A Tour of the Royal Canadian Military Institute Library W

Total Page:16

File Type:pdf, Size:1020Kb

A Tour of the Royal Canadian Military Institute Library W Number 62/Fall 2017 ELAN ELAN Ex Libris Association Newsletter www.exlibris.ca INSIDE THIS ISSUE An Edwardian Interlude: A Tour of 1 the Royal Canadian Military Institute Library An Edwardian Interlude: A Tour of the Royal By Tom Eadie Canadian Military Institute Library President’s Report 2 By Tom Eadie By Elizabeth Ridler n May 15, 2017, a cadre Ex Libris Biography Project 2 of Ex Libris members was By Nancy Williamson given a tour of the Royal Canadian Military Institute Library W. Kaye Lamb Award for Service to Seniors 3 O By Rick Ficek by Librarian Penny Lipman. The Royal Canadian Military News We Are Watching 3 Institute (RCMI) was founded in 1890, and the cornerstone of the original RCMI Librarian Penny Lipman (standing) Letter to the Editor 4 building was laid in 1907. That building, conducted the tour. Technology Unmasked: Makerspaces 5 so long a part of the streetscape of By Stan Orlov University Avenue in Toronto, was sold in 2010. Four years later the RCMI was Credit Overdue 6 rehoused in the first six floors of a new By John Warrener condominium building on the site. The institute’s granite facade was preserved Why I Became a Library Technician 7 By Doug Willford for the new construction in its original location, 426 University Avenue. Early weaponry is displayed overhead. GONE BUT NOT FORGOTTEN: DEFUNCT 8 Inside, the RCMI Library maintains LIBRARY ASSOCIATIONS the Edwardian style set by the facade, The Canadian Library Council, Inc., with dark wooden bookshelves, library English. (Well, Wolfe won, dammit.) 1941–1946 By Lorne Bruce ladders to reach elevated parts of the The collection size is somewhat collection, and realia such as swords indeterminate (through much of its Library Treasures of Britain: The Lincoln 10 and dioramas featuring Victorian toy history the library has been managed by Cathedral Library soldiers. Current library technology is volunteers from the membership, and By Guy Robertson unobtrusive. A self-described “special record-keeping has sometimes been institution that focuses on the provision idiosyncratic), but a figure of 30,000 Libraries Named after Librarians 11 By Suzette Giles of educational and charitable activities,” volumes has been mentioned. The it has the appearance of a well- collection has outgrown its quarters, Book Reviews 12 appointed private club, with formal and and weeding and storage are issues. Edited by Susan Ibbetson informal dining areas (interesting menu The library, its collection, and and a damned fine wine list), museum, the challenges facing the current Crisis for Saskatchewan Public Libraries 13 and gymnasium. Something of the librarian engaged the Ex Libris By Michael Shires character of the institute is captured by group. And the library space itself the fact that women were excluded from is compellingly attractive to old- News from the Provinces 14 membership until 1972, prior to which school book persons. It is obvious News from Canadian 17 time there was a ladies’ entrance, to be why the space is pressed into service Library/Information Studies Schools used when women were invited to dine. as a site for dinners and weddings. The RCMI Library is the largest The tour was followed by a Milestones 18 private military library in Canada. lively lunch at The Merchant Largely based on gifts, the collection (a “traveller’s tavern” at provides interesting resources for 181 University Avenue, featuring military historians, though it is craft beers, Canadian wine, and an primarily a members’ reading collection. eclectic menu). Thanks to Vivienne n It also consists primarily of works in James for organizing this tour. 2 ELAN Number 62/Fall 2017 President’s Report Ex Libris Biography By Elizabeth Ridler Project am pleased to report accepted the vice-president’s position, By Nancy Williamson that the Canadian to be confirmed with the election of Federation of officers at the 2017 AGM. Thanks to s of August 1, 2017, the ILibrary Associations/ Chair of the Website Committee Lorne biography database comprises Fédération canadienne Bruce who, in co-operation with Bob 112 names. Recent additions des associations de Henderson, oversees the Ex Libris Ainclude Katharine Greenfield, bibliothèques (CFLA- listserv and website. Congratulations Brian Land, Fred Landon, James FCAB) — of which Ex Libris is a to our Archivist, Nancy Williamson, Talman, and Maureen Woods. In member — sent a letter of protest to for 112 biographies of notable the works is Kent Haworth. the Government of Saskatchewan with Canadian librarians, published in the We have begun to receive regard to the severe financial and service Ex Libris database and including the biographies from living retired cutbacks planned for Saskatchewan biography of the late Brian Land. librarians, which are very helpful for public libraries in the 2017 provincial (See the article by Nancy Williamson later use. Please keep them coming! n budget. Saskatchewan citizens protested at top right.) Vivienne James arranged Contact Nancy Williamson. so vigorously against these cuts that a most interesting tour of the Royal the provincial government returned Canadian Military Institute Library on the library funding to its previous level. May 15. (See the cover article by Tom Write for ELAN (See the article by Michael Shires in Eadie in this issue.) Bob Henderson this issue, page 13). This spring the reports that membership is stable The Newsletter Committee welcomes Government of Ontario also moved and may increase slightly this year. contributions from our members. to defund a Toronto Public Library Thank you to Rick Ficek, Chairman reference service that served the entire of the W. Kaye Lamb Committee, We are seeking articles, news items, and province, on the grounds of lack of use. who has advertised across Canada ideas that you think would be of interest This funding cut was reversed within for nominations for the 2018 Award to Ex Libris members for publication 24 hours once the public was for service to seniors; the CFLA- in ELAN. Please submit your articles informed by librarians and other FCAB has helped publicize the on items of interest to our members, researchers that the rationale for the award. (See the article by Rick including your memoirs of early days reduction was based on outdated Ficek in this issue, on page 3.) or important figures in librarianship, figures and that usage of the reference Lorne Bruce and Peter McNally library history, your own career, and service actually was increasing! honour the 150th anniversary your current activities in the field. Be sure to set aside November 6 for of Confederation with articles the Ex Libris 2017 Annual Conference throughout this issue. We especially need contributions and AGM. (See program information I wish to thank all Ex Libris to our regular feature, “Why in the Upcoming Events box, below.) members and board members for I Became a Librarian.” The Ex Libris board welcomed Tom their support and participation in Eadie and Wendy Newman as elected the Ex Libris Association during For submission information, n new board members; Tom Eadie has my second year as President. see the back page. Upcoming Events November 6, 2017 — Ex Libris Association 2017 Annual Conference and AGM The conference will be held at Northern District Branch, Toronto Public Library, Orchard View Boulevard and Yonge Street. Join us to catch up with friends and enjoy the presentations: Ann Cox, Manager, Metadata And Regions, Libraries and Archives, English Service, CBC, will speak on Libraries of the Future and Past — CBC Archives. Loryl MacDonald, Interim Chief Librarian, Thomas Fisher Rare Book Library, University of Toronto, will speak on Libraries of the Past and Future — Rare Book Libraries. Arlene Chan, retired Librarian Manager, Toronto Public Library, will speak on Chinese Canadians, the New Reference Library, and Chinese Canadian Archives. Ex Libris Fall 2017 Toronto Library Tour ELA members are asked to watch their email for information on the fall library tour. ELAN Number 62/Fall 2017 3 W. Kaye Lamb Award for Service to Seniors Celebrating 150 Years By Rick Ficek of Canadian Libraries: National Library his biennial award is a major activity of the Ex Libris Association (ELA) of Canada (NLC)/ and is co-sponsored by the Canadian Federation of Library Associations/ Bibliothèque Fédération canadienne des associations de bibliothèques (CFLA- Nationale du Canada TFCAB). It is given, when merited, in honour of William Kaye Lamb, the first National Librarian of Canada, Dominion Archivist, and eminent historian n 1883 Sir John A. Macdonald (1904–1999). Any Canadian public, academic, or special library is eligible. said “Canada really ought to have a The award recognizes a library that has developed an ongoing service, nationalI library,” but attempts to have program, or procedure of benefit to seniors and/or a design and organization the Library of Parliament fill this role of buildings or facilities that improve access and encourage use by seniors. proved unsuccessful. Establishment in We urge you to nominate an outstanding library or ask the library to apply. 1950 of the Canadian Bibliographic Centre, and recommendations by the Time is short — the deadline for the 2018 award is November 30, 2017! 1951 Massey Commission, preceded the 1952 parliamentary legislation. From its The winning library receives an award of $500, a mounted framed certificate, and start in 1953, the NLC’s administration “bragging rights” via Canada-wide publicity in the Spring 2018 issue of ELAN. was highly integrated with what was An ELA committee reviews the submissions and makes a recommendation to the later named the National Archives. n executives of the Ex Libris Board. The NLC embarked upon projects of national importance: creating the Canadian Union Catalogue; publishing a current national bibliography, Canadiana (1951–); exercising its legal To apply, please provide: depository privileges for every title • library name published or printed in Canada; and • statement of the service or facility of benefit to the senior population transferring 300,000 volumes from served (and, if available, photographs, promotional or advertising materials the Library of Parliament.
Recommended publications
  • City of Vaughan Extract from Council Meeting Minutes Of
    CITY OF VAUGHAN EXTRACT FROM COUNCIL MEETING MINUTES OF APRIL 24, 2006 Item 1, Report No. 21, of the Committee of the Whole, which was a considered by the Council of the City of Vaughan on April 24, 2006, was dealt with by approving: That this matter be deferred to allow consultation with the Kleinburg Business Improvement Area (KBIA) and the Kleinburg Area Ratepayers Association (KARA). 1 PHOTOGRAPHY PERMITS (Proposed Amendments To Fees And Charges By-Law 396-2002 As Amended) No one appeared either in support of or in opposition to this matter. The Committee of the Whole recommends that the recommendation contained in the following report of the Commissioner of Community Services and Director of Recreation and Culture, dated March 6, 2006 be approved, as amended, at the Council meeting of March 20, 2006: Council, at its meeting of March 20, 2006, adopted the following: That the recommendation contained in the Photography Permits report of the Committee of the Whole meeting of March 6, 2006, be approved subject to the following amendments to the Terms and Conditions: PROCESS: Kleinburg Scout House and Railway Station only: Multiple, non-exclusive permits will be processed during the peak wedding period (Saturdays from noon-6pm). A permit will grant access to the site within the complete time period (noon – 6pm) and the permit holder will have non-exclusive use on a first-come, first-served basis. Staff, scheduled during peak periods, will enforce the order of arrivals and allow access to those without a permit once the personal details are obtained (name and address) to process a permit the following business day.
    [Show full text]
  • March 2005 Volume 20, Issue 3 CSLA ANNOUNCES 2005 AWARDS OF
    March 2005 Volume 20, Issue 3 CSLA ANNOUNCES 2005 AWARDS OF EXCELLENCE IN LANDSCAPE ARCHITECTURE The Canadian Society of Landscape Architects (CSLA) is pleased to announce that 30 projects located in Canada, the United States and France have won national and regional recognition in the prestigious 2005 CSLA Awards of Excellence in Landscape Architecture. The Montreal, Quebec company of Williams, Asselin, Ackaoui et associés working in collaboration with André Plante representing the Ville de Québec won the National Honour Award for their rehabilitation design of Honoré Mercier Avenue in Quebec City. The National Merit Award winners are: • Landplan Collaborative Ltd. (Guelph, Ontario) for the Royal Botanical Gardens Land Use Plan in Burlington, Ontario; • Fauteux et associés architectes paysagistes (Montreal, Quebec) for the Montreal park plan Parc de la coulée Grou: plan directeur et realisation de la phase 1; • Claude Cormier architectes paysagistes inc. (Montreal, Quebec) for the Blue Tree project in Sonoma, California; and • Durante Kreuk Inc. (Vancouver, British Columbia) for Mole Hill Housing in Vancouver. The National Citation Award winner is University of Guelph Associate Professor Nancy Pollock-Ellwand for Landscape Legacies: Created Space from the Prehistoric to the Present, a book with accompanying CD-ROM created for the Office of Open Learning at the University of Guelph. The Regional Honour Award winners are: • Stantec Consulting Ltd. (Ontario) for Historical Research of the Thoreau MacDonald Property in Vaughan, Ontario; • Carlyle + Associates (Edmonton, Alberta) for the Oliver Village in Edmonton; • The MBTW Group (Toronto, Ontario) for the City of Niagara Falls (Ontario) Streetscape Master Plan and Urban Design Guidelines; and • Van Der Zalm + Associates Inc.
    [Show full text]
  • S. Macpherson
    From Spectator to Citizen: Urban Walking in Canadian Literature, Performance Art and Culture Sandra MacPherson Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Department of English Faculty of Arts University of Ottawa © Sandra MacPherson, Ottawa, Canada, 2018 ii Abstract This dissertation examines urban walking in Canada as it deviates from a largely male peripatetic tradition associated with the flâneur. This new incarnation of the walker— differentiated by gender, race, class, and/or sexual orientation—reshapes the urban imaginary and shifts the act of walking from what is generally theorized as an individualistic or simply transgressive act to a relational and transformative practice. While the walkers in this study are diverse, the majority of them are women: writers Dionne Brand, Daphne Marlatt, Régine Robin, Gail Scott, and Lisa Robertson and performance artists Kinga Araya, Stephanie Marshall, and Camille Turner all challenge the dualism inscribed by the dominant (masculine) gaze under the project of modernity that abstracts and objectifies the other. Yet, although sexual difference is often the first step toward rethinking identities and relationships to others and the city, it is not the last. I argue that poet Bud Osborn, the play The Postman, the projects Ogimaa Mikana, [murmur] and Walking With Our Sisters, and community initiatives such as Jane’s Walk, also invite all readers and pedestrians to question the equality, official history and inhabitability of Canadian cities. As these peripatetic works emphasize, how, where and why we choose to walk is a significant commentary on the nature of public space and democracy in contemporary urban Canada.
    [Show full text]
  • A Cultural Trade? Canadian Magazine Illustrators at Home And
    A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery.
    [Show full text]
  • The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
    Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past.
    [Show full text]
  • Tom Thomson's Paintings Are Frequently Reproduced As Icons of Canadian Nationalism
    'OURIDEAL OF AN ARTIST': TOMTHOMSON, THE IDEAL OF MANHOODAND THE CREATIONOF A NATIONALICON (1 9 17-1 947) by Ross DOUGLASCAMERON A thesis submitted to the Department of History in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada September, 1 998 Copyright 6 Ross Douglas Carneron, 1998 National Library Bibliothèque nationale I*B of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Wwa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial'extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Tom Thomson's paintings are frequently reproduced as icons of Canadian nationalism. His best known works, such as "A Northern River," "The Jack Pine," and "The West Wind," have been reproduced in such various forms as postage starnps, coins, coasters and posters.
    [Show full text]
  • "The West Wind" by Tom Thomson
    "THE WEST WIND" BY TOM THOMSON (1877-1917) by CAROLYN WYNNE MACHARDY B.A., University of Alberta, 1972 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (The Department of Fine Arts) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1978 (c) Carolyn Wynne MacHardy, 1978 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree 'that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1WS Date ABSTRACT This thesis discusses Tom Thomson's (1877-1917) last and perhaps most famous canvas, The West Wind. Chapter One considers the facts concerning the paint• ing and its sketch and reviews the various hypotheses advanced concerning the dating of the two works and the site from which the sketch was done. In the absence of any specific documents concerning The West Wind, it is necessary to refer to the testimonies of friends and acquaintances of Thomson, and occasionally to those of people whose interest in Thomson prompted them to individual research and speculation. It also outlines the history of both the sketch and the canvas following the death of Thomson in 1917 and problems concerning the title by which the canvas is known.
    [Show full text]
  • The Carl Schaefer Collection of Thoreau Macdonald Material Let
    The Carl Schaefer Collection of Thoreau MacDonald material Let~ers from Thoreau MacDonald to Schaefer, 1924-75; a large collection of Christmas and occasional cards, several of which are originals; original lino-cuts; printer's proofs of lino-cuts and pen drawings; printed material; clippings. '3 Extent: a boxes: 2 ft. Gift of Carl Schaefer, November, 1986. Biographical note: Carl Fellman Schaefer was born in Hanover, Ontario, in 1903. He studied at the Ontario College of Art, 1921-24, after which he worked as an assistant to such artists as J.E.H. MacDonald and Emanuel Hahn and as an itinerant church decorator and sign painter. He taught art at the Central Technical School, Toronto, 1930-1940, as well as at Trinity College Schoo[L, Port Hope. He held his first show in 1924 and first exhibited with the Ontario Society of Artists in 1925, the Group of Seven, 1928, and the Canadian Group of Painters, 1933; he was given a joint show with David Milne, Paraskeva Clark and Caven Atkins by the Art Gallery of Toronto in 1932. During the 1930's, Schaefer painted the Hanover landscapes for which he perhaps became best-known. Schaefer was the first Canadian painter to be awarded a Guggenheim Foundation fellowship and he spent 1940-41 painting in Vermont near -. Dartmouth College. He returned to teaching at the Central Technical School and Trinity College School, 1941-1943, then was invited to become an official war artist and enlisted with the R.C.A.F. in 1943. He was attached to various bomber squadrons in England and Northern Ireland until 1944, posted to Iceland and then Rockcliffe, and discharged in 1946 after creating over 100 works for the Canadian War Records.
    [Show full text]
  • 26727 Consignor Auction Catalogue Template
    CONSIGNOR CANADIAN FINE ART AUCTIONEERS & APPRAISERS Auction of Important Canadian Art May 29, 2018 SPRING AUCTION OF IMPORTANT CANADIAN ART LIVE AUCTION TUESDAY, MAY 29TH AT 7:00 PM GARDINER MUSEUM 111 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario Yorkville Anenue Bedford Rd. Bedford AVENUE RD. AVENUE Cumberland Street ST. GEORGE ST. ST. BLOOR STREET WEST ROYAL GARDINER ONTARIO MUSEUM MUSEUM QUEENS PARK Charles Street West ON VIEW CONSIGNOR GALLERY 326 Dundas Street West, Toronto, Ontario MAY 1ST TO 26TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm MAY 27TH TO 29TH Sunday, May 27th: 11:00 am to 5:00 pm Monday, May 28th: 9:00 am to 5:00 pm Tuesday, May 29 th: 9:00 am to 1:00 pm 326 Dundas Street West (across tHe street from tHe Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 4 CONSIGNOR CANADIAN FINE ART | Spring Auction 2018 Rob Cowley President Canadian Art Specialist 416-479-9703 Consignor Canadian Fine Art presents an innovative partnership [email protected] within the Canadian art industry. Te venture acts to bridge the services of the retail gallery and auction businesses in Canada with a team of art industry professionals who not only specialize in consultation, valuation, and professional presentation of Canadian art, but who also have unparalleled reputations in providing exceptional service to the specialized clientele. Mayberry Fine Art partner Ryan Mayberry and auction industry veterans Rob Cowley Lydia Abbott and Lydia Abbott act as the principals of Consignor Canadian Vice President Fine Art, a hybridized business born in response to the changing Canadian Art Specialist landscape of the Canadian art industry.
    [Show full text]
  • Thoreau Macdonald Collection CA OTAG SC104
    E.P. Taylor Research Library & Archives Description & Finding Aid: Thoreau MacDonald Collection CA OTAG SC104 Amy Marshall Furness Gary Fitzgibbon, 2013 317 Dundas Street West, Toronto, Ontario M5T 1G4, Canada Reference Desk: 416-979-6642 www.ago.net/research-library-archives Thoreau MacDonald collection Thoreau MacDonald collection Dates of creation: 1933–1979 Extent: 1 portfolio 2 v. of drawings 21 p. of textual records 4 prints Biographical sketch: Thoreau MacDonald (1901–1989) was a Canadian artist, book illustrator and art editor. Son of Harriet Joan Lavis and Group of Seven painter J.E.H. MacDonald, he was born outside Toronto and named for American transcendentalist author Henry David Thoreau (1817–1862). Largely self-taught, Thoreau MacDonald worked with his father to develop his artistic ability. His prints and drawings are chiefly in black and white owing to colour blindness. He never married. Thoreau MacDonald’s working career was spent for the most part at the Ryerson Press and Canadian Forum magazine, for which he produced hundreds of drawings and linocuts. In 1933 he became a founding member of the Canadian Group of Painters. He was especially regarded for his prints and drawings of subjects from nature. In the late 1930s he founded the Woodchuck Press in Thornhill, Ont. to produce bookplates and labels along with illustrated publications. Thoreau MacDonald died in Toronto in 1989. His work is in the collections of the Art Gallery of Ontario, Hart House at the University of Toronto, the McMichael Collection and the National Gallery of Canada. Custodial history: Materials now constituting the Thoreau MacDonald collection were acquired beginning in 1970 when Sybille Pantazzi, librarian of the Art Gallery of Ontario, purchased the page layouts for Maria Chapdelaine.
    [Show full text]
  • Yulia Biriukova and the Lumberman in the National Vision of Canada in the 1930S
    Yulia Biriukova and The Lumberman in the National Vision of Canada in the 1930s Alena Krasnikova A Thesis in The Department of Art History Presented in Partial Fulfillment of the Requirements for the Degree of Masters of Arts (Art History) at Concordia University Montreal, Quebec, Canada September, 2018 © Alena Krasnikova, 2018 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Alena Krasnikova Entitled: Yulia Biriukova and The Lumberman in the National Vision of Canada in the 1930s and submitted in partial fulfillment of the requirements for the degree of Masters of Arts (Art History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ______________________________________ Chair ______________________________________ Examiner Dr. Anne Whitelaw ______________________________________ Examiner Dr. Johanne Sloan ______________________________________ Supervisor Dr. Kristina Huneault Approved by: ______________________________________ Dr. Kristina Huneault Graduate Program Director ___________ 2018 ______________________________________ Rebecca Taylor Duclos Dean of Faculty of Fine Arts ! Abstract Yulia Biriukova and The Lumberman in the National Vision of Canada in the 1930s Alena Krasnikova This thesis is dedicated to the artistic legacy of a little-known Russian-born Canadian painter and drawer, Yulia Biriukova (1895-1972), active in Toronto primarily during the 1930s. Using her painting The Riverman, Frenchy Renaud (1935) from the Art Gallery of Hamilton, I seek to reassess the problematic of Canadian portraiture of the interwar period through such notions as national symbols and typology. Being an individual who came to Canada as an experienced artist, Biriukova reflected the Canadian world that she saw.
    [Show full text]
  • History of Art Libraries in Canada (2006, Rev. 2012)
    History of Art Libraries in Canada Histoire des bibliothèques d’art au Canada www.arliscanada.ca/hal Sponsored by / Commandité par: ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA National Gallery of Canada Library and Archives Musée des beaux-arts du Canada Bibliothèque et Archives ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA ARLIS/NA ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA Table of Contents Table des matières Introduction Reflections Through the Looking Glass: Murray Waddington The Story of the Fine Arts Library at the Uni- versity of British Columbia Introduction Diana Cooper, Peggy McBride Murray Waddington Traduit par Denise Loiselle A Library for Artists: The Early Years of The Banff Centre Library ARLIS/Canada: James Rout The First Ten Years Jonathan Franklin The Whyte Museum of the Canadian Rockies Bob Foley ARLIS/Canada : les dix premières années The Alberta College of Art + Design: Jonathan Franklin Luke Lindoe Library Traduit par Denise Loiselle Christine Sammon A History of the Canadian Art Libraries Section The Architecture/Fine Arts Library, Fort Garry (CARLIS) Campus, University of Manitoba Melva J. Dwyer Liv Valmestad Hidden Collections: Held in Trust: The Invisible World of English Canadian Book The National Gallery of Canada Library Illustration and Design and Archives Randall Speller Jo Nordley Beglo L’histoire du livre d’artiste au Québec Pour le compte des Canadiens : Sylvie Alix La Bibliothèque et les Archives du Musée des beaux-arts du Canada A History of the Artist's Book in Québec Jo Nordley Beglo Sylvie Alix Traduit par Denise Loiselle Translated by Mark Dobbie “So Hopefully and Imaginatively Founded”: The Vancouver Art Gallery and the Machinery The CCA Library to 1998 of Happiness Rosemary Haddad Cheryl Siegel Le Centre d’information Artexte : Who Was Who: un mandat, et un parcours, atypiques Biographies of Canadian Art Librarians Danielle Léger Steven C.
    [Show full text]