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6 Inspiring Cajun Musicians
LeadingLadies 6 INSPIRING CAJUN MUSICIANS In what has become our now annual music their voices have been heard and met with guide, we decided to do something a little praise – even Grammy nominations. All six different. Rather than focus on venues, clubs of these women are carrying on the tradition and places to go, we chose to focus on faces of their Cajun ancestors and bringing it to look for – and more importantly, voices to into the future, and we hope that the trend hear. In the music industry in general – and of women leading their own bands will gain especially when it comes to Cajun music, momentum as they continue to inspire others. women are outnumbered by men. Fortunately, That, we think, is worth singing about. By Michael Patrick Welch \\ Photos by Romero & Romero acadianaprofile.com | 31 gigs as Petite et les Patates (Little and the AT THE AGE OF 18, Potatoes), a quieter three-piece traditional musician Jamie Lynn Fontenot was Cajun band. overtaken by the desire to learn Cajun Along with accordion player Jacques French. “My grandparents, Mary ‘Mimi’ fontenotBoudreaux, Petite et les Patates also often Fontenot and John ‘Toe’ Fontenot, from features Fontenot's husband, French fiddle Opelousas are great, really strong Cajun player Samuel Giarrusso, who moved to speakers,” says Fontenot from her home in Louisiana in 2012 from France to be near his Lafayette. “My siblings and I wanted them father, also a Cajun French musician. “Petite to teach us Cajun French, so she would play et les Patates is actually a constantly rotating me all these old Cajun vinyl records, and band, where I am the only constant,” says she’d tell me the stories the singers were Fontenot. -
Candidate's Report
CANDIDATE’S REPORT (to be filed by a candidate or his principal campaign committee) 1.Qualifying Name and Address of Candidate 2. Office Sought (Include title of office as OFFICE USE ONLY well PHYLLIS KEATY FOR JUDGE Report Number: 21630 Judge Third Circuit Court of Appeal CAMPAIGN COMMITTEE Lafayette Date Filed: 12/13/2010 P O Box 51951 109 S College Rd Report Includes Schedules: Lafayette, LA 70505 Schedule A-1 Schedule A-2 Schedule B Schedule C 3. Date of Primary 11/2/2010 Schedule E-1 Schedule E-2 This report covers from 10/14/2010 through 12/2/2010 4. Type of Report: X 180th day prior to primary 40th day after general 90th day prior to primary Annual (future election) 30th day prior to primary Supplemental (past election) 10th day prior to primary 10th day prior to general Amendment to prior report 5. FINAL REPORT if: Withdrawn Filed after the election AND all loans and debts paid Unopposed 6. Name and Address of Financial Institution 7. Full Name and Address of Treasurer (You are required by law to use one or more KIMBERLY NAQUIN banks, savings and loan associations, or money 350 Doucet Rd market mutual fund as the depository of all Suite 101 Lafayette, LA 70503 PAYPAL 2211 North First St San Jose, CA 95131 9. Name of Person Preparing Report MARK P HARRIS CPA; APAC Daytime Telephone 337-235-2002 10. WE HEREBY CERTIFY that the information contained in this report and the attached 8. FOR PRINCIPAL CAMPAIGN COMMITTEES ONLY schedules is true and correct to the best of our knowledge, information and belief, and that no a. -
Here It Might, As Long As It’S Somewhere Worth Traveling
BRUCE ROBISON Bruce Robison has been making music professionally for decades. He still discusses his craft with so much enthusiasm he sounds almost like a kid raving about superheroes. That infectious energy is evident in every note of his new album, Bruce Robison & the Back Porch Band, as well as his new project, The Next Waltz, a blossoming community of artists, fans and friends gathering both virtually and at his recording studio in Lockhart, just outside of Austin. In both cases, the point is to celebrate country music’s rich traditions while giving creativity free rein to go where it might, as long as it’s somewhere worth traveling. It’s also about celebrating Robison’s “love of the craft of song.” “Writing is where it all starts for me,” he explains. “Whether it’s my writing, or songs I want to do with somebody else. I love the mechanics of it; how simple it can be.” Keeping it simple — and organic — was the guiding principle behind the latest album, a collection of Robison originals, co-writes and covers that capture country’s most beloved stylistic elements: good-time, lighthearted romps (“Rock and Roll Honky Tonk Ramblin’ Man”; “Paid My Dues”) and wistful, sometimes bittersweet ballads (“Long Time Coming”; “Still Doin’ Time”). But even the Who’s “Squeezebox” — which Robison calls “a great country song by some English dudes” — shows up, in a lively version dressed with cajun fiddle by Warren Hood and acoustic guitar and harmonies by Robison’s wife, Kelly Willis. Hood is one of a hand-picked crew of regulars tapped for Next Waltz recording sessions with Jerry Jeff Walker, Randy Rogers, Jack Ingram, Rodney Crowell, Willis, Hayes Carll, Turnpike Troubadours, Sunny Sweeney, Reckless Kelly and others. -
San Antonio's West Side Sound
Olsen: San Antonio's West Side Sound San Antonio’s SideSound West Antonio’s San West Side Sound The West Side Sound is a remarkable they all played an important role in shaping this genre, Allen O. Olsen amalgamation of different ethnic beginning as early as the 1950s. Charlie Alvarado, Armando musical influences found in and around Almendarez (better known as Mando Cavallero), Frank San Antonio in South-Central Texas. It Rodarte, Sonny Ace, Clifford Scott, and Vernon “Spot” Barnett includes blues, conjunto, country, all contributed to the creation of the West Side Sound in one rhythm and blues, polka, swamp pop, way or another. Alvarado’s band, Charlie and the Jives, had such rock and roll, and other seemingly regional hits in 1959 as “For the Rest of My Life” and “My disparate styles. All of these have Angel of Love.” Cavallero had an influential conjunto group somehow been woven together into a called San Antonio Allegre that played live every Sunday sound that has captured the attention of morning on Radio KIWW.5 fans worldwide. In a sense, the very Almendarez formed several groups, including the popular eclectic nature of the West Side Sound rock and roll band Mando and the Chili Peppers. Rodarte led reflects the larger musical environment a group called the Del Kings, which formed in San Antonio of Texas, in which a number of ethnic during the late 1950s, and brought the West Side Sound to Las communities over the centuries have Vegas as the house band for the Sahara Club, where they exchanged musical traditions in a remained for nearly ten years.6 Sonny Ace had a number of prolific “cross-pollination” of cultures. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Visitor Guide
Cajun Country Events JANUARY Gumbo Cook-off Sportsmen’s Heritage Festival Opelousas | 337.331.2837 Krotz Springs | 337.566.3527 TheGumboFoundation.org ksSportsmensHeritageFestival.com Last Saturday Last full weekend FEBRUARY JULY Here’s the Beef Cook-off Lebeau Zydeco Festival Opelousas | 337.684.6751 Lebeau | 337.623.5909 | 337.623.4362 Last Saturday LebeauZydecoFestival.com FEBRUARY/MARCH 1st Saturday Cajun Country Southwest Louisiana Courir de Mardi Gras Attakapas Opelousas Eunice | 337.457.7389 Prairie Tribe Festival | Eunice-La.com Opelousas 337.246.0718 5-day celebration beginning the AttakapasOpelousasPrairieTribes.com Friday before Mardi Gras day Last Saturday Lil’ Nate’s Mardi Gras Parade AUGUST/SEPTEMBER & Chicken Run Original Southwest Louisiana Opelousas Zydeco Music Festival 337.319.0639 | 832.217.6935 Opelousas | 337.290.6048 3-day celebration beginning the Zydeco.org Friday before Mardi Gras day Saturday before Labor Day MARCH OCTOBER World Championship Sweet Dough Pie Festival Crawfish Étouffée Cook-off Grand Coteau | 337.662.3058 Eunice | 337.457.2565 SweetDoughGC.com | 4th Saturday EtouffeeCookoff.org NOVEMBER Last Sunday, except when it conflicts Holy Ghost Creole Festival with Easter, then 2nd to last Sunday Opelousas | 337.942.2732 APRIL HolyGhostCreoleFestival.com Arnaudville Étouffée Festival 1st weekend Arnaudville | 337.754.5912 Festival of Words Last weekend Grand Coteau | 337.254.9695 MAY FestivalOfWords.org | 1st weekend Herb and Garden Festival Cracklin Festival Sunset | 337.662.5225 Port Barre | 337.457.1776 SunsetHerbFestival.com PortBarreCracklinFestival.com 1st Saturday 2nd weekend When planning your visit, please refer to the EVENTS PAGE on our website CAJUNTRAVEL.COM for updates and additional events. 2 GUMBO FOR YOUR SOUL! Welcome to St. -
Musical Traditions of Southern Louisiana
Musical Traditions of Southern Louisiana Rosalon Moorhead GENERAL INTRODUCTION This unit was developed for use in French classes at the secondary level. It gives students opportunities to Research the history and patterns of French settlement in Louisiana Discover three types of music (New Orleans jazz, Cajun, Zydeco) which are representative of the Francophone presence in Louisiana. Make connections between the rhythms of the music and those of the French language. Although I intend to use the unit in my fourth-year French classes at Bellaire High School, the material is probably better suited to the curriculum of second- or third-year classes, as some of the state-adopted textbooks at those levels have chapters that deal with Louisiana. I believe that the unit could be modified for use at any level of French language instruction. BACKGROUND NARRATIVE In the nearly twenty years that I have been teaching French, I have observed that while the students‟ motivations to take the class have remained largely the same (it‟s a beautiful language, I want to travel/live in France, my mother made me), the emphases in the teaching of the language have changed quite a bit. As a student and in the early years of my teaching career, I (along with other Americans) studied the sound system and patterns of the language, attempting to mimic the pronunciation and intonation of French as my primary goal. That approach was superseded variously by those focusing on the grammar, the vocabulary, or the learning of language in context as revealed by reading. The one aspect of the study of French that seemed to be static was the culture; until very recently, the references were to France, and more specifically, to Paris. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-1-200207-01 | PUBLISH DATE: 02/07/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 APPLICATIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000105266 Renewal of FX W267BI 140992 101.3 CLEVELAND, TN HARTLINE, LLC 02/04/2020 Accepted License For Filing 0000101150 Renewal of FM KTFS- 33541 Main 107.1 TEXARKANA, AR TEXARKANA RADIO 01/28/2020 Accepted License FM CENTER LICENSES, For Filing LLC 0000105186 Renewal of AM WJBO 4054 Main 1150.0 BATON ROUGE, LA CAPSTAR TX, LLC 02/03/2020 Accepted License For Filing 0000104916 Renewal of FM WHMD 680 Main 107.1 HAMMOND, LA North Shore 02/03/2020 Accepted License Broadcasting Co., Inc. For Filing 0000103393 Renewal of FM WACR- 65200 Main 105.3 COLUMBUS AFB, GTR LICENSES, LLC 01/31/2020 Accepted License FM MS For Filing 0000105191 Renewal of FM KRVE 40866 Main 96.1 BRUSLY, LA CAPSTAR TX, LLC 02/03/2020 Accepted License For Filing 0000105367 License To DTV WXPX- 6601 Main 29 BRADENTON, FL ION MEDIA LICENSE 02/04/2020 Accepted Cover TV COMPANY, LLC For Filing 0000105159 Renewal of FM KOYH 190430 Main 95.5 ELAINE, AR Alfred L. 'Pat' 02/03/2020 Accepted License Roberson , III . For Filing 0000101180 Renewal of FM WLSM- 26238 Main 107.1 LOUISVILLE, MS WH Properties, Inc. 01/28/2020 Accepted License FM For Filing Page 1 of 30 REPORT NO. PN-1-200207-01 | PUBLISH DATE: 02/07/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. -
LCGFT for Music Library of Congress Genre/Form Terms for Music
LCGFT for Music Library of Congress Genre/Form Terms for Music Nancy Lorimer, Stanford University ACIG meeting, ALA Annual, 2015 Examples Score of The Four Seasons Recording of The Four Seasons Book about The Four Seasons Music g/f terms in LCSH “Older headings” Form/genre term Subject heading Operas Opera Sacred music Church music Suites Suite (Music) “Newer headings” Genre/form term Subject heading Rock music Rock music $x History and criticism Folk songs Folk songs $x History and criticism Music g/f terms in LCSH Form/genre term Children’s songs Combined with demographic term Buddhist chants Combined with religion term Ramadan hymns Combined with event term Form/genre term $v Scores and parts $a is a genre/form or a medium of performance $v Hymns $a is a religious group $v Methods (Bluegrass) $a is an instrument; $v combines 2 g/f terms Genre/form + medium of performance in LCSH Bass clarinet music (Jazz) Concertos (Bassoon) Concertos (Bassoon, clarinet, flute, horn, oboe with band) Overtures Overtures (Flute, guitar, violin) What’s wrong with this? Variations in practice (old vs new) Genre/form in different parts of the string ($a or $v or as a qualifier) Demographic terms combined with genre/form terms Medium of performance combined with genre/form terms Endless combinations available All combinations are not provided with authority records in LCSH The Solution: LCGFT + LCMPT Collaboration between the Library of Congress and the Music Library Association, Bibliographic Control Committee (now Cataloging and Metadata Committee) Genre/Form Task Force Began in 2009 LCMPT published February, 2014 LCGFT terms published February 15, 2015 567 published in initial phase Structure Thesaurus structure Top term is “Music” All terms have at least one BT, except top term May have more than one BT (Polyhierarchy) The relationship between a term and multiple BTs is “and” not “or” (e.g., you cannot have a term whose BTs are “Cat” and “Dog”) Avoid terms that simply combine two BTs (e.g. -
St-Landry-Parish.Pdf
Welcome to St. Landry Parish Bienvenue a la paroisse de Saint Landry Welcome to St. Landry Parish, where accordions are cool, boudin is hot and history is not just in textbooks. Our festivals celebrate art, blues, Cajun music, catfish, cracklins, etouffee, herbs, spices, yams and zydeco. Cook-offs and trail rides aren’t called festivals, but they are filled with just as much music, food and fun. Mardi Gras can be a parade with floats and beads, or a chicken chase on horseback that ends with a community gumbo. Horses and jockeys show their athleticism at a “racino,” a thoroughbred and quarter horse racetrack and casino where you can try your luck on the slot machines. History not only lives in museums and antique markets, but the plantations, schools and churches that have stood for centuries. St. Landry Parish’s rich culture and history come from the diverse people who have called it home. Cajun, Creole, French, African, Spanish, Italian and Native American people have mixed and matched here for almost three centuries. Those influences give St. Landry Parish music, food and culture that few can match. Opelousas, the parish’s largest city, is the Zydeco Music Capital of the World. Clifton Chenier, the King of Zydeco, Rockin’ Sidney of “Don’t Mess with My Toot Toot” fame and Terrance Simien are Grammy-winning zydeco musicians and parish natives. Cajun music thrives at local jam sessions and the Saturday night Rendez-vous des Cajuns, an all-French radio and TV music program at the historic Liberty Theatre in Eunice. Flavorful Cajun and Creole cuisine is plentiful in settings ranging from a stick-to-your-ribs plate lunch at a grocery store deli or truck stop to candlelight dining in an age-old restaurant. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ......................