Professor Saugata Bhaduri [BA Hons
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Jean-Luc Nancy and the Deconstruction of Christianity By
Jean-Luc Nancy and the Deconstruction of Christianity by Tenzan Eaghll A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto ©Copyright by Tenzan Eaghll 2016 Jean-Luc Nancy and the Deconstruction of Christianity Tenzan Eaghll Doctor of Philosophy Department for the Study of Religion University of Toronto 2016 Abstract This dissertation is a study of the origins and development of the French philosopher Jean- Luc Nancy’s work on the “deconstruction of Christianity.” By situating Nancy's work in light of the broader Continental philosophical analysis of religion in the 20th Century, it argues that what Nancy calls the "deconstruction of Christianity" and the "exit from religion" is his unique intervention into the problem of metaphysical nihilism in Western thought. The author explains that Nancy’s work on religion does not provide a new “theory” for the study of religion or Christianity, but shows how Western metaphysical foundations are caught up in a process of decomposition that has been brought about by Christianity. For Nancy, the only way out of nihilism is to think of the world as an infinite opening unto itself, for this dis- encloses any transcendent principle of value or immanent notion of meaninglessness in the finite spacing of sense, and he finds the resources to think this opening within Christianity. By reading Christian notions like "God" and "creation ex nihilo" along deconstructive lines and connecting them with the rise and fall of this civilization that once called itself "Christendom," he attempts to expose "the sense of an absenting" that is both the condition of possibility for the West and what precedes, succeeds, and exceeds it. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
Philosophy of Power and the Mediation of Art:The Lasting Impressions of Artistic Intermediality from Seventeenth Century Persia to Present Shadieh Emami Mirmobiny
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2018 Philosophy of Power and the Mediation of Art:The Lasting Impressions of Artistic Intermediality from Seventeenth Century Persia to Present Shadieh Emami Mirmobiny Follow this and additional works at: https://digitalmaine.com/academic PHILOSOPHY OF POWER AND THE MEDIATION OF ART: THE LASTING IMPRESSIONS OF ARTISTIC INTERMEDIALITY FROM SEVENTEENTH CENTURY PERSIA TO PRESENT Shadieh Emami Mirmobiny Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy May, 2018 Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Ali Anooshahr, Ph.D. Professor, Department of History University of California, Davis Committee Member: Christopher Yates, Ph.D. Assistant Professor of Philosophy, and Art Theory Institute for Doctoral Studies in the Visual Arts Committee Member: EL Putnam, Ph.D. Assistant Lecturer, Dublin School of Creative Arts Dublin Institute of Technology ii © 2018 Shadieh Emami Mirmobiny ALL RIGHTS RESERVED iii “Do we need a theory of power? Since a theory assumes a prior objectification, it cannot be asserted as a basis for analytical work. But this analytical work cannot proceed without an ongoing conceptualization. And this conceptualization implies critical thought—a constant checking.” — Foucault To my daughter Ariana, and the young generation of students in the Middle East in search of freedom. iv ACKNOWLEDGEMENTS I owe a debt of gratitude to a number of people, without whose assistance and support this dissertation project would not have taken shape and would not have been successfully completed as it was. -
Ky; Okf”Kzd Izfrosnu
2013-14 tokgjyky usg# fo’ofo|ky; Jawaharlal Nehru University okf”kZd izfrosnu 44 Annual Report Contents THE LEGEND 1 ACADEMIC PROGRAMMES AND ADMISSIONS 5 UNIVERSITY BODIES 10 SCHOOLS AND CENTRES 19-302 School of Arts and Aesthetics (SA&A) 19 School of Biotechnology (SBT) 35 School of Computational and Integrative Sciences (SCIS) 40 School of Computer & Systems Sciences (SC&SS) 45 School of Environmental Sciences (SES) 51 School of International Studies (SIS) 60 School of Language, Literature & Culture Studies (SLL&CS) 101 School of Life Sciences (SLS) 136 School of Physical Sciences (SPS) 154 School of Social Sciences (SSS) 162 Centre for the Study of Law & Governance (CSLG) 281 Special Centre for Molecular Medicine (SCMM) 292 Special Centre for Sanskrit Studies (SCSS) 297 ACADEMIC STAFF COLLEGE 303 STUDENT’S ACTIVITIES 312 ENSURING EQUALITY 320 LINGUISTIC EMPOWERMENT CELL 324 UNIVERSITY ADMINISTRATION 327 CAMPUS DEVELOPMENT 331 UNIVERSITY FINANCE 332 OTHER ACTIVITIES 334-341 Gender Sensitisation Committee Against Sexual Harassment 334 Alumni Affairs 336 Jawaharlal Nehru Institute of Advanced Studies 336 International Collaborations 340 CENTRAL FACILITIES 342-370 University Library 342 University Science Instrumentation Centre 358 Advanced Instrumentation Research Facility 360 University Employment Information & Guidance Bureau 370 JNU Annual Report 2012-13 iii FACULTY PUBLICATIONS 371-463 FACULTY RESEARCH PROJECTS 464-482 ANNEXURES 483-574 MEMBERSHIP OF UNIVERSITY BODIES 483 University Court 483 Executive Council 489 Academic Council 490 Finance Committee 495 TEACHERS 496 Faculty Members 496 Emeritus/Honorary Professors 509 Faculty Members Appointed 510 Faculty Members Confirmed 512 Faculty Members Resigned 512 Faculty Members Retired Compulsorily 513 Faculty Members Retired Superannuation 513 Faculty members Re-employed 513 RESEARCH SCHOLARS 514-574 Ph.D. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Introduction
© Copyrighted Material Introduction Amanda Boetzkes and Aron Vinegar Why Heidegger? Why Now? Any art historian, philosopher of art, or theorist of the visual who is concerned with issues of historiography and interpretation above and beyond a particular chronological specialization, will undoubtedly be familiar with Martin Heidegger’s writings. Heidegger’s best-known contribution to the history of art, his 1935–36 essay ‘Origin of the Work of Art’, calls into question the essence of the artwork, the status of the artist as originary creator, and thus, the stability of the artwork’s meaning. It is here that Heidegger challenges the notion of intentionality as a meaning bestowed by the artist to the work of art and in so doing repositions the notion of intentionality altogether, from the work of art’s inherent content to the path of questioning that the work elicits. Further, Heidegger refutes the method of comparison, already an established approach to situating works of art in a particular place in history. Instead, he posits hermeneutic movement as an access into the fundamental terms that constitute the work of art in a time and place: its origin, materiality (or thingliness), its status as a ‘work’, and its operation of setting up a world. In short, the essay stands as an imperative to both ask the essential questions of artworks and scrutinize our ways of interpreting them for our own time. As art history opens its areas of specialization in particular historical times and geographic locations to different fields of inquiry that have -
Saitya Brata Das
1 | P a g e SAITYA BRATA DAS CURRICULUM VITAE CONTACT Associate Professor, Centre for English Studies School of Language, Literature & Culture Studies Jawaharlal Nehru University, New Delhi-110067 AREAS OF INTEREST - Philosophy and/ of Literature - Political Theology - Contemporary Continental Thought (Phenomenology, Deconstruction, Martin Heidegger) - German Idealism (Schelling) -Contemporary Jewish Thought (Gershom Scholem, Walter Benjamin, Franz Rosenzweig) EDUCATION 2007. Post Doc Fellow, UFR Philosophie, Université de Marc Bloch, Strasbourg. 2005. Ph. D in Jawaharlal Nehru University. Dissertation: Ecstasy, Death and Disaster: Ethics and Aesthetics at the Limit of Philosophy. 2000. M.A in English, Jawaharlal Nehru University. 1997. B.A in English, Gauhati University. AWARDS AND HONORS 2009. Fellow, Indian Institute of Advanced Study, Shimla. 2000. Junior Research Fellowship, University Grants Commission, 2000. Email: [email protected], [email protected], Tel: 91-11-26704246, 26704231 https://jawaharlalanehrunewdelhiindia.academia.edu/SaityaBrataDas,http://sbdas.webs.com/. 2 | P a g e ACADEMIC EMPLOYMENT 2013. Associate Professor, Centre for English Studies, Jawaharlal Nehru University. 2012. Assistant Professor, Centre for English Studies, Jawaharlal Nehru University. 2001. Assistant Professor, Sri Venkateswara College, Delhi University. RESEARCH SUPERVISION PH. D SUPERVISION - Aatreyee Ghosh, History, Memory and the Immemorial in Amitabh Ghosh’s Fiction (submitted), co-guided with Prof. G.J.V. Prasad. - Jomy Abraham, Thanatowritings: Death , Self and Writing in the Farmers’ Suicide Notes from Vidharbha ( in progress). -Priyanka Das, The Stark Image of Violence: A Study of “The Game of Thrones” ( in progress). - Arunima Sen, “ A Citizen of Law: Sovereignty and its Representations in Colonial Bengal During the 19th Century”, co-guided with Prof. -
Atlantic Crossing
Artists like WARRENAI Tour Hard And Push Tap Could The Jam Band M Help Save The Music? ATLANTIC CROSSING 1/0000 ZOV£-10806 V3 Ii3V39 9N01 MIKA INVADES 3AV W13 OVa a STOO AlN33219 AINOW AMERICA IIII""1111"111111""111"1"11"11"1"Illii"P"II"1111 00/000 tOV loo OPIVW#6/23/00NE6TON 00 11910-E N3S,,*.***************...*. 3310NX0A .4 www.americanradiohistory.com "No, seriously, I'm at First Entertainment. Yeah, I know it's Saturday:" So there I was - 9:20 am, relaxing on the patio, enjoying the free gourmet coffee, being way too productive via the free WiFi, when it dawned on me ... I'm at my credit union. AND, it's Saturday morning! First Entertainment Credit Union is proud to announce the opening of our newest branch located at 4067 Laurel Canyon Blvd. near Ventura Blvd. in Studio City. Our members are all folks just like you - entertainment industry people with, you know... important stuff to do. Stop by soon - the java's on us, the patio is always open, and full - service banking convenience surrounds you. We now have 9 convenient locations in the Greater LA area to serve you. All branches are FIRSTENTERTAINMENT ¡_ CREDITUNION open Monday - Thursday 8:30 am to 5:00 pm and An Alternative Way to Bank k Friday 8:30 am to 6:00 pm and online 24/7. Plus, our Studio City Branch is also open on Saturday Everyone welcome! 9:00 am to 2:00 pm. We hope to see you soon. If you're reading this ad, you're eligible to join. -
To Philosophize Is to Learn How to Die?’1
KRITIKE VOLUME TWO NUMBER ONE (JUNE 2008) 31-49 Article ‘To Philosophize 1 is to Learn How to Die?’ Saitya Brata Das Those who apply themselves to philosophy in the proper way are doing no more nor less than to prepare themselves for the moment of dying and the state of death – Plato.2 I hilosophical thinking, as it is thinking of existence, is essentially finite thinking. This is to say that as thinking of existence, philosophical P thinking is essentially also thinking of finitude. This ‘also’ is not the accidental relationship between existence and finitude. Rather, to think existence in its finitude, insofar as existence is finite, is to think existence in its existentiality. Philosophy that gives itself the task of thinking the relationship between existence and finitude, must in the same gesture, be concerned with its own finitude: to philosophize is not only to think the finitude of existence, but the very finitude of thinking that thinks finite existence. To philosophize is not only to philosophize the finitude of existence as such, but also in so far as philosophising itself is a task which is essentially in itself finite. To assume as the task of thinking the finitude of existence is to think the very finitude of philosophical thinking: this is the profound relationship that exists between existence and philosophy, which is that philosophizing existence and an existential philosophy are essentially finite. This is perhaps what Socrates says of philosophizing: ‘to philosophize is to learn how to die.’ “To philosophize is to learn how to die”: this is to say, to philosophize is to learn that philosophy and existence are essentially finite. -
Volume 8, No 2, October 2019
International Journal of Music Business Research Volume 8, Number 2, October 2019 Editors: Peter Tschmuck University of Music and Performing Arts Vienna, Austria Dennis Collopy University of Hertfordshire, UK Phil Graham (also book review editor) University of the Sunshine Coast, Australia Guy Morrow University of Melbourne, Australia Daniel Nordgård (also book review editor) University of Agder, Norway Carsten Winter (also book review editor) University of Music, Drama and Media Hanover, Germany AIMS AND SCOPE: The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a new platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research involves a scientific approach to the intersection of economic, artistic (especially musical), cultural, social, legal, technological developments and aims for a better understanding of the creation/production, dissemination/distribution and recep- tion/consumption of the cultural good of music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy. EDITORIAL BOARD Dagmar Abfalter, University of Music and Performing Arts Vienna, Austria David Bahanovich, Trinity Laban Conservatoire of Music and Dance London, UK Marc Bourreau, Université Telecom ParisTech, France Ryan Daniel, James Cook University Townsville, Australia Beate Flath, University of Paderborn, Germany -
Annual Report (1 April 2004 to 31 March 2005)
JAWAHARLAL NEHRU UNIVERSITY 35th Annual Report (1 April 2004 to 31 March 2005) New Delhi-110067 Contents THE LEGEND 1-5 ª ACADEMIC PROGRAMS AND ADMISSIONS 6-11 ª UNIVERSITY BODIES 12-14 ª SCHOOLS AND CENTRES 15-224 ª School of Arts and Aesthetics (SA&A) 15-20 ª School of Computer & Systems Sciences (SC&SS) 21-24 ª School of Environmental Sciences (SES) 25-32 ª School of International Studies (SIS) 33-62 ª School of Information Technology (SIT) 63-78 ª School of Language, Literature & Culture Studies (SLL&CS) 69-105 ª School of Life Sciences (SLS) 106-119 ª School of Physical Sciences (SPS) 120-127 ª School of Social Sciences (SSS) 128-203 ª Archives on Contemporary History 204 ª Centre for Biotechnology (CBT) 205-209 ª Centre for the Study of Law & Governance (CSLG) 210-215 ª Centre for Sanskrit Studies (CSS) 216-220 ª Centre for Molecular Medicine (CMM) 221-224 ª ACADEMIC STAFF COLLEGE 225-226 ª STUDENTS’ ACTIVITIES 227-235 ª WELFARE OF WEAKER SECTIONS 236-238 ª UNIVERSITY ADMINISTRATION 239-241 ª UNIVERSITY FINANCE 242-245 ª CO-CURRICLAR ACTIVITIES 246-247 ª Gender Sensitisation Committee Against Sexual Harassment 246 ª Alumni Affairs 246-247 ª Jawaharlal Nehru Institute of Advanced Study 247 ª International Collaborations 247 ª CENTRAL FACILITIES 248-249 ª University Library 248 ª University Science Instrumentation Centre 249 ª University Employment Information & Guidance Bureau 249 ANNEXURE 250-290 ª MEMBERSHIP OF UNIVERSITY BODIES 250-261 ª University Court 250-254 ª Executive Council 255 ª Academic Council 256-260 ª Finance Committee 261 ª TEACHERS 262-278 ª Faculty Members 262-272 ª Emeritus/Honorary Professors 273 ª Faculty Members Appointed 274-275 ª Faculty Members Finally Retired after Re-employment 275 ª Faculty Members Retired on Superannuation 276 ª Faculty Members Resigned 276 ª Faculty Members Re-employed 277 ª Faculty Members Confirmed 277-278 ª Faculty Members Retired Voluntarily 278 ª RESEARCH SCHOLARS 279-311 ª Ph.D. -
Sandhya Deveśan Nambiar
4088 Block B 5&6 Vasant Kunj Sandhya Deveśan New Delhi 110070 (+91) 9811 916 136 [email protected] Nambiar https://orcid.org/0000-0003-31 71-5351 TEACHING EXPERIENCE Jesus and Mary College RESEARCH FELLOWSHIPS Assistant Professor, Department of English, University of Delhi February 2015 - Present (Permanent position) L M SINGHVI VISITING FELLOW ● Contributed to planning appropriate and engaging lessons 2018-19 for both classroom and online applications. Centre of South Asian ● Co-founded an international academic journal in the Studies (CSAS) & Wolfson College humanities – The JMC Review in 2016, and established a University of Cambridge research agenda to publish in peer-reviewed journals. ● Created materials (textbooks and curricula) and exercises ICSI FELLOW to illustrate the application of course concepts. Heidegger cohort with Prof Simon Critchley Ambedkar University (declined), 2017 2015 Assistant Professor (Gender Studies), Temporary appointment The New School for Social Research, New York Ramjas College Assistant Professor (ad hoc), Department of English, University Senior Research Fellowship of Delhi, 2014 - 2015 JNU 2008 Lady Shri Ram College NET-Junior Research Assistant Professor (ad hoc), Department of English, University Fellowship of Delhi, 2013 - 2014 2006 Sri Venkateswara College UGC-DRS SAP Fellowship Assistant Professor ( ad hoc), Department of English, University JNU, 2003 of Delhi, 2010 - 2013 AREAS OF INTEREST University of Amsterdam (interview stage), 2021 Assistant Professor (World Literatures and Environmental Continental Philosophy Humanities), Department of English Literary & Critical Theory World Literatures Postcolonial Studies Environmental Humanities Gender Studies EDUCATION AWARDS Ph.D. in Continental Philosophy C D Narasimhaiah Award for JAWAHARLAL NEHRU UNIVERSITY, 2011 Best Paper at the Annual M.Phil.