Guidelines for Preparing and Submitting Electronic Design and Pre-Press Files Professional Graphics (Part 1) 427-033 Electronic Design 9/11/97 2:03 PM Page 1
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Oral History Interview with Massimo Vignelli, 2011 June 6-7
Oral history interview with Massimo Vignelli, 2011 June 6-7 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Massimo Vignelli on 2011 June 6-7. The interview took place at Vignelli's home and office in New York, NY, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mija Riedel has reviewed the transcript and have made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Massimo Vignelli in his New York City office on June 6, 2011, for the Smithsonian Archives of American Art. This is card number one. Good morning. Let's start with some of the early biographical information. We'll take care of that and move along. MASSIMO VIGNELLI: Okay. MIJA RIEDEL: You were born in Milan, in Italy, in 1931? MASSIMO VIGNELLI: Nineteen thirty-one, a long time ago. MIJA RIEDEL: Okay. What was the date? MASSIMO VIGNELLI: Actually, 80 years ago, January 10th. I'm a Capricorn. MIJA RIEDEL: January 10th. -
XMP SPECIFICATION PART 3 STORAGE in FILES Copyright © 2016 Adobe Systems Incorporated
XMP SPECIFICATION PART 3 STORAGE IN FILES Copyright © 2016 Adobe Systems Incorporated. All rights reserved. Adobe XMP Specification Part 3: Storage in Files NOTICE: All information contained herein is the property of Adobe Systems Incorporated. No part of this publication (whether in hardcopy or electronic form) may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of Adobe Systems Incorporated. Adobe, the Adobe logo, Acrobat, Acrobat Distiller, Flash, FrameMaker, InDesign, Illustrator, Photoshop, PostScript, and the XMP logo are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. MS-DOS, Windows, and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Macintosh, Mac OS and QuickTime are trademarks of Apple Computer, Inc., registered in the United States and other countries. UNIX is a trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. All other trademarks are the property of their respective owners. This publication and the information herein is furnished AS IS, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies, makes no warranty of any kind (express, implied, or statutory) with respect to this publication, and expressly disclaims any and all warranties of merchantability, fitness for particular purposes, and noninfringement of third party rights. Contents 1 Embedding XMP metadata in application files . -
Encapsulated Postscript File Format Specification
® Encapsulated PostScript File Format Specification ®® Adobe Developer Support Version 3.0 1 May 1992 Adobe Systems Incorporated Adobe Developer Technologies 345 Park Avenue San Jose, CA 95110 http://partners.adobe.com/ PN LPS5002 Copyright 1985–1988, 1990, 1992 by Adobe Systems Incorporated. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of the publisher. Any software referred to herein is furnished under license and may only be used or copied in accordance with the terms of such license. PostScript is a registered trademark of Adobe Systems Incorporated. All instances of the name PostScript in the text are references to the PostScript language as defined by Adobe Systems Incorpo- rated unless otherwise stated. The name PostScript also is used as a product trademark for Adobe Sys- tems’ implementation of the PostScript language interpreter. Any references to a “PostScript printer,” a “PostScript file,” or a “PostScript driver” refer to printers, files, and driver programs (respectively) which are written in or support the PostScript language. The sentences in this book that use “PostScript language” as an adjective phrase are so constructed to rein- force that the name refers to the standard language definition as set forth by Adobe Systems Incorpo- rated. PostScript, the PostScript logo, Display PostScript, Adobe, the Adobe logo, Adobe Illustrator, Tran- Script, Carta, and Sonata are trademarks of Adobe Systems Incorporated registered in the U.S.A. and other countries. Adobe Garamond and Lithos are trademarks of Adobe Systems Incorporated. -
Web Compatible SAS/GRAPH Output the Easy
Web Compatible SAS/GRAPH® Output the Easy Way Ahsan Ullah, Pinkerton Computer Consultants, Inc., Alexandria, VA ABSTRACT • Proper use of colors is a must to make the image attractive. • (TM) This paper describes some concepts and analyses required If there is an option to print the image, a PostScript to create SAS/GRAPH images for use in WEB pages. It file needs to be tagged along with the image which will deals with an automated SAS/AF® Frame system designed to keep the usual form of the printed output create and print a number of graphs and produce suitable • In order to print a hard copy of the graph from the graph image files for inclusion on WEB pages. Topics internet, a PostScript color or black and white with discussed include drill-down design, programming minimum of 0.5 X 0.5 inch margin should be selected. (TM) techniques for creating GIF files, and the creation of custom Most Hewlett Packard printers satisfy the SAS Device Drivers. requirements. INTRODUCTION A user-friendly SAS/AF Frame system needs to be created to perform the following functions: • Interactive or batch process to create images. SAS software is a major leader in information and • Support the selection of device drivers to print or management systems. It has powerful features that support transport postscript or GIF file. the creation of customized hard copy output that includes • both data and graphic output. Until now, SAS custom graphs Automatically add HTML code to create Web-ready could not take their place in the Web world because of: graph images • Sophistication of SAS custom graphs • True portability across platforms Device Drivers • Interactive way to create and process graphs A GIF device driver is needed for SAS software to create a GIF Image file of the graph. -
Preparing Images for Delivery
TECHNICAL PAPER Preparing Images for Delivery TABLE OF CONTENTS So, you’ve done a great job for your client. You’ve created a nice image that you both 2 How to prepare RGB files for CMYK agree meets the requirements of the layout. Now what do you do? You deliver it (so you 4 Soft proofing and gamut warning can bill it!). But, in this digital age, how you prepare an image for delivery can make or 13 Final image sizing break the final reproduction. Guess who will get the blame if the image’s reproduction is less than satisfactory? Do you even need to guess? 15 Image sharpening 19 Converting to CMYK What should photographers do to ensure that their images reproduce well in print? 21 What about providing RGB files? Take some precautions and learn the lingo so you can communicate, because a lack of crystal-clear communication is at the root of most every problem on press. 24 The proof 26 Marking your territory It should be no surprise that knowing what the client needs is a requirement of pro- 27 File formats for delivery fessional photographers. But does that mean a photographer in the digital age must become a prepress expert? Kind of—if only to know exactly what to supply your clients. 32 Check list for file delivery 32 Additional resources There are two perfectly legitimate approaches to the problem of supplying digital files for reproduction. One approach is to supply RGB files, and the other is to take responsibility for supplying CMYK files. Either approach is valid, each with positives and negatives. -
FTA First Guide
Design Guide An SPI Project DESIGN FLEXOGRAPHIC TECHNICAL ASSOCIATION FIRST 4.0 SUPPLEMENTAL FLEXOGRAPHIC PRINTING DESIGN GUIDE 1.0 Design Introduction 1 5.0 File Formats and Usage 30 1.1 Overview 2 5.1 Specified Formats 30 1.2 Responsibility 2 5.2 Portable Document Format (PDF) 30 1.3 Assumptions 3 5.3 Clip Art 31 5.4 Creating and Identifying FPO Continuous Tone Images 31 2.0 Getting Started 4 5.5 Special Effects 31 2.1 Recognizing Attributes of the Flexographic Process 4 5.6 Image Substitution – Automatic Image Replacement 32 2.2 Materials and Information Needed to Begin 5 5.7 File Transfer Recommendations 32 2.2.1 Template Layout / Die-Cut Specifications 55.8 Program Applications 32 2.3 File Naming Conventions 6 6.0 Preflight of Final Design Prior to Release 33 6 2.4 Types of Proofs 8 6.1 Documenting the Design 33 2.5 Process Control Test Elements 9 6.2 Release to Prepress 34 3.0 Type and Design Elements 9 3.1 Typography: Know the Print Process Capabilities 9 3.1.1 Registration Tolerance 12 3.1.2 Process Color Type 13 3.1.3 Process Reverse/Knockout 13 3.1.4 Line Reverse/Knockout 13 3.1.5 Drop Shadow 13 3.1.6 Spaces and Tabs 14 3.1.7 Text Wrap 14 3.1.8 Fonts 14 3.2 Custom and Special Colors 16 3.3 Bar Code Design Considerations 17 3.3.1 Bar Code Specifications 18 3.3.2 Designer Responsibilities 18 3.3.3 USPS Intelligent Mail Bar Code 22 3.4 Screen Ruling 22 3.5 Tints 23 3.6 Ink Colors 24 4.0 Document Structure 25 4.1 Naming Conventions 26 4.2 Document Size 26 4.3 Working in Layers 26 4.4 Auto-Traced / Revectorized Art 26 4.5 Blends, Vignettes, Gradations 27 4.6 Imported Images – Follow the Links 28 4.7 Electronic Whiteout 29 4.8 Image Capture Quality – Scanning Considerations 29 4.9 Scaling & Resizing 30 4.10 Color Space 30 FLEXOGRAPHIC IMAGE REPRODUCTION SPECIFICATIONS & TOLERANCES 1 DESIGN 1.0 DESIGN INTRODUCTION 1.1 Overview FIRST 4.0 is created to facilitate communication among all participants involved in the design, preparation and printing of flexographic materials. -
Making TIFF Files from Drawing, Word Processing, Powerpoint And
Making TIFF and EPS files from Drawing, Word Processing, PowerPoint and Graphing Programs In the worlds of electronic publishing and video production programs, the need for TIFF or EPS formatted files is a necessity. Unfortunately, most of the imaging work done in research for presen- tation is done in PowerPoint, and this format simply cannot be used in most situations for these three ends. Files can be generally be saved or exported (by using either Save As or Export under File) into TIFF, PICT or JPEG files from PowerPoint, drawing, word processing and graphing programs—all called vector programs—but the results are often poor in resolution (in Photoshop these are shown as having a resolution of 72dpi when opening the Image Size dialogue box: under Image on the menu select Image Size). Here are four ways to save as TIFF (generally the way in which image files are saved) or EPS (gen- erally the way in which files are saved which contain lines or text): Option 1. Use the Program’s Save As or Export option. If it exists, use the Export or Save As option in your vector program. This only works well when a dialogue box appears so that specific values for height, width and resolution can be typed in (as in the programs Canvas and CorelDraw). Anti-aliasing should be checked. Resolution values of 300 dots per inch or pixels per inch is for images, 600 dpi is for images with text and 1200 dpi is for text, graphs and drawings. If no dialogue box exists to type in these values, go to option 2 - 4. -
Adobe Type 1 Font Format Adobe Systems Incorporated
Type 1 Specifications 6/21/90 final front.legal.doc Adobe Type 1 Font Format Adobe Systems Incorporated Addison-Wesley Publishing Company, Inc. Reading, Massachusetts • Menlo Park, California • New York Don Mills, Ontario • Wokingham, England • Amsterdam Bonn • Sydney • Singapore • Tokyo • Madrid • San Juan Library of Congress Cataloging-in-Publication Data Adobe type 1 font format / Adobe Systems Incorporated. p. cm Includes index ISBN 0-201-57044-0 1. PostScript (Computer program language) 2. Adobe Type 1 font (Computer program) I. Adobe Systems. QA76.73.P67A36 1990 686.2’2544536—dc20 90-42516 Copyright © 1990 Adobe Systems Incorporated. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated and Addison-Wesley, Inc. Printed in the United States of America. Published simultaneously in Canada. The information in this book is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. The software described in this book is furnished under license and may only be used or copied in accordance with the terms of such license. Please remember that existing font software programs that you may desire to access as a result of information described in this book may be protected under copyright law. The unauthorized use or modification of any existing font software program could be a violation of the rights of the author. -
EXT EX Product Family Product Family for Occasional Graphics Users and Comparison Comparison Creative Consumers
TEXT EX Product Family Product Family For occasional graphics users and Comparison Comparison creative consumers For graphics hobbyists and home businesses For occasional For graphics For graphics graphics users and hobbyists and professionals in small Full-featured suite creative consumers home businesses to large businesses for graphics professionals in small to large businesses Main Applications Most Popular CorelDRAW® 2020 Corel PHOTO-PAINT™ 2020 Corel Font Manager™ 2020 PowerTRACE™ (Quick Trace only) (included as part of the CorelDRAW application) CAPTURE™ CorelDRAW.app™ Key Features & Tools (Highlights) Corel AfterShot™ 3 HDR Bevel tool, Shadow tools, Spiral, Smooth and Smear tool, Contour tool Key Features & Tools (Highlights) Clone Tool, Artistic Media Bevel tool, Shadow tools, Spiral, Smooth and Smear tool, Contour tool Key Features & Tools (Highlights) Dimension dockers, Alignment guides Clone Tool, Artistic Media Symmetry drawing mode, Block Shadow tool, Impact tool, Pointillizer, Dimension dockers, Alignment guides PhotoCocktail Barcode Wizard Symmetry drawing mode, Block Professional Print options Duplexing Wizard Shadow tool, Impact tool, Pointillizer, Remove (CMYK features, Composite, Color PhotoCocktail separations, Postscript, Prepress tabs) GPL Ghostscript for enhanced EPS Advanced page layout: left & right master Object styles, Color styles, Color harmonies and PS support pages, custom placeholder text, image rendering above 150dpi Professional Print options (CMYK features, Composite, Color separations, Postscript, Enhanced -
Guide to Publishing at the US Department of Education
DOCUMENT RESUME ED 457 533 CS 510 669 AUTHOR Ohnemus, Edward; Zimmermann, Jacquelyn TITLE Guide to Publishing at the U.S. Department of Education. November 2001 Edition. INSTITUTION Department of Education, Washington, DC. Office of the Secretary.; Office of Public Affairs (ED), Washington, DC. PUB DATE 2001-11-00 NOTE 56p. AVAILABLE FROM ED Pubs, P.O. Box 1398, Jessup, MD 20794-1398. Tel: 877-433-7827 (Toll Free); Web site: http://www.ed.gov/pubs/edpubs.html. PUB TYPE Guides - Non-Classroom (055) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Editing; *Federal Government; Guidelines; Layout (Publications); Printing; Speeches; *Writing for Publication ABSTRACT This guide is intended for use by United States Department of Education employees and contractors working on manuscripts to be published by all principal offices except for the Office of Educational Research and Improvement, which includes the National Center for Education Statistics. It helps authors publish according to the duties and responsibilities of the United States Department of Education, whose mission is to ensure equal access to education and to promote educational excellence throughout the nation. Sections of the guide are: Your First Steps toward Publishing; Who Should Use This Guide; How This Guide Will Help You; Why You Must Publish through Government Channels; Getting Your Manuscript Edited and Printed; Getting Your Manuscript Designed; Steps in a Typical Printing Job at ED; Parts of a Publication; Sample Verso (Boilerplate) Page; Verso Page Explanation; The Writing Guides to Use; Limits on Content; Publishing Translations of ED Publications; Publishing Newsletters; Stationery and Business Cards; Giving and Publishing Official Speeches; How Your Publication Will Reach the Audience for Whom It Was Intended; and Forms Needed To Get Your Manuscript Edited and Printed. -
HP Designjet Printers: Purchasing Adobe® Postscript Models September 2007
HP Designjet Printers: Purchasing Adobe® Postscript Models September 2007 Adobe PostScript PostScript is a page description language developed by Adobe Systems Incorporated. It is a way of describing what a page should look like. Its main application is its ability to handle complex text and graphics. Most HP Designjet platforms offer standard and Adobe PostScript models. And in all cases, the HP Designjet printers with embedded Adobe PostScript often have advantages that go far beyond their ability to print PostScript files. General Guidelines In general, traditional line drawing uses are least likely to need PostScript. But even someone who prints primarily line drawings may want or need to choose a model with PostScript. Users should always opt for the Adobe PostScript model if any of the following is true: 1. Your primary applications (or those of someone who shares your device) are those from the Adobe Suite of software, such as Illustrator, PhotoShop, or InDesign. In general, any of these applications, especially if they use a mixture of vector and raster images, will yield the best results when using an Adobe PostScript driver. 2. Your company or organization has standardized on PostScript printers. Some IT managers require that all equipment be PostScript compatible for simplicity and consistency of support. 3. Your particular application generates only PostScript files. This is not common, but check with your application vendor if you are not sure. 4. You utilize EPS, or embedded PostScript images in your files. Some clip art, for instance, is only available in EPS format, especially on Macintosh computers. These images will only print correctly on a printer with PostScript capabilities. -
Up & Running: PDFLATEX in Miktex 1.09
Up & Running: PDFLATEX in MikTEX 1.09 David Meeker February 25, 1998 1 Configuration I upgraded from MikTEX 1.08 to 1.09 just by downloading and unzipping the distribution files ending in 109 from CTAN. Since I already had the full set of Type1 CM fonts stored in a direc- tory outside my texmf tree, I had to modify \texmf\miktex\config\miktex.environment, line 64 to reflect where I have my fonts. If the whole 1.09 distribution is unpacked as-is, then this modification is probably unnecessary. To ensure that everything is consistent with this change, run configure.exe in same directory. I also discovered that I did not have copies of the files supp-pdf.tex and supp-mis.tex that are necessary to properly include graphics into PDFLATEX files. They can be downloaded off of CTAN from the directory macros/pdftex/graphics/. They should be moved to \texmf\tex\latex\base, where the can be found by PDFLATEX. 2 Running PDFLATEX A few special commands need to be put into your LATEX document so that it will produce PDF correctly. In preamble (just before \begin{document}) you need the following: \pdfcompresslevel=9 Requests full compression of the PDF \pdfoutput=1 Tells the program to produce PDF instead of DVI To get automatic links in your pdf, as well as a table of contents, use the package ‘hyperref’ (available from CTAN in /macros/latex/contrib/supported/hyperref). It is called with \usepackage[pdftex]{hyperref}, which should be the last package called before \begin{document}. Your document should be compiled at least three times in a row so that all the bookmarks are included properly in the PDF.