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Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Dustbin Baby Free
FREE DUSTBIN BABY PDF Jacqueline Wilson,Nick Sharratt | 240 pages | 27 Mar 2007 | Random House Children's Publishers UK | 9780552556118 | English | London, United Kingdom Dustbin Baby () directed by Juliet May • Reviews, film + cast • Letterboxd Dustbin Baby helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Dustbin Baby by Jacqueline Wilson. Dustbin Baby by Jacqueline Wilson. April Showers so called because of her birth date, April 1, and her tendency to burst into tears at the drop of a hat was unceremoniously dumped in a Dustbin Baby bin when she was only a few hours old. Her young life has passed by in a blur of ever-changing foster homes but Dustbin Baby she enters her teens she decides it is time to find out the truth about her real family. Get A Copy. Paperbackpages. Published October 1st by Corgi Childrens first published September More Details Original Title. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Dustbin Babyplease sign up. Did April find her mother? Navika This answer contains spoilers… view spoiler [No, she found Frankie and got a phone. Donya Do not think so but I Dustbin Baby read it to know Dustbin Baby happend in the real end. See all 4 questions about Dustbin Baby…. -
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare www.roberticke.com FINANCIAL TIMES Ian Shuttleworth ★★★★★ I have been privileged to see several first-class Hamlets this century: Simon Russell Beale, Samuel West, David Tennant, Rory Kinnear, Maxine Peake, arguably Lars Eidinger. Andrew Scott is at least as outstanding as any of those, and right now I’m inclined to rank him in front. His Prince is almost always self-aware, but not self-understanding; on the contrary, his keynote is a kind of bemused wonder at goings-on both within and beyond his skin. The great soliloquies seem new-minted, every word a separate question. The playfulness at which Scott so excels (most notably as Moriarty in BBC-TV’s Sherlock) is here kept under a rigorously tight rein. I did not see this production when it opened at the Almeida a few months ago, but my impression is that neither Scott’s nor anyone else’s performance has been ramped up for a venue two and half times the size; the consequent occasional intelligibility problems are far outweighed by the sense of human scale. For this is the glory of Robert Icke’s production. It does not consist of a superlative Prince Hamlet, a clutch of fine supporting performances and a number of sharp directorial ideas stitched together into a plausible fabric; rather, it is whole and entire of itself. Angus Wright’s cool, disciplined Claudius, Juliet Stevenson’s besotted-then-horrified Gertrude, Jessica Brown Findlay’s Ophelia (at first at sea like Hamlet, finally psychologically shattered in a wheelchair), David Rintoul’s doubling of the Ghost and the Player King . -
Stories in Support of Education
en doors Open books - Op 20-26 April 2009 Nelson Mandela F Queen Rania Chimamanda Ngozi Adichie F Paulo Coelho Ishmael Beah F Devli Kumari Dakota Blue Richards F Michael Morpurgo Rowan Williams F Beverley Naidoo Desmond Tutu F Alice Walker Natalie Portman F Angélique Kidjo Mary Robinson Stories in support of education This storybook was created by the Global Campaign for Education. A compilation of short stories from influential figures around the world, The Big Read tells remarkable tales of education and the struggles of those who are denied the chance to learn. By reading this book and then writing your name at the end, you can help everyone have the chance of an education. www.campaignforeducation.org/bigread How you can be part of the Big Read: 1. Read or listen to a story from this book 2. Write your name on the last page 3. Send the message on the last page to your government 4. Let us know you have taken part (either online or using the back of this book) You are taking part in the Big Read with people from all over the world. This book is being distributed in more than 100 countries. This same book can be read online or downloaded from our website. Sign up here to receive updates on the Big Read around the world: www.campaignforeducation.org/bigread The Big Read events are happening throughout the Global Campaign for Education’s Action Week, 20th - 26th April 2009. All your names will be added to this book and delivered to world leaders and the United Nations. -
Interview: Robert Icke & Andrew Scott: 'There's Method in Their Madness'
Interview: Robert Icke & Andrew Scott: ‘There’s method in their madness’ They might seem an unlikely combo, but their hi-tech Hamlet is bringing the Bard to a youthful crowd Louis Wise 12/3/2017 Another Hamlet! They’re not like buses: they’re always here. Yet Andrew Scott and Robert Icke’s version, recently premiered at the Almeida, stands out from the endless cavalcade. Together, the Sherlock star and the wunderkind director have conspired to give a fresh and dynamic reading of the Danish tragedy. This much is clear from the first scene, where the apparition of the Ghost, Hamlet’s murdered father, has morphed from a sad trundle along the castle walls to a spooky freakout on CCTV. “Sometimes I find it really useful to start with the version that I never need to see,” muses Icke, 30, who has done yet another piece of vicious upholstery on a classic, after his Oresteia, Uncle Vanya and Mary Stuart. “That, for me, is people in Elizabethan costumes — I never need to see that again. I’m done. The play opening with dry ice, and people carrying spears, and pacing back and forth. I’ve seen it a thousand times. It’s dead. It’s completely boring. So then you go, ‘OK, so who are the guys that watch over a palace?’” Cue tetchy security guards watching multiple screens, and a fresh take on a hoary old trope. “That’s what I mean about what you do brilliantly,” Scott, 40, tells Icke. He is relishing being back on stage after a long spell of filming Sherlock, Bond and the like. -
Production Notes
PRODUCTION NOTES “This town – it’s all secrets. Everyone knows something you don’t” 1 The Town is a three-part contemporary drama from Big Talk Productions starring BAFTA winner Andrew Scott alongside an outstanding ensemble cast including Julia McKenzie, Charlotte Riley, Gerard Kearns, Kelly Adams and Martin Clunes. The first television series by Laurence Olivier award-winning playwright Mike Bartlett, The Town follows a shocking incident within an otherwise normal family. Mark Nicholas (Scott) returns to the town where he grew up to find his grandmother Betty (McKenzie) is now living in his childhood bedroom and he barely knows his teenage sister Jodie (Avigail Tlalim). Mark is drawn back into the life he left behind. Hardest of all is meeting his first love Alice (Riley), now married with a child. Thrust into the complicated lives of his former neighbours, it’s not surprising there are awkward moments as Mark becomes reacquainted with his past, including his old friends ‘down the pub’ Lucy (Kelly Adams), Carly (Aisling Bea) and Jeff (Sam Troughton). Running parallel with Mark’s story, we get to know the town Mayor, alcohol-soaked Len (Clunes). With his world falling in around him, Len is stumbling from one PR disaster to another. As we get to know the community, we’re also introduced to the enigmatic Inspector Franks (Douglas Hodge) from the local police force whose links to the family are stronger than it first appears... Mark struggles to decide whether he should stay permanently to be with his family. But a new life is difficult to build in the place you used to call home and now feels like you barely know it. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Are Our Children Really in Crisis, Or the Victims of Parents' Anxiety?
Are our children really in crisis, or the victims of parents' anxiety? A major new report, out tomorrow, reveals that Britain's children are afraid of bullying, stressed by schoolwork and beset by concerns over relationships and abuse. But is 21st-century existence really that awful for our youngsters? Or is childhood being undermined by adult fears and aversion to risk? Amelia Hill, Caroline Davies and Gaby Hinsliff investigate Amelia Hill, Caroline Davies, Gaby Hinsliff The Observer, Sunday 1 February 2009 larger | smaller Childhood was once seen as an idyllic time. It was, children were told, "the best days of their life", during which the exuberance of youth could be enjoyed unadulterated by responsibilities or cares. It is not hard to think that such days may be gone. Experts warn that young people are suffering from stress and anxiety, parents are too scared to let their children play freely and newspaper headlines paint a picture of Britain in which childhood is fast disappearing. For children like 13-year-old Eleanor, things feel hopeless. "I'm so worried about the effect of the credit crunch on my family," she said. "I got sent home from school last week because I just started crying and couldn't stop. I feel like I'm having a breakdown." Last year, ChildLine received calls from 195,485 children desperate for help. Many had specific problems. Others, like 16-year-old Kwame, couldn't identify the source of their misery. "I've been on antidepressants for a year and have considered taking an overdose," he said. -
Production Notes
Version française par www.cittagazze.com Notes de Production Cet article a été traduit par Haku pour Cittàgazze.com. Si vous souhaitez utiliser l'article sur votre site, intégralement ou non, veuillez s'il vous plait faire un lien vers Cittàgazze. Note du scénariste et réalisateur, Chris Weitz. Pour Lyra, l’enfant autour de laquelle tourne La Boussole d’Or, le voyage débute dans la relative sécurité de son Oxford natal et l’emporte au bout du monde. Mon voyage avec cette histoire a démarré à Londres il y a sept ans, quand un ami m’a conseillé de lire les livres de Pullman alors que j’étais dans la relative sécurité du tournage d’un film, Pour un Garçon. J’ai tout de suite su que je voulais transposer ces livres en films. J’étais absolument abasourdi par l’imagination, l’audace et l’intelligence de ces livres. La plume de Pullman va de la vie de tous les jours au métaphysique, et son impressionnante trilogie est un testament au nom de la liberté et du potentiel de l’âme humaine. Les Royaumes du Nord, le premier livre de la trilogie, offre tous ce qu’un réalisateur peut espérer – une histoire captivante, des personnages fascinants, une profondeur psychologique et philosophique, et une très respectable merveille en son cœur. Pour moi, il n’y avait pas de meilleur challenge que de m’y consacrer dans les années à venir. Cela demande beaucoup de courage de voir quelqu’un adapter votre travail pour un autre support, et je suis redevable à M. -
ENGL August Intersession 2021 Course Description Packet
Undergraduate Course Description Packet August Intersession 2021 Updated: 3/16/21 ENGL 4933-002, Studies in Popular Culture and Popular Genres: Shakespeare in Film Instructor: D. Stephens Textbooks Required: Each student must have a subscription to Prime Video; if timed correctly, this may be obtained as a free one-month trial that covers the dates of the course. Information is here, under “See More Plans” (three lines below the orange “Try Prime” button): https://www.amazon.com/amazonprime?_encoding=UTF8&pd_rd_r=ce6f99f1-b9cb-4ff6-85fc-d8 0d65691ced&pd_rd_w=zi5Kz&pd_rd_wg=7XCJZ&qid=1601330401 Ed. Greenblatt, Stephen, The Norton Shakespeare eBook. This required text will appear on Blackboard as an e-book at the start of the semester. The price is being negotiated, but it will be around $35. Your student account will be charged approximately a week after the semester begins. If you already have a copy of the complete Norton Shakespeare, or of a recent edition of the Riverside or Pelican complete Shakespeare, we can arrange for you to opt out of having your student account charged Description: We will read four plays by Shakespeare and watch many film adaptations of these works—some at full length and many more as clips. Here is a sampling: we will analyze Asta Nielsen’s 1921 Hamlet starring herself, and we will compare modern Hamlets played by David Tennant, Patrick Stewart, Benedict Cumberbatch, Adrian Lester, and Andrew Scott. We will look at selections from Aki Kaurismaki’s Finnish Hamlet Goes Business and Kurosawa’s The Bad Sleep Well. We will view The Tempest in a science-fiction adaptation and in a stop-motion puppet production. -
Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’S Hollow Crown
Andrews University Digital Commons @ Andrews University Faculty Publications 1-2016 Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’s Hollow Crown L Monique Pittman Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/pubs Part of the English Language and Literature Commons, Television Commons, and the Women's Studies Commons Recommended Citation Pittman, L Monique, "Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’s Hollow Crown" (2016). Faculty Publications. 265. https://digitalcommons.andrews.edu/pubs/265 This Article is brought to you for free and open access by Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC's The Hollow Crown L. Monique Pittman, Andrews University Abstract As part of the 2012 Cultural Olympiad celebrating both the Queen's Diamond Jubilee and the London Olympics, the BBC launched a season of programs, entitled Shakespeare Unlocked, most notably presenting the plays of the second tetralogy in four feature-length adaptations released under the unifying title The Hollow Crown. These plays so obviously engaged with the question of English nationalism suited a year in which the United Kingdom wrestled with British identity in a post-colonial and post-Great Recession world. Through its adaptative and filmic vocabularies, however, The Hollow Crown advances a British nationalism unresponsive to the casualties — often women and ethnic minorities — incurred over the course of Britain's self-formation and acts of self-defining.