Intermezzo 2019 September/October

Total Page:16

File Type:pdf, Size:1020Kb

Intermezzo 2019 September/October Membership Meeting: September/October 2019 Tuesday, September 10th, 2019 Vol. 79 No. 8 @ 1:00 pm Membership Meeting: Tuesday, October 8th, 2019 @ 1:00 pm Bread and Butter Bands See Page 6 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS Robert Bauchens Janice MacDonald CHICAGO FEDERATION OF MUSICIANS Rich Daniels Bill Olsen LOCAL NO. 10-208, A.F. of M. Jeff Handley Charles Schuchat Bob Lizik CHICAGO FEDERATION OF MUSICIANS CONTRACT DEPARTMENT LOCAL NO. 10-208, A.F. of M. TO BE HELD ON Leo Murphy – Vice-President Nancy Van Aacken TUESDAY, OCTOBER 1st , 2019 at 1:00 PM ASSISTANTS TO THE Union Headquarters PRESIDENT - JURISDICTIONS Leo Murphy - Vice-President ELECTION OF 656 W. Randolph St., #2W, Chicago, Illinois Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) OFFICERS AND DELEGATES Nomination of candidates will be conducted for Dean Rolando the following offices and delegations to stand for Recordings, Transcriptions, election on Sunday, November 10, 2019 for the Documentaries, Etc. TO BE HELD ON three (3) year term beginning December 10, 2019. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE ILLINOIS STATE FEDERATION OF LABOR PRESIDENT, VICE-PRESIDENT, SECRETARY-TREASURER, AND CONGRESS OF INDUSTRIAL Sunday, November 10, 2019 ORGANIZATIONS MEMBERS OF THE BOARD OF DIRECTORS, Terryl Jares Leo Murphy DELEGATES TO THE CONVENTIONS OF THE B.J. Levy ILLINOIS STATE FEDERATION OF LABOR AND DELEGATES TO CHICAGO 12:00 Noon – 6:00 PM CONGRESS OF INDUSTRIAL ORGANIZATIONS, FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL DELEGATES TO THE MEETINGS OF THE CHICAGO Rich Daniels Leo Murphy FEDERATION OF LABOR AND INDUSTRIAL UNION Terryl Jares At Union Headquarters COUNCIL, DELEGATES TO THE CONVENTIONS OF DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS 656 W. Randolph, Suite 2W THE AMERICAN FEDERATION OF MUSICIANS OF THE Rich Daniels B.J. Levy UNITED STATES AND CANADA. Terryl Jares Leo Murphy Alternates: Chicago, IL 60661-2121 Charles Schuchat The By-Laws provide that Nominations may be made EDITOR, THE INTERMEZZO orally from the floor at said meeting or by Petition of Terryl Jares fifteen (15) members in good standing filed with the ASSISTANT EDITOR, THE INTERMEZZO Secretary-Treasurer prior to the opening of said Leo Murphy Nomination meeting. PRESIDENTS EMERITI Gary Matts Ed Ward See Page 4 for VICE-PRESIDENT EMERITUS Nomination petitions are available from the Tom Beranek Secretary-Treasurer’s office, at the C.F.M., upon request. Absentee Ballot SECRETARY-TREASURER EMERITUS Spencer Aloisio ELECTION OF OFFICERS AND DELEGATES BOARD OF DIRECTORS EMERITUS Request Information SUNDAY, NOVEMBER 10, 2019 Ruth Marion Tobias AT UNION HEADQUARTERS Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M. to 5 P.M. All Phones: 312-782-0063 (24 Hrs.) AFM WEB SITE: www.afm.org CFM WEB SITE: www.cfm10208.com Address all e-mail to the Secretary/Treasurer: SCAN TO SEARCH FOR A CFM MEMBER ON THE UNION WEBSITE [email protected] Scan this QR Code to search for a CFM member on the CFM website. The code takes you to the Public side of our website where you can Cover artwork provided by search by name, instructor or instrument. Chris Nolan Creative. Original photo courtesy of Al Trace 2 Intermezzo September/October 2019 September/October 2019 Intermezzo 3 ROPA Conference Resolution in Support of Local 10-208 July 29, 2019 the AFM, announced that after 18 months of bargaining for a successor contract without a resolution, they were Subject: Resolution congratulating AFM Local 10-208, initiating a strike; and Chicago, IL, for resolution of two major orchestral strikes Whereas, The strike focused on preserving the musicians’ How to Request an Absentee Ballot Local 10-208 Resolution defined benefit plan; and Whereas, In October of 2018, the musicians of the Chi- Whereas, Support for the musicians was incredibly strong, Members who are unable to vote in person on Sunday, cago Lyric Opera Orchestra, represented by Local 10-208 and included public statements from Maestro Riccardo November 10, 2019, may request an absentee ballot from the of the American Federation of Musicians of the United Muti, Speaker of the House Nancy Pelosi, Representatives States and Canada, (“AFM”), announced that bargaining Dick Durbin and Sean Casten, and others; and American Arbitration Association (the Election Administrator). for a successor collective bargaining agreement had been Please email your absentee ballot request to the following unsuccessful; and Whereas, After ICSOM initiated a call to action, approxi- mately $200,000 was raised to help the musicians; and email address: [email protected] Please include your name Whereas, Management of the Lyric Opera of Chicago was and Local 10-208 account number in your email. attempting to impose cuts to the musicians’ pay, reduce Whereas, The strike went on for seven weeks; and the number of weeks of work, drastically change the schedule, and cut the musicians’ health benefits; and Whereas, Mayor Rahm Emanuel of Chicago stepped in to Members may also request an absentee ballot by completing and help the musicians and management reach a compromise, mailing the below form to the American Arbitration Association Whereas, In response, the musicians of the Chicago Lyric resolving the strike in late April, 2019; and Opera Orchestra initiated a strike; and at the address listed on the form. Whereas, through all of this, Local 10-208 of the AFM, Whereas, Public support for the musicians was very through its officers, led by President Terryl Jares, was un- strong, as demonstrated in a well-attended rally at Daley wavering in its support of the musicians and worked hard Plaza in Chicago, which included speeches by President to preserve wages and working conditions for the fine mu- Ray Hair and representatives of the International Confer- sicians of both the Lyric Opera Orchestra and the Chicago ence of Symphony and Opera Musicians (“ICSOM”), the Symphony Orchestra; therefore, be it Regional Orchestra Players’ Association (“ROPA”), and Chicago government entities; and Resolved, That the Regional Orchestra Players’ Association Absentee Ballot Request (“ROPA”) hereby applauds the work of the officers of Lo- Whereas, The strike resulted in a compromise from the cal 10-208 of the AFM and the members of the negotiating American Arbitration Association Lyric Opera of Chicago management which preserved committees of the Chicago Lyric Opera Orchestra and the the musicians’ rate of pay, guaranteed an additional five Chicago Symphony Orchestra for their herculean efforts 150 N. Michigan Ave. weeks of work for the Ring Cycle, and preserved health to preserve their wages and working conditions; and, be it Suite 3050 benefits; and further, Chicago, IL 60601 Whereas, Support for the Chicago Lyric Opera Orchestra Resolved, That ROPA commends their efforts, which help Musicians is now stronger than ever; and preserve wages and working conditions for us all. Dear Elections Administrator: Whereas, In March of 2019, the musicians of the Chicago Submitted by: The ROPA Executive Board Symphony Orchestra, also represented by Local 10-208 of I, _______________________________, hereby request an Absentee Ballot (Please print name here) for the Local 10-208 election to be held on November 10, 2019. Local 10-208 Account Number _____________________________ The Smiley Tillmon Band performed at a block party on the 10500 block of South Oakley Ave. on July 28th as part of the first concert presented by the Chicago Blues Revival who have recently partnered with the CFM as a Signature: ____________________________________________________ part of the “Fair Trade Music” initiative. Through Fair Trade Music, the Chicago Federation of Musicians sets standards of pay and fair treatment for musicians, NO NOTARIZATION IS REQUIRED and the concert organizers who meet those standards receive a Fair Trade Music logo to promote the shows. 4 Intermezzo September/October 2019 September/October 2019 Intermezzo 5 Bread and Butter Bands By Charles Sengstock During the dance band era of the 1920s, 30s and 40s, there The Silly Symphonists, later the Shuffle Rhythm Orchestra) scoring were hundreds of bands touring the country at any given time. But big with recordings of “Mairzy Doats” (1944) and “You Call few of them were known outside the areas in which they played, Everybody Darlin’ ” (1948), the latter one of the bandleader’s and even fewer were receiving top pay for their musical services. own songs. An MCA (Music Corporation of America) survey of dance The band played several yearlong engagements at venues in the early 1930s estimated there were about 25,000 New York’s Hotel Dixie and appeared for 26 weeks on the dance venues in the U.S. (ballrooms, dance halls, night clubs, network radio show “It Pays To be Ignorant.” He recorded hotels, etc.). The survey also estimated there were about a prolifically for MGM, Mercury and other labels. thousand dance bands working, however only a small fraction Dan Russo, who took his own band on the road after he split of them were considered name bands. But the large number of with Ted Fio Rito in 1927, immediately began working in the MCA dance venues in the country needed bands, so most were able contract territory venues but he also played long engagements to make a living, such as it was, especially if they were around Chicago, most notably at the Oriental Gardens, where connected with a booking firm. he broadcast nightly over NBC radio. The major booking firms, like MCA, had contracts with hotel MCA made it a policy to book their bands on commercial and ballroom operators to provide a steady flow of bands to play network radio shows and, by giving them exposure, later booked for their dancers.
Recommended publications
  • The Year's Music
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • March 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1936 Volume 54, Number 03 (March 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 03 (March 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/842 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 'IPJg ETUDE <JXCagazine WHAT DOES IT TAKE TO MAKE A SINGER?" by Richard Crooks /Jte a &fieturte Toveas) rrvuAic NEW DITSON PUBLICATION MORRISON ORCHESTRAL UNIONS By DON MORRISON A Musical Revue A system of Relay Solos for train¬ By GERTRUDE VAN AKIN ™.TH ^ ^ ing young orchestras Interesting Invaluable for Vocal Score and Dialog"® direction8 and dance steps, may be had Instructive Exhibitions STAGE GUIDE, with ful^ d"e month or fraction thereof. Practical on a rental h™^™JZs,ed popular music and forms of This musical reYu^ °f ^gt jg unique among materials for school or Planned equally lor all i™1™" •„ Illustrates vividly variety * «lg*“,on entertainment of the P h n„e from the usual operetta, offers Builds intonation and tone quai ty Follows any first-year instrumental class •“inUto°o”aoS»^-y *»<! ■-■> ”*y b,! ,,erI<>rmtd "‘k method anv number of players.___ book one 1.
    [Show full text]
  • LINER NOTES Print
    LONG NOTES GEORGE WINSTON LINUS AND LUCY – THE MUSIC OF VINCE GUARALDI – VOL. 1: George Winston on Vince Guaraldi (Vince’s name is pronounced “Gurr-al-dee”, beginning with a hard “G) “Vince Guaraldi once said that he wanted to write standards, not just hits, and that he did,” says George Winston. “His music is very much a part of the fabric of American culture, but not many people know the man behind the music, and it is unusual for someone’s music to be better known than their name (some other composers who have also been in this situation are Allen Toussaint, Randy Newman (in the early and mid 1960s), Joni Mitchell (in the mid 1960s), Leonard Cohen (in the mid-1960s), Laura Nyro, Percy Mayfield, Otis Blackwell, and Wendy Waldman). If I play Linus & Lucy and other Vince Guaraldi Peanuts pieces for most kids they will usually say right away, ‘That’s Charlie Brown music’. Vince’s soundtracks for the first 16 of the Peanuts animations from the 1960s & 1970s continue to delight millions of people around the world, and many of his albums remain in print. I like to help make the connection for people that Vince Guaraldi was a great jazz pianist, and that he was the composer of the soundtracks for the first 16 of the Peanuts animation, as well as of many other great jazz pieces. Vince’s best known standards are Cast Your Fate to the Wind, Linus and Lucy, Christmas Time is Here, as well as Skating, and Christmas is Coming. A lot of Vince’s music is seasonal, and it reminds me very much of my upbringing in Montana.
    [Show full text]
  • AMERICAN CLASSICS Ned ROREM Chamber Music with Flute
    559674 bk Rorem US 24/5/11 11:56 Page 2 Ned Ned Rorem (b. 1923) the publicity given those who returned to tonality. “I occasional flippancy of Rorem’s prose disguised what Chamber Music with Flute feel like the Prodigal Son’s brother,” he has said. becomes, in his music, something of a moral imperative: ROREM Some other aspects of Rorem’s work deserve to create that which can come only from one’s unique (b. 1923) Is the flute the most seductive of the winds for all and his colleagues. (For the sake of completion, there is special mention. Despite a late start in the medium, he being. Characteristically, Rorem writes: “Anyone can be budding composers? Certainly for me that breathy gold a fifth chamber work for flute – a quintet that includes has become one of the foremost American composers of drunk, anyone can be in love, anyone can waste time Chamber Music with Flute wafting through the French forests of the Faun’s syrinx, three strings and piano, called Bright Music – written in organ music. Ecumenical in viewpoint, he has made an and weep, but only I can pen my songs in the few Mountain Song for flute and piano (1949) 3:09 of Roussel’s spider, of Ravel’s Daphnis and of Varèse’s 1988.) invaluable contribution to American sacred choral remaining years or minutes.” 1 Andantino Density, whetted a pre-adolescent hunger for the flute music. Through his writings – twelve books and long before I was aware that oboes and clarinets and Ned Rorem innumerable articles – he has been a tireless advocate of Notes by Boosey and Hawkes Romeo and Juliet for flute and guitar (1977) 19:46 bassoons were also individuals.
    [Show full text]
  • A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Michel Chion's Audio-Vision Bravely Sets out to Rectify
    In Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influ­ ences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema—La Voix au cinema, Le Son au cinema, and La Toile trouee—while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multi- track sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model for audiovisual analysis of film. Walter Murch, who contributes the foreword, has been hon­ ored by both the British and American Motion Picture Academies for his sound design and picture editing. He is especially well- known for his work on The Godfather, The Conversation, and Apoc­ alypse Now. "Michel Chion is the leading French cinema scholar to study the sound track. ... I know of no writer in any language to have published as much in this area, and of such uniformly high quality, a, he." ALAN W|LUAMS RUTGERS UNIVERSITY MICHEL CHION is an experimental composer, a director of short films, and a critic for Cahiers du cinema. He has pub­ lished books on screenwriting, Jacques Tati, David Lynch, and Charlie Chaplin, in addition to his four books on film sound.
    [Show full text]
  • Evening Concert Series 2019–2020 Season Rachel Grohbrugge Ashley Slapo Saxophone Double Bass Helen M
    Crane Wind Ensemble Personnel Piccolo Bass Clarinet Tuba Victoria Vespucci Matthew Levine Nicholas Soldani* Marco Tomassi Ryan Halson Flute Marianthi Stakos Nicholas Salomone Evening Concert Series 2019–2020 Season Rachel Grohbrugge Ashley Slapo Saxophone Double Bass Helen M. Hosmer Hall Wednesday, February 19, 7:30 PM Samala Rubin Nick Dombroski Robin Tucksmith Trudi VanOmmeren Kanen Nelson Ethan Wetzel Percussion The Crane Wind Ensemble Oboe Stephen Mirandi Patrick Roche Derian Rowe Emma Karp Kevin Gorry Brian K. Doyle conductor Derek Warshauer Zach Cohen William L. Lake, Jr., guest conductor Skye Hamilton-Carranza Trumpet Sofia Coyle Courtnee Waldref Tristan Hayes Elena Mascaro Casey Grev, saxophone Amelia McNamara Hannah Prenevau English Horn Nicholas Vest Joe Malone Derek Warshauer Nolan Ostrowski An Outdoor Overture (1942) Aaron Copland Samuel Taylor Piano (1900–1990) Bassoon Eleanor Burns Julie Miller Matthieu LaPlante Becca Schroeder Horn Harp Quicksilver (2017) Stacy Garrop Jerry Wilkie Emily Quinn Shannon Boyle Antics of a Newborn God (b. 1969) Isaac Newman Guiding Souls to the Underworld Contra Bassoon Joseph Johnson Librarian Messenger of Olympus Rebecca Schroeder Dylan Dukat Tristan Hayes Jerry Wilkie Molly Knapp Courtnee Waldref Casey Grev, saxophone E-flat Clarinet Trombone Brief Intermission Matthew Stroinski Brenden Cope Justin Laurenceau Clarinet Jason Lensky D’un Matin du Printemps (1918) Lili Boulanger Jennifer Belisle Justin Schoeneck (1893–1918) Brianna Linhardt trans. François Branciard Isabella Eberle Bass Trombone Keegan Wallace Jason Birsner William L. Lake, Jr., conductor Alex Gray Laurel Zimlinghaus Euphonium Anthony Justiniano Zachary Coldren Shenandoah (2019) Omar Thomas Kaytie Lamica Andrew Scheiner (b. 1984) Prelude, Siciliano, and Rondo (1963) Malcolm Arnold I.
    [Show full text]
  • Ciach, Brian Curriculum Vitae March 2021
    Brian Ciach, Composer/Theorist/Educator [email protected] https://sigh-ackmusic.org/ • https://www.linkedin.com/in/brianciach/ Award-winning composer-pianist and passionate music educator: teaching experience includes extensive classroom, private instruction, and anti-racist curriculum development. Expertise in music theory and composition, electronic music, aural skills, and piano performance. Teaching focuses on empowering and inspiring students by featuring the work of their musical icons in the theory classroom, helping composers reach their unique musical voice, and writing music that pushes the boundaries in both acoustic and electro-acoustic realms. College Teaching Experience San José State University, Lecturer (AY-C), CA, 2019-present • Taught Music Theory/Aural Skills sequence, Counterpoint, Applied Composition • Faculty Special Consultant for revising theory/aurals curriculum to identify systemic racism, and to propose alternative means and materials • Showcased student music theory projects inspired by the pandemic/social justice movements in the Pandemic Pandemonium so that students feel more connected • Inspired students with “Pop Song Solfege” projects in aurals courses, where they sang favorite songs by marginalized artists so that they feel more engaged in class • Created and administered the online graduate music theory placement exams using Auralia and Musition, and continue to use this software in classes • Learned about online equity and inclusion, use of new media/software, and assessment strategies in SJSU’s
    [Show full text]
  • Pulitzer Prize Winners and Finalists
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
    DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service
    [Show full text]