Camera Hounds COLLECTION OREGON COLLECTION a 4-H Photography Project
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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
PRODUCT CATALOGUE All Prices Are Inclusive of VAT HOW to ORDER
ISSUE 29 PRODUCT CATALOGUE All prices are inclusive of VAT HOW TO ORDER TELEPHONE - 01789 739200 With your credit card or debit card ready between 8.30am - 5.30pm Monday to Friday. Outside these hours your order will be handled by answerphone. We check our answerphone first thing every weekday morning, so this will not delay your order. WEB Providing the items you order are in stock and the order is received before 2pm, we aim to deliver to you the next WEBSITE: www.theimagingwarehouse.com working day*. Visit our totally secure website for online ordering of the thousands of products we have in stock ready for immedi- FAX - 01789 731569 ate despatch. Check out our latest offers whilst there! Fax your completed order form with your debit or credit card details to this number. Providing the items are in stock and your With over 2,500 products available from stock, a order is faxed before 2pm, we aim to deliver to you the next range of quality used equipment and a team of working day*. technical staff boasting over 75 years of knowl- edge and experience, we are a one-stop shop for all your darkroom needs. Major brands including: POST Ilford, Kodak, Agfa, Fuji, Fotospeed, Rollei, Adox, FREEPOST RSHZ-JGBS-LGKJ (+ standard address) Kentmere, Harman and more. We continue to be Post your completed order form with your cheque, postal order, the world-leading manufacturer of slot-processors and archival debit or credit card details in an envelope using the Freepost washers, offering a full selection of space saving and environ- address. -
Approj. B~:°;L, /. £= •· · · {L !1
Equipment Evaluation and Design of a Geologically-Oriented Photographic Facility for the Department of Geology and Mineralogy at The Ohio State University SENIOR THESIS-- Presented in fulfillment of requirement for the Bachelor of Science Degree at The Ohio State University Research and compilation by Cecil D. Applegate December 14, 1973 ApproJ. b~:°;l, /. £= •· · · {l !1. ·· Advisor...... ·· ·u· ·· · · · · · · · · · partment of Geology & Mineralogy TABLE OF CONTENTS List of Illustrations ••••••••••••••••••••••••••••••••••••••••••• Acknowledgements. • • • • • • • • . • • • • • • • • . • • • • • . • • • • • • • • • • • • • • • . • • • • • • 2 Abstract•••••••••••••••••••••••••••••••••••••••••••••••••••••••• 3 Introductory Material••••••••••••••••••••••••••••••••••••••••••• 4 Introduction••••••••••••••••••••••••••••••••••••••••••••••• 5 History of Photography••••••••••••••••••••••••••••••••••••• 6 Basic Principles of Photography•••••••••••••••••••••••••••• 8 Geologic Applications of Photography ••••••••••••••••••••••• 11 Design of a Geologically-Oriented Photographic Facility ••••••••• 15 The Dark:room. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1 6 The Enlarger. • • • • • • • • • • • . • • • . • . • • . • . • • • • • • . • • . • • . • • • . • • . • • 20 The Print Washer••••••••••••••••••••••••••••••••••••••••••• 23 Other Darkroom Accessories••••••••••••••••••••••••••••••••• 25 The Photographic Studio •••••••••••••••••••••••••••••••••••• 28 The Cameras •••••••••••••••••••••••••••••••••••••••••••••••• -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
[1C Darkroom Equipment Processing Equipment Ph-406
Ir TM 11-405 [1C DARKROOM EQUIPMENT PROCESSING EQUIPMENT PH-406 May 12, 1943 Generated on 2015-10-08 20:23 GMT / http://hdl.handle.net/2027/uc1.b3243829 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google TM 11-405 Cl TECHNICAL MANUAL PHOTOGRAPHIC DARKROOM EQUIPMENT PROCESSING EQUIPMENT PH-406 CHANGES) (J^J> DEPARTMENT OF THE ARMY J No. 1 J WASHINGTON 25, D. C., 14 October 1948 TM 11-405, 12 May 1943, is changed as follows: 1. Purpose * * * Processing Equipment PH—406 from these negatives. Note (Added). Processing Equipment PH-406 procured on Order No. 11426- Phila-47-77 is identical to the equipment described in this manual, except as noted. 2. Components The components of Processing Equipment PH-406 are — * * * * * * * 1 Timer PH-126, automatic, electric; 1 Timer PH-426-A on Order No. 11426-Phila-47-77. *******2 11 14 3 Trays PH-161-A, stainless steel, by inches; Trays PH-161-A on Order No. 11426-PhiIa-47-77. 2 Trays PH-164-A, stainless steel, 14 by 17 inches; 1 Tray PH-164-A on Order No. 11426-Phila-47-77. *******12 Plates PH-152 or PH-152-A, ferrotype. *******1 1 Siphon PH-244; Siphon PH-244-A on Order No. 11426- Phila-47-77. * * * * v,T*fv" iT1-'5'*^ * . ^y.*! - v/^ 1 Accessory Group consisting of-— 2 Tongs PH-373-A, print, 8 inches; 2 tweezers, photo graphic, print, plastic, ?6 inches, on Order No. 11426- Phila-47-77. '--J \V/- ***** *f.-\ ,- * 3. Printer The projection printer * * * two enlarging lenses. -
Photographic Films
PHOTOGRAPHIC FILMS A camera has been called a “magic box.” Why? Because the box captures an image that can be made permanent. Photographic films capture the image formed by light reflecting from the surface being photographed. This instruction sheet describes the nature of photographic films, especially those used in the graphic communications industries. THE STRUCTURE OF FILM Protective Coating Emulsion Base Anti-Halation Backing Photographic films are composed of several layers. These layers include the base, the emulsion, the anti-halation backing and the protective coating. THE BASE The base, the thickest of the layers, supports the other layers. Originally, the base was made of glass. However, today the base can be made from any number of materials ranging from paper to aluminum. Photographers primarily use films with either a plastic (polyester) or paper base. Plastic-based films are commonly called “films” while paper-based films are called “photographic papers.” Polyester is a particularly suitable base for film because it is dimensionally stable. Dimensionally stable materials do not appreciably change size when the temperature or moisture- level of the film change. Films are subjected to heated liquids during processing (developing) and to heat during use in graphic processes. Therefore, dimensional stability is very important for graphic communications photographers because their final images must always match the given size. Conversely, paper is not dimen- sionally stable and is only appropriate as a film base when the “photographic print” is the final product (as contrasted to an intermediate step in a multi-step process). THE EMULSION The emulsion is the true “heart” of film. -
US Army Photography Course Laboratory Procedures SS0509
SUBCOURSE EDITION SS0509 8 LABORATORY PROCEDURES US ARMY STILL PHOTOGRAPHIC SPECIALIST MOS 84B SKILL LEVEL 1 AUTHORSHIP RESPONSIBILITY: SSG Dennis L. Foster 560th Signal Battalion Visual Information/Calibration Training Development Division Lowry AFB, Colorado LABORATORY PROCEDURES SUBCOURSE NO. SS0509-8 (Developmental Date: 30 June 1988) US Army Signal Center and Fort Gordon Fort Gordon, Georgia Five Credit Hours GENERAL The laboratory procedures subcourse is designed to teach tasks related to work in a photographic laboratory. Information is provided on the types and uses of chemistry, procedures for processing negatives and prints, and for mixing and storing chemicals, procedures for producing contact and projection prints, and photographic quality control. This subcourse is divided into three lessons with each lesson corresponding to a terminal learning objective as indicated below. Lesson 1: PREPARATION OF PHOTOGRAPHIC CHEMISTRY TASK: Determine the types and uses of chemistry, for both black and white and color, the procedures for processing negatives and prints, the procedures for mixing and storing chemicals. CONDITIONS: Given information and diagrams on the types of chemistry and procedures for mixing and storage. STANDARDS: Demonstrate competency of the task skills and knowledge by correctly responding to at least 75% of the multiple-choice test covering preparation of photographic chemistry. (This objective supports SM tasks 113-578-3022, Mix Photographic Chemistry; 113-578-3023, Process Black and White Film Manually; 113-578-3024, Dry Negatives in Photographic Film Drier; 113-578-3026, Process Black and White Photographic Paper). i Lesson 2: PRODUCE A PHOTOGRAPHIC PRINT TASK: Perform the procedures for producing an acceptable contact and projection print. -
To Boldly Go: a Starters Guide to Hand Made and D-I-Y Films to Boldly Go: a Starters Guide to Hand Made and D-I-Y Films
To Boldly Go: a starters guide to hand made and d-i-y films To Boldly Go: a starters guide to hand made and d-i-y films What is most exciting about this type of filmmaking is not knowing exactly what will result. One then needs the lyrical, musical and cinematic taste to sculpt the result into a film which best demonstrates, exploits and celebrates the results of the experiments. If you stick with good ingredients you will in- evitably have happy results. Then again, not all experiments work but what you learn there can often be employed in a new direction or experiment to actually work. It’s also very important to have fun in and a love of the process. (Jeff Scher) It’s fun to handle film as a celluloid canvas rather than as a fragile This is a booklet for both those eager to begin in hand made film and carrier of images only to be handled by lab technicians. those who already started but are keen to know more. It signifies a hope You can experiment and create the most beautiful images ever. Helen Hill (1970 - 2007) and commitment to making sure these techniques, tricks and handy tips remain openly available to all who might need them. Let’s not keep any Recipes for Disaster: a handcrafted film cookbooklet secrets! These (chemical) receipts, printing processes, after dev. Effects, http://www.angoleiro.com/cine texts/recipes for disaster hill.pdf emulsion extras and celluloid experiments should be absolutely public. Let’s make hand-made d-i-y films! Let’s make a lot! Images and texts have been gathered, harvested, illegally used, replenished and inspired by a plethora of found sources including those of David Leis- ter, Greg Pope, Dirk De Bruyn, Maia Cybelle Carpenter, Frank Bruinsma, Steve Sanguedolce, Rebecca Moran, Jurgen Reble, Ben Russell, Jeff Scher and many many others. -
Color Printing Techniques
4-H Photography Skill Guide Color Printing Techniques Enlarging Color Negatives Making your own color prints from Color Relations color negatives provides a whole new area of Before going ahead into this fascinating photography for you to enjoy. You can make subject of color printing, let’s make sure we prints nearly any size you want, from small ones understand some basic photographic color and to big enlargements. You can crop pictures for the visual relationships. composition that’s most pleasing to you. You can 1. White light (sunlight or the light from an control the lightness or darkness of the print, as enlarger lamp) is made up of three primary well as the color balance, and you can experiment colors: red, green, and blue. These colors are with control techniques to achieve just the effect known as additive primary colors. When you’re looking for. The possibilities for creating added together in approximately equal beautiful color prints are as great as your own amounts, they produce white light. imagination. You can print color negatives on conventional 2. Color‑negative film has a separate light‑ color printing paper. It’s the kind of paper your sensitive layer to correspond with each photofinisher uses. It requires precise processing of these three additive primary colors. in two or three chemical solutions and several Images recorded on these layers appear as washes in water. It can be processed in trays or a complementary (opposite) colors. drum processor. • A red subject records on the red‑sensitive layer as cyan (blue‑green). • A green subject records on the green‑ sensitive layer as magenta (blue‑red). -
KINDERMANN .Ilm Developing System
KINDERMANN ilm Developing System E-1 Recognized worldwide as the finest quality film developing equipment made Made in Germany from Chrome-Nickel steel which is unbreakable, corrosion-proof, and easily brought to correct temperature. Complete system includes Reels, Tanks, and Reel Loaders. Designed to assure rapid, efficient, trouble-free film developing, with consistent, optimum results. Kindermann Stainless Steel Developing Tanks Kindermann Stainless Steel Developing Reels E ilm Developing System Heavy gauge chrome- Made of chrome-nickel steel: nickel steel is unbreakable unbreakable, chemical resistant, KINDERMANN and corrosion-proof. easy to clean. $ast, efficient, internal Only fractions of a millimeter of film edge flow-control saturates touches the reel, preventing damage. all the film instantly for Strong, rigid construction with center even development. core, keeps reel aligned and grips Leakproof, snug-fitting end of film for trouble-free loading. polyethylene tops for Can be used even when wet. immersion agitation. Master carton:10 Quick-pour top allows tanks to be rapidly filled Diameter Mfr# and emptied in daylight. EKM117 35mm Stainless Steel Reel 81.5mm 3117 Tanks come with cover and cap. Master carton:10 EKM119 120 Stainless Steel Reel 79mm 3119 Kindermann ReelInside ilm Loaders Capacity Dia. Hgt. Capacity Mfr# The quickest, safest method for loading EKM363 1-35mm 85mm 55mm 250ml 3363 film onto Kindermann reels. Prevents scratches, creases and EKM364 2-35mm or 1-120 85mm 88mm 450ml 3364 fingerprints. $ilm is guided evenly only at the outer edges of the perforation. EKM253 Replacement cover & cap for tanks 3253 Master carton:10 EKM875 Replacement tank cap only 9960 EKM326 35mm $ilm Loader 3326 EKM171 $ilter funnel to fit tank cover 3310 EKM329 120 $ilm Loader 3329 EKM3196 Replacement lift rod for tank EKM184 3196 EKM219 110 $ilm Loader 3219 PERSONAL SERVICE IS OUR #1 PRIORITY East: 111 Asia Place, Carlstadt, NJ 07072 (201) 939-7722 AX: (201) 939-7782 West: 4055 W. -
Digital Photography- JB
COURSE OF STUDY UNIT PLANNING GUIDE FOR: DIGITAL PHOTOGRAPHY GRADE LEVEL: 9-12 PREPARED BY: CAROLYN WAGNER SUPERVISOR: JACQUELINE BELLO REVISED AUGUST 2019 Dumont High SCHOOL DUMONT, NEW JERSEY [Born Date: August 20, 2015] ALIGNED TO THE NJSLS AND B.O.E. ADOPTED AUGUST 22, 2019 Digital Photography – Grade 9-12 – Full Year – 5 Credits This course will explore camera functions and basic principles of photography. Students will use Adobe Photoshop to gain an understanding of post-production photography techniques. Students will also gain an understanding of digital file types and resolution for quality printing and online distribution. Major topics of study will include, lighting, composition, as well as various photography genres, such as landscape, portrait and still photography. An additional component of this course will be the history of photography and influential photographers, both historical and current. Grade Distribution Categories - Class participation 20% Teacher will make an assessment as to how well the student is prepared for class each day, attentiveness and energy to projects being created. Class participation follows through to project participation. Each student is expected to work to the best of their individual ability. Project grades 60% Students are expected to complete all projects assigned. Teacher will make an assessment as to students work based on their individual ability, following of directions, craftsmanship* and meeting the objectives of the given assignment. * The ability to demonstrate pride and neatness in one’s own work. Care/Use of Materials/Equipment 20% Students will be evaluated on their use of tools and materials in the art room. Care and safety will be followed at all times. -
I the Journal of \ Photographic Science
i- i The Journal of i \ Photographic Science SEP 15 1969 JULY / AUGUST 1969 • • ' !, ' • ,, , ': • I I VOLUME 17 NUMBER 4 • 0 • • • . ... CONTENTS PHOTOGRAPHY AND PHOTOGRAVURE: HISTORY OF PHOTOMECHANICAL REPRODUCTION E. OSTROFF THE RELATIONSHIP BETWEEN SPEED AND GRAIN SIZE G. C. FARNELL MICROIMAGE PHOTORESIST EVALUATION K. G. CLARK and R. G. TURNER HIGH SPEED PHOTOGRAPHIC STUDY OF LUBRICATED CONTACTS USING OPTICAL INTERFEROMETRY F. J. WESTLAKE and A. CAMERON FUTURE MEETINGS The Royal Photographic Society of Great Britain Ostroff: Photography and Photogravure 101 Photography and Photogravure: History of Photomechanical Reproduction EUGENE OSTROFF Curator of Photography, Smithsonian Institution, Washington, D.C. ABSTRACT. The first practicable photomechanical system-contact-screen photogravure-was invented in 1852 by W. H.F. Talbot of England. Many of the approaches introduced by Talbot are still used in current practice: contact cross-line "master" and "working" screens: metal plate etching through a bichromated gelatin emulsion: etching with ferric chloride solutions of different concentrations: and selective local etching for "retouching" purposes. To provide the tiny image ink-holding components in the printing plate, Talbot used fine gauze fabrics for the contact cross-line screens and fine resin particles (aquatint) applied as a powder or liquid. He also experimented with contact screens of ruled lines on paper: scored cartilage: waxed paper with scribed lines: aquatint pattern on paper and a blackened film with uniform grid of clear circular openings. INTRODUCTION By 1852, the year in which the first practicable photo- this coating was insufficient for camera exposures but ade- mechanical system was introduced, two different approaches quate for photogenic drawings (photograms) and contact had been devised-heliogravure (1826), and chemically etched printing.