Read Ebook « the Penitent (TCG Edition) (Paperback)

Total Page：16

File Type：pdf, Size：1020Kb

Read Ebook « the Penitent (TCG Edition) (Paperback)

6FIY1TX2CGBQ \ Kindle ^ The Penitent (TCG Edition) (Paperback) Th e Penitent (TCG Edition) (Paperback) Filesize: 9.62 MB Reviews Comprehensive manual for publication lovers. We have read through and so i am confident that i am going to going to read yet again once more down the road. I am easily could get a enjoyment of looking at a created pdf. (Guy Ruecker) DISCLAIMER | DMCA 1HCJDS9KSN8R \ Kindle The Penitent (TCG Edition) (Paperback) THE PENITENT (TCG EDITION) (PAPERBACK) Theatre Communications Group Inc.,U.S., United States, 2018. Paperback. Condition: New. Language: English . Brand New Book. The finest American author of his generation. --Sunday Mail [David Mamet s] writing, like his life, brings an intellectual sensibility to a working-class world. Mamet employs Aristotle s rules of drama to write about petty thieves and sleazy salesmen; he composes free verse out of grunts, sighs, obscenities and sentence fragments. In both his stark writing style and his fascination with the male tribe . Mamet resembles Ernest Hemingway more, perhaps, than any writer of his generation. --New York The Penitent follows the story of an acclaimed psychiatrist who refuses to testify in court on behalf of his patient--an act that might undo everything he s worked for. Here, David Mamet is in his wheelhouse--examining and undermining systems of power and the impact they have on individuals caught in their grasp. An exciting return for this playwright to the Atlantic Theater Company, which he helped found in 1985. David Mamet is an American playwright, director and screenwriter whose most notable works include Glengarry Glen Ross (Pulitzer Prize for Drama), American Bualo, Speed-the-Plow, Oleanna, November, Race, and The Anarchist. Besides the film adaptations for his plays, his major screenwriting credits include The Postman Always Rings Twice, The Verdict, Rising Sun, Wag the Dog, and Hannibal. Over the course of his prolific career, Mamet has earned Tony Award nominations, Academy Award nominations, Drama Desk Awards and Screenwriter of the Year from the London Critics Circle Film Awards. Read The Penitent (TCG Edition) (Paperback) Online Download PDF The Penitent (TCG Edition) (Paperback) 3GYWHGPVKNI0 > PDF « The Penitent (TCG Edition) (Paperback) Related PDFs Read Write Inc. Phonics: Grey Set 7 Non-Fiction 2 a Flight to New York Oxford University Press, United Kingdom, 2016. Paperback. Book Condition: New. 213 x 98 mm. Language: N/A. Brand New Book. These decodable non-fiction books provide structured practice for children learning to read. Each set of books... Save Book » Owl Notebook: Owl Gifts / Presents [ Small Ruled Writing Journals / Notebooks with Mom Baby Owls ] Createspace, United States, 2015. Paperback. Book Condition: New. 203 x 127 mm. Language: English . Brand New Book ***** Print on Demand *****.Owl Gifts - Plain Ruled Softback Notebook [.50 / 3.59] A handy smART... Save Book » America s Longest War: The United States and Vietnam, 1950-1975 McGraw-Hill Education - Europe, United States, 2013. Paperback. Book Condition: New. 5th. 206 x 137 mm. Language: English . Brand New Book. Respected for its thorough research, comprehensive coverage, and clear, readable style, America s... Save Book » Children s Handwriting Book of Alphabets and Numbers: Over 4,000 Tracing Units for the Beginning Writer Createspace, United States, 2015. Paperback. Book Condition: New. 254 x 203 mm. Language: English . Brand New Book ***** Print on Demand *****.The Children s Handwriting Book of Alphabets and Numbers provides extensive focus on... Save Book » Anna's Fight for Hope: The Great Depression 1931 (Sisters in Time Series 20) Barbour Publishing, Inc., 2004. Paperback. Book Condition: New. No Jacket. New paperback book copy of Anna's Fight for Hope: The Great Depression 1931 (Sisters in Time Series 20). Publisher recommended for ages 8 to 12... Save Book » .

Copy Link

Recommended publications

David Mamet's Drama, Glengarry Glen Ross, and Three Iconic Forerunners
Ad Americam. Journal of American Studies 20 (2019): 5-14 ISSN: 1896-9461, https://doi.org/10.12797/AdAmericam.20.2019.20.01 Robert J. Cardullo University of Kurdistan, Hewlêr [email protected] https://orcid.org/0000-0003-0816-9751 The Death of Salesmen: David Mamet’s Drama, Glengarry Glen Ross, and Three Iconic Forerunners This essay places Glengarry Glen Ross in the context of David Mamet’s oeuvre and the whole of American drama, as well as in the context of economic capitalism and even U.S. for- eign policy. The author pays special attention here (for the first time in English-language scholarship) to the subject of salesmen or selling as depicted in Mamet’s drama and earlier in Arthur Miller’s Death of a Salesman, Eugene O’Neill’s The Iceman Cometh, and Tennes- see Williams’ A Streetcar Named Desire—each of which also features a salesman among its characters. Key words: David Mamet; Glengarry Glen Ross; American drama; Selling/salesmanship; Americanism; Death of a Salesman; The Iceman Cometh; A Streetcar Named Desire. Introduction: David Mamet’s Drama This essay will first placeGlengarry Glen Ross (1983) in the context of David Mamet’s oeuvre and then discuss the play in detail, before going on to treat the combined subject of salesmen or selling, economic capitalism, and even U.S. foreign policy as they are depicted or intimated not only in Glengarry but in earlier American drama (a subject previously undiscussed in English-language scholarship). I am thinking here of Arthur Miller’s Death of a Salesman (1949), Eugene O’Neill’s The Iceman Co- meth (1946), and Tennessee Williams’ A Streetcar Named Desire (1947)—each of which also features a salesman among its main characters.
[Show full text]
The Innovators Issue Table of Contents
In partnership with 51 Trailblazers, Dreamers, and Pioneers Transforming the Art Industry The Swift, Cruel, Incredible Rise of Amoako Boafo How COVID-19 Forced Auction Houses to Reinvent Themselves The Innovators Issue Table of Contents 4 57 81 Marketplace What Does a Post- Data Dive COVID Auction by Julia Halperin • What sold at the height of the House Look Like? COVID-19 shutdown? by Eileen Kinsella • Which country’s art • 3 top collectors on what they market was hardest hit? buy (and why) The global shutdown threw • What price points proved the live auction business into • The top 10 lots of 2020 (so far) most resilient? disarray, depleting traditional in every major category houses of expected revenue. • Who are today’s most Here’s how they’re evolving to bankable artists? 25 survive. The Innovators List 65 91 At a time of unprecedented How Amoako Art Is an Asset. change, we scoured the globe Boafo Became the Here’s How to to bring you 51 people who are Breakout Star of Make Sure It changing the way the art market Works for You functions—and will play a big a Pandemic Year role in shaping its future. In partnership with the by Nate Freeman ART Resources Team at Morgan Stanley The Ghanaian painter has become the art industry’s • A guide to how the art market newest obsession. Now, he’s relates to financial markets committed to seizing control of his own market. • Morgan Stanley’s ART Resources Team on how to integrate art into your portfolio 2 Editors’ Letter The COVID-19 pandemic has forced the art world to reckon with quite a few
[Show full text]
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
[Show full text]
Download File
THE UNSPEAKABLE AND THE UNKNOWN: Sexual Violence on Stage and in the Media in 2017 Lucy Powis Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Theatre Arts Program of the School of the Arts COLUMBIA UNIVERSITY May 7, 2018 Powis 2 Table of Contents INTRODUCTION: THE MORE THINGS CHANGE… 3 CHAPTER ONE: SEXUAL VIOLENCE ON CAMPUS 8 CASE STUDY: ACTUALLY BY ANNA ZIEGLER 9 MURKINESS AND THE DESIRE FOR A JUST WORLD 10 RACE AND INTERSECTIONALITY 15 LEANING IN TO THE UNKNOWN 17 CASE STUDY: MICHAEL YATES CROWLEY’S THE RAPE OF THE SABINE WOMEN… 21 SATIRE AS DOCUMENTARY 24 FRAGMENTATION AND AN “UNCOMFORTABLE MIX” 25 CHAPTER TWO: STATUTORY RAPE 31 CASE STUDY: ALL THE FINE BOYS BY ERICA SCHMIDT 31 AGE GAPS BY THE NUMBERS 33 TROPES AND THEIR PITFALLS 35 HOW I LEARNED TO DRIVE AND THE COMPLICATING OF NARRATIVE 37 THE WEINSTEIN-ANSARI SPECTRUM 40 CONCLUSION: MOVING FORWARD 46 WHAT’S LEFT UNSAID 46 WHAT’S NEXT 48 DRAMATURGY AS “COUNTER-CRITICISM” 49 APPENDIX:THE START OF A LIST 53 ACKNOWLEDGEMENTS 56 WORKS CITED 57 Powis 3 Introduction: The More Things Change… It occurred to me that I might have found the topic for my thesis after a class on A Streetcar Named Desire. It was my first semester of grad school, and we were discussing the potential pitfalls in producing such an iconic play. The central dynamic of characters Stanley and Blanche was a key point of conversation. After a build in both sexual and more aggressive tension between the two of them, the penultimate scene sees Stanley coming onto Blanche, with her rebuking his advances and threatening to hurt him if he comes any closer.
[Show full text]
Bloomfield, the Poetry of Interpretation
The Poetry of Interpretation: Exegetical Lyric after the English Reformation Gabriel Bloomfield Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Gabriel Bloomfield All rights reserved ABSTRACT The Poetry of Interpretation: Exegetical Lyric after the English Reformation Gabriel Bloomfield “The Poetry of Interpretation” writes a pre-history of the twentieth-century phenomenon of close reading by interpreting the devotional poetry of the English Renaissance in the context of the period’s exegetical literatures. The chapters explore a range of hermeneutic methods that allowed preachers and commentators, writing in the wake of the Reformation’s turn to the “literal sense” of scripture, to grapple with and clarify the bible’s “darke texts.” I argue that early modern religious poets—principally Anne Lock, John Donne, George Herbert, William Alabaster, and John Milton—absorbed these same methods into their compositional practices, merging the arts of poesis and exegesis. Consistently skeptical about the very project they undertake, however, these poets became not just practitioners but theorists of interpretive method. Situated at the intersection of religious history, hermeneutics, and poetics, this study develops a new understanding of lyric’s formal operations while intimating an alternative history of the discipline of literary criticism. CONTENTS List of Illustrations ii Acknowledgments iii Note on Texts vi Introduction 1 1. Expolition: Anne Lock and the Poetics of Marginal Increase 33 2. Chopology: How the Poem Crumbles 87 3. Similitude: “Multiplied Visions” and the Experience of Homiletic Verse 147 4. Prosopopoeia: The Poem’s Split Personality 208 Bibliography 273 i LIST OF ILLUSTRATIONS 1.
[Show full text]
Macbeth in the Dark 132 Devin Byker
Face-to-Face in Shakespearean Drama 66053_Smith053_Smith & LLupton.inddupton.indd i 110/05/190/05/19 12:5012:50 PMPM 66053_Smith053_Smith & LLupton.inddupton.indd iiii 110/05/190/05/19 12:5012:50 PMPM Face-to-Face in Shakespearean Drama Ethics, Performance, Philosophy Edited by Matthew James Smith and Julia Reinhard Lupton 66053_Smith053_Smith & LLupton.inddupton.indd iiiiii 110/05/190/05/19 12:5012:50 PMPM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © editorial matter and organisation Matthew James Smith and Julia Reinhard Lupton, 2019 © the chapters their several authors, 2019 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 3568 0 (hardback) ISBN 978 1 4744 3570 3 (webready PDF) ISBN 978 1 4744 3571 0 (epub) The right of the contributors to be identiﬁ ed as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66053_Smith053_Smith & LLupton.inddupton.indd iviv 110/05/190/05/19 12:5012:50 PMPM Contents List of Illustrations vii Acknowledgements viii Introduction 1 Matthew James Smith and Julia Reinhard Lupton Part I: Foundational Face Work 1.
[Show full text]
MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMIUNIVERSITY TheGraduateSchool CertificateforApprovingtheDissertation WeherebyapprovetheDissertation of RhodaF.Cairns CandidatefortheDegree: DoctorofPhilosophy _____________________________________ Director Dr.KatharineM.Gillespie _____________________________________ Reader Dr.KatherineJ.Ronald _____________________________________ Reader Dr.FrancesE.Dolan _____________________________________ GraduateSchoolRepresentative Dr.P.ReneeBaernstein ABSTRACT THEEXEGESISOFEXPERIENCE:TYPOLOGYANDWOMEN’SRHETORICS INEARLYMODERNENGLANDANDNEWENGLAND byRhodaF.Cairns Thisprojectrepresentsthefirstmajorstudyofthewide-rangingwaysinwhichearlymodern women’suseofbiblicaltypologyasarhetoricalstrategynotonlyauthorizedtheirvoicesin publicdiscourse,butalsopositionedthemasinfluentialactorsinthepublicspheresofchurch andstate.Criticsoftenarguethatearlymodernwomen’sagencyiscompromisedbymale mediatorsandthepatriarchalstructuresofreligionandgovernment,astancechallengedbythis studyofelevenearlymodernwomen,representingeightdifferentconfessionalaffiliations, whoserhetoricalperformancesrangeintimefrom1547to1682,inbothEnglandandNew England.Foursignificantsitesofwomen’sspeechareinvestigated,movingfromtheleasttothe mosthighlycontested.UsingtextsbyElizabethCary’sdaughter,AliceThornton,andKatharine EvansandSarahCheverstoexploredomesticsites,ChapterOnearguesthatwomenerected typologicalidentitiesonbothbedandtable,performingtypologically-inflectedscenariosand tableauxwhosesignificanceextendedbeyondthenarrowcircleoffamilyandhousehold. ConsideringAnnaTrapnelandMaryRowlandson,ChapterTwoexaminestheiruseoftypology
[Show full text]
Marie and Rosetta and Kenneth Lonergan’S Hold on to Me Darling
May 1, 2017 Contact: Chris Boneau / Joe Perrotta / Kelly Guiod Follow Atlantic Theater Company on Twitter @AtlanticTheater Instagram @AtlanticTheater, Facebook Follow BBB on Twitter: @BBBway, Instagram: @BBBway, Facebook ATLANTIC THEATER COMPANY ANNOUNCES 2017-2018 SEASON PRODUCTIONS WORLD PREMIERE PLAYS FROM RAJIV JOSEPH and NGOZI ANYANWU WORLD PREMIERE MUSICAL FROM STEPHEN TRASK, PETER YANOWITZ and RICK ELICE US PREMIERE PLAY FROM MARTIN MCDONAGH NEW YORK PREMIERE PLAYS FROM SIMON STEPHENS and LAUREN YEE New York Premiere Play ON THE SHORE OF THE WIDE WORLD By Simon Stephens Directed by Neil Pepe Linda Gross Theater August 23 – October 1, 2017 Opening: Tuesday, September 12, 2017 World Premiere Co-Production with Alley Theatre DESCRIBE THE NIGHT By Rajiv Joseph Directed by Giovanna Sardelli Linda Gross Theater November 1 – December 17, 2017 Opening: Monday, November 20, 2017 World Premiere Play THE HOMECOMING QUEEN By Ngozi Anyanwu Atlantic Stage 2 January 10 – February 11, 2018 Opening: Monday, January 22, 2018 US Premiere of the Royal Court Theatre production of HANGMEN By Martin McDonagh Directed by Matthew Dunster Linda Gross Theater January 18 – March 4, 2018 Opening: Monday, February 5, 2018 World Premiere Musical THIS AIN’T NO DISCO Music and Lyrics by Stephen Trask and Peter Yanowitz Book by Rick Elice Directed by Trip Cullman Linda Gross Theater May 11 – July 1, 2018 Opening: Tuesday, June 12, 2018 New York Premiere Play THE GREAT LEAP By Lauren Yee Atlantic Stage 2 May 23 – June 17, 2018 Opening: Monday, June 4, 2018 2017-2018 ATLANTIC FOR KIDS SEASON New York City Premiere Musical POLKADOTS: THE COOL KIDS MUSICAL Original Concept by Douglas Lyons Book by Melvin Tunstall III Music by Greg Borowsky and Douglas Lyons Lyrics by Douglas Lyons Linda Gross Theater September 16 – October 8, 2017 Atlantic Theater Company (Neil Pepe, Artistic Director, Jeffory Lawson, Managing Director) is proud to announce its 2017-2018 season productions and one Atlantic for Kids production.
[Show full text]
N N H B ¡SI Hi
SM P i l l i l i îfflÊÏÏÊSÊŒÊË P P H H p M I i ■'ìli ¡SI HH KB fS jg V H tJ fP i IlìSiiliiil ■ H i — HHMIHBMMai ^ h h IIII W BfflOTOHil iMn ÌìSlKMgBtW i n H B ■MISS! ^M ^M w SWaTOSi w B K S S m m s^^MÌH ÊSBÈÊsÊSallMWMWMHMaHIBflfflMHHIWlHMllMMÌ W SÊÊÈÊÈmm È / * 4 ■V ! ' % '>V' T* B urning of Q uallah B attoo. C R U I S E OP THE UNITED STATES FRIGATE POTOMAC * * * ; * ROUND THE WORLD, DURING' THE YEARS 1831-34. EMBRACING ' f.-.. - THE ATTACK ON QUALLAH BATTOO, WITH NOTICES OF SCENES, MANNERS, ETC., IN DIFFERENT PARTS OF ASIA, SOUTH AMERICA, AND THE ISLANDS « OF THE PACIFIC. ■* » - Embellished with Engravings. BT FRANCIS WARRINER, A. M. • . .. - . * * 4 NEW-YORK: PUBLISHED BY LEAVITT, LORD & CO. ' 182 Broadway. BOSTON: CROCKER & BREWSTER, 47 Washington-street. ' 1835. * Entered aCCording to the ACt of Congress, in the year 1835, by F bancis W abbineb, in the Clerk’s Office of the District Court of the Southern District of New-York. PREFACE. A m u l t i t u b e of interesting objects will of neces sity have presented themselves to a voyager in a three years’ cruise; especially in a government ship, cir cumnavigating the globe. Y et when all the materials I had collected were placed before me with a view to their publication, I was not a little surprised at the amount: and indeed, it was no small task to compress within a moderate compass all the things which seem ed necessary to be mentioned.
[Show full text]
Intertextuality and the Transformation of Gender Identity, 1677-1759
APPROPRIATING THE RESTORATION HERO(INE): INTERTEXTUALITY AND THE TRANSFORMATION OF GENDER IDENTITY, 1677-1759 BY MARILYN MARIE HOLGUIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Robert Markley, Co-Chair Associate Professor Anthony Pollock, Co-Chair Associate Professor Catharine Gray Associate Professor Lisa Freeman, University of Illinois, Chicago II ABSTRACT My dissertation considers how and why representations of female suffering in Restoration tragedy had a profound impact on the development of mid-eighteenth century novels and plays, focusing primarily on the work of Aphra Behn, Thomas Southerne, John Dryden, Samuel Richardson and David Garrick. Previous scholarship on Restoration “she-tragedies” has tended to emphasize how their heroines’ descent into hysteria, madness, and death implies a total loss of female agency and power. My project challenges this reigning interpretation: through detailed readings of Richardson’s and Garrick’s adaptations of Restoration tragedy, I argue that these influential mid-century authors transform the spectacle of female suffering into a resource for female empowerment and authority over the public sphere. My four chapters analyze Restoration tragic female characters as strongly influencing eighteenth-century writers, who appropriated and adapted them in relation to changing cultural tastes, especially
[Show full text]
Study Guide: Students & Educators
Study Guide: Students & Educators Heather Baird Director of Education Tyler Easter Education Associate Fran Tarr Education Coordinator 1 SECTION I | THE PLAY Synopsis Cast & Characters Themes SECTION II | CREATIVE TEAM SECTION III | YOUR STUDENTS AS AUDIENCE Theater Vocabulary Vocabulary in The Penitent Relating Themes to Our Own Lives: The Penitent and Medieval Morality Plays The Penitent and Jewish Scripture: The Story of Nadab and Abihu Webbing & Discussion Triggers SECTION IV | YOUR STUDENTS AS ACTORS Reading a Scene for Understanding Practical Aesthetics Exercise Mini-Lesson Vocabulary Scene Analysis Worksheet SECTION V | YOUR STUDENTS AS ARTISTS Post-Theater Creative Response Activity Post-Theater Creative Writing Activity Common Core & DOE Theater Blueprint SECTION VI | THE ATLANTIC LEGACY 2 Section I: PLAY The Play PLAY Synopsis Cast & Characters Themes 3 Teacher Objective To introduce students to the characters, setting, and story of The Penitent. CHARLES: A middle-aged man. Portrayed Student Goal by Chris Bauer. To understand that actors, working together, will simply and truthfully create the story of the play. SYNOPSIS KATE: A middle-aged woman, Charles’ wife. Portrayed by Rebecca Pidgeon. A renowned psychiatrist is asked to testify on behalf of a young patient. When he refuses, his career, ethics, and faith are thrown into question. RICARD: Their friend. Portrayed by THEMES Jordan Lage. 1. Religious conviction 2. Critical choices 3. Integrity 4. Moral dilemma 5. Manipulation THE ATTORNEY: An attorney. Portrayed by Lawrence Gilliard Jr. 4 Section II: Creative Team CAST Playwright and Director CAST bios 5 DAVID MAMET NEIL PEPE Playwright Director DAVID MAMET (Playwright). Plays by NEIL PEPE (Director).
[Show full text]
Grace, Sexuality, and Genre in Thomas Middleton's City Comedies. Herbert Jack Heller Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies. Herbert Jack Heller Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Heller, Herbert Jack, "Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies." (1997). LSU Historical Dissertations and Theses. 6492. https://digitalcommons.lsu.edu/gradschool_disstheses/6492 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UME films the text direct^ from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter frœe; while others may be from any type o f computer printer. The quality of this reproduction is dqiendent upon the quality of the copy submitted. Broken or indistinct prmt, colored or poor quality illustrations and photognq>hs, print bleedthrough, substandard margins, and improper alignment can adversety afifect reproductioiL hi the unlikety event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the ddetion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b%inning at the upper left-hand comer and continuing from Idt to right in equal sections with small overlaps.
[Show full text]