AMS Newsletter August 2005
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AMS Newsletter August 2015
AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLV, NUMBER 2 August 2015 ISSN 0402-012X Louisville: City of Surprises AMS Louisville 2015 12–15 November www.ams-net.org/louisville Looee-ville, Louis-ville, Loo-a-ville, Loo-ih- vuhl, Loo-ih-vul . it’s a city of seemingly many names. But to the locals, it’s simply Loo-uh-vul; and one imagines that Louis XVI, after whom the city was named, would probably turn in his grave if he heard it. So would Michelangelo, if he saw the stupen- dous homage to him outside the 21c Museum Hotel, one of the top boutique hotels in the world and only a short walk from Galt House (venue of the AMS meeting). Drenched in mock Cellinian splendor (and somehow al- ways free of avian donations despite its being The Belle of Louisville on the Ohio River permanently placed outside), it’s truly a sight see in this city by the river (the red glass gems- House is Fourth Street Live!, a focal point for to behold. encrusted limousine by the hotel entrance, so nighttime entertainment (and the location But 21c’s always captivating art exhibition, dressed up as to be inspired by the interior for our Friday night dance: see p. 18). For the whether indoors or outdoors, is only one of of a pomegranate, is another eye-catcher). more adventurous, there’s the Urban Bour- the many things that a visitor would want to As huge as the homage to Michelangelo is, it bon Trail that leads to the many scattered dis- pales beside the baseball bat that stands taller tilleries (such as Maker’s Mark and Jim Beam) In This Issue… than the five-story Slugger Museum on which for which Kentucky is known. -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2012 "Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge Jordan Timothy Ray Baker [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Epistemology Commons, Medieval Studies Commons, and the Musicology Commons Recommended Citation Baker, Jordan Timothy Ray, ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1360 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jordan Timothy Ray Baker entitled ""Sing to the Lord a new song": Memory, Music, Epistemology, and the Emergence of Gregorian Chant as Corporate Knowledge." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: -
Studies in the History of the Cadence Caleb Michael Mutch Submitted In
Studies in the History of the Cadence Caleb Michael Mutch Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 1 © 2015 Caleb Michael Mutch All rights reserved 2 ABSTRACT Studies in the History of the Cadence Caleb Michael Mutch This dissertation traces the development of the concept of the cadence in the history of music theory. It proposes a division of the history of cadential theorizing into three periods, and elucidates these periods with four studies of particularly significant doctrines of musical closure. The first of these periods is the pre-history of the cadence, which lasted from the dawn of medieval music theory through the fifteenth century. During this time theorists such as John of Affligem (ca. 1100), whose writings are the subject of the first study, developed an analogy between music and the classical doctrine of punctuation to begin to describe how pieces and their constituent parts can conclude. The second period begins at the turn of the sixteenth century, with the innovative theory expounded by the authors of the Cologne school, which forms the subject of the second study. These authors identified the phenomenon of musical closure as an independent concept worthy of theoretical investigation, and established the first robustly polyphonic cadential doctrine to account for it. For the following three centuries theorists frequently made new contributions to the theorizing of the cadence in their writings, as exemplified by the remarkable taxonomy of cadences in the work of Johann Wolfgang Caspar Printz (1641-1717), the subject of the third study. -
The Graduate Center the City University of New York 2013–14
Bulletin The Graduate Center The City University of New York 2013–14 Volume Thirty-Six / Number ONe 365 Fifth Avenue, New York, NY 10016-4309 www.gc.cuny.edu General: 1.212.817.7000 Admissions Office: 1.212.817.7470 (TDD users should call the New York Relay Center at 1.800.662.1220.) 2013–14 Bulletin, The Graduate Center, City University of New York NOtice Of POssible chaNges The City University of New York reserves the right, because of changing conditions, to make modifications of any nature in the academic programs and requirements of the University and its constituent colleges without advance notice. Tuition and fees set forth in this publication are similarly subject to change by the Board of Trustees of the City University of New York. The Uni- versity regrets any inconvenience this may cause. accreditatiON The City University of New York is registered by the New York State Department of Educaton: Office of Higher Education and the Professions, Cultural Education Center, Room 5B28, Albany, NY 12230; Telephone: 1.518.474.5851; http://www.nysed.gov/heds/IRPSL1.html. The Graduate Center has been accredited by the Commission on Higher Education of the Middle States As- sociation of Colleges and Schools since 1961, last reaffirmed in 2010. Seehttp://www.gc.cuny. edu/CUNY_GC/media/CUNY-Graduate-Center/PDF/Policies/General/Accreditation.pdf. 2 the graduate ceNter caleNdar / 2013–14 fall 2013 August 8 (Thurs.) ....................... Deadline for filing for readmission and last day for nonmatriculated, auditor, and permit students to file an application for the Fall 2013 semester. -
AMS Newsletter August 2013
AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLIII, NUMBER 2 August 2013 ISSN 0402-012X Pittsburgh: From Steel to LEED AMS Pittsburgh 2013 7–10 November www.ams-net.org/pittsburgh In the twenty-two years since the AMS last met in Pittsburgh in 1992, the city has worked to transform itself from a Rust Belt survivor to a city focused on banking, technology, and the environment. The transition is not yet complete, nor is the fossil fuel economy finished. Evidence of the city’s industrial past remains in the coal-fired power plants that dot the region, in the historical mansions in Shadyside, and in the arts, where foundations and family money established and continue to support institutions and museums. Many of these institutions are looking toward the future. Emblematic for this transition is the Reid/VisitPittsburgh David Credit: Pittsburgh Opera (celebrating its seventy- The three rivers of Pittsburgh fifth season), which recently purchased and es, rehearsal spaces, and costume shops. The or biking. The Port Authority operates an renovated a factory built in 1869 for its offic- restoration took a path that is becoming the extensive bus network as well as two light standard in the “new” Pittsburgh: architects rail lines (known as “the T”). Until 7 p.m., preserved historic features but completely buses are free within the “Golden Triangle” In This Issue… revamped its environmental footprint, re- (from the Point to 11th Street/Ross Street). sulting in a highly efficient building that re- From Gateway Station, one block east of the President’s Message ...............2 ceived the silver level of LEED (Leadership hotel, one can ride the T gratis under the Al- What I Do in Musicology ..........4 in Energy and Environmental Design) certi- legheny to the North Side to visit PNC Park, President’s Endowed Plenary Lecture . -
Cantus Planus Binatim, Two Voiced Polyphony Progressing in Rhythmic Unison Following a Cantus firmus Based on an Established Chant
! ! ! The Simple Polyphony of the Divine Office! From the Time of The Great Schism ! Master’s! Thesis Presented! to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Music Seth Coluzzi,! Advisor In Partial Fulfillment of the Requirements! for the Degree Master of Fine Arts in Musicology! by Matthew Flynn ! ! ! ! ! ! ! ! ! ! ! May 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright by ! Matthew Flynn © 2014 ABSTRACT ! The Simple Polyphony of the Divine Office! From the Time of The Great Schism A thesis presented to the Department of Musicology ! Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts ! by Matthew Flynn ! ! The Cividale liturgical manuscripts preserve notated examples of cantus planus binatim, two voiced polyphony progressing in rhythmic unison following a cantus firmus based on an established chant. Contrary to common theory that this repertoire can be distinguished from mensural polyphony along class and economic lines, evidence suggests that this repertoire reflects local musical practices unrelated to social hierarchy. The temporal development of the repertoire as represented by the Cividale manuscripts supports the theory that this was an oral repertoire that was potentially improvised, and as illustrated by quotations in Quem ethera et terra, drew upon established formulas embedded in the repertoire of its performers. Cividale 57 additionally contains two polyphonic hymns, Letare felix civitas and Iste confessor, which were added to the manuscript after its original compilation. I transcribe and analyze these hymns with emphasis on Iste confessor, relative to the Dufay Hymn cycle. I trace the monophonic tradition of the different melodies to illustrate stylistic similarities between the versions and cantus planus binatim. -
AMS Newsletter February 2012
AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLII, NUMBER 1 February 2012 ISSN 0402-012X AMS/SEM/SMT New Orleans 2012: “Do You 2011 Annual Meeting: Know What it Means to Miss New Orleans?” San Francisco AMS New Orleans 2012 New Orleans can be a performance: from jazz By all reports, the meeting of the AMS in 1–4 November funerals to Mardi Gras parades, brass bands “the city” was a huge success. 1,563 delegates www.ams-net.org/neworleans to zydeco to bounce, music is in the very air converged on San Francisco from 10 to 13 of the city. As a port city with a multicultural November for the annual event, greeted by Apparently many of you do know what it heritage, New Orleans is a perfect place to fabulous weather, a friendly youthful vibe, means to miss New Orleans: I’ve heard that, have a joint meeting with our colleagues in the and a range of world-class culinary and cul- after the 1987 meeting, some began to question Society for Music Theory and the Society for tural opportunities to choose from. We were why the Annual Meeting needed to be held in Ethnomusicology. You should be aware that grateful that threats of labor unrest at the ho- a different city each year. In any case, those Halloween is a major holiday for some New tel did not materialize, allowing us to enjoy of you who have been awaiting a return to Orleanians, so, if you’re planning to come a a luxurious facility replete with a grand “city the Crescent City and those who missed that day or more ahead, book early! of lights” lobby familiar from the Mel Brooks meeting now have your chance! (By the way, November is a terrific time to visit southern parody High Anxiety.