21 Senior Recital

Total Page:16

File Type:pdf, Size:1020Kb

21 Senior Recital TEDx WABASH PREVIEW SEE PAGE FIVE APRILFebruary 9, 2021 19, 2021 Help is Here: Vaccines Arrive at Wabash COURTESY OF WABASH COLLEGE SOCIAL MEDIA Wabah is expecting over 500 students to be inoculated at the clinic. Those who have not yet registered are welcome as walk-ins. AUSTIN HOOD ’21 | EDITOR-IN- for providing the supply of vaccines. And employment and internships.” the end of the month in order for the vaccine CHIEF • Thirteen months after the onset we all owe a huge debt to the campus team, The clinic is an all-hands-on-deck effort to be fully effective. of the COVID-19 pandemic in the United especially Nurse Chirs Amidon and Drs. from the community that will include the “My big takeaways from the Pfizer vaccine States, which has prompted alterations to Ann Taylor and John Roberts ’83, who put help of dozens of volunteers who will assist are: 1).Some side effects like soreness, nearly every aspect of life on campus during together this massive event on extremely in registration and vaccine administration. fever, fatigue, chills, and headache mean the past three semesters, Wabash College short notice.” Volunteers include parents, alumni, and your immune system has received the received its most promising sign of relief to Though the administration decided not to members of the Crawfordsville community. vaccine and is working. In short, side effects date. The College is hosting a vaccine clinic make inoculation a requirement for students “My husband, Dr. Doug Jansen, and I have are normal and expected,” said Dr. Rob in the Allen Center for the Pfizer shot today, and staff (at least for the time being), a been volunteering at our local vaccination Rudicel ’92, a pediatrician who works in April 9, 2021. significant share of the Wabash community clinic since January,” said volunteer Susan the Community Health Network. “2). It The clinic is the culmination is expected to receive the free-of-cost shots. Jansen, mother of Ben Jansen ’24 . “On one is not a free pass to stop washing hands, of the college’s months-long effort to At the time of publication, over 500 students of those first few days the local news was social distancing, avoiding large crowds, control the spread of the respiratory were slated to receive shots today in the there and asked why I was volunteering. and wearing masks in public.3). The vaccine virus on Wabash’s campus and in the Allen Center. Students who have not yet It’s simple really, this is our way out. Our is considered effective 2 weeks after dose Crawfordsville Community, which began signed up but wish to receive a vaccine are way back to spending time with loved ones, #2. You need BOTH doses and then 2 weeks with the unprecedented move to cancel welcome to show up to the clinic, where parties, concerts, sporting events, in a before it is effective.” in-person classes for the second half of the volunteers will help them through the nutshell, normal! We want this more than The clinic comes as a welcome sign to Spring 2020 semester. Unlike many peer registration process. anything for our friends and family, but the Wabash Community that the pandemic is institutions, the vast majority of Wabash “This is critical to getting us back to a especially our freshman and all students finally coming to a close and life on campus students returned to live on campus and closer-to-normal experience next year,” said who are trying to learn in this uncertain will return to normal. attend in-person classes for the current Wabash College Nurse Chris Amidon. “We’ve environment. If we can have a hand in “Based on my own experience of being academic year. This has been made possible been fortunate at Wabash that we haven’t helping Wabash have a normal semester in vaccinated last month, I suspect that this by a complex effort to mitigate the risk of a given up in-person learning and living the fall, we are all in! It’ll feel great to know will be an emotional experience for both our serious outbreak in the community through on campus, unlike so many colleges and we played a role in that happening.” students and our volunteers,” said Feller. social distancing, mask-wearing, testing, universities. But it’s still not the experience The College began planning to hold the “The pandemic has taken so much from us, contact tracing and quarantining. we want for our students (and for faculty and vaccine clinic last semester and those plans and young people have paid an especially “The vaccine clinic feels like the light staff, for that matter). Having these highly solidified as soon as the College was able to heavy price in both missed opportunities and at the end of a very long tunnel, “ said effective vaccines is important in preventing file with the Indiana Department of Health. sacrifices made to protect more vulnerable President Scott Feller. “To send students severe illness and hospitalizations, and In that time, Wabash has stockpiled nearly populations. My hope is that this day is the home, and to jobs and internships, with should allow us to resume the kinds of close three-months of supplies in preparation for one that students remember years from now protection against COVID-19 seemed like relationships people on our campus have today. Nearly all of Chadwick Court will be when they return to campus and someone an impossible dream just a few weeks ago.I come to expect. People who are immunized taken up by the event, which will run from asks them what they recall from being on am so grateful to the Indiana Department of will not need to quarantine, and may 11 a.m. to 5 p.m. Those who receive the campus during COVID times.” Health, and in particular Dr. Kristina Box, have better chances of securing summer vaccine today will need to return for a shot at Photo Spread: Daniel Cuevas ’21 Senior Recital BENJAMIN HIGH ’23/ PHOTO BENJAMIN HIGH ’23 / PHOTO Cuevas ’21 is a Double Major in Political Science & Music with a Minor in Spanish. On campus, he is The recital was the worldwide premier of two pieces. One was an original jazz-trio composition and involved with the CIBE, Glee Club, Sphinx Club, and a member of Kappa Sigma. the other, pictured above, is an arrangement of a Negro spiritual titled, “O Freedom.” VOLUME 113 • ISSUE 22 NEWS Students Prepare for 21st Annual Celebration of Student Research COURTESY OF COMMUNICATIONS AND MARKETING Wi COURTESY OF COMMUNICATIONS AND MARKETING Even amidst a global pandemic, the tradition of having the Annual Celebration of Student Research is still going strong. Students from all disciplines, interests, and walks of life are part of the ceremony, including Devin Vanyo ’22 giving his presentation at the event in 2020. COOPER SMITH ’23 | ONLINE of Tucker Carlson, to the mysterious on the mall, and oral presentations “Given the circumstances of this EDITOR • On April 16th, the Wabash origins of an eighth division British will occur in a variety of rooms year, the intellectual and creative community will gather for the 21st soccer club, these presentations cover around campus. The program book work of this celebration may be Annual Celebration of Student it all. displaying times, locations, and more meaningful than any in the Research, Scholarship, and Creative Dr. Lon Porter, Chair for the descriptions of presentations is event’s history and it is, in important Work. The Celebration will feature Celebration and Professor of linked on the Wabash website. respects, both a symbol of our 27 oral presentations and 12 poster Chemistry, explained the significance The Celebration offers two resilience and a moment that marks or exhibit presentations covering a of the event. “This is a major prestigious awards. The Celebration, a return to something resembling wide variety of topics. And to allow moment in the life of the College Research, Scholarship, and normal campus life. In a way, the students to attend the presentations, where students step up to become Creativity Awards go to students event is also celebrating a critical all classes for that afternoon are the teachers! The presentations place who demonstrate significant gains in moment in our journey toward a cancelled. As all Wabash students student achievement and passion personal development as a result of return to more normal campus life.” know, cancelled classes are rare – so for learning on display for the their work. This year’s winners are The Celebration is an essential an afternoon of cancelled classes entire community. These moments Patrick Carper ’21, Paul Haesemeyer tradition for a college that prides demonstrates the importance the are powerful and highlight the ’21, Ahmaud Hill ’21, and Justin itself on premier academics. Dr. faculty places on this Celebration. culmination of weeks or months of Kopp ’21. The other prize, the Robert Porter encouraged Wabash students The Celebration recognizes student student effort. They sometimes offer Wedgeworth Library Research, to attend, saying, “I encourage gents work that goes beyond normal a glimpse into the future paths of Scholarship, and Creativity Awards, to support their Wabash brothers coursework. Independent studies, Wabash gentlemen that ultimately go to students who utilize library presenting at the event by attending musical performances – and even a pursue research and creative pursuits resources in their work. Liam Buckley and honoring this 20-year tradition published book – are all fair game. following graduation.” ’22 and Andrew Freck ’21 are this of the College. It’s a special time And the topics vary as much as the Presentations will begin at 1:30 year’s recipients.
Recommended publications
  • Karlheinz Stockhausen: Works for Ensemble English
    composed 137 works for ensemble (2 players or more) from 1950 to 2007. SCORES , compact discs, books , posters, videos, music boxes may be ordered directly from the Stockhausen-Verlag . A complete list of Stockhausen ’s works and CDs is available free of charge from the Stockhausen-Verlag , Kettenberg 15, 51515 Kürten, Germany (Fax: +49 [0 ] 2268-1813; e-mail [email protected]) www.stockhausen.org Karlheinz Stockhausen Works for ensemble (2 players or more) (Among these works for more than 18 players which are usu al ly not per formed by orches tras, but rath er by cham ber ensem bles such as the Lon don Sin fo niet ta , the Ensem ble Inter con tem po rain , the Asko Ensem ble , or Ensem ble Mod ern .) All works which were composed until 1969 (work numbers ¿ to 29) are pub lished by Uni ver sal Edi tion in Vien na, with the excep tion of ETUDE, Elec tron ic STUD IES I and II, GESANG DER JÜNGLINGE , KON TAKTE, MOMENTE, and HYM NEN , which are pub lished since 1993 by the Stock hau sen -Ver lag , and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP and START. Start ing with work num ber 30, all com po si tions are pub lished by the Stock hau sen -Ver lag , Ket ten berg 15, 51515 Kürten, Ger ma ny, and may be ordered di rect ly. [9 ’21”] = dura tion of 9 min utes and 21 sec onds (dura tions with min utes and sec onds: CD dura tions of the Com plete Edi tion ).
    [Show full text]
  • Karlheinz Stockhausen: Hudba a Prostor
    Ústav hudební vědy Filosofická fakulta Masarykovy univerzity v Brně Martin Flašar Bakalářská práce Karlheinz Stockhausen: hudba a prostor 'i. .,-Í.JLV , J v V/L •- » -i_ *"- Vedoucí práce: Prof. PhDr. Miloš Štědroň, Csc. V Brně 8. května 2003 Potvrzuji, že tuto práci, kterou podávám jako bakalářskou práci na Ústavu hudební védy FF MU v Brně, jsem napsal v souladu se svým nejlepším svědomím s využitím vlastních skrovných duševních schopností, nezralého rozhledu v celé problematice a bez nároku na postižení celé šíře dané problematiky. Martin Flašar Obsah Obsah 1 Předmluva 2 Úvod 2 1. Hudba a prostor - teoretický kontext 3 1.1 Prostor - pokus o definici 3 1.2 Walter Gieseler - kategorie zvaná prostor 5 1.3 Gisela Nauck - zkoumání prostoru..... 7 2. Případ Stockhausen 12 2.1 Hudba a prostor 12 2.2 Nutnost prostorové hudby 15 2.3 Pět hudebních revolucí od r. 1950 17 2.4 Stručná chronologie zvukově-prostorových kompozic 18 2.5 Hudba v prostoru - dvě cesty 22 2.6 Prostor pro hudbu 24 2.7 Pole für 2 (1969-70) a Expo für 3 (1969-70) 26 2.7.1 Notace prostorového pohybu zvuku 28 2.8 Dienstag z cyklu licht - Oktophonie (1990-91) 29 2.8.1 Postup práce - prostorová distribuce zvuku 35 2.8.2 Vrstvy a jejich pohyb v prostoru 38 Závěr ." 44 Resumé 45 Seznam pramenů 46 Použitá literatura: 47 Předmluva Za vedení práce bych rád poděkoval prof. PhDr. Miloši Štědroňovi, CSc. Dále nemohu opominout inspirační zdroj pro moji práci, kterým byla velmi podnetná série přednášek Dr. Marcuse Bandura na Albert-Ludwigs-Universität Freiburg.
    [Show full text]
  • Crossing Central Europe
    CROSSING CENTRAL EUROPE Continuities and Transformations, 1900 and 2000 Crossing Central Europe Continuities and Transformations, 1900 and 2000 Edited by HELGA MITTERBAUER and CARRIE SMITH-PREI UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com Printed in the U.S.A. ISBN 978-1-4426-4914-9 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei. Includes bibliographical references and index. ISBN 978-1-4426-4914-9 (hardcover) 1. Europe, Central – Civilization − 20th century. I. Mitterbauer, Helga, editor II. Smith-Prei, Carrie, 1975−, editor DAW1024.C76 2017 943.0009’049 C2017-902387-X CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. The editors acknowledge the financial assistance of the Faculty of Arts, University of Alberta; the Wirth Institute for Austrian and Central European Studies, University of Alberta; and Philixte, Centre de recherche de la Faculté de Lettres, Traduction et Communication, Université Libre de Bruxelles. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the
    [Show full text]
  • Licht Karlheinza Stockhausena Jako Muzyczny Teatr Świata [Agnieszka Draus, Cykl Sceniczny „Licht” Karlheinza Stockhausena
    Justyna Humięcka-Jakubowska Licht Karlheinza Stockhausena jako muzyczny teatr świata [Agnieszka Draus, Cykl sceniczny „Licht” Karlheinza Stockhausena. Muzyczny teatr świata, Akademia Muzyczna w Krakowie, Kraków 2011, ss. 296] Muzyką przyszłości musi być muzyka duchowa, dedykowa- na Bogu, która będzie nieustanną modlitwą, ale nie tylko w formie mszy katolickiej, ale w innych formach kultu całej naszej planety, integrując w ten sposób symbolikę religijną całego świata1. Słowa te wypowiedział Karlheinz Stockhausen w czasie Seminarium Kompozytorskiego Letnich Kursów Muzy- ki Stockhausena w Kürten w 2005 r. Zdaniem Agnieszki Draus właśnie ta wypowiedź oraz „zjawisko sakralizacji własnego życia” (życia Stockhausena) inspirują do ba- dania i podjęcia próby wielokontekstowej interpretacji ostatnich dzieł kompozytora, jego – jak powszechnie się określa – opus vitae, czyli siedmioczęściowego cyklu sce- nicznego Licht. Die Sieben Tage der Woche. Agnieszka Draus, adiunkt w Katedrze Teorii i Interpre- tacji Dzieła Muzycznego Akademii Muzycznej w Krakowie, od kilku lat skupia swoje zainteresowania badawcze na problematyce muzyki sakralnej, ze szczególnym uwzględ- nieniem sakralnego teatru muzycznego. Nie dziwi więc fakt, że monumentalna heptalogia – Opernzyklus według 1 Cyt. za: A. Draus, Cykl sceniczny „Licht” Karlheinza Stockhausena. Muzyczny teatr świata, Kraków 2011, s. 13. 263 RReses FFactaacta NNovaova 113(22).indd3(22).indd 226363 22013-05-23013-05-23 009:14:219:14:21 Stockhausena – stała się dla autorki godnym uwagi przedmiotem oglądu naukowego. Na podkreślenie zasługuje fakt, że zróżnicowana literatura dotycząca badań nad twór- czością Karlheinza Stockhausena jest w przeważającej mierze efektem pracy działa- jących na całym świecie historyków i teoretyków muzyki oraz muzykologów, natomiast w Polsce twórczość kompozytora, „zwłaszcza późna” – jak zaznacza autorka – jest „prawie nieznana” (s.
    [Show full text]
  • 2013-Pressrelease-OKTOPHONIE
    Park Avenue Armory Adds Two Performances for Karlheinz Stockhausen’s electronic masterpiece OKTOPHONIE, presented in a lunar environment created by Rirkrit Tiravanija Due to Overwhelming Demand Additional Performances Added, March 23 & 25 New York, NY—February 28, 2013—Due to overwhelming initial demand stemming from the 2013 artistic season announcement, Park Avenue Armory announced today the addition of two performances of the New York premiere of Karlheinz Stockhausen’s OKTOPHONIE. Part of Stockhausen’s magnum opus “Licht” (or “Light”) OKTOPHONIE is a trailblazing electronic music experience where the audience is surrounded by eight groups of loudspeakers, enveloping them in a sonic environment. OKTOPHONIE, which will be performed by one of his original collaborators Kathinka Pasveer, exemplifies Stockhausen’s work as a compositional pioneer who grappled with spatial music as he bent the rules and redefined the listening experience. Staging the work as the composer originally intended—in outer space—Rirkrit Tiravanija has been commissioned by the Armory to create a ritualized lunar experience, a floating seating installation within the Armory’s soaring drill hall that heightens the listeners’ octophonic experience and transports them to another realm. The audience will don white cloaks for the journey, carried along by the all- encompassing score, itself a meditation on the transformation from plunging darkness into blinding light. The Armory’s 2013 season will also include WS, a monumental installation by Paul McCarthy; The Machine, a play by one of Britain’s fastest rising young playwrights, Matt Charman, that chronicles Garry Kasparov’s 1997 chess game against IBM’s Deep Blue super-computer, a contest that set man against machine; Massive Attack V Adam Curtis, a new kind of imaginative experience conceived by Adam Curtis and Robert Del Naja mixing music, film, politics, and moments of illusion, performed by Massive Attack and special guests; and Robert Wilson’s powerful new staging of The Life and Death of Marina Abramović.
    [Show full text]
  • New 2014–2017
    Stockhausen-Verlag, 51515 Kürten, Germany www.karlheinzstockhausen.org / [email protected] NEW 2014–2017 New scores (can be ordered directly online at www.stockhausen-verlag.com): TELEMUSIK (TELE MUSIC) Electronic Music (English translation) ................................ __________ 96 ¤ (54 bound pages, 9 black-and-white photographs) ORIGINALE (ORIGINALS) Musical Theatre (Textbook) ..................................................... __________ 88 ¤ (48 bound pages, 11 black-and-white photographs) TAURUS-QUINTET for tuba, trumpet, bassoon, horn, trombone .................................... __________ 60 ¤ (folder with score in C, 10 bound pages, cover in colour with Stockhausen’s original drawing, plus performance material: 5 loose-leaf parts for tuba, trumpet, bassoon, horn in F and trombone) CAPRICORN for bass and electronic music ................................................................................ __________ 65 ¤ (60 bound pages, cover in colour) KAMEL-TANZ (CAMEL-DANCE) .............................................................................................. __________ 30 ¤ (of WEDNESDAY from LIGHT) for bass, trombone, synthesizer or tape and 2 dancers (20 bound pages, cover in colour) MENSCHEN, HÖRT (MANKIND, HEAR) .................................................................................. __________ 30 ¤ (of WEDNESDAY from LIGHT) for vocal sextet (2 S, A, T, 2 B) (24 bound pages, cover in colour with Stockhausen’s original drawing) HYMNEN (ANTHEMS) Electronic and Concrete Music – study
    [Show full text]
  • A Symphonic Poem on Dante's Inferno and a Study on Karlheinz Stockhausen and His Effect on the Trumpet
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet Michael Joseph Berthelot Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Berthelot, Michael Joseph, "A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet" (2008). LSU Doctoral Dissertations. 3187. https://digitalcommons.lsu.edu/gradschool_dissertations/3187 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SYMPHONIC POEM ON DANTE’S INFERNO AND A STUDY ON KARLHEINZ STOCKHAUSEN AND HIS EFFECT ON THE TRUMPET A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Michael J Berthelot B.M., Louisiana State University, 2000 M.M., Louisiana State University, 2006 December 2008 Jackie ii ACKNOWLEDGEMENTS I would like to thank Dinos Constantinides most of all, because it was his constant support that made this dissertation possible. His patience in guiding me through this entire process was remarkable. It was Dr. Constantinides that taught great things to me about composition, music, and life.
    [Show full text]
  • 2020 04 Kontakte Online
    Ausgabe Dezember 2020 - Februar 2021 04 2020 Kontakte Evangelisch-reformierte Gemeinde St. Johann, Lemgo Lass uns alle dein Licht sehen, damit wir selber Licht werden. Dorothee Sölle Liebe Gemeinde, „In dunkler Zeit scheint das jetzt, ohne Wenn und Aber, ganz ein- Er trotzt allen fach – das war und ist die hoffnungs- Abstandsregeln Licht des Lebens“ volle Stimme aus einem Seniorenheim, und Hygiene- wo Corona-Maßnahmen die Abschot- vorschriften. Liebe Gemeinde! tung noch zusätzlich vertiefen können. Und wir Hören und sehen wir in diesen Herbst- riskieren nichts tagen die Nachrichten, lesen wir die Dieser Ruf des Herzens kann uns in Arges, wenn Tageszeitung, so werden wir mit Mel- den Tagen und Wochen berühren, in wir ihm die Tür dungen zum Thema Corona überschüt- denen die (Selbst-) Isolation wieder öffnen! tet. Fakten, Meinungen, Warnungen angeraten wird und wir uns nach Zu- prasseln auf uns ein. spruch und Ermutigung sehnen. Paul Gerhardt formuliert und dichtet in Das Wort der Kanzlerin vom mög- einem Lied zum Advent: lichen „Unheil“, das sich nähert, wenn Der Advent kündigt das Kommen keine strengen Schutz-Maßnahmen Gottes an. Gott will sich den Menschen Nichts, nichts hat dich getrieben beachtet würden, steht im Raum. Wer zuwenden. Er möchte unser Leben und zu mir vom Himmelszelt sähe da nicht die Hiobsbotschaft am Dasein begleiten und unterstützen. als das geliebte Lieben, Horizont in einer Zeit, in der es für Während der dunkelsten Tage des Jah- damit du alle Welt viele Menschen weltweit um Leben res erinnern wir uns an die Geburt Jesu in ihren tausend Plagen und Tod geht. in Bethlehem.
    [Show full text]
  • TEXTE Zur MUSIK Band 4 Werk-Einführungen Elektronische Musik Weltmusik Vorschläge Und Standpunkte Zum Werk Anderer
    Inhalt TEXTE zur MUSIK Band 4 Werk-Einführungen Elektronische Musik Weltmusik Vorschläge und Standpunkte Zum Werk Anderer „Glauben Sie, daβ eine Gesellschaft ohne Wertvorstellungen leben kann?” „Was steht in TEXTE Band 4?” I Werk-Einführungen CHÖRE FÜR DORIS und CHORAl DREI LIEDER SONATINE KREUZSPIEL FORMEL SPIEL SCHLAGTRIO MOMENTE MIXTUR STOP HYMNEN mit Orchester Zur Uraufführung der Orchesterfassung Eine ‚amerikanische’ Aufführung im Freien PROZESSION AUS DEN SIEBEN TAGEN RICHTIGE DAUERN UNBEGRENZT VERBINDUNG TREFFPUNKT NACHTMUSIK ABWÄRTS OBEN UND UNTEN INTENSITÄT SETZ DIE SEGEL ZUR SONNE KOMMUNION ES Fragen und Antworten zur Intuitiven Musik GOLDSTAUB POLE und EXPO MANTRA FÜR KOMMENDE ZEITEN STERNKLANG 1 TRANS ALPHABET Am Himmel wandre ich... YLEM INORI Neues in INORI Vortrag über Hu Atmen gibt das Leben HERBSTMUSIK MUSIK IM BAUCH TIERKREIS Version für Kammerorchester HARLEKIN DER KLEINE HARLEKIN SIRIUS AMOUR JUBILÄUM IN FREUNDSCHAFT DER JAHRESLAUF II Elektronische Musik Vier Kriterien der Elektronischen Musik Fragen und Antworten zu den Vier Kriterien… Die Zukunft der elektroakustischen Apparaturen in der Musik III Weltmusik Erinnerungen an Japan Moderne Japanische Musik und Tradition Weltmusik IV Vorschläge und Standpunkte Interview I: Gespräch mit holländischem Kunstkreis Interview II: Zur Situation (Darmstädter Ferienkurse ΄74) Interview III: Denn alles ist Musik... Interview IV Die Musik und das Kind Du bist, was Du singst – Du wirst, was Du hörst – Vorschläge für die Zukunft des Orchesters Ein Briefwechsel ‚im Geiste der Zeit’ 2 Brief an den Deutschen Musikrat Briefwechsel über das Urheberrecht Silvester-Umfrage Fragen, die keine sind Finden Sie die Programmierung gut ? (Beethoven – Webern – Stockhausen) V Zum Werk Anderer Mahlers Biographie Niemand kann über seinen Schatten springen? Eine Buchbesprechung Über John Cage Zu Schönbergs 100.
    [Show full text]
  • Generative Processes in Stockhausen's Lichter
    Generative processes in Stockhausen's Lichter - Wasser Oscar Bianchi Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Oscar Bianchi All Rights Reserved ABSTRACT Generative processes in Stockhausen's Lichter - Wasser Oscar Bianchi An overview on a highly intertwined generative system through Stockhausen's late piece Lichter - Wasser (1998-1999). Lichter - Wasser is a work that constantly attempts to conjugate the contemplation and the paroxism of an ur-element, the so called super formula, with the long sought utopia of the infinite progress of perception faculties (a journey formally began in 1955 with Stockhausen’s composition Gruppen, for three orchestral groups). Table of Contents I!Introduction !!!!!!!!!!!!!2 ! I.1 Why Lichter - Wasser? . .!2 1!Chapter 1!!!!!!!!!!!!! ! 3 !1.1!Licht!. !3 !1.2 !Sonntag aus Licht. .!4 2!Chapter 2!! !!!!!!!!!!! ! 5 !2.1!Generative processes in the opera cycle Licht . .! 5 !2.2!The nuclear formula . .!6 !2.3!Nuclear formula / super formula relationships . .!8 !2.4!The super formula . .. .!13 3!Chapter 3! ! !!!!!!!!!!! ! 19 !3.1!The super formula defines the cycle LICHT. .!. .!19 !3.2!The super formula defines Lichter - Wasser. !20 ! 3.3!Notes about durations and tempi in Lichter - Wasser. !22 !3.4!Super formula developments for Sonntag aus Licht. .!23 4!Chapter 4!!!!!!!!!!!!! ! 26 !4.1!Super imposed projections in Lichter - Wasser: waves and bridges. .!26 !4.2!Lichter - Wasser form. .!30 i !4.3!Formulas in Lichter - Wasser's score . .!32 5!Chapter 5!!!!!!!!!!!!!!3 7 !5.1!Spatial performance.
    [Show full text]
  • C:\Documents and Settings\Hubert Howe\My Documents\Courses
    Musical works of Karlheinz Stockhausen (b. 1928) [Information taken from www.stockhausen.org.] Nr. Chöre für Doris for choir a capella, 1950 Drei Lieder for chorus and chamber orchestra, 1950 Chorale for four-part choir a capella, 1950 Sonatine for violin and piano, 1951 Kreuzspiel (“Cross-play”) for oboe, bass clarinet, piano, percussion, 1951 Formel (“Formula”) for orchestra, 1951 Etüde, musique concrète, 1952 Spiel (“Play”) for orchestra, 1952 Schlagtrio (percussion trio), for piano and 3x2 timpani, 1952 Punkte (“Points”) for orchestra, 1952 (revised, 1962) 1 Kontra-Punkte (“Counter-points”) for 10 instruments, 1952-3 2 Klavierstücke I-IV (Piano pieces I-IV), 1952-3 (Klavierstück IV revised 1961) 3/I Studie I, electronic music, 1954 3/II Studie II, electronic music, 1954 4 Klavierstücke V-X, (Piano pieces V-X), 1954-5 (Klavierstück X revised 1961) 5 Zeitmasze (“Tempi”) for woodwind quintet, 1955-6 6 Gruppen (“Groups”) for three orchestras, 1955-57 7 Klavierstück XI (Piano piece XI), 1956 8 Gesang der Jünglinge (“Song of the Youths”), electronic music, 1955-6 9 Zyklus (“Cycle”) for one percussionist, 1959 10 Carré for four orchestras and choruses, 1959-60 11 Refrain for three players, 1959 12 Kontakte (“Contacts”) for electronic sounds, 1959-60 Kontakte for electronic sounds, piano and percussion, 1959-60 Originale (“Originals”), musical theater with Kontakte, 1961 13 Momente (“Moments”) for soprano, four choral groups and 13 instruments, 1962-4 (Revised 1965, 1998) 14 Plus/Minus 2 x 7 pages for elaboration, 1963 15 Mikrophonie I (“Microphony
    [Show full text]
  • W Cyklu Scenicznym Licht Karlheinza Stockhausena1
    Agnieszka Draus Współczesna idea „Gesamtkunstwerk” w cyklu scenicznym Licht Karlheinza Stockhausena1 Licht to siedmioczęściowe, prawie trzydziestogodzinne, interkulturowe, intersemiotyczne, intermedialne, intertery- torialne, wreszcie intertekstualne dzieło sceniczne – opus vitae Karlheinza Stockhausena. Absorbujący go przez ponad jedną trzecią aktywnego życia twórczego cykl jest syntezą tak tematów interesujących kompozytora od dłuż- szego czasu, jak i rozwiązań muzycznych. Stanowi wy- kładnię nie tylko języka muzycznego, ale i indywidualne- go idiomu kompozytorskiego Stockhausena, dającego się sprowadzić do kilku podstawowych cech: 1. Kompozytor wykorzystuje bogatą obsadę wokalną i instrumentalną, często wykraczającą poza konwen- cjonalne instrumentarium europejskie. Oznacza to stosowanie, obok tradycyjnych metod wydobywania dźwięków, również innych brzmień akustycznych, efektów odnoszących się do praktyk religijnych medy- tacji i zaklinania z wielu egzotycznych miejsc na ziemi, odgłosów onomatopeicznych, różnego rodzaju hała- sów. To właśnie owe dialekty – jak je nazywa kom- pozytor – wpływają na różnicę w komunikacji różnych grup językowych i kulturowych. Dokonując ich integra- cji w Licht, Stockhausen stosuje obok siebie dźwięki o określonej, jak i nieokreślonej wysokości, wibrata, glissanda, okrzyki, jodłowanie, śmiech, szepty, cmo- kania, pstrykania itp. W sposób indywidualny traktuje głos i instrument, zacierając niejednokrotnie różnice w ich brzmieniu. Podkreśla „mowność” instrumentów, 1 Tekst prezentuje wybrane tezy z książki poświęconej hep- talogii Licht: A. Draus, Cykl sceniczny LICHT Karlheinza Stock- hausena. Muzyczny teatr świata, Kraków 2011. 9 RReses FFactaacta NNovaova 114(23).indd4(23).indd 9 22014-02-26014-02-26 111:40:411:40:41 transponując dialekty na artykulację instrumentalną oraz instrumentalność głosu, rezygnując z semantyki tekstu na rzecz wykorzystania jego walorów akustycznych. Wprowadza głosy i instrumenty, takie jak sopran, tenor i bas oraz trąbka, fl et, base- thorn i puzon, w funkcji znaczącej bądź symbolicznej.
    [Show full text]