Internet Video: Direct-To-Consumer Services
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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Foxtel Partners with Brightcove to Live Stream Mayweather-Mcgregor Main Event
August 25, 2017 Foxtel Partners With Brightcove to Live Stream Mayweather-McGregor Main Event Biggest boxing bout of the year to be available to non-Foxtel subscribers SYDNEY--(BUSINESS WIRE)-- Ahead of the biggest boxing bout of the year and one of the most anticipated fights in the history of the sport, Foxtel has partnered with Brightcove Inc. (NASDAQ: BCOV), the leading provider of cloud services for video, to livestream the Floyd Mayweather vs. Conor McGregor fight on August 27 (AEST). In addition to being able to watch the Pay-Per-View event at home, or at licensed venues, all Australian viewers can also subscribe to and stream the fight online. The offering will complement Foxtel's existing Main Event service available over cable/satellite and in licensed venues. The announcement follows a soft launch of the online offering last month, with Foxtel live streaming Jeff Horn's victory match over Manny Pacquiao to thousands of Australians. Ed Follows, Director of Product Technology Development at Foxtel, commented, "In recent years, we've focused our efforts on finding new ways to increase customer choices, and effortlessly give customers access to our content. This is another way we're doing just that. Previously, Main Event content like this has only been available to Foxtel customers. But with the dedicated online experience, anyone can sign up, buy a ticket and immediately watch the fight, with no ongoing subscription required. It means more Australians can subscribe to ground-breaking bouts like this than ever before." "Brightcove has been a fantastic partner, managing the entire process and bringing some key partners into the mix that make this all possible," Follows said. -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites
European Scientific Journal November 2017 edition Vol.13, No.33 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites Dr. Feras Mohammed Almatarneh University of Tabuk Department of Computer Science, College Duba Saudi Arabia Doi: 10.19044/esj.2017.v13n33p305 URL:http://dx.doi.org/10.19044/esj.2017.v13n33p305 Abstract The determinants of the strategies to be employed by video streaming sites are application (mobile devices or web browsers) and container of the video application. They affect video streaming network characteristics, which is often the traffic flow, and its quality. It is against this background that studies on streaming strategies suggested the need to investigate and identify the relationship between buffer time, video stream protocol, packet speed and size, upload time, and waiting period, specifically to aid network administrative support in case of network traffic bottlenecks. In view of this, this study investigates the network characteristics of YouTube and Vimeo, using experimental methodology, and involving WireShark as network analyzer. Google Chrome and Firefox are the web browsers employed, while packet size, protocols, packet interval, TCP window size and accumulation ratio are the metrics. Short ON-OFF, Long ON-OFF, and No ON-OFF cycles are the three streaming strategies identified. It is further shown that both Vimeo and YouTube employ these strategies but the choice depends on the container of the video streamed. Keywords: Network characteristics, streaming strategies, video streaming sites, traffic flow Introduction Video streaming is one of the techniques for video distribution over the internet. It helps in lecture and news broadcast, and allows users’ access, without any geographical constraints (Karki, Seenivasan, Claypool, & Kinicki, 2010; Tan & Zakhor, 1999). -
The Impact of the Veoh Litigations on Viacom V. Youtube, 10 N.C
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 10 Article 7 Issue 2 Spring 2009 3-1-2009 Click Here to Share - The mpI act of the Veoh Litigations on Viacom v. YouTube Phong Dinh Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Phong Dinh, Click Here to Share - The Impact of the Veoh Litigations on Viacom v. YouTube, 10 N.C. J.L. & Tech. 447 (2009). Available at: http://scholarship.law.unc.edu/ncjolt/vol10/iss2/7 This Notes is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 10, ISSUE 2: SPRING 2009 CLICK HERE TO SHARE! THE IMPACT OF THE VEOH LITIGATIONS ON VIACOM V. YOUTUBE Phong Dinh' In the high-bandwidth Internet age, video sharing websites such as YouTube and Yahoo! Video are growing in popularity. The ease with which such sharing is accomplished has aided users in illegally uploading copyrighted movies, TV shows, and music. In a recent lawsuit, Viacom and its copyright-owning affiliates sought one billion dollars in damages against YouTube, one of the Web's most popular video-sharing websites, for copyright infringement. In response, YouTube invoked the affirmative defense of the Digital Millennium Copyright Act's safe harbor provisions, codified at § 512. The Act states that a service provider is not liable for hosting copyrighted information on its own system for a prolonged period of time as long the service provider has met the threshold requirementsfor these provisions and the specific requirements for at least one of the four safe harbors. -
Analyzing the Video Popularity Characteristics of Large-Scale User Generated Content Systems Meeyoung Cha, Haewoon Kwak, Pablo Rodriguez, Yong-Yeol Ahn, and Sue Moon
IEEE/ACM TRANSACTIONS ON NETWORKING, VOL. 17, NO. 5, OCTOBER 2009 1357 Analyzing the Video Popularity Characteristics of Large-Scale User Generated Content Systems Meeyoung Cha, Haewoon Kwak, Pablo Rodriguez, Yong-Yeol Ahn, and Sue Moon Abstract—User generated content (UGC), now with millions not only content consumers, but also publishers. The length of of video producers and consumers, is re-shaping the way people UGC videos is shortened by two orders of magnitude than tra- watch video and TV. In particular, UGC sites are creating new ditional videos and so is the production time. Wired magazine viewing patterns and social interactions, empowering users to be more creative, and generating new business opportunities. refers to this small-sized content pop culture as “bite-size bits Compared to traditional video-on-demand (VoD) systems, UGC for high-speed munching” [1]. services allow users to request videos from a potentially unlimited The scale, dynamics, and decentralization of UGC videos selection in an asynchronous fashion. To better understand the make their content popularity more ephemeral and unpre- impact of UGC services, we have analyzed the world’s largest dictable. As opposed to the early days of TV when everyone UGC VoD system, YouTube, and a popular similar system in Korea, Daum Videos. In this paper, we first empirically show watched the same program at the same time—for instance, the how UGC services are fundamentally different from traditional biggest hit of 1953, “I Love Lucy”, was watched by 70% of VoD services. We then analyze the intrinsic statistical properties TV households—such strong reinforcement of popularity (or of UGC popularity distributions and discuss opportunities to unpopularity) is absent in UGC. -
VIDEO Blu-Ray™ Disc Player BP330
VIDEO Blu-ray™ Disc Player BP330 Internet access lets you stream instant content from Make the most of your HDTV. Blu-ray disc playback Less clutter. More possibilities. Cut loose from Netflix, CinemaNow, Vudu and YouTube direct to delivers exceptional Full HD 1080p video messy wires. Integrated Wi-Fi® connectivity allows your TV — no computer required. performance, along with Bonus-view for a picture-in- you take advantage of Internet access from any picture. available Wi-Fi® connection in its range. VIDEO Blu-ray™ Disc Player BP330 PROFILE & PLAYABLE DISC PLAYABLE AUDIO FORMATS BD Profile 2.0 LPCM Yes USB Playback Yes Dolby® Digital Yes External HDD Playback Yes (via USB) Dolby® Digital Plus Yes BD-ROM/BD-R/BD-RE Yes Dolby® TrueHD Yes DVD-ROM/DVD±R/DVD±RW Yes DTS Yes Audio CD/CD-R/CD-RW Yes DTS-HD Master Audio Yes DTS-CD Yes MPEG 1/2 L2 Yes MP3 Yes LG SMART TV WMA Yes Premium Content Yes AAC Yes Netflix® Yes FLAC Yes YouTube® Yes Amazon® Yes PLAYABLE PHOTO FORMATS Hulu Plus® Yes JPEG Yes Vudu® Yes GIF/Animated GIF Yes CinemaNow® Yes PNG Yes Pandora® Yes MPO Yes Picasa® Yes AccuWeather® Yes CONVENIENCE SIMPLINK™ Yes VIDEO FEATURES Loading Time >10 Sec 1080p Up-scaling Yes LG Remote App Yes (Free download on Google Play and Apple App Store) Noise Reduction Yes Last Scene Memory Yes Deep Color Yes Screen Saver Yes NvYCC Yes Auto Power Off Yes Video Enhancement Yes Parental Lock Yes Yes Yes CONNECTIVITY Wired LAN Yes AUDIO FEATURES Wi-Fi® Built-in Yes Dolby Digital® Down Mix Yes DLNA Certified® Yes Re-Encoder Yes (DTS only) LPCM Conversion -
Watch Deadman Wonderland Online
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Internet Peer-To-Peer File Sharing Policy Effective Date 8T20t2010
Title: Internet Peer-to-Peer File Sharing Policy Policy Number 2010-002 TopicalArea: Security Document Type Program Policy Pages: 3 Effective Date 8t20t2010 POC for Changes Director, Office of Computing and Information Services (OCIS) Synopsis Establishes a Dalton State College-wide policy regarding copyright infringement. Overview The popularity of Internet peer-to-peer file sharing is often the source of network resource allocation problems and copyright infringement. Purpose This policy will define Internet peer-to-peer file sharing and state the policy of Dalton State College (DSC) on this issue. Scope The scope of this policy includes all DSC computing resources. Policy Internet peer-to-peer file sharing applications are frequently used to distribute copyrighted materials such as music, motion pictures, and computer software. Such exchanges are illegal and are not permifted on Dalton State Gollege computers or network. See the standards outlined in the Appropriate Use Policy. DSG Procedures and Sanctions Failure to comply with the appropriate use of these resources threatens the atmosphere for the sharing of information, the free exchange of ideas, and the secure environment for creating and maintaining information property, and subjects one to discipline. Any user of any DSC system found using lT resources for unethical and/or inappropriate practices has violated this policy and is subject to disciplinary proceedings including suspension of DSC privileges, expulsion from school, termination of employment and/or legal action as may be appropriate. Although all users of DSC's lT resources have an expectation of privacy, their right to privacy may be superseded by DSC's requirement to protect the integrity of its lT resources, the rights of all users and the property of DSC and the State. -
From Safe Harbor to Choppy Waters: Youtube, the Digital Millennium Copyright Act,And a Much Needed Change of Course
Vanderbilt Journal of Entertainment & Technology Law Volume 10 Issue 1 Issue 1 - Fall 2007 Article 3 2007 From Safe Harbor to Choppy Waters: YouTube, the Digital Millennium Copyright Act,and a Much Needed Change of Course Lauren B. Patten Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Lauren B. Patten, From Safe Harbor to Choppy Waters: YouTube, the Digital Millennium Copyright Act,and a Much Needed Change of Course, 10 Vanderbilt Journal of Entertainment and Technology Law 179 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol10/iss1/3 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. From Safe Harbor to Choppy Waters: YouTube, the Digital Millennium Copyright Act, and a Much Needed Change of Course ABSTRACT YouTube.com, named Time magazine's "Invention of the Year" for 2006 and widely recognized as the most-visited video site on the Internet, has changed the face of online entertainment. With the site's acquisition by Google in October 2006, the possibilities for YouTube's growth became truly endless. However, there is a darker side to the story of the Internet sensation, one that is grounded in its potential liability for copyright infringement. The issue is that many of the most-viewed and most-popular videos on the site are copyrighted.