Robert Gant's
Men Alone, Men Entwined: Reconsidering Colonial Masculinity CHRIS BRICKELL Introduction Two men pose together in an oval cut-out (Figure 1). The man on our right stands for the camera and lays his arm against the back of his seated companion. Both ignore the camera. They study a book instead, absorbed in the world portrayed in its pages. The pair shares a moment in time, a space, and also an intimate closeness; these are no men alone. What is their story, and what does it tell us about men‟s lives in late-nineteenth-century New Zealand? Figure 1: „Charlie reading‟, 1889. PA1-q-962-43-2, Alexander Turnbull Library (ATL) The man on our right is Robert Gant, an immigrant from England, a chemist and amateur photographer. When this photograph was taken, in 1889, Gant lived in Masterton and would have been 35. His friend is Charles Blackburn, 19, a clerk at the Masterton branch of the New Zealand Loan and Mercantile Agency. The setting appears curious at first glance, with its leaves, twigs and painted flowers, but there is an explanation. This is a stage set, installed in Masterton‟s Theatre Royal, where Gant, Blackburn and their many friends spent countless hours in rehearsals and performances. 11 Journal of New Zealand Studies NS13 (2012), 11-33. The image is one of 465 from two albums put together by Robert Gant in the early 1890s and now preserved in the Alexander Turnbull Library. Charles Blackburn‟s descendents owned the albums, and looked after them until 2007 when they shepherded the volumes into the Turnbull.
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