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Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Tim Young, Adam Fine, Tricia Southard.Pdf
\ earn name here TRASHMASTERS 2004 - UT-CHATTANOOGA ) Tim Young, Adam Fine, and Tricia Southard , J t-/ILJjl£; // / He led the American League in hits in his rookie season of 1942, but then spent three years fighting in World War / /fI. While with Detroit in 1952, he helped Virgil Trucks record his second no-hitter of the season after admitting that he ,/' misplayed a Phil Rizzuto ball originally called a hit. The goat of the 1946 World Series when he allowed Enos Slaughter / to score, FrP name this Red Sox shortstop, born John Paveskovich, the namesake of the right field foul pole in Fenway Park. Answer: Johnny Pesky 2. The title came about as a catch phrase among band members about what they hoped would happen to people "behaving in a shitty way." The piano riff in the chorus echoes another song about someone acting badly, the Beatles' "Sexy Sadie." The lyrics decry a man who "buzzes like a detuned radio" and a girl with a "Hitler hairdo," and hope that the titular entity will arrest them. We are told in the coda that the narrator "For a minute there . .I lost myself' over and over. FTPname this 1997 song, the third single from "OK Computer," a major hit for Radiohead. Answer: Karma Police 3. A 1979 graduate of Davidson College, this woman won an investigative reporting honor from the North Carolina Press Association for a series of articles about crime and prostitution in Charlotte. Her first book, An Uncommon Friend, was a biography of Billy Graham's wife, but her six years of work for the Virginia Chief Medical Examiner's Office inspired her best know series of a dozen novels. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Kelis, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs and ten color guard teams from North America all perform LIVE Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/Jan 21, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. When Byrne agreed to lend a composition to a high school performance team back in 2008, he knew little about the color guard phenomenon, which is wildly popular in high schools across the North American continent. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The Top Albums of the Year Ranked Pg.12-13
CORRAL Parkway Central High School, Chesterfield, MO 63017 Grammy Vol 65, Issue 2 February 24, 2021 Season The Top Albums of the Year Ranked pg.12-13 Illustration by senior Danielle Malt 2 From the Editor M e e t t h e C o r r a l S t a ff The Corral is a student-writ- ten, edited and produced publication of Parkway Central High School, 369 N. Woods Mill Road, Chesterfield, MO 63017; 314-415-7978. The Corral is given away free of charge to students and Abby Prywitch Trey Williams Sydney Stahlschmidt Gabby Abowitz faculty. Subscriptions and Editor- in-Chief Managing Editor Copy Editor Art Director patronships for one year may be Years on Staff: 4 Years on Staff: 3 Years on Staff: 4 Years on Staff: 4 purchased, starting at $20. The goal of this publication is to provide accurate, informative and entertaining information in the true spirit of responsible journalism and to operate as an open forum for students, faculty, administrators and parents. The Corral is created on Hewlett-Packard and Mac computers using Adobe Creative Brooke Kraizer Alex Maisenhelder Ellie Mueller Maddie Hewgley Suite 6 and is published by PJ News/Features Editor Online Managing Editor Staff Reporter Staff Reporter Years on Staff: 2 Years on Staff: 4 Years on Staff: 1 Years on Staff: 1 Printing. Unsigned editorials reflect the views of the editorial board. Signed columns and artwork re- flect the views of that individual. The staff appreciates com- ments and suggestions. Letters to the editor, guest editorials and other correspondence are encouraged but must be signed. -
The Neptunes Have Oversize Lincoln Navigator
} THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
United States District Court Eastern District Of
Case 2:13-cv-05463-KDE-SS Document 1 Filed 08/16/13 Page 1 of 118 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA PAUL BATISTE D/B/A * CIVIL ACTION NO. ARTANG PUBLISHING LLC * * SECTION: “ ” Plaintiff, * * JUDGE VERSUS * * MAGISTRATE FAHEEM RASHEED NAJM, P/K/A T-PAIN, KHALED * BIN ABDUL KHALED, P/K/A DJ KHALED, WILLIAM * ROBERTS II, P/K/A RICK ROSS, ANTOINE * MCCOLISTER P/K/A ACE HOOD, 4 BLUNTS LIT AT * ONCE PUBLISHING, ATLANTIC RECORDING * CORPORATION, BYEFALL MUSIC LLC, BYEFALL * PRODUCTIONS, INC., CAPITOL RECORDS LLC, * CASH MONEY RECORDS, INC., EMI APRIL MUSIC, * INC., EMI BLACKWOOD MUSIC, INC., * FIRST-N-GOLD PUBLISHING, INC., FUELED BY * RAMEN, LLC, NAPPY BOY, LLC, NAPPY BOY * ENTERPRISES, LLC, NAPPY BOY PRODUCTIONS, * LLC, NAPPY BOY PUBLISHING, LLC, NASTY BEAT * MAKERS PRODUCTIONS, INC., PHASE ONE * NETWORK, INC., PITBULL’S LEGACY * PUBLISHING, RCA RECORDS, RCA/JIVE LABEL * GROUP, SONGS OF UNIVERSAL, INC., SONY * MUSIC ENTERTAINMENT DIGITAL LLC, * SONY/ATV MUSIC PUBLISHING, LLC, SONY/ATV * SONGS, LLC, SONY/ATV TUNES, LLC, THE ISLAND * DEF JAM MUSIC GROUP, TRAC-N-FIELD * ENTERTAINMENT, LLC, UMG RECORDINGS, INC., * UNIVERSAL MUSIC – MGB SONGS, UNIVERSAL * MUSIC – Z TUNES LLC, UNIVERSAL MUSIC * CORPORATION, UNIVERSAL MUSIC PUBLISHING, * INC., UNIVERSAL-POLYGRAM INTERNATIONAL * PUBLISHING, INC., WARNER-TAMERLANE * PUBLISHING CORP., WB MUSIC CORP., and * ZOMBA RECORDING LLC * * Defendants. * ****************************************************************************** Case 2:13-cv-05463-KDE-SS Document 1 Filed 08/16/13 Page 2 of 118 COMPLAINT Plaintiff Paul Batiste, doing business as Artang Publishing, LLC, by and through his attorneys Koeppel Traylor LLC, alleges and complains as follows: INTRODUCTION 1. This is an action for copyright infringement. -
Songs by Title
Sound Master Entertainment Songs by Title smedenver.com Title Artist Title Artist #thatPower Will.I.Am & Justin Bieber 1994 Jason Aldean (Come On Ride) The Train Quad City DJ's 1999 Prince (Everything I Do) I Do It For Bryan Adams 1st Of Tha Month Bone Thugs-N-Harmony You 2 Become 1 Spice Girls Bryan Adams 2 Legit 2 Quit MC Hammer (Four) 4 Minutes Madonna & Justin Timberlake 2 Step Unk & Timbaland Unk (Get Up I Feel Like Being A) James Brown 2.Oh Golf Boys Sex Machine 21 Guns Green Day (God Must Have Spent) A N Sync 21 Questions 50 Cent & Nate Dogg Little More Time On You 22 Taylor Swift N Sync 23 Mike Will Made-It & Miley (Hot St) Country Grammar Nelly Cyrus' Wiz Khalifa & Juicy J (I Just) Died In Your Arms Cutting Crew 23 (Exp) Mike Will Made-It & Miley (I Wanna Take) Forever Peter Cetera & Crystal Cyrus' Wiz Khalifa & Juicy J Tonight Bernard 25 Or 6 To 4 Chicago (I've Had) The Time Of My Bill Medley & Jennifer Warnes 3 Britney Spears Life Britney Spears (Oh) Pretty Woman Van Halen 3 A.M. Matchbox Twenty (One) #1 Nelly 3 A.M. Eternal KLF (Rock) Superstar Cypress Hill 3 Way (Exp) Lonely Island & Justin (Shake, Shake, Shake) Shake KC & The Sunshine Band Timberlake & Lady Gaga Your Booty 4 Minutes Madonna & Justin Timberlake (She's) Sexy + 17 Stray Cats & Timbaland (There's Gotta Be) More To Stacie Orrico 4 My People Missy Elliott Life 4 Seasons Of Loneliness Boyz II Men (They Long To Be) Close To Carpenters You 5 O'Clock T-Pain Carpenters 5 1 5 0 Dierks Bentley (This Ain't) No Thinkin Thing Trace Adkins 50 Ways To Say Goodbye Train (You Can Still) Rock In Night Ranger 50's 2 Step Disco Break Party Break America 6 Underground Sneaker Pimps (You Drive Me) Crazy Britney Spears 6th Avenue Heartache Wallflowers (You Want To) Make A Bon Jovi 7 Prince & The New Power Memory Generation 03 Bonnie & Clyde Jay-Z & Beyonce 8 Days Of Christmas Destiny's Child Jay-Z & Beyonce 80's Flashback Mix (John Cha Various 1 Thing Amerie Mix)) 1, 2 Step Ciara & Missy Elliott 9 P.M. -
“We're Going to Make the Rolling Stones Look Like Choirboys.”
“We’re going to make The Rolling Stones look like choirboys.” Alice Cooper lice Cooper still looks like a witch: long, raggedy arms, a thatch of crow-feather hair and a large Captain Hook beaked nose. Even without his kohl eye make-up, his grey-blueA eyes wink out just like they did on his million-selling ’70s album covers. His face is creased and his skin is a little looser, but Alice doesn’t look that different from how he did when he was a threat to American decency. He’s tremendously easy company – warm, gracious and happy to retell well-worn stories, and laughing while he does. You can imagine him holding court with The Hollywood Vampires (his 1970s fraternity of terrifyingly hard-drinking musicians that included Keith Moon, Harry Nilsson and John Lennon), and you can see why celebrities like Johnny Depp regard him as a close friend. Smart and slightly self-effacing, he’s also surprisingly similar to his cameo in Wayne’s World, where he played the dignified elder statesman of rock lecturing his stunned fans with expert detail about the pre-settle- ment history of America. Vincent Damon Furnier may be a sophisticated and sober sixty-eight-year-old, golf-obsessed Republican, but he speaks with real fondness about Alice, often referring to him in the third person. Hearing about the height of his fame (and let’s not forget he was face-on-a-lunchbox, TV-holiday-special, Marvel-comic-about- your-exploits famous), it’s obvious he relishes the controversy he caused, but he never set out to corrupt anyone – only to entertain them. -
Oscar Bode of Larimore, North Dakota
VI:::il,;C:ll' vv.rt.J:5oae Larimore Region 14 Grand Forks County THIS is Larry Sprunk and the following is an interview that I had with Mr. Oscar Bode of Larimore, North Dakota. The interview was held in Oscar's home in Larimore, Tuesday, April 13, 1976 and it began at approximately 9:30 in the morning. The completion of the interview is on the succeeding cassette. OSCAR: You got your machine set up there? LARRY: Ya. OSCAR: Well, transportation. It says here by horseback and wagon and team. That's the only transportation we had at that time. No~ in the movement of freight, produce, and people prior to rail transportation was farm wagon and team. That's the only transportation we had. We homesteaded, you see, on the place; inat is, my father did. I was just a youngster and I don't know what year dad came up to first open up the homestead. See, I don't know that. When I came into this terri tory in 1892, is when we came up from LeSueur, Minneasota. Then at that time the only way we had to get around was to walk or go horseback. That's the only way there was to get around. LARRY: tlilhere were you born? OSCAR: I was born at LeSueur, Minneasota. LARRY: But your dad had come up here in the 80's? I I" tJ,e. tff) S OSCAR: He came up .... and homesteaded. He was runnin' a flour mill - 1\ ..> at LeSueur, Minneasota at the time and when mother seen that they was opening up this territory for homesteading, why, then she pervaded on him to come up and file a claim so he did. -
Feminist Worldmaking and Musical Practice in Chile By
Resonance and Resistance: Feminist Worldmaking and Musical Practice in Chile by Christina Marie Azahar Folgar A dissertation in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Chair Professor T. Carlis Roberts Professor Charles L. Briggs Professor Daniel Party Spring 2021 Resonance and Resistance: Feminist Worldmaking and Musical Practice in Chile © 2021 by Christina Marie Azahar Folgar Abstract Resonance and Resistance: Feminist Worldmaking and Musical Practice in Chile by Christina Marie Azahar Folgar Doctor of Philosophy in Music University of California, Berkeley Professor Jocelyne Guilbault, Chair This dissertation engages the concept of resonance in order to explore how Chilean feminist activists, musicians, industry leaders, and audiences have used popular musical practices to create space for themselves and their communities. Centrally, this study asks, how are feminist organizers in Chile engaging music to mobilize artists, audiences, and industries to end patterns of patriarchal oppression? To what extent do feminist musical practices allow participants to navigate, re-sound, and re-envision the physical, social, industrial, and virtual spaces of which they are a part? By examining a diversity of feminist musical practices from the mid-twentieth century to the present, I explain how musical and interpersonal resonances shape feminist coalition-building while also reconfiguring the gender politics of social and geophysical space. Each chapter in this dissertation makes audible distinct feminist understandings of Chilean music history, spatial politics, and the patriarchal systems that shape these. In Chapters Two and Three, I examine the role of cantautoras (women singer-songwriters) across generations of political movements, specifically addressing the feminist legacies, activism, and travels of folklorist Violeta Parra (b.