DOCSLIB.ORG

52 Photographic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
52 Photographic A RotoVision Book Acknowledgments Published and distributed by RotoVision SA This book is dedicated to my new little girl Matilda Reid, Laura Brunow Miner, Leah Grammar, Lee Route Suisse 9 Meredith and her mum Sarah Meredith. Albrow,Lee Grist, Leo Santos-Shaw, Lindy Dunlop, CH-1295 Mies Malcolm O’Connor, Marco Scagnelli, Marek Switzerland Thanks to Lisa Båtsvik-Miller and Lindy Dunlop Machlowski, Maria Murray, Mark Capalbo, Mark at RotoVision; without you I am sure this book Goralnick, Marty Yoo, Mary Goldthwaite, Matt Krueger, would not be the standard it is. Meg Shoemaker, Mike Wrobel, Mimi Pearlson, Mona RotoVision SA Brooks, Neil Fowler, Oliver Cook, Poppy, Potato Potato, Sales and Editorial Offi ce Thanks to Lee Bushy for the use of his photo of Priya, Rachel Fowler, Ruby Campbell, Sally Finnigan, Sheridan House, 114 Western Road Alex Bamford, for helping me out with my color Sangita Morgan, Scarlett Fowler, Simon Cooke, Steph Hove BN3 1DD, UK splash photos, and for the use of his ultra-wide-angle Goralnick, Steph Hope, Suzette Subance, Tom Pillips, lens. Thanks to Anna Carlson and Steve McNicholas Wendy Laurel, William Oberlin, Yvo Luna, Zali, Zen, and Tel: +44 (0)1273 72 72 68 for lending me their photographic kit. whoever I may have forgotten to put on the list. Fax: +44 (0)1273 72 72 69 www.rotovision.com Thanks to all the people who appear in the book: I would like to thank the fl ickr community for its Abi Coles, Adam Bronkhorst, Alex Kershaw, Alexis continued interest in my work, and for clearing up Copyright © RotoVision SA 2010 Scherl, Alfi e Bronkhorst, Alison Bronkhorst, Amber photo queries when I have them. Traven , Amy Ng, Andy Clymer, Anita Goralnick, Anna, All rights reserved. No part of this publication may be Anna Carlson, Benjamin Rosenblum, Bob Phipps, Trevor Williams would like to thank Naoya Hirayama reproduced, stored in a retrieval system, or transmitted Boris Kossmehl, Chad Allen, Chad Nicholson, Chris and Phill Parry for helping to make the light-painting in any form or by any means, electronic, mechanical, Coles, Chris Frewin, Chris Uduezue, Clive Flint, pictures, and Noriaki Nagao for venturing out into the photocopying, recording, or otherwise, without Corrina Greenberg, Cousin Caely, Damian McIver, night with him to shoot stars. “Without these three Danny Fontaine, Darcy, Dave Sawyers, Eeva Doherty, permission of the copyright holder. people, night shooting would be impossible.” 52 PHOTOGRAPHIC Elin Johansson, Elsa Nobel, Emelye Leffl er, Emmeline Cook, Heather Champ, Henry Law, Hsing Wei, Ian Ricardo Mendonça would like to thank Ette (Henriette While every effort has been made to contact owners Goralnick, James Kendall, James Prest, Jamie Cambler, Monteiro Cordeiro de Azeredo) for being encouraging of copyright material produced in this book, we have Jennie Zhu, Joanne Skinner, John Cherry, Jotham, and assisting him with his many projects, now not always been successful. In the event of a copyright Julia Walter, Juliet Gabrielle, Justine Linn, Katherine and always. Kevin Meredith query, please contact the Publisher. PROJECTS 10 9 8 7 6 5 4 3 2 1 Creative workshops for the adventurous image-maker ISBN: 978-2-88893-070-9 Art direction: Tony Seddon Cover design: Lisa Båtsvik-Miller Design and layout: Lisa Båtsvik-Miller Editor: Lindy Dunlop Typeset in: DIN, DINOT, Helserif, and Soho Reprographics in Singapore by ProVision Pte. Tel: +65 6334 7720 Fax: +65 6334 7721 Printed in China by 1010 Printing International Ltd. qq PROJECTS PROJECTS PHOTO OP OP PHOTO PROJEC Getting the right light 134 qq qq Lisa Garner Meg Pickard qq Contents qq Double exposures 178 Cross-processing 150 Camera phones 218 Minimal 156 Alexis Gerard Architecture 160 Dan Smith PHOTO OP PHOTO 6 PROJECTS Contributor index Aerial: plane shots 224 Perspex re ections 184 Sprocket-hole 230 9 Introduction PHOTOGRAPHIC qq Backgrounds 194 qq PHOTOGRAPHIC PHOTOGRAPHIC Steph Goralnick Shallow depth of eld 198 Ásmundur Thorkelsson qq qq Jump shots 40 Action sampling 202 HDR: High dynamic range 60 Events 138 People montages 236 PROJECTS PROJECTS Ruby May Allcock Black-and-white 240 Concerts 212 Laura Thorn PROJECTS PROJECTS qq PHOTOGRAPHIC PHOTOGRAPHIC PROJECTS PROJECTS Kevin Mason Wide-angle 246 Cut-outs in-camera 164 Working with models 74 Colored ash 250 qq qq Alex Bamford qq Panoramas 258 Full-moon lighting 254 Trevor Williams Ricardo Mendonça Ferreira Camera tossing 264 Light painting 22 Aerial: kite shots 80 Patterned bokeh 268 Star trails 206 PHOTOGRAPHIC PHOTOGRAPHIC Hailey Bartholomew PROJECTS Long exposures: day 272 Children 172 Get an audience 276 PHOTOGRAPHIC 280 qq Kevin Meredith qq Camera types PHOTOGRAPHIC PHOTOGRAPHIC Portraits 12 38 42 3 29 10 40 282 Adam Bronkhorst Photography fundamentals qq qq Low-down 18 Russ Morris 287 Keeping inspired 28 Index In the water 44 TtV: through the view nder 188 PROJECTS PROJECTS O -camera ash 102 Landscapes 50 PHOTOGRAPHIC PHOTOGRAPHIC qq Everyday subjects 54 PROJECTS PROJECTS PROJECTS Michael O’Neal Mona T. Brooks Zone-focus 68 Polaroids 92 Tilt-shift 144 qq qq Avoiding tourist clichés 88 Animals 108 Tracy Packer Darren Constantino Long exposures: night 112 34 48 50 525 15 49 51 46 45 44 43 37 36 35 33 28 27 26 23 Redscale 34 Pinhole 96 PHOTOGRAPHIC PHOTOGRAPHIC Silhouettes 116 PROJECTS Re ections 122 qq Gianluca Fabrizio qq Time-lapse 126 PHOTOGRAPHIC PHOTOGRAPHIC 22 21 20 19 18 14 11 9 8 7 2 1 13 12 24 6 41 32 24 6 41 12 9 8 7 2 1 13 11 14 18 22 20 21 19 30 16 25 17 4 31 47 39 47 4 31 25 17 30 16 Macro 168 PROJECTS PROJECTS PHOTOGRAPHIC qq PHOTO OP PHOTO Contributor index Ruby May Allcock Mona T. Brooks Lisa Garner Kevin Mason (aka ruby-may) (aka macaby) (aka lissyloola) Photography ruined Kevin’s life. He has been shooting full time Ruby May is currently concluding A-level photography in In 2003 Mona married her soulmate, quit her corporate job, moved Lisa Garner is a self-employed graphic designer and co-director since 2002, but has been obsessed with taking photos for much Brighton and plans to study fashion photography at university. to San Francisco, and started photography school at the Academy of Itonic Design. She nds inspiration in the unusual things and longer. Published many times, with work ranging from fashion to Ruby has shot headline acts at major venues and festivals in the of Art University. Her photography resume reads o the who’s people around her and nds photography a great way of recording documentary-portrait work, he is most interested in photographing UK, including Glastonbury. She also works as a photographer for who in US progressive politics, from President Barack Obama and it. She enjoys the freedom that digital photography gives her, but the people he meets in his ordinary day. Kevin shoots because he a Brighton listings magazine. former President Bill Clinton to Speaker of the House Nancy Pelosi. can’t help loving lm and her lm cameras that little bit more. likes to make ctional narratives and present them as truth. www. ickr.com/ruby_may; www.myspace.com/ruby1992 Mona’s work can be seen in San Francisco Magazine, Augenzeuge www. ickr.com/photos/lissyloola http://kevinmason.garage-studios.co.uk/ Magazine, Le Monde, and Rome’s Europa newspaper. www. ickr.com/gloriousfreaks gallery work: www.darkdaze.org Alex Bamford www.monabrooks.com www.itonicdesign.com Working as an art director in some of London’s foremost www.facebook.com/monabrooks Kevin Meredith advertising agencies, Alex Bamford has spent the last 25 years Alexis Gerard (aka Lomokev) creating images for major brands. More recently he’s been heading Darren Constantino Alexis Gerard founded imaging technology think tank Future Kevin Meredith is an evangelist for the use of simple compact lm into the night to create images for his own amusement. For Darren Constantino, photography is a hobby. He likes to Image in 1991. He subsequently founded, and chairs, the 6Sight® cameras, although he is not a stranger to digital. His obsessions www.alexbamford.com; www. ickr.com/photos/bambooly photograph the landscapes around his home in northeastern Future of Imaging executive conference (www.6Sight.com). with food, shoes, and swimming have won him commissions with Ohio, USA, using pinhole and digital cameras. He is indebted to his He coauthored the book Going Visual and is a member of the Dr. Martens, the Victoria & Albert Museum, London, The Times Hailey Bartholomew wife for her patience with his photography during their travels. International Advisory Council of the George Eastman House. newspaper (UK), and The National Gallery, London. He became (aka poppy smiles) www. ickr.com/photos/dcsnaps A passionate photographer since the 1970s, he started shooting well known in Internet circles when he joined ickr as an early Hailey Bartholomew’s endearing visual style is in uenced by her [email protected] digitally in the early 1990s. He prefers small cameras that he can adopter in 2004. His rst book, Hot Shots, was published by genuine desire to communicate and delight with color, positivity, carry with him at all times. RotoVision in 2008, and has since been translated into Spanish, and hope. An award-winning stills photographer, Hailey has also Gianluca Fabrizio www.jpgmag.com/people/AGFuture Polish, Estonian, and Chinese. Kevin now teaches photography written, directed, and lmed several award-winning short lms. (aka Shotbart) www.aamora.com/?cat=49 privately all over the world. www.youcantbeserious.com.au Self-taught photographer Gianluca Fabrizio began his serious www.redbubble.com/people/AGFuture http://lomokev.com; http://www. ickr.com/lomokev www. ickr.com/photos/poppysmiles/ digging into photography in late 2006.
Load more

Recommended publications
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • Robert Berdan © Science & Art Multimedia
    This workshop will take you to the next level with Photoshop CS4 and show you how to use curves, adjustment layers, masks, channels, create actions, convert images so they simulate infrared, hand colour BW photos, combine images to expand dynamic range, create impressionistic images and more. This workshop is designed as a follow up to Photoshop I workshop. Robert Berdan Science & Art Multimedia E-mail [email protected] (403) 247-2457 Last Updated January 28, 2010 Suitable for intermediate to advanced level photographers and Photoshop users. The workshop includes a DVD with tutorial images and step by step video clips for self learning. 1. Introduction 1.1 Introduction..................................................................................................... 3 2. Photoshop Lessons 2.1 Introduction to Curves...................................................................................... 4 2.2 Cross Processing using Curves......................................................................... 8 2.3 Adjustment Layers ........................................................................................... 10 2.4 Automated Adjustment Layers ......................................................................... 14 2.5 Adjustment Layer Masks .................................................................................. 16 2.6 Add a layer mask to reveal selected regions of a photograph.......................... 19 2.7 Create a Photomontage..................................................................................
    [Show full text]
  • JAMES STILES PHOTOGRAPHY Website: Email: [email protected] 310 377 4888 Ext
    JAMES STILES PHOTOGRAPHY Website: http://stilesphotography.com/ Email: [email protected] 310 377 4888 Ext. 712 Resume Education: Baldwin High School, West 74th Street, N.Y.C. School of Visual Arts, 209 East 23rd Street, N.Y.C. Bachelor of Fine Arts (Degree in Photography).While attending school I freelanced as a photographer and photo assistant to Arnold Newman, Rebecca Blake, and Lois Greenfield. Professional Work: 1984 - 2004 Owner and operator of my own photography studio in New York City, with full time representation, assistants, and stylists. Involved in all aspects of shooting, production, set building, printing, darkroom facility, promotions and billing Services for clients specializing in fashion, still life catalogues, advertising, and portraiture. 2004 – 2014 Relocated my photography studio and business to Hollywood, L.A. Clients: Advertising Agencies: Young and Rubicam Inc., Ogilvey and Mather, Grey Advertising,, Kirshenbaum and Bond, and Dentsu Advertising Agencies. Editorial Publications: Harper’s Bazaar, Gentlemen’s Quarterly, Mirabella, Interview, Details, Modern Bride, Spin, Rolling Stone, Women’s Wear Daily, Sportswear International, Various Fairchild Publications, Grace, Decorative Home, and Jardin du Mode. Corporations and Record Companies: Canon Cameras (EOS-1 campaign), AT & T, The U.S. Army, R.C.A. Records, Jive Records, Verve Records, D.N.A. Records, Putnam Books and Avon Books. Fashion Companies: Spiegel, Pierre Cardin, Tom and Linda Platt Couture, Kenneth Cole, Ecco Shoes, Zodiak Shoes, Tootsie Plohound Shoes, New Man Sportswear, On The Brink(OTB) Sportswear, Mobile Eight and Tribes Sportswear, Dezan Jewelry, La Seduction Lingerie, and Oxygen Swimwear. Model Agencies: Ford, Zoli, Elite, Wilhelmina, Boss, Click, Bethanne, Q Models, Next Models, New York Models, and Others.
    [Show full text]
  • Film Printing
    1 2 3 4 5 6 7 8 9 10 1 2 3 Film Technology in Post Production 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3111 This Page Intentionally Left Blank 1 2 3 Film Technology 4 5 6 in Post Production 7 8 9 10 1 2 Second edition 3 4 5 6 7 8 9 20 1 Dominic Case 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3111 4 5 6 7 8 Focal Press 9 OXFORD AUCKLAND BOSTON JOHANNESBURG MELBOURNE NEW DELHI 1 Focal Press An imprint of Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 225 Wildwood Avenue, Woburn, MA 01801-2041 A division of Reed Educational and Professional Publishing Ltd A member of the Reed Elsevier plc group First published 1997 Reprinted 1998, 1999 Second edition 2001 © Dominic Case 2001 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 0LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record
    [Show full text]
  • Photography Techniques Intermediate Skills
    Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image.
    [Show full text]
  • Camera Raw Image Processing
    Movie 2 Camera Raw Image Processing Adobe Photoshop CS3 for Photographers by Martin Evening ISBN: 0-240-52028-9 (old style ISBN) ISBN: 978-0-240-52028-5 (new style ISBN) Adobe Photoshop CS3 for Photographers is published by Focal Press, an imprint of Elsevier. The title will be available from May 2007. Here are four easy ways to order direct from the publishers: By phone: Call our Customer Services department on 01865 474010 with your credit card details. By Fax: Fax an order on 01865 474011 By email: Send to [email protected] By web: www.focalpress.com. Orders from the US and Canada should be placed on 1-800-545-2522. By email: [email protected]. The title will be stocked in most major bookstores throughout the UK and US and via many resellers worldwide. It will also be available for purchase through the online bookstores www.barnesandnoble.com, Amazon.com and Amazon.co.uk. Martin Evening Adobe Photoshop CS3 for Photographers www.photoshopforphotographers.com Closing Bridge as you open Working with Camera Raw and Bridge If you hold down the O A key as you The mechanics of how Photoshop and Bridge work double-click to open a raw image, this will together are made as simple as possible so that you can close the Bridge window as you open the open single or multiple images or batch process images Camera Raw dialog. quickly and efficiently. Figure 1 summarizes how the linking between Bridge, Photoshop and Camera Raw Opening JPEGs via ACR in Bridge works. As well as the Photoshop File Handling Central to everything is the Bridge window interface, preference: ‘Prefer Adobe Camera Raw where you can browse, preview and make selections of for JPEG files’, there is also a Bridge which images you want to process.
    [Show full text]
  • Kodak Ektachrome Pro Infrared EIR Film
    First Exposure Kodak Ektachrome Professional Infrared EIR Film Kodak EIR show with #12 yellow filter. If there is any film that truly defines the difference between the "art" and the "science" of photography, it has to be Kodak's Ektachrome Infrared IE. This film became popular for scientific docu- mentation and for those who wanted to capture unique color variations of the norm on transparency film. This film was processed in E-4 chemistry, and Kodak continued to manufacture it al- though they switched other Ekta- chromes to the E-6 process. After consid- erable prodding from photographers, Kodak finally decided to upgrade to Ektachrome Infrared EIR film, an E-6- process film. This pleased many large format photographers who used infrared film for aerial, commercial and scientific studies. To satisfy the 35mm users, Kodak now cuts the large manu- EIR shot with #12 filter, scanned and reversed in Photoshop. factured rolls down to a 35mm perfo- rated version called Ektachrome Pro- fessional Infrared EIR film. This is the first positive infrared film that can be processed in either E-6 or AR-5 process- es. [Note: AR-5 is an Eastinan Kodak pro- cess intermediary between E-4 and E-6 that produces less contrast than E-6 and is pri- marily designed for aerial photographers— we think tlie "AR" actually stands for Aerial Reconnaissance, although no one will con- finn that. AR-5 cheimstry is still sold by Kodak, but the company no longer offers the process as a service; see below—Ed. I Using EIR This is not a simple film which you merely pop into your camera and start shooting.
    [Show full text]
  • Photoshop Ii Workshop]
    Robert Berdan [PHOTOSHOP II WORKSHOP] Contents Introduction ................................................................................................................................................ 2 Advantages of a Digital Darkroom ......................................................................................................... 3 Photoshop Lessons ............................................................................................................................... 4 Introduction to Curves ............................................................................................................................ 4 Cross processing ................................................................................................................................... 9 Adjustment Layers ............................................................................................................................... 11 Automated Adjustment Layers............................................................................................................. 16 Adjustment Layer Masks ..................................................................................................................... 18 Add a layer mask to reveal selected parts of an image ....................................................................... 21 Creating a Photomontage ...................................................................... Error! Bookmark not defined. Layer Effects using Masks ....................................................................
    [Show full text]
  • Arista-II Film Fisheye That Lets You Experiment with and Experimenting with Unique Lens Orange and L.A
    PRESORTED STANDARD U.S. POSTAGE Fall 2014 PAID FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 Source Code: Customer Number: Get Instant Rebates on Select Kodak & Rollei films! Save up to Extended by 20% popular demand! DON’T For a limited time only, you can save up to 20% instantly on select 35mm and 120 Kodak and Rollei RPX black and white films. For the full selection, visit www.freestylephoto.biz and start saving today! But Hurry… this offer is for a limited time only! ASSUME... See website for all Freestyle Instant Rebates. To Order, Call Toll-Free at 800.292.6137 or visit www.freestylephoto.biz 800.292.6137 FreestylePhoto.Biz TABLE OF CONTENTS Now that we have your attention... Alternative and Unique Processes �. 28 – 33 Archiving and Presentation �. 47 Black and White Chemicals. 14 – 21 Black and White Film �. 10 – 13 Black and White Paper �. .6 – 9 Here’s what we mean by DON’T ASSUME. Bulk Loading Supplies . 42 Color Film �. 24 – 25 Over the past decade there have been such dramatic changes in the photographic Color Paper and Chemicals �. 22 – 23 industry that no one could have predicted the landscape we are facing today. Darkroom Equipment & Accessories. 36 – 44 These changes have been especially noticeable in the area of darkroom photo- Film Cameras and Accessories. 45 graphic products including the sources of manufacturing, sales and variety of Finishing Materials �. 46 products that are available. Handcoloring and Retouching �. 34 – 35 DON’T ASSUME… that the darkroom products you need, want and desire are Holga Cameras and Accessories �. 50 – 52 not available.
    [Show full text]
  • The Essential Reference Guide for Filmmakers
    THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS IDEAS AND TECHNOLOGY IDEAS AND TECHNOLOGY AN INTRODUCTION TO THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS Good films—those that e1ectively communicate the desired message—are the result of an almost magical blend of ideas and technological ingredients. And with an understanding of the tools and techniques available to the filmmaker, you can truly realize your vision. The “idea” ingredient is well documented, for beginner and professional alike. Books covering virtually all aspects of the aesthetics and mechanics of filmmaking abound—how to choose an appropriate film style, the importance of sound, how to write an e1ective film script, the basic elements of visual continuity, etc. Although equally important, becoming fluent with the technological aspects of filmmaking can be intimidating. With that in mind, we have produced this book, The Essential Reference Guide for Filmmakers. In it you will find technical information—about light meters, cameras, light, film selection, postproduction, and workflows—in an easy-to-read- and-apply format. Ours is a business that’s more than 100 years old, and from the beginning, Kodak has recognized that cinema is a form of artistic expression. Today’s cinematographers have at their disposal a variety of tools to assist them in manipulating and fine-tuning their images. And with all the changes taking place in film, digital, and hybrid technologies, you are involved with the entertainment industry at one of its most dynamic times. As you enter the exciting world of cinematography, remember that Kodak is an absolute treasure trove of information, and we are here to assist you in your journey.
    [Show full text]
  • The Big Move Is Almost Here!
    The Big Move is Almost Here! Beau Newsletter - October 2018 In case you haven’t heard... We are MOVING! • News from Photokina - So many new things! • The Profoto B10 • Used large format cameras • The Nikon Z7 is now in Rentals! • Rare Canonflex R2000 in the film department • Clearance Renaissance Albums • Big news from Barb! • more... We’re on the Move... Beau Photo will be closed Saturday November 3rd and Monday November 5th so we can pack up and get moving, unpack, and be ready to help you on Tuesday November 6th when we re-open with our regular hours. Image from City of Vancouver Archives: CVA 99-3766 https://searcharchives.vancouver.ca/arrow-transfer-fleet-of-trucks Our new location is at 1401 W. 8th Ave (8th at Hemlock, just 4 blocks away). Mark your calendars and join us for our “Grand Reopening Party” on Friday November 23rd from 3-7PM! There will be some great Black Friday deals, reps from several camera and lighting manufacturers to show off the latest gear, food and drinks, prizes to be won and more! It’s going to be a party so drop by and help us celebrate our fresh new space! BEAU NEWS SEPTEMBER 2018 DIGITAL describe the rather handsome looking new camera! MIKE M. Basically, we have a prosumer level body (perhaps not truly pro-level - more on that later), with solid functionality and Photokina News… and the best laid plans... some excellent features that also happens to have what I had every intention of discussing all the interesting is likely one of the best sensors that Canon has made.
    [Show full text]
  • PENTAX K-1 Mark II Body Kit
    Product Lineup PENTAX’s years-long tradition as a leading field camera brand PENTAX K-1 Mark II Body Kit “It’s better to be small if you want to carry it outdoors.” e PENTAX *ist-D, PENTAX’s rst digital SLR “It must withstand the rain, mist or dust.” camera, was the world’s smallest, lightest model in PENTAX K-1 Mark II its category.* e PENTAX K10D and 645D, both In response to comments such as these from both of which were named triple-crown winners of the 28-105WR Lens Kit professional and amateur photographers, PENTAX has world’s most prestigious camera awards, greatly provided compact, lightweight and dependable eld expanded the boundary of outdoor photography by cameras since the time of lm photography. assuring outstanding dustproof, weather-resistant and cold-proof performance. ere were famed medium-format lm cameras, such as the PENTAX 6x7 and 645. e PENTAX LX boasted e PENTAX K-1 and its successor PENTAX K-1 the world’s rst dustproof, weather-resistant Mark II feature a host of innovative functions construction.* e PENTAX ME and MX became the highly useful in outdoor photography, and are world’s smallest, lightest models.* While they le their expected to further expand the possibilities of eld names in camera history because of their remarkable photography. maneuverability and superb imaging power, they were also epoch-making cameras which helped PENTAX gain PENTAX remains a leading eld camera brand, and a reputation as the world’s leading brand of eld cameras. its illustrious history continues into the future.
    [Show full text]