 The Electronic Voltmeter. 2.3 The Digital Multimeter (DMM). 2.4 Choosing The Correct Test Meter. 2.5 Analog Versus Digital Meters. 2.6 The Oscilloscope. 2.7 The Signal Tracer. 2.8 Miscellaneous Test Equipment. 2.9 Instruction Manuals. Chapter 3 Failure Modes. 3.1 Generalized Failure Modes. 3.2 Electrolytic Capacitors. Chapter 4 Troubleshooting Techniques. 4.1 Check The Obvious First. 4.2 Do Not Make Modifications. 4.3 The Power Supply Section. 4.4 Half-splitting. 4.5 Signal Tracing. 4.6 Signal Injection. 4.7 Disturbance Testing. 4.8 Static Testing. 4.9 Shotgunning. Chapter 5 Faults in Power Supplies. 5.1 Rectifier-Filter Circuits. 5.2 Analog Voltage and current Regulator Circuits. 5.3 Switching Mode Power Supplies. Chapter 6 Faults in Transistor Circuits. 6.1 Common Emitter Amplifier. 6.2 The Emitter-follower's Fatal Flaw. 6.3 AC Coupled Amplifiers. 6.4 DC Coupled Amplifiers. 6.5 Radio Frequency Amplifiers. 6.6 Switching Circuits. Chapter 7 Transistorized Consumer Equipment. 7.1 Audio Amplifiers. 7.2 Radios and tuners. 7.3 Things you should leave alone. Chapter 8 Faults in Vacuum Tube Circuits. 8.1 Audio Amplifiers. 8.2 Radio Receivers. Chapter 9 Antique Equipment. 9.1 Before Turning on the Power. 9.2 Pre 1930 Radios. 9.3 Pre World War Two Radios. 9.4 The All American Five. 9.5 Three Way Portable Radios. 9.6 Phonographs and Record Changers. -
Poteg-10-Guitar-Amps-B
10.5 Power Stage 10-75 10.5 Power-Stage The power-stage is the last amplification stage in the signal chain; it delivers the power required to drive the loudspeaker. In most cases, it operates with rather pathetic efficiency because normally less than half of the power produced by the power stage is actually fed to the loudspeaker – the remainder is converted into heat within the power-tube(s). In order to be able to sufficiently dissipate this power loss, the tube(s) deployed in the power-stage is (are) larger than typical preamplifier tubes. The thermal load capacity of power tubes typically amounts to 12 – 45 W with their physical volume up to 10 times that of a preamp-tube. Since power-tubes can deal with high voltages but not with high currents, they are almost never directly connected to the loudspeaker. Rather, the plate-currents of the power-tubes are fed to the output transformer that takes care of an impedance matching towards the speaker. A good overview is provided by the family of output characteristics of the power-tube (Fig. 10.5.1) showing the relation between plate-voltage and plate-current. Multiplying these two quantities yields the power-dissipation at the plate Pa, i.e. the power heating up the plate of the tube (in addition to the heating done by the tube filament). If the specified maximum dissipation at the plate is exceeded for long periods of time, the tube begins to glow and may be destroyed. The so-called power-hyperbola is given in Fig. -
Mic Kaczmarczik's Tubeinformation
Mic Kaczmarczik's Tube Information This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection. He must have quite alot of free time. 12AX7-Comparisons 26-Mar-1998 15:31 2k 12AX7-gain-test 26-Mar-1995 14:37 2k 12AX7-vs-12AT7 20-Aug-1995 09:53 3k 12AX7-vs-5751 19-Aug-1995 20:34 1k 12AX7-vs-7025 27-Aug-1994 09:01 2k 5881-in-Deluxe 20-Dec-1994 11:19 3k 5881=6L6GB 20-Nov-1994 09:58 3k 5AR4-Typing 01-Mar-1996 16:52 3k 5AR4-data 14-Dec-1995 11:50 14k 5V4-for-5AR4 06-Apr-1996 14:18 1k 62-Twin-Speakers 17-Dec-1995 17:15 3k 6550s-in-Twin 03-Sep-1996 09:41 2k 6EY6 09-Jan-1997 10:39 1k 6EY6-Characteristics 21-May-1997 16:43 1k 6EY6-close-to-6V6 05-Jan-1997 22:03 1k 6EY6-rating-vs-6V6 03-Dec-1997 20:24 2k 6L6-GC-meaning 28-May-1995 10:32 1k 6L6-Taste-Tests 31-Jul-1999 10:39 11k 6L6-Types 20-Jan-1996 15:41 3k 6L6GC-ID 27-Aug-1998 09:02 2k 6L6WGB-vs-7581 12-May-1997 10:22 6k 6MB8-tube-specs 30-Jan-1995 10:35 1k 6V6-6L6-swaps 14-Jan-1997 10:42 3k 6V6-NOS-vs-Sovtek 27-Sep-1996 15:27 2k 6V6-Ratings 29-Jul-1996 10:38 4k 6V6-Russian-RCA-Copies 29-Jan-1999 12:36 2k 6V6-Types 07-Nov-1998 10:50 3k 6V6-duty-cycle 25-Nov-1995 00:12 4k 6V6-to-EL84-Cathode-..> 08-Nov-1998 11:37 3k 6V6=7408 09-Jul-1996 01:03 1k 6V6EH-Taste-Test 21-Dec-1999 13:14 13k 6V6EH-vs-RCA-Blackpl..> 19-Apr-2000 14:02 1k 6V6GT-Types -
The Restoration of Valved High Frequency Communications Receivers
THE RESTORATION OF VALVED HIGH FREQUENCY COMMUNICATIONS RECEIVERS by: Chris Parry, G8JFJ Third Edition, January 2014 © Christopher Parry, 2014. This issue: 5th January 2014 You are welcome to freely distribute copies of this book provided it is kept complete, and with its copyright statement. If you wish to copy extracts from the text, or reproduce any of the pictures, then please attribute each extract and/or picture to Chris Parry, G8JFJ. This book is available free of charge as a service to the vintage radio community. If you have paid money for a copy of it, then someone has taken your money without the permission of the writer or the operator of the hosting server. The publicly available master copy of this book and its pictures are held only on Simon Buxton’s website www.vk2bv.org/radio/ Updated issues will be published on this site from time to time. PREFACE TO THIRD EDITION Several years have passed since this book was first published on Simon Buxton’s VK2BV website. The writer now realises he is lucky to have started in this hobby many years ago, long before the prices of old radios started to rise appreciably. In 2012, the supply of collectable and restorable old radios newly emerging from storerooms and garages all over the UK is finally drying up. Nevertheless there still seem to be many young people keen to learn the skill of working on this equipment. That is the good news for our hobby. Sadly, those who performed the original design and operational work are now elderly, and many are no longer able to teach the knowledge. -
Radio-Broadcast-1928
r _ ' ,.a RADIO OAD CAST eoNcf6Ners More About Sound Motion Pictures Whatlrends in Radio Design for 1Q2 Q? Practical Solutions of Radio ServicePrôblems Are theNewBroadcastAllocations Good? Circuits of Manufactured Receivers Buildings Television Receivers 35 ts Doubleday, Doran & Company, cIric. NOV een Garden C3i t y ``New oYl2 www.americanradiohistory.com SIX 'THOUSAND RADIO TRICIANS Are Now Equipped to Custom ituiid 4 NEW HiQ RECEIVE ) S AUTHORIZED Hi -Q Radio -Tricians in every Extreme selectivity - achieved by the new neighborhood are building the 4 new Hi- ly -tuned radio - frequency transfor- Q 29 receivers to special order and to meet mer , . s ich are in reality tuned "band- pass" fi Local conditions -- in every instance finer, more sensitive, more selective and beautifully toned a h degree of selectivity instruments than is possible to secure through -made possi . i e "flat -top" "band - factory-built sets within $50 to $100 of theirprice. pass" filter- tunin acteristic of the radio -frequency amp The new Master Hi -Q 29 typifies the value of the entire group completely stage- shielded Great sensitivity - affordin, ception over ^a t distances by taking + vantage of screen -grid receiver -steel chassis -only the fin- the . .rmous amplification ossibilities est parts available in Radio. Circuit is the re- of the ield -grid tubes us as radio frequency mplifiers. sult of America's leading parts manufacturers. A Band Pass Filter, the latest development in echanical p ection- manifest tures as t flat, rigid, a radio, effects absolute FLAT TOP square cut - off hed met -1 chassis, sn TUNING with 10 kilocycle selectivity.