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STOP AIDS Project Records, 1985-2011M1463
http://oac.cdlib.org/findaid/ark:/13030/c8v125bx Online items available Guide to the STOP AIDS Project records, 1985-2011M1463 Laura Williams and Rebecca McNulty, October 2012 Department of Special Collections and University Archives October 2012; updated March 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the STOP AIDS Project M1463 1 records, 1985-2011M1463 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: STOP AIDS Project records, creator: STOP AIDS Project Identifier/Call Number: M1463 Physical Description: 373.25 Linear Feet(443 manuscript boxes; 136 record storage boxes; 9 flat boxes; 3 card boxes; 21 map folders and 10 rolls) Date (inclusive): 1985-2011 Special Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/depts/spc/spc.html. Abstract: Founded in 1984 (non-profit status attained, 1985), the STOP AIDS Project is a community-based organization dedicated to the prevention of HIV transmission among gay, bisexual and transgender men in San Francisco. Throughout its history, the STOP AIDS Project has been overwhelmingly successful in meeting its goal of reducing HIV transmission rates within the San Francisco Gay community through innovative outreach and education programs. The STOP AIDS Project has also served as a model for community-based HIV/AIDS education and support, both across the nation and around the world. The STOP AIDS Project records are comprised of behavioral risk assessment surveys; social marketing campaign materials, including HIV/AIDS prevention posters and flyers; community outreach and workshop materials; volunteer training materials; correspondence; grant proposals; fund development materials; administrative records; photographs; audio and video recordings; and computer files. -
Article Under Her Eye: Digital Drag As Obfuscation and Countersurveillance
Under Her Eye: Digital Drag as Obfuscation Article and Countersurveillance Harris Kornstein New York University, USA [email protected] Abstract Among drag queens, it is common to post screenshots comically highlighting moments in which Facebook incorrectly tags their photos as one another, suggesting that drag makeup offers a unique method for confusing facial recognition algorithms. Drawing on queer, trans, and new media theories, this article considers the ways in which drag serves as a form of informational obfuscation, by adding “noise” in the form of over-the-top makeup and social media profiles that feature semi-fictional names, histories, and personal information. Further, by performing identities that are highly visible, are constantly changing, and engage complex forms of authenticity through modes of camp and realness, drag queens disrupt many common understandings about the users and uses of popular technologies, assumptions of the integrity of data, and even approaches to ensuring privacy. In this way, drag offers both a culturally specific framework for conceptualizing queer and trans responses to surveillance and a potential toolkit for avoiding, thwarting, or mitigating digital observation. Introduction When particular surveillance technologies, in their development and design, leave out some subjects and communities for optimum usage, this leaves open the possibility of reproducing existing inequalities… [But] could there be some potential in going about unknown or unremarkable, and perhaps unbothered, where CCTV, camera-enabled devices, facial recognition, and other computer vision technologies are in use? —Simone Browne, Dark Matters: On the Surveillance of Blackness (2015: 162–63) Around late 2014, I began to take note of a curious social media phenomenon: drag queens were posting screenshots to Facebook to highlight instances in which the platform’s predictive facial recognition algorithms incorrectly tagged their photos as one another. -
The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz a Dissertation Submitted in Part
The Trouble with “Queerness”: Drag and the Making of Two Cultures By Katie Rebecca Horowitz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Catherine Cole Professor Judith Butler Fall 2012 Abstract The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Linda Williams, Chair This dissertation responds to the frequent charge within academic and activist circles that queer theory is simply gay male theory cloaked in more inclusive language. Taking as its starting point an ethnographic case study of drag king and queen performance cultures, it challenges the efficaciousness of an everything and the kitchen sink approach to queer theorizing and organizing. This work constitutes the first academic monograph centered on queer life in Cleveland, Ohio and is also the first to focus simultaneously on kinging and queening, a lacuna at once explained by and demanding interrogation of the fact that these practices have almost nothing in common with each other. Despite the shared heading of drag, these iconically queer institutions overlap little with respect to audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. The radical (in)difference between these genres serves as a microcosmic representation of the perennial rift between lesbians and gay men and highlights the heteronormativity of the assumption that all of the identity categories subsumed under (and often eclipsed by) the queer umbrella ought a priori to have anything in common culturally, politically, or otherwise. -
E Past, Present and Future of Drag in Los Angeles
Rap Duo 88Glam embrace Hip-Hop’s fearlessness • Museum Spotlights Ernie Barnes, Artist and Athlete ® MAY 24-30, 2019 / VOL. 41 / NO. 27 / LAWEEKLY.COM Q e Past,UEENDOM Present and Future of Drag in Los Angeles BY MICHAEL COOPER AND LINA LECARO 2 WWW.LAWEEKLY.COM | - , | LA WEEKLY L May 24 - May 30, 2019 // Vol. 41 // No. 27 // laweekly.com 3 LA WEEKLY LA Explore the Country’s Premier School of Archetypal and Depth Psychology Contents - , | | Join us on campus in Santa Barbara WWW.LAWEEKLY.COM Friday, June 7, 2019 The Pacifica Experience A Comprehensive One-Day Introduction to Pacifica’s Master’s and Doctoral Degree Programs Join us for our Information Day and learn about our various degree programs. Faculty from each of the programs will be hosting program-specific information sessions throughout the day. Don't miss out on this event! Pacifica is an accredited graduate school offering degrees in Clinical Psychology, Counseling Psychology, the Humanities and Mythological Studies. The Institute has two beautiful campuses in Santa Barbara nestled between the foothills and the Pacific Ocean. All of Pacifica’s degree programs are offered through monthly three-day learning sessions that take into account vocational, family, and other commitments. Students come to Pacifica from diverse backgrounds in pursuit of an expansive mix of accademic, professional, and personal goals. 7 Experience Pacifica’s unique interdisciplinary degree programs GO LA...4 FILM...16 led by our renowned faculty. Celebrate punk history, explore the NATHANIEL BELL explores the movies opening Tour both of our beautiful campuses including the Joseph Campbell Archives and the Research Library. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Trouble with "Queerness": Drag and the Making of Two Cultures Permalink https://escholarship.org/uc/item/8jn2c44k Author Horowitz, Katie Rebecca Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Trouble with “Queerness”: Drag and the Making of Two Cultures By Katie Rebecca Horowitz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Catherine Cole Professor Judith Butler Fall 2012 Abstract The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Linda Williams, Chair This dissertation responds to the frequent charge within academic and activist circles that queer theory is simply gay male theory cloaked in more inclusive language. Taking as its starting point an ethnographic case study of drag king and queen performance cultures, it challenges the efficaciousness of an everything and the kitchen sink approach to queer theorizing and organizing. This work constitutes the first academic monograph centered on queer life in Cleveland, Ohio and is also the first to focus simultaneously on kinging and queening, a lacuna at once explained by and demanding interrogation of the fact that these practices have almost nothing in common with each other. Despite the shared heading of drag, these iconically queer institutions overlap little with respect to audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. -
STOP AIDS Project Records, 1985-2011M1463
http://oac.cdlib.org/findaid/ark:/13030/c8v125bx Online items available Guide to the STOP AIDS Project records, 1985-2011M1463 Finding aid prepared by Laura Williams and Rebecca McNulty, October 2012 Dept. of Special Collections & University Archives Stanford University Libraries. 557 Escondido Mall Stanford, California, 94305 Repository Email: [email protected] October 2012 Guide to the STOP AIDS Project M1463 1 records, 1985-2011M1463 Title: STOP AIDS Project records, Identifier/Call Number: M1463 Contributing Institution: Dept. of Special Collections & University Archives Language of Material: English Physical Description: 371.25 Linear feet(443 manuscript boxes; 136 record storage boxes; 7 flat boxes; 3 card boxes; 20 map folders and 10 rolls) Date (inclusive): 1985-2011 Physical Location: Special Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/depts/spc/spc.html. Abstract: Founded in 1984 (non-profit status attained, 1985), the STOP AIDS Project is a community-based organization dedicated to the prevention of HIV transmission among gay, bisexual and transgender men in San Francisco. Throughout its history, the STOP AIDS Project has been overwhelmingly successful in meeting its goal of reducing HIV transmission rates within the San Francisco Gay community through innovative outreach and education programs. The STOP AIDS Project has also served as a model for community-based HIV/AIDS education and support, both across the nation and around the world. The STOP AIDS Project records are comprised of behavioral risk assessment surveys; social marketing campaign materials, including HIV/AIDS prevention posters and flyers; community outreach and workshop materials; volunteer training materials; correspondence; grant proposals; fund development materials; administrative records; photographs; audio and video recordings; and computer files. -
The San Francisco Bay Guardian
Best of the Bay 2004 - The San Francisco Bay Guardian http://www.bestofthebay.com/2004/nightlife.html Signs and spaces By Lynn Rapoport One rainy Sunday night last November in the Mission, two small U-Haul trucks appeared outside the old Armory building on the 14th Street side, rear doors hiked all the way open, a slippery ramp extended between them. Shadowy figures in rain slickers clambered in and out of the trucks, guided by affable guards standing at the portals doling out flashlights. Every so often, someone would carefully pick his or her way from one to the other, hunched over to avoid the drizzle. Inside was just what you'd expect, assuming you'd gotten the e-mail: walls covered with works on paper, photographs, tiny installations — an art gallery encased in metal and ready to roll. Strangers paced the cramped perimeters, politely shrinking to let other visitors pass, trying to avoid tracking in the worst of the outdoors. Taller visitants angled their heads awkwardly in search of perspective. People spoke in murmurs about the provenance of the work, the price range, the materials, the trucks. And perhaps, if we'd all been characters in some multiplex thriller starring Pierce Brosnan or Catherine Zeta-Jones, the whole thing might have turned out to be the staging area for some shady transaction involving an international art-smuggling ring, or a badly operated, overly complex stakeout. In the real world, it was the weekend of "Crosswalks," a many-venued art show taking place in a small cluster of Mission galleries, as well as a book store, a shoe store, an all-vegan boutique, a multiuse performance space, a clothing boutique and gallery, a bike shop and clothing boutique and gallery, a clothing boutique and zine shop, a tattoo parlor, and yes, a couple of U-Haul trucks rented out by a roving art entity called BOB Archives 6 the Budget Gallery. -
GLC 58 Trannyshack Collection
TRANNYSHACK COLLECTION 1996-2008 Collection number: GLC 58 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2008 Trannyshack Collection GLC 58 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3 Biographical and Historical Note p. 4-5 Scope and Content p. 5 Arrangement Note p. 5 Container Listing p. 6-7 Series 1: Press and Publicity, 2005-2008 p. 6 Series 2: Historical Bulletins, January 15-July 15, 2008 p. 6 Series 3: Photographs, 1996-2007 p. 6 Series 4: DVDs, 2005, 2008 p. 6-7 Series 5: Posters, 2000-2008 p. 7 Trannyshack Collection GLC 58 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Trannyshack Collection was donated to The San Francisco Public Library by Heklina aka Stefan [Steven] Grygelko in December 2008. Access The collection is open for research and available through the San Francisco History Center on the 6th Floor of the Main Library. The hours are: Tues.-Thurs. 10a.m.-6 p.m., Fri. 12 noon-6 p.m., Sat. 10 a.m.-6 p.m. and Sun. 12 noon-5 p.m. Collection Number GLC 58 Size 0.5 cubic feet (in 13 folders) + 1 oversized folder for flat storage of posters. Processed by Nell Jehu, and San Francisco History Center staff Date Completed December 2008, finding aid updated August 2010 Preferred Citation [Identification of item], Trannyshack Collection (GLC 58), The James C. Hormel Gay and Lesbian Center, San Francisco Public Library. Copyright and Literary Rights Rights transferred to San Francisco Public Library. -
News Release
News Release FOR IMMEDIATE RELEASE PRESS CONTACT: Ben Randle, Artistic Associate ~ 415.694.6156 ~ [email protected] Pictures and Press Kit: nctcsf.org/press NCTC TO PRESENT WORLD PREMIERE OF SALOME, DANCE FOR ME One-woman, glam rock musical adaptation starring San Francisco rock sensation and acclaimed faux queen trixxie carr San Francisco, CA (May 20, 2015) — Heads will roll this summer when New Conservatory Theatre Center proudly presents the world premiere of Salome, Dance for Me, a savagely beautiful new glam rock re- imagining of the infamous Biblical tale, starring San Francisco’s most erotically-charged and campily hilarious rock chanteuse, trixxie carr. The breathtaking vocals and outrageous ingenuity that has made carr a local rock sensation and award-winning faux queen find a theatrical story as epic as her uproarious onstage antics in this commission by NCTC, developed in a year-long residency as part of its Emerging Artist Program. The brutal power of ancient myth collides with twenty-first century decadence in this exhilarating multidisciplinary new musical play based on Oscar Wilde’s most controversial work and Richard Strauss’ searing landmark opera. Salome, Dance for Me features an all-original score penned by carr herself, with celebrated emerging classical conductor Robert Mollicone, and is directed by carr’s frequent collaborator, NCTC Artistic Associate Ben Randle. Salome, Dance for Me runs August 5 – 29, 2015. Opening Night is Saturday, August 8, 2015 at 8pm. Tickets are $20–25 and available at nctcsf.org or by calling (415) 861-8972. trixxie carr has dazzled, shocked and seduced audiences locally and internationally, across the spectrum of performance: theatre, live music and nightlife. -
Xpress Magazine
APRIL 2019 SAN FRANCISCO STATE UNIVERSITY SAN FRANCISCO STATE XPRESS APRIL 2019 1 XPRESS MAGAZINE CONTRIBUToRS EDITOR IN CHIEF INGRID MERA ANNIE GIESER JOSHUA CHAN MANAGING EDITOR CAROLINA DIAZ MEGAN JIMENEZ ANTHONY KINNEY ART DIRECTOR NIKKO AVELLANA CHLOE MCDANIELS JOSHUA TUFFS PHOTO EDITOR ADELYNA TIRADO NIKO LABARBERA MULTIMEDIA EDITOR JACOB TUCKER SPECIAL THANKS ONLINE EDITOR TO GREG RAGAZA SOCIAL MEDIA EDITOR DON MENN AMELIA WILLIAMS BETH RENNEISEN KIM KOMENICH KEVIN M. COX CRISTINA AZOCAR LORENZO MOROTTI ON THE FRONT AND BACK COVER: website JAZMINE VIERA, 26 XPRESSMAGAZINE.ORG (LEFT) INSTAGRAM CHLOË RAINWATER, 30 @XPRESSMAGAZINE (RIGHT) TWITTER PHOTOS BY @XPRESSMAGAZINE ADELYNA TIRADO NEWSPAPER GOLDENGATEXPRESS.ORG APRIL 2019 POEMS index Untitled 5 by amelia williams rubbed raw by margot reed CHLOE CARES 6 advice column by 7 chloe mcdaniels An all-american lgbtq+ Heartbeat BY JOshua Tuffs erasure of the 8 l in lgbtq 12 by Greg Ragaza Fringe movements the coming out rising experience 22 By JOshua Chan 14 by nikko avellana what’s a queen to a non-believer? building By Amelia Williams pyramids 16 24 by JAcob Tucker Photo series obsessive disney disorder utopias of the By Ingrid mera queer community 28 21 by adelyna tirado XPRESS MAGAZINE LETTER FROM THE EDITOR which was written by our Social are still left out. Lesbians in search Media Editor, Amelia Williams, of a scene, drag queens changing which goes to show that unex- the stereotype, the experiences of pected talent can sometimes transgender folks—these are top- be hiding right in front of your ics often left out of the mainstream eyes. -
LGBTQ Sport and Leisure
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2016 LGBTQ Sport and Leisure Katherine Schweighofer Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Gender and Sexuality Commons, Leisure Studies Commons, Sports Studies Commons, and the United States History Commons Recommended Citation Schweighofer, Katherine. "LGBTQ Sport and Leisure." In LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History, edited by Megan E. Springate, Chapter 24, 46 pages. Washington, DC: National Park Foundation and National Park Service, 2016. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. -
OUTFEST UPDATED 2012 .Xlsx
OUTFEST COLLECTION AT UCLA FILM TELEVISION ARCHIVE PARTIAL INFORMAL COLLECTION LIST - to arrange viewing e-mail: [email protected] OUTFEST LGBT FILM FESTIVAL COLLECTION Outfest Legacy Project - UCLA Film & Television Archive Updated: June 2012. Partial in-process collection list; may contain errors. Contact [email protected] for assistance and/or to arrnage a viewing appointment at UCLA TITLE EPISODE TITLE DIRECTOR YR SIZE TYPE INV # ALT INV # NOTES Column1 Column2 Column3 Column4 Column5 Column6 Column7 Column8 0010a -- end of speed tech wedding 2005 1/4 IN. MiniDV t125162 M 003b -- nc broll - the richard petty driving experience 2005 1/4 IN. MiniDV t125158 M 004a -- richard petty driving experience 2005 1/4 IN. MiniDV t125159 M 008b -- minister interview - speed tech 2005 1/4 IN. MiniDV t125160 M 009a -- speed tech class - van laps 2005 1/4 IN. MiniDV t125161 M ‘03 meeting, mayor’s reception, tape 1 1/2 IN. MiniDV m160370 ONE Archives: CSW -- A168 Christopher Street West ‘03 meeting, mayor’s reception, tape 2 1/2 IN. MiniDV m160371 ONE Archives: CSW -- A169 Christopher Street West ‘03 meeting, mayor’s reception, tape 3 1/2 IN. MiniDV m160372 ONE Archives: CSW -- A170 Christopher Street West ‘03 meeting, mayor’s reception, tape 4 1/2 IN. MiniDV m160373 ONE Archives: CSW -- A171 Christopher Street West #1 csd -- berlin 2005 - opening speech - begin of parade - camera: susanna salonen ######## 1/2 IN. BETACAM SPt125288 M *#1: hickman, light, studds, rivers, frank 1/2 IN. BETACAM SPm160406 ONE Archives: CSW -- A116 Christopher Street West 10 Worlds--Excerpt Ed. de la Torre 1/2 IN.