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Kodak Ektachrome Pro Infrared EIR Film

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Kodak Ektachrome Pro Infrared EIR Film First Exposure Kodak Ektachrome Professional Infrared EIR Film Kodak EIR show with #12 yellow filter. If there is any film that truly defines the difference between the "art" and the "science" of photography, it has to be Kodak's Ektachrome Infrared IE. This film became popular for scientific docu- mentation and for those who wanted to capture unique color variations of the norm on transparency film. This film was processed in E-4 chemistry, and Kodak continued to manufacture it al- though they switched other Ekta- chromes to the E-6 process. After consid- erable prodding from photographers, Kodak finally decided to upgrade to Ektachrome Infrared EIR film, an E-6- process film. This pleased many large format photographers who used infrared film for aerial, commercial and scientific studies. To satisfy the 35mm users, Kodak now cuts the large manu- EIR shot with #12 filter, scanned and reversed in Photoshop. factured rolls down to a 35mm perfo- rated version called Ektachrome Pro- fessional Infrared EIR film. This is the first positive infrared film that can be processed in either E-6 or AR-5 process- es. [Note: AR-5 is an Eastinan Kodak pro- cess intermediary between E-4 and E-6 that produces less contrast than E-6 and is pri- marily designed for aerial photographers— we think tlie "AR" actually stands for Aerial Reconnaissance, although no one will con- finn that. AR-5 cheimstry is still sold by Kodak, but the company no longer offers the process as a service; see below—Ed. I Using EIR This is not a simple film which you merely pop into your camera and start shooting. A basic understanding of how EIR shot with #12 filter, scanned, reversed and color-corrected in Photoshop. EIR works—special handling, filtration, 28 RANCEFINDER • NOVEMBER 1997 Normal, non-infrared color Kodak EIR normal process, Kodak EIR pull-processed 7 Kodak EIR shot with no filter Kodak EIR shot with no filter, slide. E-6. stop, process E-6. and processed in C-41. reversed and color-corrected in Photoshop. exposure and processing—is first re- you can find by running a search on the and green is reproduced as blue. Objects quired. Kodak Ektachrome Infrared EIR internet for "Infrared EIR film".) reflecting infrared will be reproduced as is a "false color" film; in other words, First, you will need to use a Kodak red. The reason for these false colors is the colors you actually see are not re- Wratten #12 filter or its equivalent. If so that the scientific and commercial corded as such on the film. The techni- you do not, the blue light striking the photographers using this film can ana- cal workings of the film are very com- film will decrease the infrared effect lyze diseased plants, monitor water pol- plex, so here's the short version. (If you considerably. When the blue light pass- lution, investigate inks and pigments in want the long version, there is the full es through this filter, it becomes black paintings, and record staining appli- 16-page technical document, which on the film. Red is reproduced as green, cations in photomicroscopy. More light for less money! Mention this ad with your Travelite Package order and save Travelite Packages Flash Past the $20 on UPS ground shipping! Competition's Price and Performance Offer ends 12/31/97. Travelite Flash Packages have everything you need in a lighting system at an incredible value! At the heart of our kits is the powerful and This Travelite 1750 watt second reliable 750 watt second Travelite monolight with variable power package indudes two Travelite 750s, control. Pump it up to full power for large group shots (an efficient f/16.4 one Travelite 250, a Travelite case, two 6" umbrella reflectors, two 45" ribless with ASA 100 at 10') or dial down to 1/32 for complete power and soft-bounce umbrellas, one snoot and modeling light control. Our kits also include versatile lighting accessories three compact stands and a soft shell and stands that set up instantly and are as portable and dependable as case for umbrellas and stands. the Travelites. For safe transporting, the whole system fits perfectly in the carrying case and stand case.To top it all off, the package includes a two- BW0830K year warranty on the Travelites. See for yourself why Travelites are one of the most dependable and versatile monolights on the market! $1695™ To place an order or for more information, call 1 -800-CALUMET (225-8638) CAIUMET For a Pro Center nearest you, call 1 -800-453-2550. PHOTOGRAPHIC For more information, circle 117 http://www.rangefinder-network.com 29 Green leaves photographed with Ektachrome Infrared; shot with no filter. EIR Shot with #72 yellow filter. Artistic photographers can use the This film is more sensitive to variations EIR Infrared Film can be processed in film for bizarre pictorial effects with dif- in temperature and humidity than con- either the AR-5 or E-6 process, as men- ferent filtration, exposure and process- ventional film. Keep unexposed film in tioned. The AR-5 process produces a ing. Most scenics taken with this film the refrigerator or freezer, and once lower film speed, around E.I. 100, while and a yellow filter result in a green sky exposed, process the film quickly to film developed in the E-6 process and a purple or red color for green avoid changes to the latent image. should be rated at E.I. 200 in daylight or foliage. Other colored objects will be with electronic flash. The AR-5 process recorded in mixed proportions of green Differences in Processing has lower contrast, less saturation, and a and blue. The variations are often wider exposure latitude. This process is bizarre, but limitless! Your camera's exposure meter will not recommended for the photographer The handling and loading of this film correctly meter the infrared portion of using the film for highly technical also requires special precautions. Kodak the spectrum, and must only be used as applications, where the color response is recommends loading and unloading a guide. Since the exposure latitude of highly critical for data interpretation. the film in total darkness to prevent any this film is only +1- Y. stop, you should There are a few third-party labs that still fogging. This is undoubtedly the best use a multi-step bracket function at X- offer the AR-5 process and are listed at way to use the film, however, on occa- stop intervals. After you have shot a few the end of this article. sion, I've loaded and unloaded the film rolls, you will get better at guessing how If you decide to process this film in under subdued light with no fogging. much infrared is in a scene. Be prepared the standard E-6 process, I would highly Loading in sunlight for just a few sec- to have a very small percentage of good recommend using a professional photo onds did fog the first half dozen frames. exposures on your first few tries. lab for several reasons. Because of the AR-5 Specialty Processing Labs Rocky Mountain Film Laboratory Precision Photo Laboratories, Inc. HAS Images, Inc. 60 Geneva St. 5758 North Webster St. 136 North St. Clair Street, Ste. 300 Aurora, CO 80010 Dayton, OH 45414 Dayton, OH 45402 (303)-364-6444 (937) 898-7450 (937) 222-3856 E-6, AR-5 and cross process to negative E-6, AR-5 and cross process to negative E-6, AR-5 30 RANGEFINDER • NOVEMBER 1997 infrared response of the film, the pro- with the wet film, but when dry, it is as lighting conditions, man-made vs. nat- cessing lab cannot use any type of safe- hardy as the E-6-processed version. ural subjects, and even vary the process- light device, or have any device in the If you want to use the film for scientif- ing. Whatever the reason you use Ekta- processing room that would fog the ic or commercial applications, I would chrome Infrared EIR, I'm sure you will infrared layer. This includes all LED dis- recommend running a variety of expo- have a whole new outlook on the color plays, sensors and temperature probes. sure and processing tests before relying spectrum. Before you send any film to a lab, make on the data. For the artistic photograph- sure that you advise them of the pro- er, experiment in order to create that Scott Adams is a freelance journalist/photographer cessing restrictions of this film. The film unique color image. Try different filters, living in the Pacific Northwest. can be pushed one stop, but correct ex- posure gets even harder to achieve as exposure latitude becomes even less than +/- # stop. You should also let the lab know that this film is on a very thin (4 mil) Estar base and may be difficult to cut with some slide mounters as it may From 350 feet away, crinkle in the mounter. (Ouch!) Be sure to tell the lab, as your EIR may need to be hand mounted. around a corner, Cross Processing behind a wall, With all these variables that make using this film difficult, you might get discouraged with the whole process. for up to 800 hours Well, there is an infrared light at the end of the tunnel, so to speak, and it's New Radio Slave ai does it! called C-41! This method of cross pro- cessing EIR is not listed in any of the Ko- New Radio Slave 4i triggers any number of flashes dak information sheets, but it greatly without worries about sync cords, line of sight, or improves your chances of getting good interference from other flashes.
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