© 2017 Ballet Dynamics, Inc
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Passing of Lawrence Rhodes
PASSING OF LAWRENCE RHODES Montreal, March 29, 2019 – It was with enormous sadness that Les Grands Ballets learned last night of the death of Lawrence Rhodes (1939-2019), artistic director of the company from 1989 to 1999. A native of Mount Hope, West Virginia, he danced with several companies (including Ballet russe de Monte-Carlo, Robert Joffrey Ballet, Harkness Ballet, Het National Ballet and Pennsylvania Ballet). He could be seen dancing with Les Grands Ballets in 1977, before his appointment as artistic director in 1989, a position he filled for ten years. His desire at the time was to “combine the classical-ballet tradition with the renewal of choreographic language.”1 Under his direction, Les Grands Ballets opened up to new esthetic streams, for the first time inviting to the company some of the greatest choreographers of the day: Jiří Kylián, Ohad Naharin, William Forsythe and Montrealer Édouard Lock, among them. “Larry was generous and fair,” remembers Pierre Lapointe, principal ballet master at Les Grands Ballets since 1989. “He had a teaching and dance style that allowed for great freedom. His favorite sentence was ‘Just do it.’” From 2002 to 2017, Lawrence Rhodes served as artistic director of the Dance Division at New York’s prestigious Juilliard School. Les Grands Ballets wishes to offer its sincere condolences to Lawrence Rhodes’s relatives, friends and collaborators, as well as to the entire dance community, who are losing in him a dancer, an artistic director and a teacher who left his mark on his time. With his leaving, a page in Grands Ballets history is turning as well. -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
2018 Annual Dance Recital Show Order
2018 Annual Dance Recital Show Order Thursday 6:30pm Show 1. “So You Think You Can Dance Auditions”- All Company Dancers - Choreographed by: Karah DelCont, Lauren Gavin, Chelsey Geddis and Gabrielle Seabrook 2. “The Little Mermaid”- Ballet I - Choreographed by: Alexandria Sepulveda 3. “Sing”- Tap II - Choreographed by: Lauren Gavin 4. “Hold On”- Contemporary IV- Choreographed by: Lauren Gavin 5. “Ride”- Jazz III- Choreographed by: Chelsey Geddis 6. “Spoonful of Sugar”- Ballet/Tap I - Choreographed by: Michele Young 7. “Love Is A Battlefield”- Junior Company Jazz - Choreographed by: Lauren Gavin 8. “Life Is A Happy Song”- Choreographed and Performed by: Alexandria Sepulveda 9. “Halo”- Petite Company Lyrical - Choreographed by: Katharine Miller 10. “I Want You Back”- Hip Hop/Jazz - Choreographed by: Gabrielle Seabrook 11. “Better”- Tap III - Choreographed by: Lauren Gavin 12. “Drop the Game”- Acro II - Choreographed by: Daisy Pavlovics 13. “Sweet Dreams”- Jazz IV - Choreographed by: Chelsey Geddis 14. “Love on the Brain”- Choreographed and Performed by: Carly Simpson 15. “Jolly Holiday”- Father Daughter - Choreographed by: Katharine Miller 16. “Doll Shoppe”- Ballet - Choreographed by: Maura Herrera 17. “I Am”- Choreographed and Performed by: Kate Zielinski 18. “Trapped”- Senior Company Contemporary - Choreographed by: Natalie Jameson 19. “Rhythm Nation”- Jazz II - Choreographed by: Chelsey Geddis 20. “Ending”- Contemporary III - Choreographed by: Kaelynn Clark 21. “I Won’t Give Up”- Lyrical I/I.B - Choreographed by: Katharine Miller 22. “Shining”- Hip Hop IV- Choreographed by: Chelsey Geddis and Gabrielle Seabrook Intermission 23. “Riot Rhythm”- Senior Company Jazz - Choreographed by: Karah DelCont 24. “Pep Rally”- Hip Hop II - Choreographed by: Gabrielle Seabrook 25. -
November 13, 2010 Prices Realized
SCP Auctions Prices Realized - November 13, 2010 Internet Auction www.scpauctions.com | +1 800 350.2273 Lot # Lot Title 1 C.1910 REACH TIN LITHO BASEBALL ADVERTISING DISPLAY SIGN $7,788 2 C.1910-20 ORIGINAL ARTWORK FOR FATIMA CIGARETTES ROUND ADVERTISING SIGN $317 3 1912 WORLD CHAMPION BOSTON RED SOX PHOTOGRAPHIC DISPLAY PIECE $1,050 4 1914 "TUXEDO TOBACCO" ADVERTISING POSTER FEATURING IMAGES OF MATHEWSON, LAJOIE, TINKER AND MCGRAW $288 5 1928 "CHAMPIONS OF AL SMITH" CAMPAIGN POSTER FEATURING BABE RUTH $2,339 6 SET OF (5) LUCKY STRIKE TROLLEY CARD ADVERTISING SIGNS INCLUDING LAZZERI, GROVE, HEILMANN AND THE WANER BROTHERS $5,800 7 EXTREMELY RARE 1928 HARRY HEILMANN LUCKY STRIKE CIGARETTES LARGE ADVERTISING BANNER $18,368 8 1930'S DIZZY DEAN ADVERTISING POSTER FOR "SATURDAY'S DAILY NEWS" $240 9 1930'S DUCKY MEDWICK "GRANGER PIPE TOBACCO" ADVERTISING SIGN $178 10 1930S D&M "OLD RELIABLE" BASEBALL GLOVE ADVERTISEMENTS (3) INCLUDING COLLINS, CRITZ AND FONSECA $1,090 11 1930'S REACH BASEBALL EQUIPMENT DIE-CUT ADVERTISING DISPLAY $425 12 BILL TERRY COUNTERTOP AD DISPLAY FOR TWENTY GRAND CIGARETTES SIGNED "TO BARRY" - EX-HALPER $290 13 1933 GOUDEY SPORT KINGS GUM AND BIG LEAGUE GUM PROMOTIONAL STORE DISPLAY $1,199 14 1933 GOUDEY WINDOW ADVERTISING SIGN WITH BABE RUTH $3,510 15 COMPREHENSIVE 1933 TATTOO ORBIT DISPLAY INCLUDING ORIGINAL ADVERTISING, PIN, WRAPPER AND MORE $1,320 16 C.1934 DIZZY AND DAFFY DEAN BEECH-NUT ADVERTISING POSTER $2,836 17 DIZZY DEAN 1930'S "GRAPE NUTS" DIE-CUT ADVERTISING DISPLAY $1,024 18 PAIR OF 1934 BABE RUTH QUAKER -
Kit Young's Sale
KIT YOUNG’S SALE #92 VINTAGE HALL OF FAMERS ROOKIE CARDS SALE – TAKE 10% OFF 1954 Topps #128 Hank Aaron 1959 Topps #338 Sparky 1956 Topps #292 Luis Aparicio 1954 Topps #94 Ernie Banks EX- 1968 Topps #247 Johnny Bench EX o/c $550.00 Anderson EX $30.00 EX-MT $115.00; VG-EX $59.00; MT $1100.00; EX+ $585.00; PSA PSA 6 EX-MT $120.00; EX-MT GD-VG $35.00 5 EX $550.00; VG-EX $395.00; VG $115.00; EX o/c $49.00 $290.00 1909 E90-1 American Caramel 1909 E95 Philadelphia Caramel 1887 Tobin Lithographs Dan 1949 Bowman #84 Roy 1967 Topps #568 Rod Carew NR- Chief Bender PSA 2 GD $325.00 Chief Bender FR $99.00 Brouthers SGC Authentic $295.00 Campanella VG-EX/EX $375.00 MT $320.00; EX-MT $295.00 1958 Topps #343 Orlando Cepeda 1909 E92 Dockman & Sons Frank 1909 E90-1 American Caramel 1910 E93 Standard Caramel 1909 E90-1 American Caramel PSA 5 EX $55.00 Chance SGC 30 GD $395.00 Frank Chance FR-GD $95.00 Eddie Collins GD-VG Sam Crawford GD $150.00 (paper loss back) $175.00 1932 U.S. Caramel #7 Joe Cronin 1933 Goudey #23 Kiki Cuyler 1933 Goudey #19 Bill Dickey 1939 Play Ball #26 Joe DiMaggio 1957 Topps #18 Don Drysdale SGC 50 VG-EX $375.00 GD-VG $49.00 VG $150.00 EX $695.00; PSA 3.5 VG+ $495.00 NR-MT $220.00; PSA 6 EX-MT $210.00; EX-MT $195.00; EX $120.00; VG-EX $95.00 1910 T3 Turkey Red Cabinet #16 1910 E93 Standard Caramel 1909-11 T206 (Polar Bear) 1948 Bowman #5 Bob Feller EX 1972 Topps #79 Carlton Fisk EX Johnny Evers VG $575.00 Johnny Evers FR-GD $99.00 Johnny Evers SGC 45 VG+ $170.00; VG $75.00 $19.95; VG-EX $14.95 $240.00 KIT YOUNG CARDS • 4876 SANTA MONICA AVE, #137 • DEPT. -
1947-05-18 [P ]
Win, Lose, or Draw Tribe By FRANCIS E. STANN latsWip KncfgMg Oooooh-Day for the Autograph Hounds Probably the first toumairient at which the genuine, bug-bitten golf fan* were outnumbered turned out to be one of the bigger and more democratic social events of the season. Mingling with Secre- tary of the Navy Porrestal, Gens. Eisenhower, Grove and Bradley, Admiral Nlmitz, Senator Taft and Attorney Gen- eral Clark, among others, were upward of 7,000 other guests of the Columbia Country Club, com- posed chiefly of autograph hounds and camera fiends. And who do you suppose most of the guests came to see? Der Bingle. Harry Lillis Crosby. As far as the people were concerned Bing was the biggest celebrity in the Celebrities Tournament. Bing Crosby is owner of a major league baseball team and there were two other baseball owners on hand, Clark Griffith and Del Webb. But neither owns a set of pipes like Crosby. That was the difference. That was the difference between Bing and Jack Dempsey, Gene Tunney, Bobby PMaeb BUnn Jones, Gene Sarazen, Babe Didrikson and even Baseball Commissioner Happy Chandler, a well-known tenor. It was the star-gazer’s dream come true. It was manna from Heaven for the camera shop*, whose cupboards must be empty of film. It was Oooooh-Day for the bobby soxers and autograph hounds. And for the comparatively small number of old-time golf fans the glorious pages of time were turned back when Jones, Sarazen, Bobby Cruick- shank and Walter Hagen played in the same foursome. -
National Pastime a REVIEW of BASEBALL HISTORY
THE National Pastime A REVIEW OF BASEBALL HISTORY CONTENTS The Chicago Cubs' College of Coaches Richard J. Puerzer ................. 3 Dizzy Dean, Brownie for a Day Ronnie Joyner. .................. .. 18 The '62 Mets Keith Olbermann ................ .. 23 Professional Baseball and Football Brian McKenna. ................ •.. 26 Wallace Goldsmith, Sports Cartoonist '.' . Ed Brackett ..................... .. 33 About the Boston Pilgrims Bill Nowlin. ..................... .. 40 Danny Gardella and the Reserve Clause David Mandell, ,................. .. 41 Bringing Home the Bacon Jacob Pomrenke ................. .. 45 "Why, They'll Bet on a Foul Ball" Warren Corbett. ................. .. 54 Clemente's Entry into Organized Baseball Stew Thornley. ................. 61 The Winning Team Rob Edelman. ................... .. 72 Fascinating Aspects About Detroit Tiger Uniform Numbers Herm Krabbenhoft. .............. .. 77 Crossing Red River: Spring Training in Texas Frank Jackson ................... .. 85 The Windowbreakers: The 1947 Giants Steve Treder. .................... .. 92 Marathon Men: Rube and Cy Go the Distance Dan O'Brien .................... .. 95 I'm a Faster Man Than You Are, Heinie Zim Richard A. Smiley. ............... .. 97 Twilight at Ebbets Field Rory Costello 104 Was Roy Cullenbine a Better Batter than Joe DiMaggio? Walter Dunn Tucker 110 The 1945 All-Star Game Bill Nowlin 111 The First Unknown Soldier Bob Bailey 115 This Is Your Sport on Cocaine Steve Beitler 119 Sound BITES Darryl Brock 123 Death in the Ohio State League Craig -
Brooklyn Academy of Music 1969-70 Season
174.02565_ Brooklyn Academy of Music 1969-70 Season ;,;E' /re" Harkness Ballet Company NOVEMBER 6 - 18, 1969 ieamteetelfteteeMMir NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 3 Festival of Dance 69-70 19, The Brooklyn Academy of Music in association with Harkness Ballet REBEKAH HARKNESS, Producer Sunday, November 9th, 1969 LONE ELISABETH BRUNILDA ISAKSEN CARROLL RUIZ LAWRENCE HELGI PAUL RHODES TOMASSON SUTHERLAND Hester Alexis Bonnie Marina Miyoko Fitz Gerald Hoff Mathis Eglevsky Kato Salvatore Dennis Warren Aiello Wayne Conover and Oskar Antunez, Andrea Cagan, Belford Carr, Cheryl Clark, Priscilla Crommelin, Diane Duffy, James Dunne, Kristine Heinemann, Carlyn Muchmore, Dale Muchmore, Ernest Pagnano, Stephen Shaw, Jeanne Solan, Robert Thomas, Michael Tipton, Robin Welch, Susan Whelan, Morton Winston, Sara Yarborough LAWRENCE RHODES, BENJAMIN HARKARVY Directors Robert Rogers Samuel Krachmalnick Principal Conductor Guest Conductor Nicholas Cernovitch Felix Smith Lighting Designer Production Stage Manager J. B. Cerrone General Manager Lighting Equipment by FOUR STAR STAGE LIGHTING, INC. The use of cameras and recording equipment Is strictly prohibited. 4 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969 The Brooklyn Academy of Music The Brooklyn Academy of Music Is a department of the Brooklyn Institute of Arts and Sciences. The Governing Committee Ticket Reservation Systems - TICKETRON Seth S. Faison, Chairman Edward S. Reid, Vice Chairman Computerized ticket selling system which Monroe D. Stein, Vice Chairman permits purchase of tickets to Academy Hon. Alexander Aldrich events at the following locations: Bernard S. Barr Mrs. H. Naughton Bell MANHATTAN: Donald F. Benjamin Gimbels 33rd St.; Chase Manhattan Bank, Dr. William M. Birenbaum 1 Chase Manhattan Plaza and 52nd St. Donald M. -
Cabrera, Lorenzo 1941-1943 Club Contramaestre (Cuba)
Cabrera, Lorenzo 1941-1943 Club Contramaestre (Cuba) (Chiquitin) 1944-1945 Regia de la Liga de Verano 1946-1948 New York Cubans (NNL) 1949-1950 New York Cubans (NAL) 1950 Mexico City (Mexican League) (D) 1951 Oakland Oaks (PCL) 1951 Ottawa (IL) 1951 Club Aragua (Mexican Pacific Coast League) 1952 El Escogido (Dominican Summer League) 1953 Aguilas Cibaenas (Dominican Summer League) 1954 Del Rio (Big State League) 1955 Port Arthur (Big State League) 1956 Tijuana-Nogales (Arizona-Mexico League) 1956 Mexico City Reds (Mexican League) 1957 Combinado (Nicaraguan League) 1957 Granada (Nicaraguan League) Winter Leagues: 1942-1943 Almendares (Cuba) 1946-1947 Marianao (Cuba) 1947-1948 Marianao (Cuba) 1948-1949 Marianao (Cuba) 1949-1950 Marianao (Cuba) 1950-1951 Marianao (Cuba) 1951 Habana (Caribbean World Series - Caracas) (Second Place with a 4-2 Record) 1951-1952 Marianao (Cuba) 1952-1953 Marianao (Cuba) 1953 Cuban All Star Team (American Series - Habana, Cuba) (Cuban All Stars vs Pittsburgh Pirates) (Pirates won series 6 games to 4) 1953-1954 Havana (Cuba) 1953-1954 Marianao (Cuba) 1954-1955 Cienfuegos (Cuba) 1955-1956 Cienfuegos (Cuba) Verano League Batting Title: (1944 - Hit .362) Mexican League Batting Title: (1950 - Hit .354) Caribbean World Series Batting Title: (1951 - Hit .619) (All-time Record) Cuban League All Star Team: (1950-51 and 1952-53) Nicaraguan League Batting Title (1957 – Hit .376) Cuban Baseball Hall of Fame (1985) 59 Caffie, Joseph Clifford (Joe) 1950 Cleveland Buckeyes (NAL) 1950 Signed by Cleveland Indians (MLBB) 1951 Duluth Dukes (Northern League) 1951 Harrisburg Senators (Interstate League) 1952 Duluth Dukes (Northern League) 1953 Indianapolis Indians (AA) 1953 Reading Indians (Eastern League) 1954-1955 Indianapolis Indians (AA) 1955 Syracuse Chiefs (IL) 1956 Buffalo Bisons (IL) 1956 Cleveland Indians (ML) 1956 San Diego Padres (PCL) 1957 Buffalo Bisons (IL) 1957 Cleveland Indians (ML) 1958-1959 Buffalo Bisons (IL) 1959 St. -
March 6-7, 2021
Nutcracker2020 March 6-7, 2021 Lincoln Midwest Ballet Company Shari True, Artistic Director Artistic Director Shari True presents The Nutcracker Music by Peter Ilyich Tchaikovsky Saturday, March 6, 2021 2 p.m. and 7 p.m. & Sunday, March 7, 2021 1 p.m. and 5 p.m. Technical Director: Daniel Anderson, Stratum Productions Stage Manager: Melanie Rudy Assistant Stage Managers: Eric Himmelberger, Kayci Johnston Stage Crew: Jamie Stephens, Paul Watson, Jaylin Wiese Props Coordinator: Tonia O’Hare Head Costumer and Costume Builder: Maralee Maldavs Hair & Makeup Designer & Assistant Costumer: Donna Himmelberger Assistant to the Costumer: Emily Maldavs Lighting Designer: John Himmelberger Sound Technician: Marlan Hohnstein Rehearsal Assistants: Betsy Andersen, Ashley Rutt Executive Director: Kelly Duncan Due to Covid-19 guidelines, we regret that drinking fountains and refreshment booths are not open. Restrooms are available as needed. 3 Lincoln Midwest Ballet Company EXECUTIVE OFFICERS Marcia Kirk, President Debby Erickson, Vice President Kenton Sullivan, President-elect Christine Mann, Vice President Renee Yost, Treasurer Vicki Schulenberg, Vice President Lana Peterson-Pressler, Secretary DIRECTORS Cori Amend Toni Montanez DIRECTORS EMERITI Jim Beitel Joyce Latrom Joan Chopp Angie Muhleisen Michael Dowd J. Michael Rierden Nancy Ingham Susan Steinegger Linda Laird Lyn Wineman LMBC MISSION The Mission of the Lincoln Midwest Ballet Company is to promote excellence in the art of ballet through performances, education, and community outreach. LMBC extends our appreciation to all of the area dance studios. The success of The Nutcracker depends upon your passion for dance and the support and guidance you provide to the talented youth of our community. LMBC thanks the following individuals who gave their time and skills to staff our first aid site: Stacey Bergantzel, RN . -
Kit Young's Sale #115
KIT YOUNG’S SALE #115 1959 BAZOOKA BASEBALL/FOOTBALL The toughest of all Bazooka issues are the 1959’s. We were fortunate to pick up a nice group. (SP = Short Print) Jim Davenport Giants Bob Cerv A’s (SP) Del Crandall Braves EX+/EX-MT $149.00 Bill Mazeroski Pirates Bill Mazeroski Pirates VG-EX $205.00 PSA Authentic (looks EX) $95.00 VG-EX/EX $115.00 EX-MT $295.00 EX $150.00 Duke Snider Dodgers (SP) Duke Snider Dodgers (SP) Bob Turley Yankees Vic Wertz Red Sox (SP) Rick Casares Bears EX $475.00 VG-EX $350.00 VG-EX $135.00 EX-MT $350.00 VG-EX $120.00 Frank Gifford Giants Eddie Lebaron Redskins Woody Lewis Cardinals Pete Retzlaff Eagles Y.A. Tittle 49ers EX+/EX-MT $350.00 EX-MT $275.00 EX-MT $195.00 EX+/EX-MT $215.00 EX-MT $350.00 1969 TRANSOGRAM CARDS These cards were issued on the backs of boxes that contained small baseball player statues in 1969. They measure 2-1/2” x 3-1/2” and are very colorful. Much tougher than other card issues of the same era. Hank Aaron Braves ......................................EX-MT $89.00; EX+ 55.00 Bobby Knoop Angels ........................................................ EX-MT 15.00 Mel Stottlemyre Yankees ...............................EX-MT 19.00; VG-EX 9.50 Felipe Alou Braves ...........................................................NR-MT 20.00 Jerry Koosman Mets .........................................................VG-EX 12.00 Luis Tiant Indians ............................................... EX-MT 15.00; VG 6.95 Matty Alou Pirates ............................................................ EX-MT 20.00 Jim Lefebvre Dodgers ...................................................... EX-MT 16.50 Roy White Yankees ...........EX-MT 15.00; VG-EX 8.95; VG (pin hole) 6.95 Lou Brock Cardinals ....................EX-MT 35.00; VG-EX (ink back) 14.95 Lee May Reds ................................................EX-MT 15.00; EX+ 12.00 Don Wilson Astros .................................... -
Interpreting Musical Structure Through Choreography in Gershwin's
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-23-2019 Music in Motion: Interpreting Musical Structure through Choreography in Gershwin’s "An American in Paris" Spencer Reese University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Reese, Spencer, "Music in Motion: Interpreting Musical Structure through Choreography in Gershwin’s "An American in Paris"" (2019). Doctoral Dissertations. 2172. https://opencommons.uconn.edu/dissertations/2172 Abstract Music in Motion Interpreting Musical Structure through Choreography in Gershwin’s An American in Paris Spencer Matthew Reese, D.M.A. University of Connecticut, 2019 This dissertation explores the relationship between the theoretic interpretation of music (through analysis of a score) and the kinesthetic interpretation of it (through dance). While compelling choreography often evokes the same expressive qualities as a score, music and dance each have expressive and structural components. This study looks beyond expressive unity to examine how formal elements of a musical score are embodied in a choreographic interpretation of it. George Gershwin’s now-iconic symphonic poem An American in Paris, while conceived as concert music, was almost immediately interpreted in dance onstage. It also inspired larger narrative works, including a film choreographed by Gene Kelly and a musical helmed by Christopher Wheeldon. When a score is written for dance, the logistical considerations of choreography likely influence the piece’s composition. But in the case of Paris, the structural details of the music itself have consistently given artists the impression that it is danceable. Gershwin’s life and musical style are examined, including his synthesis of popular and Western art music.