Edward Henry Potthast Oil Paintings

Total Page：16

File Type：pdf, Size：1020Kb

Edward Henry Potthast Oil Paintings Edward Henry Potthast [American, 1857-1927] Sunshine Sunshine 1889 Cincinnati Museum of Art. Oil Painting ID: 28690 | Order the painting The Bathers The Bathers Oil on canvas. Oil Painting ID: 28691 | Order the painting At the Seaside At the Seaside Oil on canvas. Oil Painting ID: 28692 | Order the painting Children at Shore No. 3 Children at Shore No. 3 Oil on canvas Oil Painting ID: 28693 | Order the painting The Red Bonnet The Red Bonnet Oil on canvas. Oil Painting ID: 28694 | Order the painting The Balloon Vendor The Balloon Vendor 1910 Oil on canvas Cincinnati Museum of Art. Oil Painting ID: 28695 | Order the painting 1/3 Happy Days Happy Days 1910-20 Oil on panel Art Museum of Western Virginia, Roanoke. Oil Painting ID: 28696 | Order the painting Harbor Scene Harbor Scene Oil on canvas Bruce Museum, Greenwich, CT Oil Painting ID: 28697 | Order the painting Long Beach Long Beach 1922 Oil on canvas Cincinnati Art Museum Oil Painting ID: 28698 | Order the painting Night Scene- New York City Night Scene- New York City Oil on canvas. Oil Painting ID: 28699 | Order the painting Total 4 pages, 1/4 | Page : [1] 2 3 4 Potthast, Edward Henry (Nationality : American, 1857-1927) A painter remembered most for his beach scenes of carefree atmosphere, Edward Potthast was one of the significant 19th-century American artists from Cincinnati, which at the time of his birth was a burgeoning art center. It was also a place of refuge for German immigrants including the Potthast family. He first studied at the McMicken School of Design and at the Cincinnati Academy, and then went to Europe briefly before becoming established in his native city as a lithographer and illustrator. In 1892, he moved to New York City where he won the Clarke Prize at the National Academy and many other honors. In 1910, he was part of a Santa Fe Railroad sponsored trip to the Grand Canyon that included Thomas Moran. The group spent ten days painting on the South Rim of the Canyon, and this experience was so stimulating to him that he returned to the West several times, developing a tonalist style of painting night scenes. His studio was primarily in New York City, but in 1912, he spent extensive time in Europe where he enrolled in Academies in Munich, Antwerp and Paris. He divided his time between illustrations for "Harper's" and "Scribner's" magazines but later gave up illustration for full time fine art. He was an exceedingly private person who died at his easel. • We provide hand painted reproductions of old master paintings. You will be amazed at their accuracy. • If you can't find what you are looking for? Please Click Here for upload images for quote. • We can also create custom portrait painting especially for you from photos or digital images. Our Passion Is Art And Art Is Our Profession. Your Satisfaction, Our Pursuit Oil Painting Manufacturer - Xiamen RuoYa Arts And Crafts Co., Ltd. 2/3 Published on OilPaintingOnline.com (http://www.oilpaintingonline.com) URL: http://www.oilpaintingonline.com/htmlartist/artist-291-1.html 3/3.

Copy Link

Recommended publications

American Painting
a century of American Painting Century of Painting FC IFC IBC_fnl.crw2.indd 1-3 11/5/15 9:38 AM a century of American Painting Century of Painting PGS fnl.crw3.indd 1-2 11/5/15 9:51 AM a century of American Painting December 5, 2014 to January 31, 2015 100 Chetwynd Drive, Bryn Mawr, Pennsylvania 19010 Century of Painting PGS fnl.crw3.indd 3-4 11/5/15 9:51 AM Foreword We tend to look at art through the lens of our own time. We make judgments about its quality and relevance based on current sentiments and tastes. This is a natural inclination, but unless we take the time to consider where and when the artists were working and what the conditions were like at that time, we miss much of the story that lies behind every great work of art. If we fail to consider that Eastman Johnson’s The Vacant Chair (cat. 4) was painted in 1865, we might conclude that it is simply a nicely painted interior of an old kitchen. When we stop to remember that the Civil War had just ended when Johnson put brush to canvas and that the empty chair might symbolize a missing soldier who will never return home, the painting’s powerful statement is fully realized. When we look at the paintings of great women Impressionists, such as Jane Peterson (cat. 18), it deepens our appreciation of their work when we stop to think of their struggle to be taken seriously at a time when women were con- sidered to be, at best, hobbyists.
[Show full text]
Chapter 5 a Shared Vision: the Rise of the Cape Ann Art Colonies, 1890-1920
PORTRAIT of a PLACE CHAPTER 5 A Shared Vision CHAPTER 5 A Shared Vision The Rise of the Cape Ann Art Colonies, 1890–1920 Artists at work on Lighthouse Beach, Sept. 21, 1896. Left to right: Poland (model), Potthast, Bicknell, Jones, Buhler. Photo by George B. Wood. Artists Turned to Europe By 1900, art colonies attracting both European and art colonies brought the idea back home and recreated American artists had established themselves in several the atmosphere of conviviality and communal experi- places in America. This period was known as the Pro- ence here. Gloucester’s scenic neighborhoods inspired a gressive Era. It was a time when social activism and po- number of loosely affiliated groups of artists who shared litical reform spread across the United States to combat common aesthetic visions to live and work together. the rise in government corruption and abuses of power. The era of the teaching artist also began at this time, America was no longer rejoicing in an expanding and drawing professional students and tourists to the area and exuberant American identity. adding to the attraction of the colonies. Many artists turned to Europe for artistic ideas. Most American artists went overseas temporarily to work, but The art colonies and their artists benefited from some stayed on as expatriates, including James McNeill changing views of art and an expanding market. In the Whistler (1834–1903), Mary Cassatt (1844–1926) and last quarter of the nineteenth century, painting, sculp- John Singer Sargent (1856–1925). Those who went for ture and classical music were highly valued as tools for limited periods brought the new French style, Impres- education and the assimilation of urban immigrants.
[Show full text]
See the Complete List of Past Exhibitions
DIXON GALLERY & GARDENS PAST EXHIBITIONS 1976 July 4, 1976 – August 8, 1976 MARY CASSATT AND THE AMERICAN IMPRESSIONISTS 1977 December 4, 1977 - January 8, 1978 NEW WING OPEN IMPRESSIONISTS IN 1877 1978 January 22, 1978 - March 5, 1978 COLLECTED IN MEMPHIS January 22, 1978 - March 5, 1978 PRINTS BY AMERICAN IMPRESSIONISTS March 28, 1978 - April 23, 1978 CHARLES FRANCOIS DAUBIGNY (1817-1878): A Commemorative Exhibition April 29, 1978 - June 4, 1978 FLOWERS IN ART June 25, 1978 – August 27, 1978 AMERICAN IMPRESSIONISTS: A Selection from the Hirschl and Adler Galleries Collection September 10, 1978 – November 26, 1978 MEMPHIS COLLECTS SCULPTURE December 3, 1978 - January 14, 1979 HENRI JOSEPH HARPIGNIES, French, (1819-1916) 1979 January 23, 1979 – February 25, 1979 HENRIETTE AMIARD AND GEORGE OBERTEUFFER: Paintings, Watercolors and Prints March 4, 1979 – April 8, 1979 J. M. W. TURNER (1775 – 1851): A Select Group of Oils, Watercolors, Drawings and Prints Lent by the Worcester Art Museum Bequest of Mary G. Ellis as part of The Theodore T. and Mary G. Ellis Collection. April 15, 1979 – May 6, 1979 A BOUQUET FOR MEMPHIS: Paintings by Paul Penczner Past Exhibitions, 1976 - 2016 1 Updated 3/5/2019 DIXON GALLERY & GARDENS PAST EXHIBITIONS May 12, 1979 – June 17, 1979 LOVIS CORINTH, 1858 - 1925, Paintings and Prints Under the high patronage of the Honorable Dr. Ernst Incendiary, the Consul General of the Federal Republic of Germany in celebration of Memphis in May. May 20, 1979 – August 26, 1979 JAPANESE PRINTS: Jessie L. Clough Art Memorial For Teaching Collection, Southwestern at Memphis June 24, 1979 – August 26, 1979 LOUISE HERRESHOFF, American Impressionist, Paintings and Watercolors September 9, 1979 – October 21, 1979 JULES DUPRÉ, French (1811-89), Paintings, Drawings and Prints October 28, 1979 – December 30, 1979 WILLIAM CHADWICK, American (1879-1962) “An American Impressionist” Organized by R.
[Show full text]
The New England Watercolor Tradition 1920–1950
The New England Watercolor Tradition 1920–1950 May 15–July 1, 2006 VOSE GALLERIES OF BOSTON Cover: 34209 John Whorf (1903–1959) Heading Out Watercolor on paper 3 15 x 21 ⁄4 inches Signed lower left The New England Watercolor Tradition 1920–1950 May 15–July 1, 2006 Realism and Watercolor, 1900–1950 by Nancy Allyn Jarzombek The Boston Water Color Society and Vose Galleries by Marcia L. Vose The Boston Five: A Brief Fling by Marcia L. Vose Artist Biographies by Elizabeth W. Vose and Rachel Beaupré How to Care for Watercolors: FAQs 238 newbury street • Boston, Massachusetts 02116 V o s e telephone 617.536.6176 • facsimile 617.247.8673 G alleries of B oston [email protected] • www.vosegalleries.com D ealers in f ine P aintinGs for s ix G enerations • e staBlisheD 1841 Boston artists, collectors and critics followed the lead of their New York Realism and Watercolor, 1900–1950 counterparts. The American Watercolor Society was established in New York in by Nancy Allyn Jarzombek 1867 to promote the production of watercolors and their purchase. Their annu - al exhibitions were enthusiastically reviewed by art critics in Boston papers. It By the end of the nineteenth century, watercolor had emerged as an artistic was widely reported that sales of watercolors were brisk and by the middle of the medium with enduring powers. Artists such as Winslow Homer and John Singer 1880s one reviewer noted that every major American painter in oils was also Sargent exploited its expressive and spontaneous possibilities. Collectors, in working in watercolor. 2 The Boston Art Club accepted watercolors into their turn, responded to the fresh, bold handling of the medium; they could not buy annual exhibitions from 1873 until 1881, when the number of watercolors and them fast enough.
[Show full text]
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue.
[Show full text]
Questroyal Fine Art
LLC RT, A INE F Now UESTROYAL UESTROYAL Q Q UESTROYAL F INE A RT, LLC Important American Paintings X V Important American Paintings Now Louis M. Salerno, Owner Brent L. Salerno, Co-Owner Chloe Heins, Director Angela Scerbo, Manager Nina Sangimino, Senior Researcher Chelsea DeLay, Coordinator Shannon Cassell, Administrator Alison Kowalski, Research Associate Rita J. Walker, Controller Q UESTROYAL F INE A RT, LLC 903 Park Avenue (at 79th Street), Third Floor, New York, NY 10075 :(212) 744-3586 :(212) 585-3828 : Monday–Friday 10–6, Saturday 10–5 and by appointment : gallery@questroyalfineart.com www.questroyalfineart.com Contents It’s a Mad, Mad World — Thankfully . A Letter to Our Clients . The Value of Contemporary Art vs. American Paintings Milestones in American Art, 2013–2014 Lou-isms Paintings under $100,000 Paintings from $100,000 to $195,000 Paintings from $200,000 to $500,000 Paintings above $500,000 DESIGN : Malcolm Grear Designers 1 Ault, George 12 Kroll, Leon 20 Blakelock, Ralph Albert 32 Bierstadt, Albert 44 Coleman, Charles Caryl PRINTING : Meridian Printing 2 Avery, Milton 13 Kuehne, Max 21 Breck, John Leslie 33 Bierstadt, Albert 45 Cropsey, Jasper Francis PHOTOGRAPHY : Timothy Pyle, Light Blue Studio; 3 Benson, Frank Weston 14 Leith-Ross, Harry 22 Bricher, Alfred Thompson 34 Cropsey, Jasper Francis 46 Gifford, Sanford Robinson Jude Domski EDITING : Amanda Sparrow 4 Brevoort, James Renwick 15 Porter, Fairfield 23 Carlson, John Fabian 35 Gifford, Sanford Robinson 47 Kensett, John Frederick INSIDE FRONT COVER ( DETAIL ) 5 Burchfield, Charles 16 Potthast, Edward Henry 24 Cornoyer, Paul 36 Kensett, John Frederick 48 Moran, Thomas Sanford Robinson Gifford (1823–1880) Sunset Over the Shawangunks, 46 6 Butler, Howard Russell 17 Prentice, Levi Wells 25 Hoffbauer, Charles 37 Marin, John 49 Potthast, Edward Henry INSIDE BACK COVER ( DETAIL ) 7 Buttersworth, James E.
[Show full text]
Vose Galleries, and Continuing on to Six Other Venues
Crosscurrents : The Colonies, Clubs & Schools That Established Impressionism in America Featuring the Collection of Abbot W. and Marcia L. Vose OSE AL LERI ES, LL C VDealers in FineG American Art fo r Six Generations 175 years Celebr1a8 4ti1n-2g0 16 C1e7l5e brati yearsng 1841-2016 TABLE OF CONTENTS THE COLLECTION OF ABBOT W. AND MARCIA L. V OSE : A S HARED PASSION 2 CROSSCURRENTS : T HE COLONIES , C LUBS & S CHOOLS THAT ESTABLISHED IMPRESSIONISM IN AMERICA 8 The Making of an Artist: The Role of Art Schools in Boston and New York City 10 The Boston School 10 Art Students League of New York 20 THE ART SCENE IN EUROPE : A MERICAN ARTISTS STUDY ABROAD 27 BRINGING IMPRESSIONISM HOME : A MERICAN COLONIES IN NEW ENGLAND AND NEW YORK 30 Old Lyme, Connecticut 30 Bill Vose Pays Tribute to the Florence Griswold Museum in Old Lyme, Connecticut 37 Cos Cob, Connecticut 38 Mystic, Connecticut 39 Cape Ann, Massachusetts 40 Provincetown, Cape Cod and the Islands, Massachusetts 52 Ogunquit, Maine 58 Monhegan, Maine 62 CONTEMPORARY INSPIRATIONS 66 June Grey 67 Warren Prosperi 68 Liz Haywood-Sullivan 70 Joel Babb 72 John Whalley 74 Janet Monafo 76 Don Demers 78 Crosscurrents: The Colonies, Clubs & Schools That Established Impressionism in America Featuring the Collection of Abbot W. and Marcia L. Vose October 29 - December 31, 2016 The Collection of Abbot W. and Marcia L. Vose The Collection of Abbot W. and Marcia L. Vose: A Shared Passion By Marcia L. Vose We are very pleased to share with you the 44-year story of how we built our collection of American paintings.
[Show full text]
American Impressionist and Realist Paintings and Drawings from the Collection of Mr
from the Collection of Mr. & Mrs. Raymond ]. Horowitz American Impressionist and Realist Paintings and Drawings from the Collection of Mr. & Mrs. Raymond]. Horowitz Introduction by JOHN K. HOWAT Curator, Department of American Paintings and Sculpture DIANNE H. PILGRIM Research Consultant, Department of American Paintings and Sculpture Catalogue by DIANNE H. PILGRIM American Impressionist and Realist Paintings and Drawings from the Collection of Mr. &-'Mrs. Raymond]. Horowitz EXHIBITED AT THE METROPOLITAN MUSEUM OF ART APRIL 19 THROUGH JUNE 3, 1973 ON THE COVER: detail from The Fairy Tale, by William Merritt Chase, no.6 All color photography by Malcolm Varon, New York. All black-and-white photographs by William F. Pons, The Metropolitan Museum of Art, except: nos. 30,46 by Malcolm Varon; no. 24 by Taylor & Dull, Inc., New York. Designed by Peter Oldenburg Type set by Finn Typographic Service, Inc. Printed by Jaylen Offset Lithography Company, Inc. COPYRIGHT @ I 973 BY THE METRO PO LIT AN MUSEUM OF ART LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Pilgrim, Dianne H American Impressionist and realist paintings & drawings from the collection of Mr. and Mrs. Raymond J. Horowitz. Includes bibliographies. x. Paintings, American- Exhibitions. 2. Drawings, American Exhibitions. 3· Impressionism (Art)-United States. 4· Realism in art. 5· Horowitz, Raymond J.-Art collections. I. New York (City). Metropolitan Museum of Art. II. Title. ND 210.5.I4P54 ISBN o-87099-122-1 Foreword In recent years American painting has enjoyed one of the most lively, interesting, and deserved revivals in the art world. Museums all over the country have redis covered, dusted off, and added to their American collections, installed them hand somely, and presented them in numerous worthwhile exhibitions, thereby helping to reopen the eyes of Americans to an immensely appealing and important part of their artistic heritage.
[Show full text]
Stanford Auctioneers
Stanford Auctioneers Pop, Modern, Contemporary Art & Photography Saturday - November 8, 2014 Pop, Modern, Contemporary Art & Photography 1: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 5,000 - 6,000 Jean-Michel Basquiat (American, 1960-1988). "Basquiat @ Gagosian". Color offset lithograph. 1986. Signed in black marker. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Condition: folds (as issued?), toning verso, else very good. A rare poster. No auction records located. For the exhibition entitled "Jean-Michel Basquiat" at the Larry Gagosian Gallery, Los Angeles, January - February, 1986. This was Basquiat's last show at Gagosian and his last on the West Coast. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris, ARS, New York. Overall size: 39 3/8 x 26 1/2 in. (1000 x 673 mm). [28126] |3000| {R100} (TL6) 2: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut. Image copyright © Artists Rights Society (ARS), New York. Overall size: 39 x 25 1/4 in. (991 x 641 mm). [28409] |1200| {R100} (TL6) 3: JEAN-MICHEL BASQUIAT - Oil and collage on paper USD 25,000 - 35,000 Jean-Michel Basquiat (American, 1960-1988).
[Show full text]
Fine Art, Pop Art, Photographs: Day 2 of 3 Saturday – September 28Th, 2019
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 2 of 3 Saturday – September 28th, 2019 www.stanfordauctioneers.com | [email protected] 751: EMIL FILLA - Zeny hlavu doprava (Woman's Head to the Right) USD 3,000 - 3,500 Emil Filla (Czech, 1882-1953). "Zeny hlavu doprava (Woman's Head to the Right)". Pencil drawing. 1934. Signed with the intials and dated, lower right. Light grey watermarked wove paper. Very good condition; a few fox marks; inscription verso which does not telegraph through to recto. Overall size: 10 5/8 x 8 1/2 in. (270 x 216 mm). A companion piece to the similar composition "Hlava zeny oprena o ruku." Filla was a leader of the avant-garde in Prague between World War I and World War II and was an early Cubist painter. Image copyright © The Estate of Emil Filla. [27715-2-2400] 752: KEITH HARING - Yellow Forms USD 800 - 900 Keith Haring (American, 1958 - 1990). "Yellow Forms [Untitled 1984]". Color offset lithograph. 1984. Printed 1985. Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 11/16 x 7 13/16 in. (170 x 198 mm). Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986.
[Show full text]