DOCSLIB.ORG

St. Laurence Church, Herefordshire, England

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
St. Laurence Church, Herefordshire, England ST. LAURENCE CHURCH, HEREFORDSHIRE, ENGLAND. IN THIS CHURCH MANY OF THE NOURSK FAMILY W»H*SMPI'KI>, AND SOMK OF THEM AUK IIUKIKD NEAR IT. JAMES NOURSE. AND HIS DESCENDANTS COMPILED BY MARIA CATHARINE NOURSE LYLE PRINTED BY REQUEST " '. " IKXINOTOH, KT. TRANSYLVANIA PRINTING CO. 18»7. Ay- •-•''. ' \J& 'iuu 1 A ' «L - Or'RiST 1•DA Y SAINTS PREFACE. This volume is presented toa'l interested in the history of "James Nourse and His Descendants." with the hope that they will kindly overlook any imperfections they may chance to discover, remember­ ing the work was not undertaken for money. Every effort lias been made to secure the best results. We were not discouraged, although forewarned at the beginning that there was a " great deal of hard work in store and an almost thankless task" before us. Very few refused to give the information asked, while many took special pains to add words of approbation and encouragement. Instead of being a task, it has proved a pleasure. The necessary correspondence has in many instances led to personal acquaintance and lasting friend­ ship. It would be impossible to give the names of all to whom we are indebted for assistance. First among them, however, must be men­ tioned Mr.. James B. Nourse and his sisters, Masses Mary and Rosa M..Nourse, of " The Highlands.". Washington, D. C. Relatives have been ever welcome to theirlovely home and given free use of family records, which were so carefully preserved by their grandfather, Joseph Nourse, and handed down to them as a precious legacy by their father, Major Charles J. Nourse. Many thanks aro due to Mrs. Anita Newcomb McGee, M. D.,of '•Washington, D. C, for a eery large contribution of data collected . by herself at the expense of many years of work ; also, for numerous \. sketches. Mr. W J McGee made valuable suggestions. Rev. James M. Nourse, of Manassas; Mrs. Albert 1). Brockett, of Alexandria, Virginia; Judge R. O. Cravens, of Sacramento, California; Mr. Abner M. Sisson, of Hannibal, Missouri; Mrs. S. A. McDonald, of Jameson, Missouri; Mrs. Martha Susm Elliott, of Spalding, Mis­ souri; Rev. M. B. Riddle, D. D.,of Alegheny, Pennsylvania; Miss Iv rilKFACE. Lavinia Riddle, of Vernon, Texas; Mrs. Susan M. Marshall, of Nashvillo, Tennessee ; Miss Jane Nourso, of Bardstown ; Miss Anno Nourso, of Elizabothtown, Kentucky, and many others, aro gratefully remembered for their cheerful and prompt assistance It may be well to mention some others bearing tho samo name, though not related to James Nourse. The first to come to America, so far as known to the writer, were Francis Nurse (born 101S) and Rebecca Nurse. It is said they came from Yarmouth, England. Many of their descendants are scattered throughout the United States. Miles Nourse and wife with three sons and a daughter came from Manchester, England, to New York in 1S56. Reverend Robert Nourse, the popular lecturer, came from Norfolk, England, about 1S73, and resides in Fairfax county, Virginia. It has been said that there is a "striking likeness between members of his family and some of the descendants of James Nourse in physical feature and mental and moral peculiarity." Mr. Samuel Osborne Nourse (died July 3t, 1872) came from Bar- badoes, West Indies, and settled in Pennsylvania. His wife was Jane Barnes Green,'an aunt of John Fiske, the historian. A daugh­ ter, Mrs. H. B. Jacobs, and son, Charles Frederick Nourse, live in Pittsburg, Pennsylvania. Their other children are Clarence Atlee and Misses Victoria Louise and Florence Ada Nourse of Washing­ ton, D. C. They have the same coat of arms as James Nourse with this motto : " Virtu non Artifico." (" By courage, not by cunning.") It is said, a " Nourfe" came to this country from Cork, Ireland, 6ome years ago. If there are any others, an extensive correspond­ ence with persons of the name has failed to discover them. KEY TO NUMBERING OF DESCENDANTS. James Nourse is number one of both consecutive and exponent numbers. Consecutive numbers from one to one hundred and twenty-seven show every one whose surname was Nourse, who became the head of a family. Exponent number's mark the generations, for example: 2 1 3 CHARLES3 NOURSE, (Gabriel , James ). Charles is grandson of James1; Gabriel2 is son of James1. Descendants not named Nourse are given immediately after their parents, and are marked by indentations, exponent numbers and small numbers. The second generation are. the children of, .James and Sarah-. (Fouace) Nourse, and each one of-these, with his Or' Ber descendants' makes a separate chapter; so that there will be very little tracing necessary to find the third, fourth pr even the sixth and seventh generations. CONTENTS. CHAPTER. PAOE. I. PARISH OF WKHTON-I:M)ER-PEXYAU!>, HEREFORDSHIRE, ENUI.AND 1 II. JAMES XOIKSE, IMMIUUANT 1 8 III. JOSEPH XOI-RSE AMI urn DESCENDANTS 24 IV. JAMES NOCKSE. .IU., ANU IUS DESCENDANT*-) 3.1 V. CATHARINE IUUTON (XOI;USE) COOKE AND HER DESCENDANTS 44 VI. KOHEKT Noiitsi: AND ins DESCENDANTS '. 5.S VII. WILLIAM NontsE AND ms DESCENDANTS 69 VIII. Ei.izAitETii (Noiitsi-;) CHAPLINE AND HER DESCENDANTS 77 IX. Sl'SANNA (Xoi-RSK)'RlDDI.E AND HER DESCENDANTS 93 X. GAUHIEI. Xoi'RSE AND HIS DESCENDANTS .' 100 XI. MICHAEL XOCU.SK AND HIS DESCENDANTS 112 GENEALOGICAL TABLE 140 INDEX : ': 157 ILLUSTRATIONS. "St. Laurence" Church, Herefordshire, England.. Frontispiece. Page. "Weston House," Herefoi-dshire, England. -. 2 Xourse Arms . .5 Fac-simile Autographs'*,-,..-..... .',,.„..,-., .„._.......,.:..,...,.... • ...- -7 ' Portraits of J.a.i-nes Nourse and Mrs^Karah jouaee..Xourse..'..'... ."... • $' Portraits of Joseph Xourse,Mrs. Maria Louisa Bull Xourse,' Major Charles ~ Josephus Xourse 24 " Mount Alban" and "The Highlands.•'.Washington. D. C... 28 Portrait of Mrs. Catharine Burton Xourse Cooke 44 Portrait of.Mrs. Susan Mary Winn Marshall 50 Portraits of Rev. Joel Ivenney Lyle, Mrs. Maria Catharine Xourse Lyle, Miss Lizzie Agnes Lyle. Miss Helen Lyle. Charles Xourse Lyle 75 Portrait of Rev. Matthew Drown Riddle, I). D 97 Portraits of Charles Xourse. Joseph Gabriel Xourse, John Daniel Xourse. Charles Clinton Xourse, Mrs. Susan Xourse Viinout 101 Portraits of Michael Xourse and Mrs. Mary Rittenhouse Xourse 112 Portrait of John Rittenhouse Xourse 113 Portraits of.Rev. James Xourse, Mrs. Sarah Xorth Harvey Xourse, Rev. James Michael Xourse, Mrs. Sarah Frances Blackmail Xourse, Mrs. Hat­ tie Xourse Brockett H4 CHAPTER I. PARISH OF WESTON-UNDER-PENYARD, HEREFORDSHIRE, ENGLAND. "Weston is bounded north by Upton Bishops; south by Walford and Hope Mansel; east by Linton and Lea, and on west by Ross. The word 'Westune' denotes the position of its vill towards Brome- ash, the place where the Hundred Courts in this district were once held, and its adjunct is allusive of the elevated woody eminence under which it is placed." Or, as given in Robinson's "Hous'es and Manors in Herefordshire, ^England," " 'Weston-under-Penyard,' as its name indicates, is a town built on the west side of the Roman settlement of Onconium, and is beneath the wooded slopes of 'Penyard Chase.'" •• • Westunie and Ponchille estates were taken from the Saxon owner Gunner, and given to Durand of' Gloucester, the first Norman sheriff of that county. The lessee of these manors was Bernard (New-march), a favored friend, if not a relative, of William I., who had accompanied the invaders and assisted at Hastings. Iu A. D. 1092, collecting a party of resolute companions, he invaded Breconshire. In the twelfth century a family whose name is mentioned in records as De Brett, Britte, Brut and Brute, were lessees of tho manor of Weston. In the war between King John and tho Barons, the sheriff of Herefordshire was directed to give Richard Talbot, Lord of Eccleswall manor, the lands and tenements in Westune occupied by Matthew La Brett, who was with the king's enemies. After tho compact of Runnymedo, this writ of confiscation was reversed. Tho Manor of Weston Brette was part of the Rudhall estate in the fifteenth century. 2 li/.'Mv ,x-isiii:i;-ri:.\YA nn. •Lower Weston was the scat of tho Nourso family from pro- Reformation date to the present century, [nineteenth]. In A. D. 1531 William Wyllca, of Petcrstow, obtained an Episcopal license for his marriage with Johanna Nourso, of Woston, at which poriod a John Nourse (of Weston) occupied as tenant, lands in tho parish belonging to a charity founded in tho Cathedral Church at Hereford. Weston-uiitler-l'enyard a pnrish In tia4 hundred of Creytrce, county of Here­ ford, 2% miles K. S. E., from ROSH. The living Is a rectory, in the.Archdeaconry nnd Diocese of Hereford, rated In the King's book at -CIS, and In the patron­ age of the Bishop of Hen-ford. The church Is dedicated to *St. Laurence. WALTER NOURSE, who married Christiana, daughter of Sir Fre erick Wall of Lintrige, of Gloucestershire, was buried in the church in 1609, aged 65, and his son. JOHN held at the time of his death the house of Lower Weston with 70 acres, the farms Brook, Walton and Woodend, lands in the parishes of Dymock, Newent, and'Whit Church. He married Joan, daughter of Sir John Kyrie [of +Much Marcle in the county of Hereford], who became his widow in 1630, with seven sons, the eld­ est of whom, John, was then thirteen years of age. The wardship and marriage of her son was purchased by his mother for £40, and she obtained a lease of the family estates, during the minority at rental of £9, for the support of her children. This John married Lettice, third daughter of William Jones of Treowen, in the countv of-Monmouth (Wales). He died- in 1670.- • -.
Load more

Recommended publications
  • Gender, Race, Class and the Professionalization of Nursing for Women in New Orleans, Louisiana, 1881-1950
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2014 Crescent City Nightingales: Gender, Race, Class and the Professionalization of Nursing for Women in New Orleans, Louisiana, 1881-1950 Paula A. Fortier University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Urban Studies and Planning Commons Recommended Citation Fortier, Paula A., "Crescent City Nightingales: Gender, Race, Class and the Professionalization of Nursing for Women in New Orleans, Louisiana, 1881-1950" (2014). University of New Orleans Theses and Dissertations. 1916. https://scholarworks.uno.edu/td/1916 This Dissertation is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Crescent City Nightingales: Gender, Race, Class and the Professionalization of Nursing for Women in New Orleans, Louisiana, 1881-1950 A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies Urban History by Paula Anne Fortier B.A.
    [Show full text]
  • America's Women Veterans: Military Service History and VA Benefit
    America’s Women Veterans Military Service History and VA Benefit Utilization Statistics Department of Veterans Affairs National Center for Veterans Analysis and Statistics National Center for Veterans Analysis and Statistics 1 November 23, 2011 America’s Women Veterans: Military Service History and VA Benefit Utilization Statistics Prepared by: National Center for Veterans Analysis and Statistics Contributors: Maribel Aponte Syreeta Cherry George Fitzelle Kelly Ann Holder Baboyma Kagniniwa Sidra Montgomery Angus St. Hilaire Eddie Thomas Acknowledgements: The following individuals provided valuable technical assistance and insight for this report. Irene Trowell-Harris, RN, Ed.D., Director, Center for Women Veterans Betty Moseley Brown, Ed.D., Associate Director, Center for Women Veterans Patricia M. Hayes, Ph.D., Chief Consultant, Women Veterans Health Strategic Health Care Group Stacy Garrett-Ray, MD, MPH, MBA, Deputy Director, Comprehensive Women’s Health, Women Veterans Health Strategic Health Care Group, Clinical Assistant Professor, Department of Family and Community Medicine, Uni- versity of Maryland School of Medicine Susan Frayne, MD, MPH, Center for Health Care Evaluation, VA Palo Alto Health Care System , Director, VA Wom- en’s Health Evaluation Initiative, Associate Professor of Medicine, Stanford University Sarah Friedman, MSPH, Project Manager, Women’s Health Evaluation Initiative, VA Palo Alto Health Care System Nicole Hampton, Management and Program Analyst, Veterans Health Administration Support Service Center Donna Washington, MD, MPH, Attending Physician, Greater Los Angeles Health Care System Salminio Garner, Management/Program Analyst, Education Service, Strategy and Legislative Development, Veter- ans Benefits Administration Dorothy Glasgow, Management Analyst, Reports and Information Service, National Center for Veterans Analysis and Statistics. For women Veterans everywhere.
    [Show full text]
  • Hannah Adams
    GODDARD WOMEN 1922 GEORGIA GRACE WATSON GODDARD (1866-1935), ELEANOR GRACE GODDARD DANIELS (1889-1981), ELEANOR DANIELS BRONSON HODGE (b. 1917), 1922 Mary Fairchild Low (1858-1946) Oil on canvas 58 x 48”; 147.3 x 121.9 cm. Hewes Number: 60 Born in New Haven, Connecticut, Low studied at the St. Louis School of Fine Arts, and then in Paris with Carolus-Duran and at the Academy Julian with Bouguereau, Lefebvre, and T. Robert Fleury.1 Other American women at the Academy Julian included Ellen Day Hale, Gabrielle Clements, Dora Wheeler, Amanda Brewster, Rosina Emmet, Lydia Field Emmet, Cecilia Beaux and Elizabeth Nourse.2 She married the artist Frederick MacMonnies in 1888 and lived in Paris and Giverny during the summers in the 1890s. They divorced and she married the artist Will H. Low in 1909; he had also studied with Carolus-Duran and the Ecoles de Beaux Arts.3 He was renowned as a mural and landscape painter. After their marriage, she lived in Bronxville, New York, just outside of New York City. Her figure paintings were exhibited in both France and the United States with great frequency.4 This was a substantial commission from a major artist and suggests the important status of the family within the city of Worcester. For example, in 1905, the parents of Harry W. Goddard celebrated their fiftieth wedding anniversary in the brand new residence at 190 Salisbury Street. At the same event, Eleanor Goddard celebrated her sixteenth birthday. The detailed description of this event in the Worcester newspaper lists all of the guests, provides family background for 1 Lois M.
    [Show full text]
  • Highlights from the Mcclung Museum's European & American Art Collections
    Highlights from the McClung Museum’s European & American Art Collections Introduction Like many university museums, the University and broader community to inter- McClung Museum has been gifted a wide act with them in their teaching and learn- variety of art since it opened its doors fifty ing. years ago. Among those gifts is a signifi- cant grouping of American and European In that sense, we are grateful for the long art that forms the backbone of the Mu- history of generous donations to the seum’s Western Art collections. McClung Museum, which not only benefit the museum itself, but University of Tennes- From nineteenth century society portraits see faculty, students, and researchers, as to twentieth century abstract art, these well as the East Tennessee community. paintings, sculptures, and works on paper reflect a handful of collectors’ tastes. While Collections like this one allow for the kind not focused in any particular area, the col- of intimate and eye-opening, and I think ex- lection is wonderful in its breadth and qual- traordinary important, interactions with art ity. that can only happen in the museum space. I organized this show the Summer of 2014 in order to highlight some of the gems in our collections, many of which had not been displayed in decades. Its chronologi- cal display not only roughly follows the col- Catherine Shteynberg lecting patterns of each of the donors pro- Curator filed throughout the exhibit, but also of course the chronology of major art move- ments. As we are a University museum, we not only have the opportunity to temporarily display these works of art, but to allow the ii The Collectors iii The Audigiers were Knoxvillians and strong patrons of the arts who made one of the first large donations of art to the Uni- versity of Tennessee.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Discovering the Story: a City and Its Culture Cincinnati's Women Artists
    Discovering the Story: A City and Its Culture Cincinnati’s Women Artists A Social Studies Lesson for Grades 4-8 Based on Bedstead by Benn Pitman, Adelaide Nourse Pitman and Elizabeth Nourse Benn Pitman (1822-1910), designer; Adelaide Nourse Pitman (1859-93), carver; and Elizabeth Nourse (1859-1938), painter Bedstead, c. 1882-83 Gift of Mary Jane Hamilton in memory of her mother Mary Luella Hamilton, made possible through Rita S. Hudepohl, Guardian, 1994.61 1 Discovering the Story: A City and Its Culture Cincinnati’s Women Artists A Social Studies Lesson for Grades 4-8 Based on Bedstead by Benn Pitman, Adelaide Nourse Pitman and Elizabeth Nourse Concept................................................................................................................ 3 Objectives............................................................................................................. 3 Teacher Preparation.............................................................................................. 3 Class Periods Required ...................................................................................... 3 Background Information.................................................................................... 3 Video ................................................................................................................ 4 Pre- Videoconference ........................................................................................... 5 Vocabulary .......................................................................................................
    [Show full text]
  • BREAKING with TRADITION: Ohio Wonien I)Ainters, 1870-1950
    OHIO ARTS COUNCIL'S RIFFE GALLERY �/\ Presents IIIJfv BREAKING WITH TRADITION: Ohio Wonien I)ainters, 1870-1950 NOVEMBER 3, 2005 -JANUARY 8, 2006 Yeteve Smith, a Columbus native, studied privately at Alfredo Gailin New York and John BREAKING WITH TRADITION: Hopkins at The Ohio State University after she completed her studies at the Potsdammer Schuler in Berlin and the Washington (D.C.) Art School. Both male and female artists in the 19th and early 20th century found it difficult to make a living on art production alone. Many artists taught art to supplement their incomes. American women entered the professional ranks as artists in great numbers during the They worked during the fall, winter and spring, and devoted their summers to studying 19th century. They were important, trendsetting pioneers in their time, exhibiting their and painting. Some artists, including Elizabeth Nourse, were able to support themselves work with increasing frequency. With the exception of a few, such as Mary Cassatt and without having to take a second career. Selden and Wessel painted portraits to supplement Berthe Morisot, art history has failed to recognize them. They were known not as their income while painting other subject matter in the summers when they traveled. professional artists but as amateurs and hobbyists. Move away from the metropolitan art centers of New York or Paris and the critical silence is palpable. Yet women were exhibiting Between 1870 and 1950, the art market continued to favor men. Male artists had a better their work frequentlyand successfully, albeit in ways different fromtheir male counterparts. chance of having their work exhibited and represented in galleries while women, particularly They strove to be acknowledged and respected as equals to their male contemporaries in the late 19th century, found the gallery system inhospitable.
    [Show full text]
  • The Project Gutenberg Etext of the Galleries of the Exposition by Eugen Neuhaus
    The Project Gutenberg Etext of The Galleries of the Exposition by Eugen Neuhaus Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg file. Please do not remove this header information. This header should be the first thing seen when anyone starts to view the eBook. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information needed to understand what they may and may not do with the eBook. To encourage this, we have moved most of the information to the end, rather than having it all here at the beginning. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get eBooks, and further information, is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Find out about how to make a donation at the bottom of this file. Title: The Galleries of the Exposition Author: Eugen Neuhaus Release Date: November, 2003 [Etext #4672] [Yes, we are more than one year ahead of schedule] [This file was first posted on February 26, 2002] Edition: 10 Language: English Character set encoding: ASCII The Project Gutenberg Etext of The Galleries of the Exposition by Eugen Neuhaus ******This file should be named galex10.txt or galex10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, galex11.txt VERSIONS based on separate sources get new LETTER, galex10a.txt Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included.
    [Show full text]
  • Annual American Exhibition [Of] Water Colors and Drawings
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com AnnualAmericanExhibition[of]WaterColorsandDrawings ArtInstituteofChicago HE ART INSTITUTE OF CHICAGO T THE NEW YORK) PUBLIC LIBRARY CATALOGUE OF THE NINETEENTH ANNUAL TIL»EN ' "' OATIONS EXHIBITION OF I907 WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 THCMTimiTIVIC1 1907 . or-crueflQQ PRINTED FOR THE aKt institute CHICAGO, 1907 V yHE ART INSTITUTE OF CHICAGO CATALOGUE OF THE NINETEENTH ANNUAL EXHIBITION OF WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 TtlC-AHTINSTITVTE- 1907 PRINTED FOR THE ART INSTITUTE CHICAGO, 1907 I HE N i_ VOKK fuel:-; lil^ary Trustees of t^i6Art,|j|8tilutJe of Chicago ~T9o6:t EDWARD R. AYHR CHARLES L. HUTCHINSON SAMUEL E. BARRETT BRYAN LATHROP ADOLPHUS C. BARTLETT PRANK G. LOGAN JOHN C. BLACK R. HALL MCCORMICK CHADNCEY J. BLAIR STANLEY MCCORMICK CLARENCE BUCKINGHAM JOHN J. MITCHELL DANIEL H. BURNHAM SAMUEL M. NICKERSON CHARLES DEE RING MARTIN A. RYERSON HENRY H. GETTY HOWARD VAN D. SHAW JOHN J. GI.ESSNKR ALBERT A. SPRAGUE Ex Officio FRED A. BUSSE, EDWIN G. FOREMAN, Mayor President South Park Commissioner! WALTER H. WILSON, WILLIAM BEST, Comptroller Auditor South Park Commissioners Officers CHARLBS L. HUTCHINSON, MARTIN A. RYERSON, President Vice-President BRNBST A. HAMILL, WILLIAM A. ANGELL, Treasurer Auditor WILLIAM M. R. FRENCH, NEWTON H. CARPENTER, Director Secretary Executive Committee CHARLES L. HUTCHINSON JOHN C. BLACK ALBERT A. SPRAGUE MARTIN A.
    [Show full text]
  • Those Good Gertrudes: a Social History of Women Teachers in America Author’S Annotated Introduction to Manuscript Collections
    Those Good Gertrudes: A Social History of Women Teachers in America Author’s Annotated Introduction to Manuscript Collections Researching this book led the author to promising collections in many archives in the United States, and to Australia and Canada where scholarship flourishes on teachers and teaching. This addendum is an annotated introduction to virtually all the collections examined for Those Good Gertrudes, the majority of them not cited nor referenced in the published book because of space limitations. The organization is alphabetical, by state and collection title. Annotations generally feature the collection‘s relevance to the particular focus of this work: American women teachers and their place in history. However, researchers working on related subjects may find useful material in various of these collections—for example on child-rearing and family life, genealogy, local history, regionalism, the frontier experience, industrialization, cross-national comparisons, and the expression and effects of social diversity rooted in social class, religion, race and ethnicity, politics, and the saliency of gender identity. A few generally-obscure printed works unpublished student-authored papers housed in archival libraries are cited. Each annotation is followed, where recoverable, by the date [in brackets] when the collection was first consulted by the author. Be advised that collections (as with some of the following) may change over time—by additions, deletions, mergers, renaming, and relocation—or be withdrawn entirely. Moreover, Finding Aids and collection inventories differ markedly from one depository to another in their on-line accessibility, completeness, & stability. A small number of collections are missing, probably the result of being misfiled; if located they will be added, and the listing updated.
    [Show full text]
  • A Finding Aid to the Richard York Gallery Records, Circa 1865-2005, Bulk 1981-2004, in the Archives of American Art
    A Finding Aid to the Richard York Gallery Records, circa 1865-2005, bulk 1981-2004, in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund March 15, 2011 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1975-2005.................................................................... 5 Series 2: Artists' Artwork Files, circa 1865-2004................................................... 10 Series 3: Client Files, 1965,
    [Show full text]
  • Breaking Book
    reaki ng TrWaITH dition BOhio Women Painters , 1 870 –1950 FIGURE 1: Christine Fowler Shearer, M.A. Clara Deike (1881–1964) Brigitte M. Foley, M.A. Self-Portrait with Orange Hat, c. 1925 William H. Robinson, Ph.D. Oil on canvas , 23 x 17.5 Judy L. Larson, Ph.D. Private Collection Courtesy of Vixseboxse Art Galleries THE MASSILLON MUSEUM Massillon, Ohio May 21, 2005—August 7, 2005 THE RIFFE GALLERY Columbus, Ohio November 3, 2005—January 8, 2006 THE SOUTHERN OHIO MUSEUM AND CULTURAL CENTER Portsmouth, Ohio February 12, 2006—May 21, 2006 © Copyright 2005 Massillon Museum 121 Lincoln Way East Massillon, OH 44646 Christine Fowler Shearer, Director Library of Congress Catalog Number: 2005926800 ISBN: 0-9755555-1-0 Exhibition Curated by: Christine Fowler Shearer, M.A. Project Coordinated by: Ann Caywood Brown Edited by: Hugh J. Brown Typography and Design by: Margy Vogt Printing by: Bates Printing Inc., Massillon, Ohio Staff Support: Alexandra Nicholis, M.A. Amanda Altimus Photo Credits: Brian Pierce Christine Fowler Shearer Canton Museum of Art Keny Galleries Butler Institute of American Art Spanierman Gallery, LLC FIGURE 2: May Ames (1869–1943) In the Ruins, 1926 Oil on canvas, 18 x 12 inches Collection of Robert Burns FIGURE 3: Emma Mendenhall (1873–1964) Flower Market, nd Watercolor, 18 x 14 inches Collection of Robert Burns 2 FIGURE 4: Clara Deike (1881–1964) Willows and Hollyhocks 1916 Watercolor and gouache on paper 18 x 21 inches Christine and Brian Pierce Collection Contents Exhibition Sponsors . 4 Lenders to the Exhibition . 6 Massillon Museum Board of Trustees . 6 Foreword Judy L.
    [Show full text]