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Annual Review 2007-2008
• ABRSM ANN.REV. 07-08 23/4/08 15:53 Page 40 Annual Review 2007-2008 The Associated Board of the Royal Schools of Music • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 1 Contents About the Associated Board n 3 Who’s Who n 3 Highlights of the Year n 4 Chief Executive’s Review n 5 Message from the Chairman n 8 Exams and Assessments n 9 Online Innovation n 13 Commitment to Excellence n 15 Publishing n 16 Professional Development n 19 Nurturing Relationships n 22 Financial Summary n 24 New Diploma Holders n 25 Scholarships, Bursaries and Awards n 29 New CT ABRSM Holders n 30 Prize Winners n 30 Examiners n 34 CT ABRSM Course Leaders and Mentors n 36 Representatives n 37 Editor-in-chief n Leslie East Editor n Ruth Garner Design n www.9thplanetdesign.co.uk Print n Caligraving Ltd Annual Review for the year ended 31 January 2008 2 n • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 2 About the Who’s Who Associated Board The Associated Board of the Royal Schools of Music is a Patron charitable company established for the benefit of music Her Majesty The Queen education by four Royal Schools of Music in the UK: President Royal Academy of Music His Royal Highness The Prince of Wales Royal College of Music Royal Northern College of Music Governing Body Royal Scottish Academy of Music and Drama Lord Sutherland of Houndwood KT, Chairman The Associated Board’s core activity is the operation of an Professor Edward Gregson, Principal of RNCM authoritative and internationally recognized system of Dr Colin Lawson, Director of RCM exams and assessments to encourage and motivate players Professor Sir Curtis Price KBE, Principal of RAM and singers at all levels through the provision of goals and Philip Ramsbottom the measurement of progress. -
Weekly Update from the Deanаааа Upcoming Cleveland Chapter Events
Weekly Update American Guild of Organists Cleveland Chapter November 1, 2012 IN THIS ISSUE From the Dean Upcoming Cleveland Events Executive Committee News Member Yearbooks Quimby Competition Kevin Bowyer recital review Dear AGO Cleveland Colleague, Member News Welcome to the Weekly Update from the This Date in Musical History Cleveland Chapter of the American Guild of Organists! Each week on Thursday, we publish Upcoming Concerts this email newsletter to help you stay informed About Job Postings about activities and programs of the Cleveland AGO Chapter. Questions or comments? Please let us know: [email protected] Have a news item for a future issue? Send to: [email protected]. The deadline each week is Wednesday at noon for Thursday publication. From the Dean Did you weather the storm OK? My power is out at home and so I am hanging out at my church with my dog. Technically the church is closed so it is peaceful. Sunday in a bit of presentiment my choir sang "How Can I Keep from Singing". ... "No storm can shake my inmost calm while to that rock I'm clinging." Yes. Singing. These unexpected events do make us feel disoriented. We want to know what happened to others. Without access to our usual amenities we are adrift. Things take longer. We miss the certainty of our normal life and its amenities. Some of the update is in my home computer which I can't access right now. Well, we will see what comes together here. Included in this month's TAO is information about how to vote on the proposed national AGO bylaws changes. -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
Paramedic and Practice Paramedic Practice Year in Review 2014 Year in Review 2014
monash.edu Medicine, Nursing and Health Sciences Department of Community DepartmentEmergency Health of &Community Emergency HealthParamedic and Practice Paramedic Practice Year in Review 2014 Year in Review 2014 AUSTRALIA CHINA INDIA ITALY MALAYSIA SOUTH AFRICA med.monash.edu Contents Head of Department Report 2 Staff Activities 22 Highlights of 2014 3 HDR Students 27 Education Programs at DCEHPP 4 Summer Scholars 29 Emergency Health Education 5 Grants 30 Educational Innovations 10 Publications 31 Industry Partnerships 15 Staff 39 Community Engagement 20 DCEHPP: YEAR IN REVIEW 2014 01 Head of Department Report Dear colleagues, It is with great pleasure that I introduce the 2014 Year in Review for the Department of Community Emergency Health and Paramedic Practice’s (DCEHPP), Monash University. This review provides a summary of key activities in education, research, and community engagement throughout 2014. I am honoured to be leading one of challenges but provide industry-based the best and brightest paramedic solutions for the next generation of departments in the world; a department paramedics and researchers. that has demonstrated ongoing excellence in all facets and sectors of education While a number of specific highlights have and paramedic-orientated research. This occurred throughout 2014 it is important is an exciting time for the paramedic to note that our student preferences discipline in Australia offering challenges continue to increase in record numbers and opportunities within the emergency in both in the undergraduate and health care and tertiary education sectors. postgraduate groups. Our peer-review On the emergency health care front, publication output continues to shine and the current discourse and work being our PhD enrolments are at an all time undertaken regarding national paramedic high and bodes well for the future and registration appears very promising and next generation of paramedic leaders. -
BMC Medical Education Reviewer Acknowledgement 2015 Clare Partridge
Partridge BMC Medical Education (2016) 16:57 DOI 10.1186/s12909-016-0573-9 REVIEWERACKNOWLEDGEMENT Open Access BMC Medical Education reviewer acknowledgement 2015 Clare Partridge Contributing reviewers The editors of BMC Medical Education would like to thank all our reviewers who have contributed to the journal in Volume 15 (2015). Aase Aamland Heather Alexander Geoffrey Anderson Norway Australia USA Rajib Acharya Carla Alexander Don Anderson India USA USA Wilco Achterberg Syeda Ali Vivienne Anderson Netherlands Pakistan New Zealand Michelle Aebersold Hanan Al-Kadri Allen Andrade USA Saudi Arabia USA Akisibadek Afoko Jill Allison Matthias Angstwurm Ghana Canada Germany Nelia Afonso Patricia Alpert Nigel Armfield USA USA Australia Pooja Agarwal Abdullah Alzahem Richard Arnett USA Saudi Arabia Ireland Rola Ajjawi Anthony Amalba Andleeb Arshad UK Ghana Kuwait Fares Alahdab Santushi Amarasuriya Elpida Artemiou USA Sri Lanka Saint Kitts And Nevis Najlaa Alamoudi Gowri Anandarajah Aimee Aubeeluck Saudi Arabia USA UK John Albarran Douglas Ander Marc Auerbach UK USA USA Mohamed Al-Eraky Liz Anderson Myo Nyein Aung Saudi Arabia UK Thailand Correspondence: [email protected] BioMed Central, Floor 6, 236 Gray’s Inn Road, London WC1X 8HB, UK © 2016 Partridge. Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The Creative Commons Public Domain Dedication waiver (http://creativecommons.org/publicdomain/zero/1.0/) applies to the data made available in this article, unless otherwise stated. -
Contemporaries, Referring to the Monotonou
" proper form." By the time the toast of the Worshipful A REFORM IN MASONIC TOASTING. Master is reached at an ordinary gathering most of the T AST week we inserted a paragraph from one of our company are about tired of the talkee-talkee, and it very -*-^ contemporaries, referring to the monotonous way in often happens that the remaining toasts have to be rushed which the toasts are given at Masonic meetings, in which through, in order to clear them off before closing time ; it was urged that surely some originality could penetrate while it . is no unusual sight to witness the departure of into a Masonic gathering. We ventured to differ in this half or two thirds of a company long before the list is respect, as at the time of writing we almost feared brought near . a conclusion. there was no escape from the weary hum-drum process If there was anything fresh to be urged in connection of mutual admiration and all round back scrubbing we with these early complimentary toasts we should be the have so long been accustomed to, but before our words last to advocate their curtailment, but it is one wearisome were printed we found that reform was . possible, the repetition time after time, with never a change to break lesson coming from the highest in the Craft , the Most the monotony of the thing. Why not, then, follow the Worshipful the Grand Master himself, who demonstrated excellent example set by our Grand Master, cut off the to the large assembly present at the Centenary Festival superfluous " gas " from the start, and at once get to work of the Boys School, at the Albert Hall, that there with the toasts which afford a little scope for the exercise was no necessity for the monotonous repetition of tho of originality in proposition or response ? same old toasts we have all long since become heartily If the Grand Officers felt aggrieved at being thus shorn sick of. -
The Best of Kevin Bowyer Discover
The Best of Kevin Bowyer Discover NI 1708 1 NI 1708 DISCOVER … Organ Masterworks of the 20th Century Also available by Kevin Bowyer Kevin Bowyer Marcussen Organs at The Chapel of St. Augustine, Tonbridge School, Kent, UK and at * Odense Cathedral, Denmark DISC ONE 78.14 1 Carl Nielsen (1865-1931) Commotio Op. 58 (1931) *21.21 Franz Syberg (1904-1955) 2-4 Präludium, Intermezzo og Fugato (1934) *17.13 www.wyastone.co.uk ‘search’ bowyer I Praludium (5.58) II Intermezzo (5.03) III Fugato (6.14) 5-7 Paul Hindemith (1895-1963) Sonate II (1937) *10.45 I Lebhaft (3.57) II Ruhig bewegt (4.00) III Fuge. Massig bewegt, heiter (2.48) Arnold Schoenberg (1874-1951) 8 Variations on a Recitative Op. 40 (1941) *14.40 Peter Maxwell Davies (1934-2016) 9 Fantasia on ‘O Magnum Mysterium’ (1960) 14.13 2 NI 1708 NI 1708 23 DISC TWO 78.06 1-3 Per Nørgård (b.1932) Partita Concertante Op. 23 (1958) *19.40 I Fantasia (7.06) II Canto variato (5.57) III Toccata (6.43) Malcolm Williamson (1931-2003) 4-5 Epitaphs for Edith Sitwell (1965) 5.28 I Adagio (3.09) II Adagio (2.19) 6 Jean Langlais (1907-1991) Poem of Happiness (1967) 6.21 Recorded at the Carthy Organ, Jack Singer Concert Hall, Calgary, Canada 7 Jehan Alain (1911-1940) Le Jardin Suspendu 6.25 Alan Ridout (1934-1996) 8-14 The Seven Last Words (1967) 18.25 I ‘Father forgive them: for they know not what they do’ (1.40) II ‘Woman, behold thy son…Behold thy mother’ (3.02) III ‘My God, my God, why hast Thou forsaken me?’ (1.32) IV ‘Verily I say unto thee: Today shalt thou be with me in paradise’ (3.05) V ‘I thirst’ (1.51) VI ‘It is finished’ (3.35) VII ‘Father, into Thy hands I commend my spirit’ (3.40) 15 Henryk Górecki (1933-2010) Kantata Op. -
PIPEDREAMS Programs, June 2021 Spring Quarter
PIPEDREAMS Programs, June 2021 Spring Quarter: The following listings detail complete contents for June 2021 Spring Quarter broadcasts of PIPEDREAMS. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 2123 (distribution on 6/7/2021) Stringing Along . the combination of pipe organ and stringed instruments plays to the strengths of each. [Hour 1] ARCANGELO CORELLI: Violin Sonata in E, Op. 5, no. 11 –Elisabeth Zeuthen Schneider, violin; Ulrik Spang- Hanssen (2005 Klop/Hendrikshol Church, Copenhagen, Denmark) Bridge 9371 JOSEF RHEINBERGER: Theme & Variations, Op. 150, no. 1 –Michal Sobieski, violin; James Biery (1963 Aeolian-Skinner/Cathedral of St. Paul, St. Paul, MN) Soundmaster 8631 MARK WINGES: Night Voiced –Ellen Ruth Rose, viola; Mark Winges (1967 Swain & Kates-1989 McNeil/St. Ignatius Church, San Francisco, CA) Ravello 7880 MARCEL DUPRÉ: Sonata for Cello and Organ, Op. -
Shared Decision-Making Clinical Indicators System-Level Measures Quality Improvement Concierge Medicine Technology Adoption
Asia Pacific Journal of Health Management Volume 11 Issue 2 – 2016 The Journal of the Australasian College of Health Service Management Features: Shared decision-making Clinical indicators System-level measures Quality improvement Concierge medicine Technology adoption . and much more CONTENTS EDITORIAL Co-creating and Developing Health Management Theory and Practice: a global opportunity? 4 In this Issue 7 To the Editor – Natasha Farrell 8 VIEW POINTS – INTERVIEWS, COMMENTARIES 10 Implementation of Shared Decision-Making in Australia Kaye Ervin, Irene Blackberry and Helen Haines REVIEW ARTICLE 12 A Review of the ACHS Clinical Indicator Program after 20 years Brian Collopy, Christine Dennis, Linda O’Connor and Myu Nathan RESEARCH ARTICLE 18 Developing and Implementing a Framework for System Level Measures: lessons from New Zealand Fiona Doolan-Noble, Mataroria Lyndon, Andrew Hill, Jonathon Gray and Robin Gauld REVIEW ARTICLE 27 Making Hospital Governance Healthier for Nurses Kim Clark and Shelley Beatty REVIEW ARTICLE 33 Financing Healthcare in Indonesia Suryanto, Virginia Plummer and Malcolm Boyle RESEARCH ARTICLE 39 Addressing Health Insurance Deductions through an Interventional Study: the Case of a Large Central Hospital Neda Hashemi, Erfan Kharazmi, Asiyeh Salehi, Shekoufe Ghaderi and Nahid Hatam RESEARCH ARTICLE 49 Assessing the Adoption of a Home Health Provisioning System in India: an analysis of doctors’ knowledge, attitudes and perceptions Nikunj Agarwal, MP Sebastian and Shikhar Agarwal RESEARCH ARTICLE 65 Correlations and Organisational Efects of Compensation and Benefts, Job Satisfaction, Career Satisfaction and Job Stress in Public and Private Hospitals in Lucknow, India Himanshu Rai and Neha Saxena GUIDELINES FOR CONTRIBUTORS 75 COVER: ASCHM engaging with the Asia Pacifc through the APJHM – Health Management contributions from fve nations. -
Venerdì 27 Aprile 2018, Ore 21 REGGIO EMILIA Basilica Della Beata Vergine Della Ghiara Corso Garibaldi Marco Lo Muscio Organo
Associazione Cappella Musicale San Francesco da Paola di Reggio Emilia www. solideogloria.eu Venerdì 27 aprile 2018, ore 21 REGGIO EMILIA Basilica della Beata Vergine della Ghiara Corso Garibaldi Marco Lo Muscio organo Elena Biasi arpa Coro Giaches de Wert (Novellara, Reggio Emilia) Francesca Canova direttore Il programma Benjamin Britten (1913-1977) Procession da A ceremony of Carols op. 28 versione per coro femminile Jean Langlais (1947-2017) Je vous salue Marie John Bull (1562-1728) In Nomine Thomas Åberg (1952) Toccata XVI Camille Saint-Saëns (1835-1921) Ave Maria per due voci femminili Giacomo Puccini (1858-1924) Ave Maria da Suor Angelica Ludwig van Beethoven (1770-1827) O Sanctissima WoO 157, n. 4 Marco Lo Muscio (1971) In Memoriam Fantasia Omaggio a Landino György Ligeti (1923-2006) Due brani da Musica Ricercata Don Giuseppe Morosini (1913-1944) Ninna nanna per foci femminili Giovanni Giacomo Gastoldi (1555 circa-1609) Gioia del cuore per coro a 5 voci (tema da "L'innamorato") Camille Saint-Saens Tollite hostias dall'Oratorio di Natale op. 12 Amazing grace canto spirituale di probabile origine scozzese su testo di J. Newton Ennio Morricone (1928) Angele Dei testo liturgico sul tema di "Mission" elaborato a 4 voci Carson Cooman (1982) Litany Gli interpreti Marco Lo Muscio Marco Lo Muscio è tra i più poliedrici musicisti della sua generazione: organista, pianista e compositore. Collabora spesso con artisti internazionali come Kevin Bowyer, David Jackson, John e Steve Hackett (Genesis). Le composizioni di Marco vengono eseguite in -
Services and Music October 2016
Services and Music October 2016 Saturday 22 October Wednesday 26 October Visiting Choir: The Plaxtol Scholars Alfred the Great, King of the West Saxons, Scholar, 16.15 Choral Evensong 899 Officiant: Canon Jeremy Dussek 17.30 Said Evening Prayer Responses: Millington Officiant: Rev’d Denise Williams Hymn: 410 Psalm: 108 Thursday 27 October Adrian Batten in A minor 13.10 ORGAN RECITAL by Roger Fisher Services and Music O for a closer walk with God Grayston Ives (Chester Cathedral) Sunday 23 October 17.30 Choral Evensong The Last Sunday after Trinity Officiant: The Dean October 2016 Visiting Choir: The Plaxtol Scholars Responses: John Sanders 10.00 The Cathedral Eucharist Psalms: 126, 127, 128, 129, 130, 131 President: The Dean The Short Service Edmund Hooper Preacher: Archdeacon Macclesfield Regular services Missa Brevis Palestrina Friday 28 October Dean: Ave verum William Byrd Simon and Jude, Apostles The Very Revd 17.30 Choral Evensong Professor Gordon 11.30 Mattins Officiant: Canon Peter Howell-Jones McPhate President: Rev’d Mike Kirby Responses: Harrison Oxley Sunday Preacher: Canon Jeremy Dussek Hymn: 195 Responses: Millington Psalms: 136, 137, 138 08.00 Holy Communion (BCP) (Lady Chapel) Vice Dean: Hymns: 486, 370, 438 Francis Jackson in C The Revd Canon Psalm: 119 (vv 105-128) I will worship George Dyson 10.00 The Cathedral Eucharist (Nave) Peter Howell-Jones Te Deum Henry Smart Jubilate Charles Villiers Stanford Saturday 29 October 11.30 Mattins (BCP Eucharist 1st & 3rd Sundays) Precentor: Teach me O Lord Philip Stopford Visiting -
Producing Evidence for the Beatification of a Composer: Sorabji’S Deijication of Busoni’
Producing Evidence for the Beatification of a Composer: Sorabji’s DeiJication of Busoni’ BY MARC-ANDRÉ ROBERGE There has been in recent years an upsurge of interest in the music of a number of nineteenth and twentieth-century composer-pianists who have long been considered outsiders in European music history, such as Charles-Valentin Alkan (1813-88), Ferruccio Busoni (1866-1924), Leopold Godowsky (1870-1938) and Kaikhosru Shapurji Sorabji (1892-1988). Their status as outsiders resulted mainly from the length and complexity of several of their works and from the lack of clear boundaries between original composition and transcription, in which they had a marked interest. Their works, even though they still appear but rarely on concert programmes, are now performed with increasing frequency. First editions or reprints of their music are issued with some regularity, as are books and articles; furthermore, several enterprising pianists are now recording interesting works and masterpieces long kept in the shadow for lack of suitable performers. As I have shown elsewhere,* all these composers are part of an extensive “Busoni network”, i.e. a group of composers and performers who can be linked in one or more ways to Busoni and, to a lesser extent, to Sorabji: they had studied with Busoni or with one of his pupils; they had performed works by Busoni or Sorabji; they had written about either composer; they had transcribed or edited one or more of their works; finally, they incorporated quotations from their works into their own compositions or used them as models. To this core group of (mostly English- speaking) composers could be added numerous editors, musicologists and writers (also mostly English-speaking) as well as friends and disciples of the composers of the network.