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82791 COUNTRY MUSIC 1 986 COMING SOON TO CASH BOX
Week in, week out, CASH BOX presents the most comprehensive and authoritative coverage of Country Music.
Year in, year out, the CASH BOX annual CMA issue brings industry acclaim as the most authoritative source for information.
This year, in step with Country Music's spectacular impact on radio, television, films and records. CASH BOX presents the ultimate salute to NASHVILLE.
COUNTRY MUSIC 1 986
It's the perfect vehicle for your advertising message
Reserve ad space for bonus distribution in Nashville during COUNTRY MUSIC WEEK
Advertising deadline, October I, 1986 Issue date, October 18, 1986
RESERVE YOUR AD SPACE FOR BEST POSITION NOW!
CONTACT:
J. B. CARMICLE TOM McENTEE SPENCE BERLAND It (212) 586-2640 (615) 244-2898 (213) 464-8241 CASHBOX \ITERNATIONAL MUSIC/COIN MACHINE/HOME ENTERTAINMENT WEEKLY VOLUME L—NUMBER 1 2—SEPTEMBER 6, 1986
“Hey . . . Let’s Start ASHBOX Our Own Record Company.’’ )RGE ALBERT By Larry Rosen nt and Publisher Question: Can two musicians start a record company and make and of course, Dave Grusin. At this point, the independents had lost tK ALBERT esident and Managing Editor the venture profitable? all their major labels, and they said to us, “We need you.” After NCE BERLAND Answer: Yes. many meetings, we felt this was a good marriage. esident I’m happy to say, at GRP Records this is the case. After working Three Years Later.
CARMICLE together as musicians, then producing albums together for “third 1 must say, it can be done. The opportunities are there for cre- esident party” record companies, and then a venture called “Artista/GRP ative people coming from either the music side or the business side
ERT LONG Records”, Dave Grusin and I had come to the point of taking the to create their own entity and become successful. The opportunities r Black/Urban Marketing plunge. This is the case for every musician/producer in the musical exist today, the same as in 1983 when we started GRP, but in an H ALBERT category called JAZZ, or JAZZ FUSION, or maybe JAZZ/POP ever-changing form. The opportunity for the entrepreneur who
•r, Charts and Research or also known as JAZZ/FUNK or now known sometimes as NEW takes the time to examine the music, the technology, the market- :DI NEHRBASS AGE — to become frustrated with the major label that is financing, place and create his or her own business has never been better. We The Music Times marketing and selling your creative product. live in a world of rapidly changing home enter- \ WAITE, Research Director And when this frustration begins to build, the tainment technology. This must be the focus. ch HZAP logical (or maybe not so logical) idea surfaces Over the past decades major record compa-
HOLMES III ...... let’s start our own record nies have built gigantic corporate bureaucra- HAYMES “Hey company.” cies. They are very slow in understanding igeles Editorial »RY DOBRIN Needless to say, one must be either crazy change. Creatively they are always behind. BERK or a dreamer. We chose to be dreamers and They need small creative companies who are £N PADGETT moved ahead. in touch with the “street” to create and break brk Editorial There. ideas . . only see it working, 5KE, Bureau Chief The Opportunities Were new when they )RIO In 1982 major companies were suffering and can gear up, do they move like monsters in McENTEE financial set backs and as usual the first to go that direction. No doubt they have enormous Nashville Operations was “Jazz”. “It’s not going to sell tonage, power, and they must look to their survival by
lie Editorial/Research who needs it?” was heard. This presented a wonderful opportunity selling the Mega Platinum Album. But while in this mode they ID F D’ANTONIO for start jazz artists. completely miss events happening around them. They still WELLE us. We could now a company with some major major
E HANSEN Next Opportunity . . . Digital Technology. focus on music for 12-year-olds, even though we are experienceing a CATION OFFICES Since we have been recording digitally since 1979, we were very demographic shift to a more mature audience. They resist techno- ORK in tune with the emergence of the compact disc marketplace. Real- logical change, because they want to keep the status quo, even 38th Street (Suite 5D) izing the benefits of digital recording most convinced the though and better delivery systems are in place. k, NY 10019 we were new 212) 586-2640 CD, which delivers this superior sound quality to the consumer, We have just broken through the “Digital” barrier. The compact Jdress: Cash Box NY tion would become a major factor in the storage and delivery of music. disc success story is only the first step. R-DAT is waiting in the wings,
REGUB, Manager Distribution, the Third Opportunity. and it will create a major technological shift from analog cassettes to WOOD We met with the independent distributors, who were already digital audio tape. The video area is wide open for a new audio/visual nset Blvd. (Suite 930) familiar with our past product, ie: Earl Klugh, Noel Pointer, Patti product for the home to be developed. The opportunities are many od, CA 90028 213) 464-8241 Austin, Lee Ritenour, Angela Bofill, Tom Browne, Dave Valentin ... it just takes a crazy person or maybe a dreamer to make it happen. 6711051 CASBX UW ILLE Circle East, Nashville TN 37203 >15) 244-2898 TOP POP DEBUTS 30 E COMPASIO, Coin Machine, Mgr. SINGLES 25 OR 6 TO 4 — Chicago — Full Moon/Warner Bros. 51st Ave., Cicero IL 60650 112) 863-7440
NGTON, D C. ABRAMS ALBUMS ^ SLIPPERY WHEN WET - Bon Jovi - Mercury /PolyGram Utah St.
i VA 22207 703) 243-5664 TINA MIGUEL SMIRNOFF POP SINGLE POP ALBUM 569, Pico 4, Of. 405 ?nos Aires, Argentina 5*948 HIGHER LOVE TRUE BLUE ALIA - ALLAN WEBSTER •y Street #1 Steve Winwood #1 Madonna Australia Island/ Warner Bros. Sire 305315026 WINNER’S -CHRISTOPHER PICKARD es de Mederios, 2475 CIRCLE
. Lagoa B/C SINGLE B/C ALBUM niero, Brazil 34-8197 LOVE ZONE Cash Box research from A -GRANT LAWRENCE RAISING HELL both radio and retail activity dSt. Billy Ocean #1 Run D.M.C. Ontario #1 Jive/ Arista indicates the following Profile :7L 3R8 13) 549 2119 record exhibits
MARIO DE LUIGI Top Ten potential. • Dischi” Via De Amicis 47 COUNTRY SINGLE COUNTRY ALBUM lilan, Italy 02) 83918-37/832-79-37 Adv LITTLE ROCK STORMS OF LIFE Mgr . SACHIO SAITO Hgr.KOZO OTSUKA #1 Reba McEntire #1 Randy Travis of Chuo-Tatemono bldg. 11-1, Shinbashi, Minato-ku MCA Warner Bros. \ >an, 105 >41651 J KINGDOM - CHRISSY ILEY JAZZ MUSIC VIDEO Cleveland Street HP 5PQ England -631 1626 3R1GHT DOUBLE VISION SWEET FREEDOM 2 Bethune Road #1 Bob James/David Sanborn #1 Michael McDonald 16 5DS England Warner Bros. i 809-1067 MCA
>X (ISSN 0008-7289) is published weekly by Cash W. 58th Street, New York, N Y 10019 for $125.00 COMPACT DISC 12" SINGLE Second class postage paid at New York, N Y and mailing offices. ® Copyright 1986 by the Cash Box Co.. Inc The Music Times ® Copyright 1986 by •eet. All rights reserved. Copyright under Universal SO PAPA DON’T PREACH t Convention. POSTMASTER: Send address #1 Peter Gabriel #1 Madonna > Cash Box, 330 W 58th Street, New York, N Y Geffen Sire NEWS ;; New Payola Probes Reporter mimimi LOS ANGELES — According to a report in eral major record companies, and t t '
Daily Variety, federal investigations into Miami probe could have somethin; lo'v
possible music industry links with organized with the assault of Don Cox, a Mi li
crime and/or “payola” have been launched who was beaten severly after he sj l-» ; in Cleveland, Miami and Philadelphia, mak- widespread payola on an NBC newsc 4 |
ing a total of six Grand Jury investigations March. ,
- nationwide, including Los Angeles, New The report is unconfirmed at pre' ti
York and Newark, NJ. and federal justice officials are forbii e
report that the Philadelphia in- that have not The said speak about cases yji at quest has subpoenaed documents from sev- gressed to the prosecution stages. , j
i r RIAA To Make D.C. Move An) Seek Future President
NEW YORK — The Recording Industry As- bracing international as well as dijii sociation of America will move its opera- arenas. In addition to House and Ser Mb tions York City to Washington, son, consistent contact from New has proved i ! e E D.C. by early 1987 and will seek a “presti- with the Administration, Special Tra,
gious political specialist” as its future presi- resentative, Commerce, Treasury, j ^ will dent. The new RIAA chief succeed Justice, Copyright Office, Copyrigh !q0 MCA HITS THE WALL—Leeds Levy, president of MCA Music Publishing, has an- Stanley M. Gortikov, president since 1972, ty Tribunal and National Endowm t nounced the signing of the group Wall Of Voodoo to a worldwide, co-publishing agreement. who will become chairman of the board un- the Arts.
are: Moreland; til his expected retirement in or 1989. is 5 Pictured in the Los Angeles office (back,! to r) hied Leukhardt; Mark Bruce 1988 “The move also expected to ]
Moreland; Mike Gormley, manager; Chas Gray; Levy. (Front), Rick Shoemaker, vice- The decision to relocate, long under con- RIAA to enhance its relations with si e
sideration, was made in a Los Angeles meet- egation and various caucuses,” G t
ing by RIAA’s Executive Committee. The added. “In addition, we can more s
action is subject to expected validation by expand our involvement in import t
the full Board of Directors. tural, social betterment and public J Hefner Decries Meese Report >, “Our intended move to Washington,” programs.”
Gortikov said, “reflects the industry’s grow- RIAA’s Executive Committee irji At VSDA 3I: ing need for closer contact with Congress Dick Asher, PolyGram; Irving Azoff I
By Gregory Dobrin and many government branches. The com- Jack Craigo, Chrysalis; Gil Friesen i LAS VEGAS — In a keynote address given Hefner said that a survey of violence in mercial and creative health and growth po- Elliot Goldman, RCA; Stanley G before an audience of ome 4,000 Video the 13 best-selling magazines for men found tential of our member companies are increas- RIAA; Dick Griffey, Solar; Bhaskar Software Dealers Association (VSDA) con- a percentage of less than one percent, a ingly linked to Washington objectives.” Capitol-EMI; Mo Ostin, Warner; and ventioners here, Playboy Enterprises Inc. statistic she said vanished from the final RIAA’s Washington issues are rapidly di- er, CBS. president Christie Hefner boosted the con- Meese report because it is directly at odds versifying, according to Gortikov, and em- (continued on p \ fab’s “Freedom Of Choice” theme with a with it. double-barrelled attack on the Meese Com- Child pornography, which a recent Sen- mission’s Report On Pornography, a study ate committe report concluded to be much Records Group Pledge! k that could impact on the sale of adult home less prevalent or readily available than the CBS video. Commission would have us believe, she said A variety of quotes and statistics support- is being used as a “hot button” to crack $50,000 To “Crack-Down” ed Hefner’s meticulous defusmg of the down on adult materials. Meese case, which she said uses adult mate- On a humorous note, Hefner also quoted Campaign rials as a scape goat for a spectrum of real- a Chicago Sun-Times journalist who point- M life social ills, and sways the layman with its ed out that the Commission has been ex- NEW YORK — Contingent upon propor- this effort,” said CBS/Records Groi ^ catch-all definition of pornography. posed to more adult material over the last tionate matching pledges from other record dent Walter Yetnikoff. “We all re ( ’ “One of the intrinsic flaws in the report,” year and a half than most other Americans. companies (based on their size), the CBS/ that musical artists have a unique a 5 (
Hefner told the assembly, “is that it applies If such material indeed causes sex crimes, Records Group will make a “seed money- influence young people who are m l this word “pornography” - a highly deroga- the journalist quipped, “who’s watching ’’pledge of $50,000 to the newly-announced ceptible to drug abuse, and we wail;®
- !'s tory word ... to all sexual material . . . and these guys?” “Crack-Down” campaign against cocaine whatever we can to use this ability then at the same time (the Meese Commis- With a possible hint at the 7-11 chain, abuse, which will draw on a coalition of en- the tremendous threat that crack pfi sion) use pornography in much of the report which dropped Playboy as a result of the tertainment industry and civic leaders to our society.”
' to focus on the most hateful, most abusive Commission’s report, Hefner addressed the raise money for and focus attention on drug The “Crack-Down” campaign, li itu s imagery out there, therefore giving the im- retailers in the audience. “You, after all, are rehabilitation and education programs in still in development, will be highlig pression to the casual but concerned reader the ultimate gate-keepers and you will take New York City. an all-star benefit concert and by that the marketplace is dominated by very the heat,” she said, “because time and again “This pledge reflects our total support education programs. violent, degrading material.” (continued on page 34) for Bill Graham and the other organizers of r ! i
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Cash Box September JEWS Carter Named VP Of West EXECUTIVES ON THEMOVE oast Operations At Chrysalis
ANGELES — Jack Craigo, president, j
! jff Aldrich, executive vice president of
alis Records, have announced the ap- nent of John Carter to the position of
I resident, west coast operations. In this
ity, Carter will direct and manage all :oast activities for the Chrysalis label
iusic publishing company, I ter comes to Chrysalis entering his Steinmetz Allen Flynn Lorick /ear in the music and recording indus-
is began his career in the mid-sixties as Steinmetz Promoted to President and General Manager—Mark S. Stein gwriter, penning the psychedelic metz has been promoted to president and general manager of KQRS-AM/FM in berry Alarm Clock hit, “Incense and Minneapolis, Minnesota, it was announced by Don P. Bouloukos, president, Capital rmints.” Cities/ABC Owned Radio Stations. Mr. Steinmetz had been vice president and 970, Carter joined Atlantic Records general of since January, 1985. Prior to joining he had been > west coast in promotion and artist manager KQRS KQRS, ipment, where he oversaw the tours with WCCO-FM, Minneapolis, for three years. He joined them in January, 1982, as h artists as the Rolling Stones, Yes, Commenting on Carter’s appointment, an account executive. A year later he was promoted to local sales manager and in i Franklin and Led Zeppelin. He went Craigo said, “John Carter’s experience and January, 1984, he was promoted to general sales manager. department of Capitol career successes provide the characteristics join the A&R Allen Appointed —Bob Catania, vice president, promotion, Island Records has three years later, developing and which match the growth plan for Chrysalis ds announced the appointment of Andy Allen to director, national album promotion. ng Bob Seger for the label. He was Records and music publishing, West Coast. Allen will be responsible for coordinating all national album promotion, as well as levated to the position of staff produc- He is a most welcomed addition to the liaising with the Atlantic And Atco Records promotion departments. Allen spent Capitol, and produced a platinum- team.” appoint- nine years at RCA Records where he most recently was manager, national album jf album for Bob Welch with “French Aldrich also commented on the He also contributed to Tina Turner’s ment, saying “We are thrilled to have John promotion. He will be based in Island’s New York office at 4th and Broadway, and
!i pie-selling LP, “Private Dancer,” en- Carter on board and we look forward to his will report directly to Catania. ing the title track. Carter most recent- leadership in guiding our West Coast activi- Chrysalis Appoints Flynn — Elaine Schock, director, national publicity for ;ed as director of A&R for A&M ties, especially the development of artist ca- Chrysalis Records, announced the appointment of Kathee Flynn to manager, West " Is. reers and soundtrack projects.” Coast publicity. She will be responsible for setting up interviews, reviews, and tour
press for all Chrysalis artists in the western region of the country. Flynn joined Chrysalis in 1985 as marketing coordinator. Prior to Chrysalis, she worked at Westwood One Mutual Avalon Attractions as production coordinator. Rockbill Promotes Lorick — Rockbill, Inc., a leading music and entertainment Announce Two Veepees marketing firm, has advanced Blake Lorick to the newly-created post of senior vice president, it was announced by Jay Coleman, president. Mr. Lorick, who had been tNGELES — In a further strengthen- Batusic also came to Westwood One in vice president, program development since joining the company in 1984, takes on he combined advertiser sales staffs at the summer of 1985 — first as sales direc- added responsibilities in strategic planning for Rockbill’s corportate growth and will ood One and Mutual, Gary Schonfeld tor/Midwest region for the Westwood One report directly to Mr. Coleman. Mr. Lorick will continue to develop and secure an promoted to vice president/New Radio Networks and then in December, he rights to innovative marketing vehicles for Rockbill’s flagship accounts, Pepsico lies manager for the Westwood One was named Midwest region sales director 'tetworks, and Greg Batusic has been for both Westwood One and the Mutual USA and General Foods, as well as develop new business for the company. vice president/Midwestern region Broadcasting System. Batusic will continue Cohen/Sussman Form New Company— Craig Sussman and Ted Cohen have langer for both Westwood One and to be based in Chicago and report to Mutual joined forces to form Consulting Adults, a multi-faceted personal management
tual Broadcasting System, co-president Art Kriemelman. company based in Los Angeles. The company’s first signings include recording infeld, who arrived at Westwood Says Pattiz, chairman of Norman artist/producer Gary Wright and recording artists Ava Cherry, Network, Steve August 1985 as director of new busi- Westwood One Inc. and CEO of the Smith, David Hallowren and Kent Jordan. Cohen brings to Consulting Adults more evelopment and was promoted to Westwood One Radio Networks and the il than 15 years of experience in the music business, most recently with Gallin, Morey lirector/Eastern region in January, Mutual Broadcasting System: “Both Gary and Associates, the entertainment management firm. He was director, talent acqui- ntinue to oversee all of Westwood and Greg have been star performers since East Coast advertising efforts from they joined Westwood One. I’m certain that sition and program development for the Westwood One Radio Networks, prior to npany’s New York offices. He’ll re- as key management players, they’ll both which he was director of artist development for Warner Bros. Records for 13 years. p directly to Ron Hartenbaum, play important roles in the company’s Sussman was in the Business Affairs Department of CBS Records for six years, Dod One’s vice president/advertiser future. which included heading the A&R administration department on the west coast. Prior to joining CBS, he was on their professional staff of entertainment business management firm Gelfand, Breslauer, MacNow, Rennert and Feldman. Green Named at MCA Distributing —Mike Green has been appointed director
of classical sales for MCA Distributing, it was announced today by John Burns, CKERTAPE I senior vice president, MCA Distributing. In this newly created position, Greene will
be involved in all sales and marketing aspects of the recently revived classical music / YORK—The N.Y. chapter of the Black Music Association will hold its rch for the Stars of Tomarrow” talent search, Sept. 1 1 at NYC’s RCA Studios; line of MCA Records. udy Weinstein at (212) 873-7668 for details. Then get ready for the BMA’s BMI Names Buckstein — BMI president & CEO Frances W. Preston has an- annual Convention and Talent Search Showcase, Oct. 1-5 at Miami’s Fon- nounced the appointment of Evelyn Buckstein to the newly-created post of assis- counsel. Rights. is effective eau Hilton; write to the BMA at 1500 Locust St., Philadelphia, PA 19102 for tant vice president and Performing The appointment immediately. She will be consultant on performing rights legal questions to all . . Neil Diamond set the Madison Square Garden house record for the most members of the Performing Rights department in York, Nashville and Los rmances in a single engagement - eight - so the Garden gave him their Gold New
t Angeles. Buckstein, formerly senior attorney of the Legal Department, joined BMI Award . . . Michael John Toste, formerly of the All Sports Band, has formed
- some 30 years ago from the law firm of Paul, Weiss, Rifkind, Wharton and jram Records each record, including Toste’s just-released “USA . . . For A Garrison. Way”, will feature a hologram on its cover to prevent bootlegging . . . Jensen Appoint Jensen the appoint- ival Acadiens” brings together all aspects of Cajun culture - including, of Stewart — Communications announces
e, music - Sept. 20 & 21 in Lafayette, LA (where else?); a call to the Lafayette ment of Susan K. Stewart to the newly created position of director of promotion. zntion She will be responsible for implementing press campaigns for corporate clients such and Visitors Commission at (318) 232-3737 gets details . . . Michel nd has been named to the Songwriters Guild of America. That same organiza- as Nocturne, Inc., Video Software Dealers Association and Music West Records as will begin 'ill be holding a reception in honor of former BM1 president Ed Cramer, Sept. well as music accounts that include Nu Shooz and Raffi. Ms. Stewart also lYC’s Lotos to develop the merchandising arm of the company. Since 1982, Ms. Stewart was Club, for his “devotion to and defense of creators”. . .Infuture ds has been formed in NYC by Yvonne Turner and Karen Kohn - “Excite Director of Marketing for Success Alliance, Inc., a Sacramento-based business by Carlton, management company. Prior to 1982, Susan was a publicist at Columbia Records is the first release . . . New on the bookshelves: Rock Guitar For ? Stars where she worked with artists such as Kenny Loggins, Judas Priest, Billy Joel and by Arlen Roth ($3.95, Ballantine) and /, Tina: My Life Story by Tina r with Kurt Loder ($16.95, Morrow). Chicago.
fox September 6, 1986 5 — ALBUM RELEASES OUT OF THE BOX OUT OF THE BOW PAUL SIMON— Gracela
PAUL S i M O N PAUL MC CARTNEY — Press To G3ACELAND Warner Bros. 25447 — Prod Play — Capitol PJAS-12475— Pro- Paul Simon— List:8.98— Bar C ducers: Paul McCartney-Hugh Simon’s strongest record in year: Padgham— List:9.98 — Bar Coded heavily on African influences to pr McCartney comes back to Capitol with in penetrating and history-spa a resounding LP that captures the thrill of scope. In an effortless weave, he co the pop song as only he can. The Top 40 the African interior to the Mississip “Press” is only the start — some of his er valley — especially on the title most compelling work in years appears where South and West African p here. He continues plying his craft as cre- join with Simon and The Everly Br atively and with as much excitement as on a song about Elvis Presley’s ever — punctuating everything with a fas- town. Remarkable from start to fini cinating, experimental edge. document of cultural diversity and al unity.
OUT OF THE BOX \ OUT OF THE BOX\ HUEY LEWIS iTHE MEWS ASHFORD & SIMPSON-1 HUEY LEWIS AND THE NEWS— Love—Capitol ST-12469—Pr li) Fore!— Chrysalis OV 41534—Pro- ers: Nickolas Ashford-Valerie I ducer: Huey Lewis And The News 4 son — List: 8.98— Bar Coded No List— Bar Coded Led by the beautiful and opt a Band back to repeat the multi-platinum l
“Count Your Blessings,” the new A f , success of “Sports.” More good time, up- & Simpson LP is another glistening il j lifting rock and roll sound with a nod to tion of songs from the legendary so: doo wop in places. The enormous popular ing duo. Stevie Wonder lent success of the group will continue, led by , trademark harmonica to the standc the first high-charting single, “Stuck On
“Nobody Walks In L.A." From the i You.” As usual, unpretentious and
“Relations” to the inspirational I straightforward. Love,” the LP is a delight.
FEATURE PICKS LEO KOTTKE—A Shout Toward Noon— Private Music 2007 —Producer: Buell THE BURNS SISTERS BAND Columbia BFC 40340—Producer: Richa Neidlinger— List: 9.98—Bar Coded tehrer —No List: Bar Coded The groundbreaking and dazzling acoustic guitarist releases his first instrumental-only LP Modern perspectives on modern living from new quintet of sisters. A Bangh which is also his first for Private Music and its first via RCA Distribution. Lovely, virtuoso Heart effort with multi-format appeal. T and indispensable for Kottke mavins. GEORGE BENSON—While The City Sleeps . . . —Warner Bros. 2547! ducer: Narada Michael Walden—List: 8.98— Bar Coded BRILLIANT— Kiss The Lips Of Life —Atlantic 81660—Producers: Stock-Ait- Walden places Benson squarely into a contemporary R&B setting on this lat ken-Waterman List: 8.98 Bar — — Coded outing. The voice and the guitar — both his distinctive signatures — never sounded h Very hip, aware dance trio from the U K. featuring sultry singer June Montana. The cool STRAY CATS— Rock Therapy—EMI America ST-17226—Producer: TI and sophisticated sounds are right for a mainstream breakthrough in the U.S. Cats— List: 8.98— Bar Coded
The reunited Stray Cats are back with a roots rock/rockabilly celebration. The fl FIVE STAR — Silk & Steel —RCA AFL1-5901— Producers: Various — List: II Thunderbirds breathed life back into the genre, and Stray Cats, with Brian Setze 8.98— Bar Coded and solid songwriting out front, stand a good chance of repeating their “Stray C Last year’s bright debut from this British family only hinted at the talent and potential debut success. found here. Solid grooves, good songs and tight production throughout. ROSSINGTON—Returned To The Scene Of The Crime—Atlantic 81671 ducers: Jimmy Johnson-Peter Solley-Gary Rossington— List: 8.98—Ba MARTI JONES— Match Game—A&M SP-5138—Producer: Don Dixon- -List: n 8.98— Bar Coded One-time Lynyrd Skynyrd and Rossington-Collins Band guitarist Gary Rossingto wife/partner in RCA, Dale Krantz debut their new band. Features no frills, straig Jones’ second LP again highlights her sweet and country-flavored voice. Produce by rock-hard and melodic. Dixon and featuring guests Darlene Love, Marshall Crenshaw and Mitch Easter, the album MAZE FEATURING FRANKIE BEVERLY— Live In Los Angeles— elegantly dances across the boundaries of country and classic pop/rock. SWBB-12479— Producer: Frankie Beverly—List:10.98— Bar Coded
,r JAMES— Stutter — Sire 25437 — Producer: Lenny Kaye— List: 8.98 — Bar The excitement and good vibes generated by Maze are captured on this two-re;i fl Three sides of live performances and one side with four new studio cuts — inci Coded ^ 3' : * ^1 + J fill + Appealing to the college and new music import mavins, James, a Birmingham quartet, compassionate song about apartheid — fill out the package. )d releases its first in the U.S. A fresh entry in the Aztec Camera/Bluebells tradition. VINNIE VINCENT— Invasion —Chrysalis BFV 41529—Producers:Vin cent-Dana Strum—No List — Bar Coded
*- HUNTERS & COLLECTORS—Human Frailty — I.R.S. 5801 —Producers: Gavin The Kiss guitarist launches his solo career with this propulsive metallic tour de i * MacKillop-Hunters & Collectors— List: 8.98— Bar Coded LUBA— Between The Earth & Sky —Capitol ST-12472—Producers F U Some Hunters & Collectors records have been raucous, tribal affairs. While elements of “Baz” Bazinet-Luba— List: 8.98— Bar Coded the tribal remain here, some dangerous but appealing songs may fill the clubs and and the A stirring delivery of pop/dance material. Luba’s writing and infectious singing hfi airwaves. to get her noticed. Watch out for this one. RECORDS TO WATCH
' YANNI— Keys To Imagination— Private Music 2008— Producer: Yanni— List: THE QUICK—Wah Wah—A&M SP-6-5140—Producer: Philip Carden ZI1 9.98— Bar Coded ley— List: 6.98— Bar Coded M
THE LOUNGE LIZARDS— Live In Tokyo-Big Heart— Island 90529— Produc- THE ESCAPE CLUB— White Fields—EMI America ST-17215— Pi ers: John Lurie-Seigen Ono— List8.98 Scott Litt — List: 8.98— Bar Coded
GENOBIA JETER—Genobia —RCA AFL1 5897 — Producers: Various— List: THE UNTOUCHABLES— Dance Party—MCA-36016—Producers: Vi 8.98— Bar Coded List: 6.98— Bar Coded
PRECIOUS WILSON —Jive/RCA 1003— Producers: Various— List:8.98— Bar JAMES BROWN— In The Jungle Groove — Polydor 829 624— List:ll. Coded Coded
MICHELLE GOULET—Island 90526— Producer. Jim White— List: 8.98— Bar SHOCKING BLUE— Classics— 21 /Atco 90537— Producer: Rob Coded Leeuwen— List: 8.98— Bar Coded
6 Cash Box Septembt 1 SINGLE RELEASES
| IT OF THE BOX\ OUT OF THE BOW
LAUPER (Portrait 37-06247) olors (3:45) (Denise Barry-Billy CHICAGO (Warner Bros. 7 28628) g/ASCAP) (T. Kelly-B. Steinberg) 25 Or 6 To 4 (4:09) (Lamminations-Aure
;rs: Cyndi Lauper-Lennie Petze) lius/ASCAP) (Robert Lamm-James Pan-
•r will beat the sophomore jinx kow) (Producer: David Foster) to fol- Chicago’s remake of its classic hit is a ; tender ballad. Never one vention, she chooses not to re- thunderous, technological rocker. With uptempo first single — but never updated horn lines making urgent irregu-
lis one aches with vulnerability lar jabs and reworked vocal harmonies, per’s fragile and innocent voice this one is guaranteed another ride up the with expression. Easily another charts. Foster’s production is confident for the wacky, unpredictable and aggressive.
T OF THE BOX NEWAND DEVELOPING t
CROWDED HOUSE (Capitol B-5614) ASEK (Geffen 7-28617) Don’t Dream It’s Over (4:03) (Round- n In Motion (3:55) (Lido/ head/BMI) (Neil Finn) (Producer: Mitchell (Ric Ocasek) (Producers: Chris Froom) lie Ocasek-Ross Cullum) Australia’s Crowded House is looking ars’ leader has embarked on his for its first hit from the stunning self-title olo cruise here. A melodic and debut. The easy going and pretty song ballad rife with hooks and per- camouflages a pained longing. Neil Finn’s CHR and AC. Has a smooth voice, recognizable from his stint with th sparkling synths and an emo- Split Enz, is reedy and expressive and full ivery. of irony.
FEATURE PICKS i LEAGUE (A&M AM-2861) BRILLIANT (Atlantic 7-89367) | ( '3:46) (Flyte Tyme/ASCAP) (J. Harris III-T. Lewis) (Producers: Jimmy Jam-Terry Somebody (3:28) (EG/BMI) (Glover-Montana-Cauty-Chester) (Producers:Stock-Waterman- Aitken) intessential U.K. “new wave” band teams with the production team of Jimmy Jam A snappy and hard-hitting dance track from a bright new British export.
Lewis. The result is a soulful and shimmering, mid-tempo ballad featuring Philip 5475 listinct voice. E.G. DAILY (A&M AM-2862)
J(l2 (Polydor 885 284) Love In The Shadows (3:54) (Baby Tanzi/BMI-Famous/ASCAP) (E.G. Daiiy-Harold Fal- [lslat Me Now (3:31) (Chappell/ ASCAP-Island/BMI) (M. King-P. Gould-W. Badarou) termeyer) (Producer: Harold Faltermeyer) Daily links with Faltermeyer for this burning, but melodic, cut. s: Wally Badarou-Level 42) up dance :r:Th blue-eyed soul group is beginning to make a splash on our shores. The new single RENE AND ANGELA (Mercury 884 972) solid musicality perfect for and urban formats. yy (, — CHR, AC No How, No Way (3:58) (A La Mode adm by WB/ASCAP) (R. Moore-A. Winbush) A CARLISLE (I.R.S. 52889) (Producers: Bobby Watson-Bruce Swedien-Rene and Angela) (v ie Magic (3:15) (She Devil-Spanish Johnny/ASCAP) (C. Caffey-J. Segal) (Produc- y Rene and Angela keep strolling down a “Street Called Desire.” Here’s another sure fire 2 l Lloyd) ] BC cut. Possible cross to CHR. Go-Go follows her Top Five “Mad About You” with this perky, 50s-flavored pop 51672 THE DAZZ BAND (Geffen 7-28658) » KNIGHT AND BILL MEDLEY (Scotti Brothers ZS4 06267) singtor Wild And Free (4:00) (Mac Man-Blackwood-Kuzu-Dazzberryjam-April/ASCAP) (M ."j, m Borrowed Time (Love Theme From Cobra) (3:59) (Island-Dancing Shad- McClain-B Harris-J. Lorber) (Producer: Bobby Harris) Sweet Karol/ASCAP-Blade Point/PRS) (B. Short-E. Hamilton) (Producer: Joe Solid, grooving bunk guaranteed to set the dance clubs ablaze and garner heavy urban i) les— and BC play. omising pairing of Knight with Medley has led to this rewarding and successful re film Cobra. CHRIS THOMPSON (Atlantic 7-89368) JTHER/ NANCY SHANKS (EMI America B-8344) What A Woman Wants (3:44) (Zonder-Jonathon Three-Martin Bandier-Gary Klein Step (4:27) (TSP-Ice Age/ASCAP-Triple Star-Seagrape/BMI) (J.D. Souther-K. Charles Koppelman/BMI) (Henry Gaffney) (Producers: Phil Galdston-John Van Tongeren)
l roducers: Craig Doerge-J.D. Souther) ,yj A soulful ballad featuring the incredible voice of the former lead singer of Manfred Mann’s s n] intic and touching ballad by Souther from the film About Last Night. An AC Earth Band. Certain AC, good chances at CHR.
DAY (Warner Bros. 7-28734) LOOSE ENDS (MCA 52820) ( ucefK lit For Me (4:28) (Ya D Sir adm by WB/ASCAP) (Morris Day) (Producer: Morris Stay A Little While, Child (4:09) (MCA-Brampton-Virgin/ASCAP) (Mclntosh-Nichol Eugene) (Producer: Nick Martinelli) ctious and funky cut right for BC and clubs. Cool and sophisticated English soul from slick trio. RECORDS TO WATCH
L ZAPPA (Barking Pumpkin B-74204) DYNASTY (Solar B-70000) * About It (3:56) (Munchkin/ ASCAP) (Dweezil Zappa) (Producers: Frank Zappa- Personality (3:58) (Hip Trip-Hip Chic-Midstar/BMl) (Edmonds-Reid-Ladd) (Producers: LA
) Baby Face) (Jive/RCA 1026-7-JAA) & JOHNNY THE WHITEHEAD BROTHERS (Philadelphia International/ JONATHON BUTLER Haunted By Your Love (4:02) (Zomba/ASCAP) (Jonathon Butler) (Producer: Barry i B-50041) Eastmond) 37) (Assorted adm by Mighty Three-American League/BMl-ASCAP) (V. Carstar- (Paylode PL 2004) /hitehead-J. Whitehead III-A. Whitehead-D. Whitehead) (Producers: Kenneth JEREMY WEST :Va on A. Huff) You’re A Friend Of Mine (3:08) (Jeremy Westsongs/ASCAP) (Jeremy West) (Producer: Wilson Dyer) CARROLL, II (Island 7-99507) THE QUICK (A&M AM-2870) >n The Wall (4:27) (Porter Carroll, Jr. adm by Ackee-Smokestone/ASCAP) (P. Down The Wire (Virgin/ (Campsie-McFarlane) (Producer: Philip Carden ist:ll' (3:16) ASCAP) -M. Colina) (Producers: Ray Bardani-Michael Colina-Porter Carroll, Jr.) Thornalley) RNE (Omni 7-99511) GIUFFRIA (MCA 52882) Love (3:58) (WB-Silver Sun-BQ/ASCAP) (Dianne Quander-Gerry Glenn) (Pro- Love You Forever (3:56) (Herds Of Birds-Gregg Giuffria-Kid Bird-Frozen Flame ASCAP ver Washington, Jr.) BMI) (G. Giuffria-D.G. Eisley) (Producer: Pat Glasser)
x September 6, 1986 ;' < POINTS WEST NEWFACES TO WATCH
ENDORSEMENT— The National Psychologists and The March of Dimes. Three’s a crowd. Unless you’re talk- Academy of Recording Arts & Sci- THE WORD ON MISSING PER- ing about Neil Finn, Paul Hester and ences (NARAS) has sent out a letter SONS—The rumor stops here: L.A.’s Nick Seymour. Together they comprise
detailing its support of the Los Ange- Missing Persons have indeed broken Crowded House, and this threesome les Street Scene’s First Annual up, according to Lome Saifer of the creates decidedly uncrowded music. Music Competition, to be held Sep- Arnold Stiefel Company, the band’s When Split Enz called it quits after 12 tember 17 at L.A.’s Embassy Theatre. management firm. No reasons were giv- years together in 1984, Neil Finn had The letter, written by L.A Chapter en for the break-up, and your guess is as already decided he wanted to branch trustee Andre Fischer, outlines five good as mine, but a certain level of criti- out on his own. His old band was com- purposes of the competition which cal approval has been known to help pleting a farewell tour of Australia and
make it valuable to NARAS. They read bands stay together, even if the records New Zealand. “As soon as that all end-
as follows: to “strengthen cultural rela- stiff commercially. Could this be the ed up, 1 had already talked with Paul tions between nations through music”, glue that Missing Persons was missing? Hester, who was the last drummer with thing that was played on there
to “introduce new music concepts and SHRAPNEL— Metal fans who once Split Enz, about getting a new band to- sounds like a response to the s enrich the international cultural fabric banged their heads to the roar of Kiss gether. We discussed loosely the fact not like there are any sort of
it by giving visibility to performers of the will be interested to learn that drummer that we wanted to be quite guitarey Martian landscape noises app< i
highest quality”, to “showcase Los An- Peter Criss has bailed out of Balls of and fairly direct,” remembered Finn. the middle 8 or anything,” Fini t geles as a multicultural center”, to Fire, the L.A. band he teamed up with Shortly after this the two met up with “He (Froom) basically worke “stimulate cross-cultural consciousness a few months back, and the reason is Nick Seymour and the trio was songs first up, to get them into
of music as an international means of common, if not down-right boring, ad- complete. shape, so that as songs, if yoij
communication”, and, on personal note mits rhythm guitarist and lead vocalist The concept from the very beginning them at a party, it would soui| for Andre (his personal anthem, he Jane Booke. The reason? “Creative was for Crowded House to be very com- really good song. That was the says), “to provide incentives for musi- differences”(snore). Criss has gone off pact, and sparsely populated. “We did ambition so that we could strip
cians, either amateur or professional, to to follow the solo path, while the as-yet- some demos and came over seas with arrangements almost totally if always strive for and maintain the high- unsigned Balls of Fire, a new drummer them straightaway. We didn’t really ed to. That was different from f |li est standard possible in their craft.” already tagged, is recording at A&M have management at the time and we because with Split Enz we wer p
Participants in the competition will per- with producer Gordon Fordyce . . . thought, rather than accumulate middle compelled with every song tc y j form at the L.A. Street Scene festival, And speaking of Kiss, maybe you re- men, let’s just go straight to source and certain lineup, you know, pe j
September 21. member a former lead guitarist for the see if we can get a deal for the world out keyboards, guitar. You know band named Vinnie Vincent (Maybe of wherever they’ll have us,” said Finn. body had to play on every soi you don’t). Anyway, Vincent’s got a Without management. Crowded House was counter productive at tim , new album out on Chrysalis called “In- was able to establish a direct link with Finn. jlM
vasion”, and it’s a grinding collection of Capitol Records, the company who Fans of the Split Enz sound id oz
ditties, too. The dust cover reads, and I eventually showed the most interest in much about Crowded House tie; use
quote, “Made 2 B Played At Maximum the band. “So, all along the way, ‘elimi- Finn’s voice graced many of hiffi »
>- Volume. ’’(remember when every rock nate the middlemen’ has been ringing band’s best songs. In his new jr ft album seemed to include a quaint little from the belfries,” he joked brings with him the same tv -<
directive like that?) The concept of less-is-more is at work sword songwriting skills. His s\ ie
in the sound of Crowded House’s self- odies swirl around bitterswe titled debut as well. This, Finn attributes ments. A spoonful of sugar rr « ;
to producer Mitchell Froom. “Yeah medicine go down. “I Got ’r l
he’s great. He never really put on too “Message To My Girl, ’’two of s r
much. real minimalist. The two fin- songs from Split Enz, are foil k bs SANTANA PLAYS THE BAY— Carlos A Santana has joined the line-up for the San gered approach, mostly. I really like Finn with “World Where Y<
1 Francisco Blues Festival. that,” Finn said. From the Squeeze-like and “Now We're Getting Som i\
n ' simplicity of “World Where You Live” two songs from the new albun f r to the brutal drive of “Mean To Me,” bound to be remembered fc < jnc BLUES JOINERS — Carlos San- Crowded House delivers its punch with time. Really, the only thing as tana and Delbert McClinton have finesse, not brawn. “The good thing about “Crowded House” is th li sj[] decided to lend their talents to the 14th about the arrangements, and that’s of great songs they’ve manage t( ;t Athens, GA's Annual San Francisco Blues Festi- ON THE WATERFRONT— Mitchell Froom really, is that there is an into it. Guadalcanal Diary plays the Roxy in L.A. val, which comes to the Great Meadow element of performance about every- Stephen a r Sept. 6. in Fort Mason the weekend of Septem- _ dc:, ber 13. They join a line-up that’s al- ready headed by Albert King, Etta la James, Roy Buchanan, and Jr. IN PARTING— “Not since the big Wells & Buddy Guy (plus multitudes band days of the 1940’s and Gene more). Plenty of Cajun-Creole eats will Krupa has a drummer recieved so Hackford And Sill Join Fox I
be on hand to give your stomach some- much notoriety” - that’s the word on thing to do while your ears are busy. New Edition drummer Zorro from At New Visions
- JOHN SELLS OUT— Yes, it’s true his publicists. Seems Teena Marie is lot
id» Elton John has sold out (gasp!) the eying him for her forthcoming tour . . .
By Peter Berk ac,” “Up Where We Belong,’ a i Universal Amphitheatre October 7, Elektra’s Guadalcanal Diary have a e>; — the past years, You Me.” so, with thei o LOS ANGELES Over few Say And g 8 , 10, 11 and 12. A press release from new LP called “Jamboree” which companies designed to provide music for talents now pooled on an every i; g-. the Amphitheatre says that over a thou- they”ll push with a show at L.A.’s Roxy films have sprung up at nothing less than a New Visions, one can only ir g 6 s sand fans lined up at the box office . . . is by September 6 Freeway Records feverish pitch. It’s anyone’s guess as to many of tomorrow’s hit songs n 3^ 5am the morning tickets went on sale. staging an evening that includes poetry which of these will survive in the long run, tracks they will be responsible Popular guy. from Michael C Ford, together with but the recently-formed, L.A. -based New Vi- In a recent conversation witl C
NANCY WILSON HAS HER the Doors’ Ray Manzarek on piano, sions Music Group is almost surely destined Hackford and Sill discussed the ft to be a winner in this highly competitive goals of their new company w DAY—Now this is really hot: August and jazz from Charlie Haden and his ton' new field. The reason for this optimistic working together on the score >r 15 has been proclaimed Nancy Wil- trio, at Me Cabe’s in Santa Monica, g|. prognosis is simple; the company is a joint cer And A Gentleman that t son in Oakland, Day CA, by the mayor September 12 . . .“Heaven”and h venture between the director of such cine- struck up a solid business rela r of that bayside city. All kidding aside, “Hell”, these are the names of two com- ai matic hits as Officer A Gentleman, personal friendship, they mer j An And ( the singer was given the honor for her pact discs from S.F.’s The Residents, Against All and White Nights and one then head of music at Para 31 Odds ; sij extensive - and I mean extensive - contri- on Rykodisc,USA.“One is beautiful, the last ; of the most respected and successful music joined the director in a min 9^ butions to the underprivileged, such as other is ugly!” The discs run 60 minutes executives on the scene today. Their names a title song for the picture, and e|ci, opening up her ranch to inner-city kids each, and contain material gleaned are Taylor Hackford and Joel Sill, and prior efforts led to “Up Where V and her work with the United Negro from 12 Residents albums. to their recent formal teaming, these two which turned into an Oscar-win i< already hit. “It wouldn’t have hap r« College Fund, the Association of Black Gregory Dobrin (separately or together) had been one tu d integrally involved with chart-toppers like and I didn’t think alike,” Hack ^ n “Flashdance . . . What A Feeling,” “Mani- (continuec
6oj Cash Box Septer ei VER STORY EAST COASTINGS
A GOOD MAN IS HARD TO FIND — Peter Case joins Shane MacGowan, Steve Earle, Declan McManus, Peter Stampfel, Bob Walkenhorst, Sammy Lianas and Kurt Newmann as one of the top songwriters of 1986. But while the oth- ers hit me immediately (except Walken-
horst), Case is a slow burn whose eponymous solo album on Geffen didn’t HEART OF ROCK TV’ ROLL—Delilah first listen. Several spins later it ignite at Films and MCA Home Entertainment are did, and in a big way. I found myself idly producing an upcoming feature film on singing Case lyrics like “Do you want a Chuck Berry called Chuck Berry: Hail! Hail!
man of steel?” just as the subway doors Rock ’n’ Roll! Taylor Hackford (I) will direct sliced open and a woman gave me a and Keith Richards (c) is musical director quizzical look that said ’Yes, but you’re Chuck Berry is pictured at right. not him.’ That’s when these songs be- came real. No tune at his solo Lone Star gig (8/ 14) was more real than “Walk In The COUNTRY AND EASTERN — Woods.” Case even pulled the amp Loudon Wainwright, III made the cord from his acoustic and played 1970’s a lot easier for everybody. He
straight into the mike as if he were per- was the heaviest lightweight in an era forming deep in the Georgia woods. that took itself far too seriously. Now The song, about walking in the woods he’s making the eighties a whole lot eas- Lauper Adds “True and never coming back, recalls Flan- ier too with a solo tour that is introduc- nery O’Connor’s A Good Man Is ing a whole new generation to his olors” To Her Vast Musical Hard To Find in which a family is mur- skewed vision of planetary absurdity. dered on a dirt road when their station At the Bottom Line August 16, he Canvas wagon breaks down. Case, who not played a hilarious 'unblues’ song in only read the story but quoted parts of which everything goes right, an ’unhap-
By Peter Berk it to me, uses his growing-up-in Ham- py anniversary’ song uncelebrating the — She burst on the scene ion, is replete with incredible diversity. Each burg, N.Y. experiences as source mate- anniversary of a romantic break-up, a
ia three years ago, and for a time song is a mini-adventure of its own; you nev- rial in such songs as “Walk In The ’country and eastern’ song about com- into thinking she was yet another er know what you’re in for next. Want a Woods” and, especially, “Small Town ing of age in Westchester County, and :ountless novelties, one more flash passionate rocker? Check out “Change Of Spree” which sounds ready-made for a the crazed “Vampire Blues” which got with lots of style and little sub- Heart” (and listen for The Bangles in the film soundtrack. the biggest hand of the evening. Wain- all, she dressed in outfits that background). In the mood for a fun-loving Case came alive during the piano wright’s humor has a very serious quali- designers screaming into the 50-ish romp reminiscent of Lauper’s theme part of his set, playing ty that often blurs the fine line between she said kooky and irreverent to The Goonies? “Maybe He’ll Know” is for George voice that sounded like Brook- you (Billy Joel guests on this one). How Jones’s “Lonesome Life” and cover- comedy and tragedy, as in one very ler to “Mr. Bill.” And so, to many, about the touching and timeless “What’s ing Porter Wagoner with a lively, liv- moving song about a divorce. He also fireball seemed to be simply Going On” (co-written by Marvin Gaye) to ing-room-jam friendliness. He’s one of picks up instantly on audience remarks fad, a musical hula-hoop who stir your noblest dreams of peace on earth? the few singer/songwriters around who and requests. During “Surfin’ Queen” gone tomorrow and never heard Or the Cajun-flavored “Iko Iko” if you’re in recognizes the value of simplicity, and for example, a waittress brought him a But wait, we grudgingly had to a lighthearted, playful mood? And the list such lyrics as “The sky turned black glass of water and he took it, stopping girl can sing. And, you know goes on. and rained icewater” (“Icewater”) and the song dead and saying “I’ll do this songs are good . . . really good, With it all, however, it is perhaps the LP’s “Nothing really happens until you start song some other time.” “Better to be a di Lauper had a lot of laughs back title song and first single (written by Tom uding the last one, since four hit Kelly and Billy Steinberg, who made Madon- to dream” (“More Than Curious”) point has-been than a never-was” sang Wain-
d one hit album later, it was clear na “Like A Virgin”) which best showcasess up the kind of lyric he’s after. wright at the end of a set that proved isthf world had discovered one of the Lauper’s considerable vocal range and emo- Some of “Peter Case’”s tracks were that he’s neither one, and still vital after anaget nd most original talents in recent tional depth. It’s no wonder she’s proud of written alone, some were written with all these years. the song, in which she smoothly goes from the album’s producer T-Bone Bur- NEW PAUL SIMON— Paul Si- She’s So Unusual,” her perfectly- an ethereal whisper to a gritty intensity. “1 nett, and others are covers. “You get mon’s first album in about three years, >ut album (on Portrait), Lauper really wanted to touch people with that them any way you can,” Case told Cash “Graceland” (Warner Bros.), was re- managed to feed her wildly free- song,” Lauper commented. “I wanted it to “ Box. ‘A Pair of Brown Eyes’ we heard leased August 25. It’s an excellent col- aage (with hooky dance songs like be very real emotionally, since it has such a before (The Pogues) record came out. lection, perhaps Simon’s most >” and “Girls Just Want To Have universal message (the song’s lyrics deal Elvis Costello played it to us. He said, musically adventurous and diverse, in- /, at the same time, go directly with conquering self- doubt). It’s a very (with poignant ballads like “Time soothing song that could mean so much to ’There’s this guy Shane MacGowan corporating various forms of African
e” and “All Through The Night”), so many people. I felt it was an important who wrote this beautiful song.’” Per- pop and Mexican accordian music
re more surprises ahead, too, be- song, and that it had to be done properly. haps Case should enlist some of his along with Simon’s patented folk-pop. when it would have been so easy Anyone could have sung it, but I was really songwriting/musician collaborators for Three tracks stand out immediately: capitalize on that new-found suc- looking to make it mine by bringing my own a band tour. Such a move might give “Graceland,” “Diamonds On the Soles rush out a follow-up album, she musical style to it.” structure and discipline to a set of songs Of Her Shoes” and “All Around The least expected and most artistical- Lauper’s musical style, she mentioned, that have made his solo album among World or The Myth Of Fingerprints.” move of all. She waited . . . She was born not many years after she was, the the year’s twenty best. The title track is particularly appealing [leveiyi ime to do it right. And do it right product of often polarized musical influ-
in the lyrics are his best in only s anyone knows who’s heard her ences. Growing up, she often traveled on and many, songs rait years. Mississippi i release, the multi-layered and imaginative flights of fancy, dreaming of a many Example: “The insible spelling “True Colors.” career in music, and imitating a bevy of art- Delta shines like a national guitar.” Fea-
wi t want to ion just whip out a second ists from Billie Holiday to Judy Garland to tured players include Adrian Belew isedtl auper told Cash Box last week. “I Edith Piaf. There were other musical heroes and Youssou Ndour. Stay tuned for ipany. make sure it was good. It had to for Lauper, too; people like Joni Mitchell, more about Simon and “Graceland” in score t it e and had to look right. I wasn’t Diana Ross, John Lennon. Yet, this eclectic a future issue. ut th out something I didn’t like. We background led for a time to confusion in — PolyGram Re- jry SHORT CUTS !5S hard on “True Colors” be- her mind as to what her own style was, she
men cords plans to release a sizzling metal- ey wanted to make a record you admitted. n to tinged album by Billy Branigan (yes, it from side to side without “No matter how many different things 1
mini single song that Laura’s brother) early next year. . last lacked merit.” tried to do, it always sounded like me,” MAN THAT’S REAL — With just an
and as producer ire, (with Lennie Petze), Lauper said. “Now I realize that’s good, but acoustic guitar and a harmonica and a piano, Tupelo Chain Sex plays CBGB Sept W songwriter Jhere and vocalist, has when I first started, I thought having a ex-Plimsoul Peter Case played songs from 12 and Fred Frith performs there
1 jcai'Winr “True Colors” as many shades sound that wasn’t exactly like anyone else’s his Geffen solo album at the Lone Star Au- Sept. 3. es as hap[ she brings to her wardrobe. 1 studied vocal technique (with 14. ive was bad, so gust Paul Iorio " Ha( Jm which, in typical Lauper fash- (continued on page 34)
September 6, 1986 9 — SPOTLIGHT ON JAZZ American Classrooms Are Missing The Boat On Jazz
By Wynton Marsalis
I Along the road, I go around to a lot The third type of music is programa- of American music. Music is one of the thought. could have never pi of different schools and I get a chance tic music. Like when you turn of the TV few areas in American life where we note of jazz and jazz would be to talk to students everywhere. And I and hear a diminished chord and think, find that we have produced numbers great. Louis Armstrong player noticed that the quality of our bands is "Snidely Whiplash"; you know some- of geniuses. And by geniuses, I don't stuff that was more profour getting lower and lower. Comprehen- thing horrible is about to happen. That mean music that you or I might like, but anything I can comprehend. sion—what our students are thinking music just describes something that music that is significant to us whether The thing that I push for is t about jazz — is just incorrect. I know, takes place. we like it or not. And these people are identify those recordings, the because I grew up—and my father is a Undoubtedly, the most important never even alluded to. I'm still waiting ments in jazz, which are most v music educator—and until I was 18 or type of music, from an educational to hear Thelonious Monk's name any- for us to pass on to our your
19 1 wouldn't even listen to a recording standpoint, is the music that has spiritu- where. I went to the best schools and I cians, so that we can raise the of Louis Armstrong. That's what level of al implications. This is why when you go have never heard the name of Thelon- actual musicianship so that w. ignorance I had to combat personally. to conservatories and you study Euro- ious Monk in the classroom. I've heard have musicians coming up think
And I was one of the few people fortu- pean music, you have to learn Bach Michael Jackson's name, Stevie Won- mony is not important to know, nate enough to have access to Louis chorales, you're responsible for learn- der's name, all kinds of names in class- that the study of music is sot
Armstrong records; needless to say, ing the works of Beethoven. You don't rooms; I've never heard Monk's name. that is only for intellectuals. It's none of the guys that I grew up with have a choice—you don't say, "Well, I The conception of who the great art- because the record companie knew more than, "Oh yeah, Louis Arm- don't like Beethoven." You're taught, ists were is not there. Who was Charlie look at jazz in an artistic way— " strong. 'Hello Dolly.' "Alright, Beethoven's music is signifi- Parker? Who was Thelonious Monk? is to make money. And they ' We should identify three types of cant for these and these reasons ..." Who was Duke Ellington? What was make as much money as th music: The thing that disturbs me about the their material? We have to understand make, but they also want a There's music that mainly serves to philosophy that we have in music to- that music can not be reduced to They want to be able to sa' appeal to a subjective state—the day is something that I call the All Music what the lowest level of mentality is we're doing this and we're type of music that's personally signifi- Philosophy. The All Music Philosophy capable of comprehending. There ex- that." If they're doing so mu< cant. You might like it, I might like it. goes against the conception of a ists music for that purpose, and it is are the kids ignorant? Why can
That form of music is cool for whatever standard. If you create an art form, good for what it is. a school of people playing ir it is, and it doesn't make a difference why would you try to convince yourselt What we are confronting is a basic band and say, “Let's play a what it is. It could be me knocking on a that it's just like everything else? That fraudulence. I've read over and over and have somebody say, "V table— if you like it, then it's good. would be like a German saying, "Bee- again the embracing of the philosophy blues?" Then there's the type of music that thoven was cool, but this guy who was that music is something that just springs In order to create young ja has spiritual implications. This is music singing in the XX Bar and Grill was just as out of the ground, and if you paid cians who can play we have tc which illuminates, identifies, and har- heavy as Beethoven to me. All music is some dues then you can play. If that an agenda for the teaching monizes a large area of human experi- great." There must be some differ- was the case, Louis Armstrong could American music with spiritual ; ence. This music has significance to all ence in these two styles. have been anybody. To just pick up a tions. Now. of us, because it tells us what's impor- The basic racism that our country piece of metal and put it to your tant in terms of the finest that our cul- embraces with a fervor is the reason mouth and blow in it is not what did it ture has to offer. that we have such a lag in education it required practice, dedication.
CASH BOX SP0TLICH1 ON JAZZ '86
Cash Box Septemfc ROUND MIDNIGHT
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are trademarks of CBS Inc. © 1986 CBS Inc. ’Not jvatl|>ie on Compact SPOTLIGHT— ONJAZZ— —— < Giant Steps: The Jazz Year In Review
By Lee Jeske Last month, the NBC Radio Network (which has already given us over a ran a five part series out of its news dozen eclectic jazz albums). Spindle- division called "The Return of Jazz". Did top, and Enigma's Intima (due with fu- jazz go somewhere? Has it been on an sion product any day now) have kept extended hiatus? Of course not—jazz the ball rolling, and the old reliables is always there, hasn't stepped away (Muse, Concord Jazz, Steeplechase, from its desk for seventy or eighty Fantasy, Black Saint/Soul Note, Owl, years. But what the NBC report indicat- etc., etc.) have been reliable. And the ed was that the public and media at indies haven't been sleeping in the reis- large—you know, the real world— is sue department either—Suite Beat has beginning to notice jazz again. The revived the old Vee-Jay catalog, and Wheel of Fortune spins jazz's way ev- labels like Muse (Savoy Jazz) and Fan- ery so often, and the short year since tasy (Riverside, Contemporary, Pres- the last JazzTimes Convention has tige, et al) have been keeping the jazz been a particularly good one in the bins brimming with classic and little- never-ending battle to get jazz a big- known jazz from yesteryear. ger slice of the world's entertainment The spread of compacf discs has pie. also been on fast forward this past
The most encouraging news is the year, with labels like PolyGram, GRP, embracing of jazz by arms that Denon, Pro Jazz, MCA, DMP, and oth- wouldn't touch the stuff with a ten- ers particularly bullish in the new for- JAZZ AID—Over 40 jazz artists participated in an all-star recording of "Ke ' , in years. the mat. Jazz fans who had been blase Dream Alive part of the Jazz To End Hunger project organized producer l\ foot pole recent RCA— ' by label that turned the deafest ear to about the high-tech doings started to McIntosh. Via a single, album, video and long form TV special, Jazz To End jazz this decade—announced a new prick up their ears—as extra tracks, hopes to raise between $ 1 and $2 million which will be given to various hungi jazz division with great fanfare. There longer solos, and previously-unissued organizations. Pictured at the L.A. press conference to announce the projec will be newly-recorded jazz (under the alternate takes were made available row I to r):McIntosh;jazz artist Mark Murphy; executive director Diane Lolli; attoi Novus banner) and reissued jazz (un- only on CD. the project, David Helfant; associate producer Dana Victor. (Bottom row, I to der the Bluebird banner)— first product But the proliferation of jazz was not artists Sue Raney and Bill Henderson. due next month. Atlantic, which has only confined to the record labels. Ra- dripped out Jazzlore reissues, also got dio began sneaking jazz in amongst its long-awaited documentary about Or- Sam Rivers. And Wesleyan Urn
. on the case this year—releasing new alphabet soup—CHR, AOR, etc. New nette Coleman, Ornette: Made In last month hosted a big pow-w i albums by Dizzy Gillespie, Lionel Hamp- York's WNEW-AM and Kiss-FM, for ex- America. Coming this fall are Anthony "Jazz Improvisation In a World ton, and Ahmad Jamal and announc- ample, added jazz shows. Skyline Davis' opera X (about the life and Context". ing a stepped-up jazz program that will Jazz—a cable jazz radio network times of Malcolm X) and Robert Jazz festivals, which have bring us new material and more abun- has steadily increased its listenership in Mugge's documentary about the bursting at the seams in Euro dant reissues. MCA, which announced the New York area, and 92 markets great Sonny Rollins. years now, began to sprout up ii its jazz division at last year's JazzTimes around the country received "The Jazz seemed to take a long-needed parts of United States; almost
Convention, delivered the goods Jazz Show", a weekly jazz talk show step towards putting its house in order weekend this summer has seen , new product from Henry Butler and over the NBC Radio Network hosted by during this past year. The National Jazz festival somewhere, from the Mike Metheny and a batch of reissues David Sanborn. And jazz sprouted up in Service Organization (which is sponsor- spots —New York (whose sp from the Impulse catalog. The other various other arts and mediums—New ing an important conference in Wis- went from Kool to JVC), L.A., major labels haven't been taking all of York's Museum of Broadcasting ran a consin next week) and the National port —to new locations—Reno, I j this sitting down—Columbia, who lost two-month "Jazz on Television" exhib- Academy of Jazz have begun to try to ample, and Mansfield, Mas: Miles Davis after 30 years, is about to it; the Alvin Ailey Dance Company identify the problems that jazz has in American jazz musicians who pr< turn the jazz jets up to high again; Poly- which has always had strong jazz getting itself more widely-heard ly only could record in Europe Gram, which continued its reissues with ties—premiered its “To Bird with Love"; problems caused, frequently, by a coming home to U.S. labels to r abandon, revved up its Brazilian Wave New York's WNYC television unreeled general lack of organization and Bennie Wallace, the Don series, with releases by Milton Nasci- a “Jazz Hot Summer"; PBS showed the communication. George Adams Quartet, ar mento and Ivan Lins, and is seriously wonderful Long Night of Lady Day Wynton Marsalis, in his accompany- World Sax Quartet are three ex< talking about recording new jazz al- documentary, while Billie Holiday is the ing editorial, waxes rather eloquently of artists with large European bums next year; and Manhattan/Blue subject of a much less wonderful off- about the sad situation jazz finds itself in logues who released their first Note continued its fine record—issuing Broadway play. Lady Day At Emer- in the classroom. A step forward may can albums over the past ye plenty of fine new, reissued, and previ- son’s Bar and Grill; and the movies have been taken this year when the WSQ is due soon). But that's not ously-unissued jazz from the vaunted gave us Frank Gilroy's charming The New School for Social Research un- that the European labels didn't vaults of Blue Note. Gig and the soon-to-be-released veiled its four-year degree program, cord the cutting edge of An
The indies, as always, weren't ex- ’Round Midnight (directed by Ber- "Jazz & Contemporary Music", with music—labels like Hat Hut, JMT, > actly catching a nap over the past 12 trand Tavernier and starring Dexter promised instructors ranging from Cecil nor Music, artists like Steve Lac months. New labels like Black Hawk Gordon), along with Shirley Clarke's Taylor to Jimmy McGriff, Sy Oliver to (continued on j
ON IMPULSE!—A celebration launching the return of the impulsejazz label, dit
my MCA. was held at at New York City's Sweet Basil, bringing Impulse artists i
LAST CHORUS?—After 15 years together at the helm of Weather Report. Wayne past together with artists newly signed to the Impulse label. Shown during the ji \ Shorter Zawinul, for (!) and Joe now anyway, parted company. Shorter's on the road to r): Henry Johnson, newly Impulse artist: si in* signed Michael Brecker, newly ; , with his own band, while Zawinul has put together Weather Update. Impulse and Roy Haynes, who played on numerous original Impulse sessions. ‘
12 Cash Box Septembei 2 BLUE NOTE THE TRADITION CONTINUES... NOW BETTER THAN EVER
Bennie Wallace JOE HENDERSON TENOR TWILIGHT TIMF. THE STATE OF THE 1 U VE" '"'VILLAGE VANGUARD VOLUME _L
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JAMES NEWTON THE AFRICAN FLOWER
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. is a registered Trademark of Capitol Records. Inc SPOTLIGHT ONJAZZ— A Spotlight On The Fifth JazzTimes Convention
By Lee Jeske This weekend, the jazz community "I think what the jazz world has got- gets together for its annual pow- ten out of the Convention," says Sa- wow— the JazzTimes Convention. bin, "is a networking vehicle and Now in it's fifth year, the JazzTimes communication vehicle to get down Convention provides an opportunity to basic, specific things that help the for the various factions of the jazz jazz industry, the jazz community, the community— radio, record compa- whole jazz picture. Everybody sitting nies, press, artists, etc. —to get to- down, seeing each other, and coop- gether once a year and compare erating—coming up with ideas, plans notes. and so forth."
It's very worthwhile", says Dan Mor- Sabin is correct. Since 1979, when genstern, director of the Institute of the first Convention was held, the jazz Jazz Studies, Rutgers University, "be- world has begun to put its house in or- cause it brings together people who der. The National Jazz Service Organi- don't often get together. It establishes zation has been founded in
is some . . . the fashionable word net- Washington and the National Acade- working. There is certainly the opportu- my of Jazz has been established in nity to learn something that can be L.A. —two organizations dedicated to really useful, but, in a sense, almost improving the status of jazz. The Jazz- IMPANELED ARTISTS—Billy Taylor (r), the keynote speaker at last year's c ^ equally important is what goes on so- Times Conventions are responsible for year's JazzTimes Convention, makes a point as (l-r) Paquito D'Rivera, Nathan cially. People have a chance to get an increased awareness of the neces- and David Amram look on. together and meet each other and sity for the various jazz factions to establish contact and talk," band together. There are other annual 11:00 am- 12:45 pm—Joe Carter/ Music Program; Howard Klein, Jr The jazz community is, traditionally, jazz gatherings—notably the National Cecil Payne Quartet, Colonial Room A. director for Arts and Hurried fraught with dissension. Beboppers vs. Association of Jazz Educators conven- 1:00 pm-2:30 pm—Legal and Busi- Rockefeller Foundation. Moldy Figs. The avant-garde vs. the tions —but the JazzTimes Convention is ness Seminar #1, Oval Room. Con- 3:00 pm-4:15 pm—StraigH mainstream. Fusion vs. straight-ahead. the one chance for everybody to get ducted by Alan S. Bergman, music Jazz Radio Service and Prorf]
1 Art vs. entertainment. Jazz has, since together in the world's jazz capital to business attorney and JazzTimes col- State Room. Moderator: Joel ! anybody can remember, been the talk shop. Part of this function used to umnist, covering such topics as person- president. Muse Records. Panel 1 " subject of infighting and bickering that, be served at the original Newport Jazz al management agreements, san Levin, national jazz pro: everybody seems to agree, has Festival. contracts, copyright protection, and manager, Manhattan/Blue Note] helped keep the music on the back- "Newport and Monterey used to be publishing. DuBois, national promotion dj burners of both the art and entertain- the gathering places for all kinds of 1:00 pm-2:15 pm— Programming GRP Records; Brenda Winfield, r ment world. I remember a woman people in jazz," says Herb Wong, presi- Jazz Radio In Today's Market, State promotion manager, MCA Jaz2 from cable tv Jazz- dent of Black Hawk Records and presi- Room. Moderator: Rick Petrone, pro- Bob Cohen, president. Dr a company on a | Times Convention panel a few years dent of the NAJE. "Until all these gram/music director, WYRS-FM Stam- Operations. ago remarking how ballet and opera festivals became part of the fabric of ford, CT. Panelists: Charles Tomaras, 5:00 pm-6: 1 5 pm—Hitting tf must be shown by her company all the current history." music director, KPLU-FM, Takoma, WA; Jazz Jackpot with the Amerio time— if they neglect ballet and op- "Newport was like an annual con- Scott Hanley, program director/assis- eration of Jazz Societies, Ova era, the ballet and opera community vention," agrees Dan Morgenstern. tant station manager, WGVC-FM, Discussing how volunteer gra: rings their phones off the hooks. If they "There it involved the musicians to a Grand Rapids, Ml. organizations can "improve yc don't program jazz, nobody raises an larger degree. I think it's very good 1:00 pm-2:15 pm—American Fed- tion in the marketplace." Moc objection. that Sabin has always included musi- eration of Jazz Societies Regional Lee Lucket, president, AF ”1 saw a need for this 15 years ago," cians on the panels, had a guest of Meeting, Promenade Room. Coastal Jazz Association. Pane says JazzTimes publisher Ira Sabin, honor, and so on." 2:15 pm-3:30 pm— Brian Melvin lard Jenkins Jr., jazz program cc
"when I was involved with the World This year's Convention is dedicated Quartet, Terrace Room. Nancy Mar- tor. Arts Midwest; Dick Ames Jazz Association. That all went down to Roy Eldridge, one of the greatest ano/Eddie Monteiro Duo, Lobby. president. Jazz Appreciation the tubes, but since that time, I've jazz trumpeters of all time. 3:30 pm-4:45 pm—Legal and Busi- of Syracuse; Gene Grisson, e» wanted to get something like this Here, then, is the line-up for the Jazz- ness Seminar #2, Oval Room. Including assistant to the president, AF. going." Times Convention 1986. While only fes- a mock contract negotiation. dent, Gainesville Friends of Jaz Seven years ago, the first JazzTimes tival registrants can attend the panels 4:30 pm-5:30 pm—The Media and 6:30 pm-???—JazzTimes Convention was held in Washington (it is not too late to register at the Roo- Jazz, Oval Room. "How the media can tion. Colonial Room. The Billy Ta D.C. —the home of JazzTimes Maga- sevelt), lunchtime concerts and Sun- better present and promote jazz." the Teri Lyne Carrington group zine. Another Washington Convention day's jazz record fair are open to the Moderator: Representative John Con- Drawing for free jazz cruise. took place in 1980 and, after a three- public. yers. Panelists: Shad Northsfield, senior Saturday—September 6 year layoff, the Convention settled Thursday —September 4 executive producer, CBS Sunday 9:00 am-5:00 pm—Regi into New York's Roosevelt Hotel in 10:00 am-6:00 pm— Registration, Morning; Peter Levinson, president, Pe- Foyer, Terrace Room. 1984. Colonial Room B. ter Levinson Communication; others. 10:00 am-11:15 am— Me 6:15 pm-??? — Manhattan/Blue and Presenting a Jazz Subscrip Note party, Colonial Room. Michel Pe- ries. Oval Room. "To enhance trucciani in concert. awareness in regard to marke| Friday — September 5 presenting jazz music so tha 9:00 am-5:00 pm— Registration, reach the organizational stati Foyer Terrace Room. other performing arts in the U.l 10:00 am- 11:15 am —Keynote erator: Billy Taylor. Panelists: Speech, Oval Room. Dr. Billy Taylor. Ashby, Pittsburgh Symphony 1 2:00 noon- 1:15 pm— Little Jazz on director. Jazzmarketing; Todc Little Jazz, Oval Room. Roy Eldride dis- managing director. Boys Choi cusses his life in jazz with Dan Morgen- lem; Frank Maifitano, jazz seriei stern and jazz historian Phil Schaap. nator, Cultural Resources G 1:15 pm-7:00 pm—Exhibits open. Syracuse, NY; Robin M. Troup Terrace Room. keting manager, Pittsburgh Sy 1:15 pm-3:00 pm—The Donald Har- 12:00 noon-1: 15 pm—CC rison/Terrence Blanchard Quintet, Ter- Jazz Explosion, Oval Room. Me race Room. Bob Lenox, Lobby. Larry Rosen, co-owner, GRP 3:00 pm-4:15 pm— Public and Pri- Panelists: Mark Finer, consultc vate Fundraising for Jazz Artists and Audio Division; Ricky Schultz, e| Jazz Organizations, Promenade Room. director, MCA Jazz/Zebra; Ke Moderator: Eunice Lockhart-Moss, ex- jazz CD buyer. Tower Reco POST-DEPRESSION BAND—Artist manager Mike Caplin (I) and Columbia Record's ecutive director, National Jazz Service Steve Backer, director of jazz George Butler introduce the Widespread Jazz Orchestra in a showcase at last year's Organization. Panelists: Antoinette cords; Rick Petrone; Ettore JazzTimes Convention. Handy, assistant director, NEA, Arts (continued o
14 Cash Box Septemfc f 0)1 a —
New York's Cooper Union and under by players in their teens, twenties, and the baton of John Lewis; New York's thirties (OTB, Greg Osby, Bobby McFer- Public Theatre began a series of jazz rin, Terence Blanchard/Donald Harrison, commissions; the Apollo Theatre be- Carmen Lundy, and many others), as gan welcoming jazz to its stage once well as by players in their sixties, seven- again; Billie Holiday received a star on ties, and eighties (Doc Cheatham, Jay Hollywood Boulevard; jazz-inflected APOLLO VIBES— The Apollo Theatre McShann, Lionel Hampton, Buddy Tate, Brazilian pop music seemed on the sponsored, with WBGO-FM, a successful Red Norvo, Benny Carter, and many verge of another assault on the Ameri- jazz series this year, including this vibes others). And Art Blakey (age 66) has- can market, 25 years after the birth of summit with (I to r) Joy Hoggard, Milt yet another new band of fresh-faced
bossa nova; Duke Ellington adorned a Jackson, and Bobby Hutcherson. Jazz Messengers. Artistically, I think 1986
22-cent stamp; Ornette Coleman re- is turning into an exceptionally strong turned to the scene in a big way (re- raphies of, or autobiographies by, Joe year—making a 10-best LP list in three
-MEN— Guitarist Pat Metheny cording and touring with Pat Metheny, Williams, Clyde Bernhardt, Danny Bark- months is going to be difficult, I already phonist Ornette Coleman col- releasing an album on the new Cara- er, Lester Young, Fats Waller, and Red have over 10 albums that would have
year's truly land- of label, with the likes of Ira Gitler, it in years. k| Jon one of the van Dreams being the subject Callender, made any of the past few eform efforts, "Song X" on of the aforementioned documentary); Leo Feigin, and Gunther Schuller chim- So I'm glad to see that NBC Radio is icords. Sarah Vaughan, Herbie Hancock, Billy ing in with volumes of their own. acknowledging "The Return of Jazz", Eckstine, Ray Brown, and many others As with every year, jazz suffered nu- I'm glad to see that greying baby- participated in "Jazz to End Hunger", merous losses over the past 12 months. boomers are finding room for jazz in r In Jazz organized by Michael McIntosh — Great jazz musicians are stylists their crumbling collections of Simon 8r project that should soon spawn albums they're one-of-a-kind—so the deaths Garfunkel records. I'm glad to see one
I from page 12) and videos a la the many "Aid" pro- of Benny Goodman, Joe Thomas, Da- of the world's most invigorating art d Steve Coleman—and Enja, jects; and Wayne Shorter and Joe vid Eubanks, Teddy Wilson, Hank Mob- forms on everybody's lips. And I'm not Europe's better jazz labels Zawinul, for now anyway, parted ley, Jimmy Lyons, Philly Joe Jones, particularly worried about jazz ending
i U.S. distribution pact with company. Cootie Williams, Joe Farrell, Jo Jones, up on the scrap heap when this spin in
s past year also saw two sig- For those who like to curl up with a Curly Russell, and Thad Jones are par- the spotlight is finished. When NBC ra-
ivents in jazz detente—East good jazz tome. Count Basie's slightly- ticularly wrenching. dio is broadcasting its series "The Death
:ords began releasing the first disappointing autobiography led the For those looking for trends, I didn't of Jazz" — in two years or five years or /lelodia, the official Soviet re- list of such items. There were also biog- detect any over the past year. Many 20 years—you can be damn sure that 31, has licensed to the west; people are getting— antsy waiting for jazz will be quite alive and well. lelin Trio, whose recordings the next thing "We're looking for the en unofficially released, to equivalent of the Ornette Coleman ponse, on Leo, became the Quartet", an owner of a new jazz label
t jazz group to tour the U.S. told me recently —but I see no particu- d to the irony of them being lar revolutions about to burst into ev- avant-garde jazz group to erybody's consciousness. The growth
>n the Today Show), of new age is, I guess, a trend, but one
significant jazz events of the JAY & SANBORN—Host David Sanborn only tangentially related to jazz. That is
nonths: The American Jazz Or- (!) and saxophonist Jay Beckenstein of not to say there aren't any inspired
formed by jazz critic Gary Spyro Gyra in NBC Studio 8B for The Jazz young players—there is a wealth of in- SINGING FOR SUPPER—Carmen McRae nd dedicated to jazz reper- Show, which airs on the Source Radio spired young players. Some resounding and Billy Eckstine raise their voices in song
: formed, with the backing of Network in 92 markets. music is being made on the jazz front for the Jazz To End Hunger project.
> Book'
E I r*S|gs tMPS mprcunj September 6, 1986 15 SPOTLIGHT ON JAZZ AN OK KEYNOTE— Veteran record producer (and current president of Landmark JAM— The pots are on as (I to r) Frank Foster, Ray Drummond, Cecil Payne Records), Orrin Keepnews (I), the keynote speaker at the second JazzTimes Conven- Muhammed tear it up at a JazzTimes Convention. tion,. shares a moment with impresario George Wein. BOP TOPS—Dizzy Gillespie (!) hangs out with JazzTimes publisher Ira Sabin at a Jazz- FROM THE FLOOR— Trumpeter Malachi Thompson, with trumpeter Mark Times Convention of yore. right behind him, takes the floor at the '85 JazzTimes Convention. Crohn, president. Jazz Images Inc.; Mi- versity of Kansas, broadcaster; Dr. Esposito, president, Kedara Ei chel Petrucciani. Herb Wong, president. Black Hawk Re- 2:15 pm-3:30 pm—The J Convention 5:00 pm-6:00 pm— Historical Jazz cords, KJAZ broadcaster; others. mond Quartet, Terrace Roor Movies from the collection of David 1 :00 pm-2: 1 5 pm—The Jazz Revival 3:30 pm-4:45 pm—Ma (continued from page 14) Chertok, Terrace Room. on Major U.S. Labels: Fact or Fiction? Jazz Record, Oval Room. IV. producer and conductor. 6:30 pm-???—Impulse Records par- Oval Room. Moderator: Alan Berg- Jonathan F. P. Rose, presid 1:15 pm-7:00 pm—Exhibits open. ty, Colonial Room. Henry Johnson, Hen- man. Panelists: Richard Seidel, vice mavision Records. Panelist: Terrace Room. ry Butler, Michael Brecker in concert. president, jazz, PolyGram; Dr. George Seidel; Bud Katzel, director 1:15 pm-3:00 pm—JazzTimes lun- Sunday— September 7 Butler, director, jazz, Columbia; Mi- GRP; Brad Simon, president, B cheon, Madison Room. Harvie Swartz 9:00 am-5:00pm— Registration, chael Cuscuna, Blue Note; Steve Back- Org. Urban Earth, Terrace & Room. David Foyer, Terrace Room. er, director, jazz, RCA; Harold Childs, 5:15 pm-6:30 pm— I Paid Lahm, Lobby. 9:00 am-6:00 pm—Record Fair, Ter- president, Qwest; others. Oval Room. “The elder stal 3:00 pm-4:15 pm—The Future of race Room. 1:00 pm-2: 15 pm—Musicians Ca- jazz reminisce about the Jazz in Home Video, Oval Room. Mod- 11:00 am- 12: 15 pm—Jazz Radio reer Workshop, Colonial Room. A days." Moderator: Ira Gitle erator: Larry Adler, president, Adler and the Jazz Community, Oval Room. chance for musicians to "learn about Swing To Bop. Panelists: Ro 1 Video Marketing. Panelists: Ron Rich, Moderator: Russ Neff, jazz producer, the options that can be utilized in order Dizzy Gillespie; Joe Segal, o v.p.. Pioneer Artists; Bruce Buschel, WITF-FM, Harrisburg, PA. Panelists: Dr. to start and expand one's career in to- Showcase, Chicago; others. president. Fat Lady Productions; Burril Chuck Berg, director of film studies. Uni- day's market." Presented by Vincent 16 Cash Box Septem : . WHERE ARTISTRY Lee Ritenour/fa/Y/7 Run Diane Schuur/.S'c/rz/w Thing Glenn Miller///? The Digital Mood Dave Valentin///^ Struck n ongoing commitment to the latest digital recording technol- A ogy has earned GRP the singu- lar distinction as The Digital Master Company ! From New Age to Fusion from the , Pioneers to the Legends, GRP Grusin/Ritenour|//a/-/e9«//7 Billy Cobham/Poive/- Play proudly presents the hottest names in jazz in the medium they were meant EDDIE DANIELS to be heard in. Music reproduction reflecting the highest state of the art recording technology, from. .GRP, THE DIGITAL MASTER COMPANY. Also available on Records Special EF XlS/ice Of Life Eddie Dan\e\slBreakthrough and Cassettes. The Digital Master Comp a n y For a free color catalog write to GRP Records, Dept. C, 555 W. 57th Street. New York, N Y. 10019 ON JAZZ CASH BOX JAZZ ALBUMS PASSING ON—Thad Jones, who Barnes Quartet; “Kenny Clarke In died August 20 in Denmark at the age Paris Volume One”, early European Title, Artist, Label, Number, Distributor = Available on Disc of 63, was a fine trumpeter, but he will sessions from the drum pioneer and, Compact = Platinum (RIAA Certified) be best remembered as a composer and among others, Lucky Thompson, = Gold (RIAA Certified) 20 LIGHT STRUCK responsi- Don Byas, and Martial Solal; “Por arranger — a man somewhat W DAVE VALENTIN (GRP-A- 1028) which assigns ble for giving new life and vitality to big gy And Bess Revisited”, L O FT1 ONE OF A KIND bands years after the death knell for roles in the opera to instruments (Coo- W C FATTBURGER (Golden Boy GBT 2001) DOUBLE VISION 1 13 such ensembles began being rung. tie Williams’ trumpet is Porgy, Hil- n 22 INTRODUCING BOB JAMES/DAVID SANBORN JONATHAN BUTLER out of the bustling ton Jefferson’s alto is Bess, etc.); (Warner Bros. 25393) Thad Jones came (Jive/Arista JL8-8404) Jazz scene of the ’40s. Doz- “Bobby Jaspar in Paris”, teaming the BREAKOUT 2 10 Detroit-area Q 23 SCHUUR THING SPYRO GYRA(MCA 5753) ens of Motor Town musicians of the pe- late Belgian reedman with Milt Hin- DIANE SCHUUR(GRPT022) SHADES 4 11 riod went on to national fame, including ton, Tommy Flanagan, Eddie Cos- B 24 LYLE MAYS YELLOW JACKETS(MCA 5752) (Geffen/ Warner Bros. GHS 24097) two of Thad’s brothers — pianist Hank ta, and Barry Galbraith (and 4 LOVE WILL FOLLOW 3 25 25 SAVE TONIGHT FOR ME Elvin Jones. recorded in York); and “Cat An- GEORGE HOWARD (TBA TB 210) Jones and drummer New CHUCK MANGIONE(Columbia FC The first national attention for Thad derson & The Ellington All-Stars”, 5 SONG X 5 19 40254) PAT METHENY/ORNETTE Jones after he joined the Count French sessions with Ellingtonians (like 171 SAND DANCE came COLEMANIGeffen/ Warner Bros. GHS Frank Potenza (TBA TB- 206) Bassie Orchestra of 1954; his trum- Russell Procope and Paul Gon- 24096) 27 IS THAT THE WAY TO pet was a mainstay of the band until salves) and non-Ellingtonians (like pia- Q DOWN TO THE MOON 9 3 YOUR HEART Andreas Vollenweider (CBS THE KAZU MATSUl PROJECT 1963. But Thad Jones’ shining accom- nists Joe Turner and Claude Masterworks FM42255) (Passport Jazz PJ 88011) plishment was the establishment, in Bolling). 7 ALONE/BUT NEVER 7 24 28 DOUBLE TAKE 1965, of the Thad Jones-Mel Lewis BOPPING AROUND—“Long Live ALONE FREDDIE HUBBARD/WOODY LARRY CARLTON(MCA 5689) SHAW(Blue Note BT 85121) Orchestra. What began as a Monday The Chief” is the name of the Count JOYRIDE 8 5 night blowing gig for New York studio Basie Orchestra’s first recording since B 29 KEEP YOU SATISFIED PIECES OF A DREAM (Manhattan NANCY WILSQNIColumbia FC 40330) musicians became a jazz institution — the death of “The Chief” two years ST53023) 30 FLOPPY DISK thanks to the talented musicians who ago. The band, under the direction of 9 MAGIC TOUCH 6 78 KIRK WHALUM(Columbia FC 40221) STANLEY JORDAN(Blue Note BT crowded into the Village Vanguard ev- Frank Foster, essays old material and 85101 31 CLOSER TO THE SOURCE DIZZY GILLESPIE(Atlantic 8164& ery Monday, thanks to the unmatchable new material; it’s the first issue in a new- 1) m THIS IS THIS 13 6 big band drumming of Mel Lewis, and ly-recorded CD-only series from Denon WEATHER REPORT (Columbia FC 32 THE BOHEMIANS 40280) SKYWALK (Zebra /MCA ZEB 5715) thanks, in greatest part, to the writing Jazz . . Billy Taylor and Grover III TOO FAR TO WHISPER 11 10 ED NITE STREET and arranging — modern, unique writ- Washington will be amongst a contin- SHADOWFAX(Windham Hill/A&M ROB MULLINS(RMC 1006) WH- 1051) ing and arranging — of Thad Jones. gent of Americans taking part in “The Ed BLACK & BLUE RARE SILK (TBA-TB-214) There were fre experiences in jazz more Chatauqua Town Metting on U.S. -Sovi- m POWERPLAY 14 9 BILLY COBHAM (GRP-A 1027) thrilling over the past 20n years than a et Relations” in Riga, Latvia, Septem- 35 ATAVACHRON 13 ANOTHER PLACE 10 44 ALLAN HOLDSWORTH (Enigma/ Monday night at the Vanguard during ber 15 19 . . . Orrin Keepnews, HlROSHIMA(Epic BFE 39938) Capitol ST- 73203) of the heyday the Jones-Lewis Orches- president of Landmark Jazz, has been 14 ROSSITERROAD 12 21 ET1 DRINKN’FROM THE tra. About eight years ago, without awarded Down Beat Magazine’s Life- AHMAD JAMAL(Atlantic 81645-1) MONEY WATER GRANT GEISSMAN (TBA-TB 217) — 15 warning, Thad Jones left the band time Achievement Award . . . Black 15 THE CHICK COREA 23 ELEKTRIC BAND 37 PARKER’S MOOD which is still playing those Minday Hawk has just signed The Leaders (GRPA-1026) SADAO WATANABE LIVE AT BRAVAS CLUB '85(E]ektra 60475) nights at the Vanguard under the stew- (Chico Freeman, Arthur Blythe, IT1 SLICE OF LIFE 19 8 SPONTANEOUS ardship of Mel Lewis — and settled in Lester Bowie, Kirk Lightsey, Cecil SPECIAL EFX (GRP-A-1025) Ed INVENTIONS Copenhagen. He was heard from infre- McBee, and Don Moye), and Contem- 17 IT TAKES TWO 17 5 BOBBY McFERRIN (Blue Note BT- — RODNEY FRANKLIN (Columbia FC 85110) quently stateside after that though he porary has penned a deal with vocalist 40307) 39 STILL WARM worked extensively in Europe — until Chris Connor . . Saxophone Co- I?1 AROUND THE WORLD 24 4 JOHN SCOFIELD (Gramavision 18- last year when he took over the reins of lossus, Robert Mugge’s appropriate- JETSTREAM (TBA TB 211) 8508) the Basie band, a relationship which ly titled documentary on Sonny IC1 DUTONES DEBUT 40 DIALECTS KENNY G/Arista AL8 8427) JOE ZAWINUL (Columbia FC- 40081) ended earlier this year. Rollins, will premiere November 14 at will, . Thad Jones of course, be missed the London Film Festival . . The Jazz THE CASH BOX TOP 40 JAZZ ALBUM CHART IS BASED SOLELY ON terribly in the jazz world, but he will live Brothers you know, the reteaming, — ACTUAL PIECES SOLD AT RETAIL STORES. through his compositions and arrange- on the hard bop side, of Chuck and ments, compositions and arrangements Gap Mangione — will pull into San that seem incapable of dating. Francisco’s Great American Music Hall, SWING OUT—DRG’s Disgues Swing September 9-11, where they will be FEATURE PICKS line has swung out five interesting LPs taped for a “rush release” on Land- of reissued and previously-unissued- mark . . . One of this season’s more in- NASCENCE— Donald Harrison /Terence Blanchard —Columbia stateside material: “The Rodgers And triguing gigs should be “The Music of 40335— Producers: Donald Harrison, Terence Blanchard, G Hart Songbook”, a double Tony Ben- Eric Dolphy and Booker Little Re- Butler nett LP featuring some of the best, and membered”. It’ll happen at New York’s A smoking Columbia debut for the latest graduates of the Art Blakey Scl jazziest, work the crooner has done, Sweet Basil, September 30-October 5, Hard Bops. This is a hard-edged, straight-ahead effort, with Harrison’s al highlighted by superb backing from the and the participants will be Mai Wal- Blanchard’s trumpet glistening over the solid rhythm of Mulgrew Mille wonderful Ruby Braff-George dron, Richard Davis, Ed Blackwell Bowler, and Ralph Peterson Jr. (the original Dolphy /Little rhythm sec- AIR PLAY—Benny Goodman— Doctor Jazz W2X-40350—Pro tion), Donald Harrison, and Ter- Bob Thiele ence Blanchard . . A Life In Jazz is The classic Goodman big band and small groups of the ’30s in two discs w the title of the autobiography of New newly-discovered airchecks. The sound is good, the tunes are mostly Go Orleans guitar/banjo veteran Danny chestnuts, and the players include, of course, Hampton, Wilson, Krupa, Barker ($19.95, Oxford), and Impro- Elman, Musso, and the rest. vising Jazz, Jerry Coker’s book on RHYTHM & BLU —John Blake, Didier Lockwood, Michal Urban that all-important topic, has just been Gramavision 18-8608-1 — Producer: Johnathan F.P. Rose reissued ($7.95, Touchstone) . . . Jazz violinists love to play together, and this Fiddler’s Three — Blake, Loci Round Midnight, Bertrand Taver- and Urbaniak — offers an interesting mix: jazz violin styles from the U.S., f REG-GIE, REG-GIE—Bassist/composer nier’s long-awaited film starring Dex- and Poland well-blended with a down-home fusion rhythm section. Reggie Workman (r) and dancer/choreogra- ter Gordon, will be shown at the New CLAIRVOYANT— Leni Sterm— Passport Jazz PJ 88015— Pro» pher Maya Milenovic (c) will team with the York Film Festival, September 30 & Hiram Bullock Rod Rodgers Dance Company (that’s Rod on October 1, prior to a premiere, October Guitarist Leni Stern — wife of guitarist Mike Stern — has assembled a fasc the left) for two evenings of dance/music/ 2, for WBGO, and a New York opening cast of characters for her debut Bill Frisell, Willis, theatre, September 1314 at N.Y.’s Middle LP — Bob Berg, Larry Collegiate Church of October 3. Swartz, and Paul Motian — and the project cooks with intelligence. 18 Cash Box Septembe Let’s hear it for the JazzTimes Maga- M zine Convention and all the jazz composers whose talent and genius THE MOST IMPORTANT LETTERS IN JAZZ s ; * DENO :‘*%Hmt%fnts z s****i?itit£ z z z l\** Va z/txtttfMkiZ z z gxizins z - vi * tiitzszstnuit * « * I f *»«*««* *W#**&V •>'' -T II # i *rn*mt f §§WmbMEk ! : sxnmf i "111 fi:K;:H: I tewI I ! H w&tihim/Mi llntmt* * * * ****m$-$ i # # #*»<•*• it** 4**W'i4***'5 ^#*M*****3 j#*4* * # #* i******-? * > iiitkiiff-I **m*iMw t »w*i ,****#.*^ *** ifp&I «»**•<* <* »»»»•• * *»***#*; There is no doubt that the spirit of member Frank Foster, “Long Live the produce one of the most significant jazzr 1 William “Count” Basie lives on in the Chief!” puts new life in many of the recording events in recent years. countless Basie fans whose number Basie Band’s standards (April in Paris, Join Denon and celebrate Basie’s keeps growing in legions. In fact, the Li’l Dari in’, Corner Pocket, and Shiny birthday and the 50th Anniversary of fL 1 Basie Orchestra just won Down Beat's Stockings), and injects the Basie spirit his band. All say, “Long Live the Chief!” ;'* ’ 1986 International Critic’s Poll. To into some brand new material. celebrate the Count Basie Orchestra’s New to the Basie Band, but 50th Anniversary i and to honor the certa i n ly not new to the record ng e Count’s birthdate (August 21st), Denon industry, is 75 yearold Denon (Nippon- is releasing an historic compact disc, Columbia). Denon brings its unparalleled Jin DENON I i » “Long Live the Chief!”. Linder the digital audio recordingand compact The First Name in Digital Recording ;e leadership of veteran Basie band disc pressing expertise to the party to Denon America. Inc. Drive, Fairfield. N J 0700 1 . 27 Law Nippon Columbia Ltd .Tokyo, 107 Japan Denon Canada, Inc.. 17 Denison Street. Markham, Ont. L3R lB5Canad MNCi1 E/ 1 —— CASH BOX TOP 12" DANCE SINGLES ii W W W L O L L O L 0 W c W W C W c 1 60 2 57 BANG ZOOM LETS GO- 46 14 APA DON’T PREACH 7 20 CLOSER THAN CLOSE 16 EHa WORD UP ADONNA (Sire/Warner Bros. 0- JEAN CARNE (Omni/ Atlantic 096816) CAMEO (Atlanta Artists/Polygram 884 GO! >492) Hi SUMMER OF LOVE 40 9331) REAL ROXANNE with HITMAN HOWIE TEE (Select FMS 62269) (JMORS/ VICIOUS 17 ““ (REMIX) 40 OPPORTUNITIES (LET’S 26 22 UMORS (EXTENDED THE B-52’S (Warner Bros. 0- 20509) MAKE LOTS OF MONEY) 58 TROW THE D. AND 51 11 ERSION) 22 GIRL TALK (LONG 22 11 PET SHOP BOYS (EMI America V- GHETTO BASE MEX SOCIAL CLUB (Jay 001) DISTANCE VERSION)/ 19206) 2 LIVE CREW (GHETTO STYLE) (Luke fALK THIS WAY/5:1 5 Skywalker 100) 4:40 41 PRIVATE NUMBER 30 5 JN D.M.C. (Profile 7112) BOOGIE BOYS (Capitol V-15230) (REMIX) R1 LOVE IN THE SHADOWS DEBUT 11 IN’T NOTHIN’ GOIN’ ON EE1 SWEET FREEDOM 27 4 THE JETS (MCA 23637) (REMIX) UT THE RENT (REMIX) E.G.DAILY (A&M SP-12187) 106-1) 5 A/EN GUTHRIE (Polydor 885 MICHAEL McDonald (MCA 23641) 42 YOU & ME 42 OINT OF NO RETURN 8 SIMPHONIA (Atlantic/Cotillion 0-96811) 60 MAD ABOUT YOU 50 12 24 NURSERY RHYMES/4:46 24 6 (EXTENDED VERSION)/ IEMIX) L.A. DREAM TEAM (MCA 23639) 43 RISING DESIRE/I HAVE 28 7 5:13 J SHOOZ (Atlantic 0-86829) 25 SWEETHEART 23 16 LEARNED TO RESPECT BELINDA CARLISLE (I.R.S./MCA WO OF HEARTS (DANCE 12 RAINY DAVIS (Supertronics RYO013) THE POWER OF LOVE 23629) IIX)/6:00 STEPHANIE MILLS (MCA 23644) 45 2 0-86797) m BREAKING BELLS HI DIAMOND GIRL DEBUT ACEY Q (Atlantic T LA ROCK (Fresh FRE 6Y) 44 HOW CAN WE BE WRONG/ 35 6 NICE AND WILD (Top Hits TH-106) IfHEN I THINK OF YOU 15 3 27 14 14 5:30 IEMIX) SLEDGEHAMMER 62 BYE-BYE (EXTENDED 53 17 DANCE TRINERE (Jam Packed JPI- 2003) ,NET JACKSON (A&M SP 12180) (EXTENDED VERSION)/7:47 REMIX) 7:20 (REMIX)/6:00 19 EH GIRLS AIN’T NOTHING DEBUT JANICE (4th & Broadway/Island PRO- ASTY PETER GABRIEL (Geffen/Wamer Bros. .NET JACKSON A&M SP 12178) 424) 0-20456) BUT TROUBLE JAZZY JEFF AND FRESH PRINCE iLL TAKE YOU ON/ 12 14 63 YOU SHOULD BE MINE 55 11 IT1 NIGHTMARE OF A 36 3 (Word WD1) UNGRY FOR YOU LOVE BROKEN HEART/8:40 (THE WOO WOO SONG)/ C-BANK (Next Plateau NP50045) 46 STAY A LITTLE 37 6 6:20 \NSON AND DAVIS (Fresh FRE- JEFFREY SP 12169) I WHILE,CHILD (EXTENDED OSBORNE (A&M 29 WE DON’T HAVE TO TAKE 29 22 5X) VERSION)/8:1 OUR CLOTHES OFF TAKE ME AS 1 AM DEBUT DVE OF A LIFETIME 10 LOOSE ENDS (MCA 23635) m XTENDED DANCE (DANCE REMIX)/5:45 EROTIC EXOTIC (Atlantic DMD 966) STEWART (Arista AD1- IERSION)/6:09 JERMAINE E3 L.O.V.E. M.I.A.(REMIX) 54 2 65 HOMEBOY (REMIX)/7:03 56 6 0423) THE DAZZ BAND (Geffen/Warner 1AKA KHAN (Warner Bros. O 20487) STEVE ARRINGTON (ATLANTIC DMD Bros. 0-20499) IENUS (EXTENDED E71 OH PEOPLE (REMIX) 34 3 949) PATTI LABELLE (MCA 23651) ERSION) EH ONE LOVE (REMIX) DEBUT 66 ERIC B. IS PRESIDENT/ 62 6 vNANARAMA (London/PolyGram 31 PARANOIMIA (REMIX) 31 4 WHODINI (Jive/Arista JDI-9506) MY MELODY/5:00 THE ART OF NOISE WITH MAX 6 056-1) ERIC B. FEATURING RAKIM (Zakia HEADROOM (CHRYSALIS 4V943010) 49 AIN’T NOBODY’S 33 9 OWN AND COUNTING/ 19 ZK014I EH LOVE ZONE (REMIX) 38 3 BUSINESS 07 BILLIE (Fleetwood FW 008) 67 BASSLINE (REMIX)/6:00 61 11 BARRY (Epic 49-05926) BILLY OCEAN (Jive/Arista JDI-9509) AUDJA MANTRONIX (Sleeping Bag SLX-18) 0ACHES 33 MOUNTAINS (REMIX)/ 20 12 50 MY ADIDAS/PETER 39 16 )BBY JIMMY & THE CRITTERS 10:03 PIPER/4:10 68 THE FINEST (SPECIAL 52 23 acola 0924) PRINCE AND THE REVOLUTION RUN D.M.C. (Profile Pro 7102) DANCE MIX)/6:38 (Paisley Park/Warner Bros. 0- S.O.S, BAND (Tabu/CBS 4Z9 05364) HE RAIN (LONG 32 2478) ET1 JEALOUSY DEBUT ERSION)/5:05 13 GOTTA SEE YOU 47 3 CLUB NOUVEAU (King Jay/ 69 PEE-WEE’S DANCE/4:29 59 22 IAN ‘•JUICE”JONES(Def Jam/ TONIGHT Tommyboy TB 884) JOESKI LOVE (Vintertainment/Electra ilumbia 44- 05930) BARBARA ROY (RCA PW-14405) ED5147) 52 HEADLINES (EXTENDED 41 15 LL THE WAY TO 11 EH I BE WITH YOU 43 2 WANNA MIX)/6:00 70 DANCIN’ IN MY SLEEP 67 8 EAVEN/6:06 MAZE FEATURING FRANKIE SECRET TIES (Nightwave NWDS-2001) MIDNIGHT STAR (Solar /Elektra ED )UG E. FRESH & THE GET FRESH BEVERLY (Capitol V-9750) 51337) KEW (Reality /Fantasy D264) 71 MISS 63 8 36 JUMP BACK (SET ME 25 18 YOU THE FLIRTS (CBS Assoc. 4Z9 05914 ABY LOVE (EXTENDED 13 15 FREE) EH THE MIDAS TOUCH DEBUT CRSION)/6:30 DHAR BRAXTON (Sleeping Bag SLX- MIDNIGHT STAR (Solar/Elektra ED 72 FUNKY BEAT (EXTENDED 66 22 GINA (Atlantic DMD 939) 19) 51338) VERSION)/5:02 IUSIC THAT YOU CAN 17 7 EH ANOTHERLOVER DEBUT 54 WE WORK HARD/5:21 44 11 WHODINI (Jive/Arista JDI 9462) ANCE TO HOLENYOHEAD/GIRLS U.T.F.O. (Select SEL 21616) 73 INVISIBLE TOUCH 57 7 ARKS (Curb/MCA 23640) AND BOYS (Atlantic 55 ALL 48 28 GENESIS 81641) DRROWED LOVE 21 6 PRINCE AND THE REVOLUTION (YOU ARE MY) AND IEMIX) (Paisley Park/Warner Bros. 0-2051630) ALL 74 SMURF ROCK 71 10 JOYCE SIMS (Sleeping Bag SLX-17) GIGOLO TONY (Gold Star 100) IS. BAND (TABU/EPIC 4Z9-05920) EH MISSIONARY MAN 49 2 OWETO 18 8 “ (REMIX) EH EARTH ANGEL DEBUT 75 DANCE WITH ME 65 8 FFREY OSBORNE (A&M SP 12190) EURYTHMICS (RCA PD-14409) NEW EDITION (MCA-23669) ALPHAVILLE (Atlantic 0-86806) THE CASH BOX TOP 75 12" SINGLES CHART IS BASED ON SOLELY ON ACTUAL PIECES SOLD AT RETAILETAIL STORES. MOST ACTIVE CLUB PICK 12" “Come On And Dance ” — Stop — New Releases (Damabi) D. J.: Bill Rickett Ricketts rRUMMER (MCA-23655) Record Pool: Records Location: Saddlebrook.N.J. I ills (6:41) (Copyright Control) (J. Strummer) (Producer: Eric “E.T.” Thorngren) Comments: URNER (Capitol V-15249) “This 12" has a nice latin feel. Should 4 Male (7:07) (Myaxe adm by WB-Almo/PRS-ASCAP) (T. Britten-G. Lyle) (Pro- crossover to all formats. A good energy ferry Britten) ” level, better than their first. 1 (Sire 20529) und Of Musik (10:00) (Bolland-Falkenhorst) (R. Bolland-R. Folland-Falco) (Pro- Rob Bolland-Ferdi Bolland) When I Think Of You —Janet Jackson (A&M) Capitol V-15251) — RETAILER’S PICK Hi op (5:31) (One to One/ASCAP) (Randy Muller) (Producers: Randy Muller-Solo- ” "I berts) “Typical Male — Tina Turner — STRONG ACTIVITY (Capitol) Store: Record Bin • DITION (MCA-23669) Papa Manager: Laurence John I \ngel (3:59) (Dootsie Williams) (C. Williams-D. Williams) (Producer: Freddie Don’t Preach —Madonna (Sire/Warner Bros. ) Location: San Jose Walk This Way— Run DMC C EXOTIC (Atlantic DMD 966) (Profile) Comments: wait. it. : ie As I Am (5:30) (Joey Boy/BMl) (A1 Perez-M. Gil-Gus) (Producer: B.T.S.) Down And Counting —Claudja “It’s been quite a but worth This Barry— (Epic) 12” is one of the most requested songs in The Rain —Oran "Juice" Jones the store. Should be one of my biggest ” (Columbia) sellers. A number one hit. September 6, 1986 21 CASH BOX TOP 100 SINGLES THE TOP 100 SINGLES IS BASED ON A COMBINATION OF RADIO AIRPLAY AND ACTUAL PIECES SOLD AT RETAIL STORES. CASH BOX CHART SEPTEMBER 6, 1 < Title w W Artist, Label, Number o L O Producer (Songwriter) c W C 35 SLEDGEHAMMER 20 18 68 IT’S YOU 69 PETER GABRIEL (Geffen/Wamer Bros. 7-28718) BOB SEGER & SILVER BULLET BAND (Capitol 85623) HIGHER LOVE 1 13 D. LANOIS, P. GABRIEL (P. GABRIELI B SEGER AND PUNCH (B. SEGER) STEVE WINWOOD (Island/Wamer Bros. 7-28710) R. TiTLEMAN, S. WINWOOD (S. WINWOOD, W. JENNINGS) Kfl MONEYS TOO TIGHT (TO MENTION) 39 8 69 AIN’T NOTHIN’ GOING ON BUT THE 66 SIMPLY RED (Elektra 769528) RENT S. LEVINE (J. VALENTINE, W. VALENTINE, C. WIGGINS) TAKE MY BREATH AWAY (LOVE 3 12 GWEN GUTHRIE (Polydor/Polygram 885 106-7) THEME FROM “TOP GUN”) |Q OH, PEOPLE 40 8 M S. BERRY (G. GUTHRIE) PATTI LaBELLE (MCA 52877) BERLIN (Columbia 3865903) 70 33 R. PERRY (B. ROBERTS, A. GOLDMARK) RUMBLESEAT G. MORODER (G. MORODER. T. WHITLOCK) JOHN COUGAR MELLENCAMP (Riua/PolyGram 884 856- 1 A MATTER OF TRUST 42 5 VENUS 4 11 7) BILLY JOEL (Columbia 3806108) BANANARAMA (London/PolyGram 886 056-7) LITTLE BASTARD, G GEHMAN (J. MF.I. I .ENCAMP) P. RAMONE (B. JOEL) STOCK, AITKEN, WATERMAN (R. LEEUWEN)LEEI 71 EVERY LITTLE KISS 62 39 INVISIBLE TOUCH 23 15 DANCING ON THE CEILING 5 8 BRUCE HORNSBY AND THE RANGE (RCA PBT4361) GENESIS (Atlantic 7-89407) LIONEL RICHIE (Motown 1843MF) B. HORNSBY, E. SCHEINDER (B HORNSBY) GENESIS, H. PADGHAM (P. COLLINS, M. RUTHERFORD, A. L. J.B. CARMICHAEL (L. RICHIE, C. RIOS) RICHIE, BANKS! 72 DANGER ZONE 44 PAPA DON’T PREACH 2 11 40 TAKEN IN 30 11 KENNY LOGGINS (COLUMBIA 3805893) (Sire/Wamer Bros. 7-28660) G. MORODER (G. MORODER, T. WHITLOCK) MADONNA MIKE & THE MECHANICS (Atlantic 7 89404) MADONNA, S. BRAY (B. ELLIOT, MADONNA) C. NEIL (M, RUTHERFORD, C. NEIL) 83 SWEET FREEDOM (THEME FROM 7 13 ED DIDN’T MEAN TO TURN YOU ON 46 4 LUTHER VANDROSS (Epic 3466129)) “RUNNING SCARED”) ROBERT PALMER (Island/Atlantic 7-99537) L. VANDROSS, N ADDERLYIL. VANDROSS. N ADDERLY) MICHAEL McDonald (MCA 52857) B. EDWARDS (J.HARRIS.lJS.T.LEWIS) 74 ONE STEP CLOSER TO YOU 45 R. TEMPERTON, D. RUDOLPH, B. SWEDEN (R. TEMPERTON) GAVIN CHRISTOPHER (Manhattan/Capitol 850028) STUCK WITH YOU 9 6 WINNER’S CIRCLE C. STURKEN, E ROGERS (ROGERS, STURKEN. PESCETTO. HUEY LEWIS AND THE NEWS (Chrysalis VS4 43019) GRANTI H. LEWIS AND THE NEWS (C. HAYES, H. LEWIS) R1 TRUE COLORS 54 CYNDI LAUPER (PORTRAIT 37-06247) ESI LOVE COMES QUICKLY 84 10 :— FRIENDS AND LOVERS 9 C. LAUPER, L. PETZE (T. KELLY-B. STEINBERG) PET SHOP BOYS (EMI-88338) GLORIA LORING & CARL ANDERSON (Carrere/CBS S. HAGUE (N. TENNANTC. LOWE S. HAGUE) ZS4 06122) ALL CRIED OUT 49 6 Bf SOMEBODY’S OUT THERE 87 J. AVERBACH (G. LORING, T. CAMPBELL) m LISA LISA & CULT JAM WITH FULL FORCE (Columbia TRIUMPH (MCA-5786) 9 RUMORS 8 13 38-05844) M. CLINK (R EMMETT M. LEV1NEG. MOORE) TIMEX SOCIAL CLUB (Jay/Macola 001) FULL FORCE (FULL FORCE) L. KING, D. FOSTER (M. THOMTOMPSON, M. MARSHALL, A. HILL) 77 THE OTHER SIDE OF LIFE 79 POINT OF NO RETURN 48 10 THE MOODY BLUES(Polydor 885201 7) BABY LOVE 12 12 m m NU SHOOZ (Atlantic 7-89392) T VISCONTKJ HAYWARD) (Atlantic 7- REGINA 89417) J SMITH. R WARITZ (J. SMITH, V DAY) S. BRAY IS. BRAY, R. RICHARDS, M. KESSLER) WILD WILD LIFE 85 SWEET LOVE 50 4 — TAKING HEADS (SIRE 7 28629) WORDS GET IN THE WAY 15 12 m m ANITA BAKER (Elektra 769557) TALKING HEADS (D. BYRNENE) MIAMI SOUND MACHINE (Epic 34 06120) M.J.POWELL (A BAKER, L. JOHNSON,G1AS) E. ESTEFAN, JR. (G.M, ESTEFAN) ANGEL IN MY HEART 86 PRIVATE NUMBER 51 6 | 12 GLORY OF LOVE (THEME FROM “THE 6 14 EQ ONE TO ONE (WArner Bros.) THE JETS (MCA-52846) L. HOWE (L. HOWE, L. RENY) KARATE KID PART II”) D. POWELL, D. RIVKIN, J. KNIGHT,A, ZIGMAN (J. KNIGHT, A. PETER CETERA (Full Moon/Warner Bros. 7-28662) ZIGMAN) 80 THE HUNTER 82 M. OMART1AN (P. CETERA, D FOSTER, D NINI) TWIST AND SHOUT 57 4 GTR (Arista ASI 9512) m G. DOWNES (G. DOWNES) WALK THIS WAY 17 7 THE BEATLES (Capitol B-5624) RUN D.M.C. (Profile PRO- 5112) (B.RUSSELL.P.MEDLEY) 81 LOVE OF A LIFETIME 60 R. SIMMONS, R. RUBIN (S. TYLER, J. PERRY) NOTHING IN COMMON 53 7 CHAKA KHAN (Warner Bros. 7-28671) E3 G. GARTSIDE. D. GAMSON, A. MARDIN (G. GARTSIDE, D. DREAMTIME THOMPSON TWINS (Arista ASI-9511) ED 18 6 GANSONI DARYL HALL (RCA PB- 14387) G. DOWNES, T BAILEY, (T. BAILEY, A CURRIE) D. HALL, D A. T. (D. STEWART. WOLK HALL, J. BEEBE) 49 SOMEBODY LIKE YOU 47 8 82 WALK LIKE A MAN (FROM “A FINE 71 15 MAD ABOUT YOU 11 17 38 SPECIAL (A&M AM 2854) MESS”) BELINDA CARLISLE (I.R.S./MCA 52815) K. OLSEN (D. BARNES, J. VALLANCE. J. CARLISI, D. VAN ZANT MARY JANE GIRLS (Motown 1851MF) L. STEELE) M. LLOYD (P. BROWN. J. WHELAN, M Y. EVANS) R. JAMES (B CREWE, B. GAUDIO) LOVE ZONE 21 7 |] LOVE ALWAYS 55 5 ED EL DEBARGE (Gordy/Motown 1857 GF) BILLY OCEAN (Jive/Arista JS1-9510)- CHARTBREAKER B BACHARACH, C.B. SAGER IB. BACHARACH, C.B. SAGER, B. W. BRATHWAITE, B.J. EASTMOND .J. EASTMOND. ROBERTS) W BRATHWAITE. B. OCEAN) m 25 OR 6 TO 4 D! CHICAGO (Full Moon/Warner Bros. 7-28628) MAN SIZE LOVE (THEME 19 10 WRAP IT UP 56 5 ~ FROM m DAVID FOSTER (ROBERT:TLLAMM/JAMES PANKOW) “RUNNING SCARED”) FABULOUS THUNDERB1RDS (CBS Associated ZS4 06270) KLYMAXX (MCA 52841) I. HAYES. D. PORTER (D. EDMUMDS) R. TEMPERTON, D. RUDOLPH, B. SWEDEN (R. TEMPERTON) 84 HANGING ON A HEART ATTACK 52 LOVE TOUCH (THEME FROM “LEGAL 25 15 DEVICE (Chrysalis VS4 42996) 18 WE DON’T HAVE TO TAKE OUR 14 16 CLOTHES OFF EAGLES”) M CHAPMAN (H. KNIGHT, M. CHAPMAN) ROD STEWART (Warner Bros. 7-28668) JERMAINE STEWART (Arista AS1-9424) EQ EMOTION IN MOTION M CHAPMAN (M. CHAPMAN, H. KNIGHT, B. BLACK) N.M. WALDEN (P. GLASS, N.M. WALDEN) RIC OCASEK (GEFFEN 7-28617) WHAT DOES IT TAKE 58 8 C HUGHES (R OCASEC) DON’T FORGET ME (WHEN I’M GONE) 22 9 ED HONEYMOON SUITE (Warner Bros, 7- 28670) GLASS TIGER (Manhattan/Capitol B-50037) 86 SUZANNE B. FAIRBAIRN (D. GREHAN) J. VALLANCE (GLASS TIGER. J. VALLANCE) JOURNEY (Columbia 3866134) SO FAR SO GOOD (FROM THE MOTION 59 7 S. PERRY (S. PERRY. J CAIN) 20 THE EDGE OF HEAVEN 13 10 m WHAM! (Columbia 38-06182) PICTURE SOUNDTRACK “ABOUT 87 MODERN WOMAN G. MICHAEL (G. MICHAEL) LAST NIGHT”) BILLY JOEL (Epic 34- 06118) SHEENA EASTON (EMI America B-8332) P RAMONE (B JOEL) THROWING IT ALL AWAY 28 4 El N. M. WALDEN (T. SNOW, C. WEIL) GENESIS (Atlantic 7-89372) 88 WEATHERMAN GENESIS. H.PADGHAM, (A.BANKS. P.COLLINS. M.RUTHERFORD) GIRLS CAN’T HELP IT NICK JAMESON (MOTOWN 1853) JOURNEY (COLUMBIA 38-06302) N JAMESON (N JAMESON,K.O'LEARY) WHEN I THINK OF YOU 32 5 S. PERRY (S. PERRY-N, SCHON) JANET JACKSON (A&M AM 2855) EjQ YOU GIVE LOVE A BAD NAME J. JAM, T. LEWIS (J. HARRIS in, T. J. YOU CAN CALL ME AL LEWIS, JAM) m BON JOVI (Mercury 884953-7) PAUL SIMON (Warner Bros. 7- 28667) 23 YOU SHOULD BE MINE (THE 16 B FAIRBAIN (J BON JOV1/R. SAMBORA/D. CHILD) WOO 16 P. SIMON (P, SIMON) WOO SONG) PARANOIMIA EQ NO MORE "I LOVE YOU’S" JEFFREY OSBORNE (A&M AM- 2814) El THE LOVER SPEAKS (A&M-2846) THE ART OF NOISE WITH MAX HEADROOM (China/ P. PERRY (A. GOLDMARK, B. ROBERTS) J LOVINE (D. FREEDMAN J. HUGHES) Chrysalis VS443002) 24 THAT WAS THEN, THIS IS NOW 24 10 THE ART OF NOISE (DUDLEY, JECZALIK) 91 ANOTHERLOVERHOLENYOHEAD MICKY DOLENZ and PETER TORK (of The Monkees) EARTH ANGEL (FROM THE MOTION 68 PRINCE AND THE REVOLUTION (Paisley Park/Warner (Arista AS1- 9505) m Bros. 7-28620) M. LLOYD (V BRESCIA) PICTURE SOUNDTRACK “KARATE PRINCE AND THE REVOLUTION (PRINCE AND THE REVOLUTION) KID PART II) HEAVEN IN YOUR EYES 31 6 92 m NEW EDITION (MCA 52907) WALK AWAY RENEE LOVERBOY (Columbia 3806178) F. PERREN (C. WILLIAMS,D.WILUAMS) SOUTHSIDE JOHNNY & THE JUKES (ATLANTIC 89394) P. DEAN, J. DEXTER (P. DEAN. M. RENO. J. DEXTER, M. MOORE) J. ROLLO, J. LYON (M. BROWN, B. CALILU, T. SANSONE) ANOTHER i HEARTACHE or. THE CAPTAIN OF HER HEART 29 11 m m ROD STEWART (WARNER BROS. 7-28631) 93 OPPORTUNITIES (LET’S MAKE LOTS DOUBLE (A&M AM-2838) B, EZRIN (B. ADAMS-J. VALLANCE-R, STEWART R. WAYNE) DOUBLE (K. MALOO, F. HAUG) OF MONEY) PET SHOP BOYS (EMI America 8321) 27 60 RUTHLESS PEOPLE 8 YANKEE ROSE 27 10 J.J JECZALIK, N. FROOME (N. TENNANT. C. LOWE) MICK JAGGER (Epic 3466211) DAVID LEE ROTH (Warner Bros. 7-28656) D.HALL, M. JAGGER, D A STEWART (D. HALL, M. JAGGER, D A T. (D. 94 TAKE IT EASY TEMPLEMAN LEE ROTH, S.VAI) STEWART) ANDY TAYLOR (Atlantic 7-89414) TWO OF HEARTS 35 8 m IN YOUR EYES R T BAKER (A. TAYLOR. S JONES) STACEY Q (Atlantic 7- 89381) m PETER GABRIEL (GEFFEN 7-28622) J.ST.JAMES (J. MITCHELL, S. GATUN, T. GREENE) 95 DIGGING YOUR SCENE P GABRIEL (P. GABRIEL) THE BLOW MONKEYS (RCA PB-14325) I >k PRESS 36 5 m PLAYING WITH THE BOYS P WILSON (DR. ROBERT) PAUL McCARTNEY (Capitol B-5597) m h- KENNY LOGGINS (Columbia 3865902) p. McCartney, h. padgham ip. McCartney) 96 IF LOOKS COULD KILL P.WOLF (K. LOGGINS, P.WOLF.I. WOLF) IP- HEART (Capitol B-5605) TYPICAL MALE 41 2 TAKE ME HOME TONIGHT R NEVISON (J. CONRAD, B. GARRETT) TINA TURNER (CAPITOL B-5615) m EDDIE MONEY (Columbia 3866231) T BRITTEN (T. BRITTEN-G. LYLE) R.ZITO.E.MONEY (M.LEESON, P.VALE, P.SPECTOR, 97 THERE’LL BE SAD SONGS (TO MAKE m HEARTBEAT 43 3 E GREENWICH, J. BARRY) YOU CRY) DON JOHNSON (Epic 34 06285) 64 SPIRIT IN THE SKY BILLY OCEAN (Arista JS1- 9465) SANDFORD (E B. C KA2, W WALDMEN) DOCTOR AND THE MEDICS (I.R.S./MCA 52880) EASTMOND, W BRATHWAITE (W BRATHWAITE. B EASTMOND. B.OCEAN) |Q MISSIONARY MAN 38 8 G. LEON (N. GREENBAUM) EURYTHMICS (RCA PB 14414) I’LL BE OVER YOU 98 HOLDING BACK THE YEARS D A STEWART (D A STEWART, A LENNOX) m (Elektra TOTO (COLUMBIA 40273) SIMPLY RED 769564) TOTO (S. S LEVINE (HUCKNALL, MOSS) ED LOVE WALKS IN 37 5 LUKATHER-R. GOODRUM) VAN HALEN (Warner Bros. 7- 28629) 66 ALL THE LOVE IN THE WORLD 26 14 99 NASTY V. HALEN, M JONES, D LANDEE (E, VAN HALEN. S HAGAR. M. THE OUTFIELD (Columbia 38 05894) JANET JACKSON (A&M AM-2830) ANTHONY. A VAN HALEN) W. WITTMAN (J. SPINKS) J.JAM, T LEWIS (J. HARRIS III, T LEWIS. J. JACKSON) 34 VELCRO FLY 34 7 67 LONELY IS THE NIGHT 67 100 A KIND OF MAGIC ZZ (Warner Bros. 7 TOP 28650) AIR SUPPLY (Arista AS1 9521) QUEEN (Capitol 85590) B HAM (GIBBONS. HILL, BEARD) J. BAYLON (D. WARREN. A. HAMMOND) QUEEN. D RICHARDS (R TAYLOR) ALPHABETICAL LISTING ON INSIDE BACK COVER 1 CASH BOX PRESENTS Jllugtc Ctmesf AN IN DEPTH ANALYSIS OF THE MARKETS SEPTEMBER 6, 1986 1RKETATA GLANCE MM 5 #1 SINGLES MOST ADDED Out Of A Possible 1 57 Stations 105 Stations Reported This Week Girls Can't Help It—Journey— Columbia 27 Adds Rod Stewart— Another Heartache— Warner Bros. 27 Adds I'll Be Over You—Toto— Columbia 26 Adds 25 or 6 to 4— Chicago—Warner Bros. 20 Adds TAIL REQUESTS Higher Love— Steve Winwood— Island/ Don't Forget Me (When I'm Gone)...- Warner Bros. Glass Tiger—Manhattan Friends & Lovers—Gloria Loring/Car! An- When I Think Of You— Janet Jackson- derson—Carrere/ CBS A&M Venus—Banamarama— London/ PolyGram Playing With The Boys— Kenny Loggins- Columbia Glory Of Love (Theme from ’’The Kara- te Kid Part II")—Peter Cetera—-Full Moon/ Dancing On The Ceiling— Lionel Richie- Warner Bros. Motown SUMALLEY I CROSSOVER POTENTIAL —"Slippery When Wet"—Mercury/Polygram—Highest debut album this week, Two Of Hearts—-Stacy Q—Atlantic—From dance to top 40/Black Contemporary band with good driving rock & roll. My Life's A Dance—Anne Murray— Capitol — Country to AC uveau— "Jealousy"—King Jay Records/Tommy Boy—New followup single lumors" (TSC) both written and produced by Jay King. The Rain—Oran "Juice" Jones— Def-Jam/Columbia— Black Contemporary to top 40 tson— "Heartbeat" album on Epic. Good collaboration with Ron Wood, Willie Nursery Rhymes— L.A. Dream Team—MCA—Coming from dance/B.C. to top 40 mnie Raitt, Stevie Ray Vaughan and Michael Des Barres (from Power Station), ions. Higher Love — Steve Winwood — Island/Warner Bros. — AOR/top 40 to Black Contemporary n 1 I i i "WEIGHT OF THE WORLD" I THE NEW SINGLE FROM THE ALBUM LANDING ON WATER i > Produced By Neil Young and Danny Kortchmar • Lookout Management • © 1986 The David Geffen Company GEFFEN ,i 7.1 OP 40 PLAYLIST COREBOARD Current LP Lst. Ttl. Popularity Pop. Req. Sales Vid. Rot. Current >rd Factor This Ttl. 12-17 18-24 Rank Tour i Title Wk. Wks. 25-34 34 + Rank Rank Rank Wk. Wks. 13 ’EVE WINWOOD—Higher Love— Island/WB 1 13 X X 2 21 2 Y E 8 iRLIN—Take My Breath Away—Columbia 3 12 X X X X 6 14 7 2 ° 2 14 VNANARAMA—Venus— London/PolyGram 4 11 X X X X 4 9 4 9 22 5 DNEL RICHIE— Dancing on the Ceiling —Motown 5 8 X X X 10 29 6 7 E 2 VDONNA—Papa Don't Preach—Warner Bros. 2 11 X 1 1 1 3 D 8 ICHAEL MCDONALD—Sweet Freedom—MCA 7 13 X X 8 45 15 1 m 6 IEY LEWIS— Stuck With You— Chrysalis 9 6 X X X X 9 20 10 18 Y Just Out IRING/ANDERSON— Friends & Lovers—Car/ CBS 10 9 F F F 3 5 3 NV DEBUT (EX SOCIAL CLUB—Rumors—JAY/Macola 8 13 X X 5 4 8 NV - - GINA— Baby Love— Atlantic 12 12 F F 11 25 18 10 - - AMI SOUND MACHINE-Words Get —Epic 15 12 X X X X 13 15 16 NV Y m 41 fER CETERA—Glory of Love—Warner Bros. 6 14 7 2 5 27 °35 8 IN D.M.C. —Walk This Way— Profile 17 7 X X 12 3 11 4 Y 7 14 tRYL HALL—Dreamtime—RCA 18 6 X X 17 39 35 * m 2 .INDA CARLISLE—Mad About You—MCA 11 17 14 7 12 34 Y ED 14 ,LY OCEAN— Love Zone— Arista 21 7 X X X 38 - - 6 Y 16 17 YMAXX—Man Size Love—MCA 19 10 X X 21 32 22 29 E 6 itMAINE STEWART—We Don't Have To... — Arista 14 16 15 17 9 26 m 11 IASS TIGER— Don't Forget Me... —Manhattan 22 9 X X 16 26 26 8 Y E 6 ilAM!—Edge of Heaven—Columbia 13 10 49 34 20 31 12 8 INESIS—Throwing It All Away—Atlantic 28 4 X X X X 20 49 37 NV Y 4 11 * NET JACKSON—When 1 Think Of You—A&M 32 6 F F 28 27 27 8 28 tSBORNE—You Should Be Mine—A&M 16 16 30 43 21 NR 31 12 * >NKEES—That Was Then... —Arista 24 10 X X X X 23 13 17 Y 7 o VERBOY—Heaven In Your Eyes—Columbia 31 6 X X 42 37 - NR 2 14 — HJBLE Captain Of Her Heart—A&M 26 11 X X X 26 40 28 5 E 7 iVID LEE ROTH—Yankee Rose—Warner Bros. 27 10 M M 36 8 19 20 Y 3 7 \CEY Q—Two Of Hearts— Atlantic 35 8 X X X X 18 12 13 30 Y - - ul McCartney—Press— Capitol 36 5 M 43 - - 11 - - lA TURNER—Typical Male— Capitol 41 2 - — — NV - - N JOHNSON—Heartbeat— Epic 43 3 X X 34 11 — NV Just Out — — - IYTHMICS Missionary Man RCA 38 8 X X 27 33 40 15 E 6 IN HALEN—Love Walks In—Warner Bros. 37 5 X X - 24 24 NV n 22 TOP—Velcro Fly—Warner Bros. 34 7 M M 33 — - NV 40 43 ER GABRIEL—Sledgehammer— Geffin 28 16 24 48 14 NR 6 14 IPLY RED—MoneyS Too Tight... — Elektra 39 8 X X X 44 — — 25 Y 28 24 m LABELLE Oh, People—MCA 40 8 X 46 — — 36 18 17 •Y JOEL—A Matter Of Trust—Columbia 42 5 X X X 45 — 44 * E 4 IESIS— Invisible Touch— Atlantic 23 15 — — 37 NR Y 4 11 E & THE MECHANICS-Taken In-Atlantic 30 11 X X X - - 39 16 Y 81 38 Soundtrack * MTV— Exclusive NV—No Video NR— Not Ranked Y— Yes, On Tour X— All Hello: This issue of CASH BOX features the second installment of THE MUSIC TIMES. This is strictly a programming tool for any of you who need concise, easy-to-find information. THE MUSIC TIMES will bring you the most thorough TOP 40 radio programming information possible. We have a “core” of Top 40 stations that are willing to share their information with the rest of you. Without their help we would not have the excellent reports that will appear each week. Research from the “core” stations will augment information that is already available to you from other sources. We perceive THE MUSIC TIMES as a one-stop shopping list about any record. This is an easy, convenient way to choose what may be right for you and your mar- ket. Our research is only as good as the information we receive from the field. We will make every attempt to find out as much as we possibly can about artists and their records. In the months to come we will be expanding into Black Contemporary, Country, Adult Contemporary and Album Rock radio. We encourage anyone at radio to be- come involved. This is your radio report. The more you participate, the better the information. These formats are reflected in the “Multi-Format Penetration” chart and the “Crossover Penetration” graph. it’s usefulness. I hope that you will acquaint yourself with THE MUSIC TIMES and thus discover Mardi Nehrbass-Clahan, Editor ANALYSIS OF "THE MUSIC TIMES" RESEARCH & INFORMATION: This is a comprehensive RADIO report taken from a core of stations and "Cash Box" reporters. The core distinction is those that do "call-out" research. This is a source for MORI CONCISE data. PACE ONE: At-A-Glance, a national picture of strongest and potentially strongest records. SCOREBOARD: Using the CASH BOX "Top 100 Singles" chart, the category breakdowns come from the "core stations" as tabulated from raw-research. —Popularity Rank: Obtained from 20 most popular — "call-out" selections. —Sales Rank: Top 20 sales from "core," market- —by-market. —Request Rank: Same process as above two items. —Popularity Rank: Reflects demographic information. Rank is then formulated by assigning a numerical evaluation to each selection given in each category (# 1 being the highest receives a value of 100 and #20 the lowest with 5). Th percentage is figured on the number of reporting core stations. — Video Rotation Rank: Based on various national, regional and local video programs obtained by CASH BOX video department. Exclusivity to MTV will be stated. —Current Tour: Will be represented by a "Y" (yes) —only when an act is on tour. ON DECK: The next 20 "live" records on the CASH BOX 100 Chart appear in this category. Primarily, these will be selections moving up, however, if a record stalls at a number it will not b counted out. DAY-PARTING: For new records which may have to be treated differently, until proven, or those selections having distinct advantages in stating day-parts. MUL TI-FORMA T PLAYLIST Records started in one format and spreading into others and shows cross-over potential. CROSSOVER POTENTIAL: This will support the "multi-format playlist." Each week as a growth pattern developes, that growth will be measured. After achieving "maximum penetration," they will t removed. TEST RECORDS: Those records that anyone is willing to share will be stated here, without being identified, but could be a valuable programming tool for other markets. BREAKOUTS: Records that are really getting a break in any given market that may, or may not, have a proven track record. HIGH PRIORITY: On a rotating basis, promotion heads rap about company concentration on a brand new artist. PLAY-BY-PLAY: Rotating station reports indicating #1, adds, and 3 requests. PROFILES: One program director and a music director, or an on-air personality. Market size not a factor. Along with one artist manager. ON- THE-CIRCUIT: Editorial, discussion, news, etc. PROMOTION OF THE WEEK: An outstanding and successful contest/promotion running or about to run. CROSSOVER PENETRATION 1 t )DY BLUES: BANANARAMA: Life These girls made a : Side Of , n The Other polydor steady break through Album: True Confession 3RD: The Other Side Of Life TEAM: Polydor RECORD: Venus 77 % AC URBAN 24 % TOP 40 100 % 32 % AOR COUNTRY N GUTHRIE: ibly no one felt this I cross.. Polydor .08 kGood To Go Lover 4RD: Ain't Nothin Goin' On... TEAM: Polydor 88% 88 % 75 % THE SINGLE AND 12 An Aquarius Records Production Equus Management ROSSOVER PENETRATION— iPTATIONS: JETS: m: To Be Continued... Young adult record Album: The Jets MCA TEAM: Gordy RECORD: Private Number TEAM: MCA 25% 55% COUNTRY MAXX: LISA LISA: ng up Her Cult Jam & Full Force is 'Columbia," Marcas Reg ng a soiid foundation certainly not all cried out the "Running Scared"soundtrack MCA Album: Lisa Lisa & Cult Jam w/Full Force ORD: Man Size Love TEAM: MCA RECORD: All Cried Out TEAM: Columbia 75% COUNTRY * ? EDITION: RONNIE MILSAP: a ("Karate Kid" soundtrack Don't get a lot of these MCA Album: Lost In The 50's Tonight ): Earth Angel TEAM: MCA RECORD: In Love TEAM: RCA 13% 71% 5RT PALMER: EDDIE MONEY: l is "Riptide" On the chart 4 weeks © Columbia. Marcas Reg in Canada everyone working hard- will continue l»RD: I Didn't... TEAM: Island RECORD: Take One Home Tonight TEAM: Columbia 25% COUNTRY PLAYBYPLAY , SOUTH WFLY REQUESTS 106FM (WBLI) WPRO WANS #1 Double WLRS ADDS Albany, NY S. Winwood New York, NY Providence,RI Anderson, SC ADDS Louisville, KY Double Mike Harris-PD Berlin Bill Terri-PD Tom Cuddy-PD Tommy Smith-PD P. Gabriel Rockey Knight-PD Nu Shooz Tom O'Brien-MD L. Richie Ruth Tolson-MD ADDS ADDS B. Hornsby Lisa Lyons-MD Art of Noise #1 Bananarama #1 S. Winwood Nu Shooz E. Money Toto # 1 H. Lewis New Edition (WKSE) ADDS KISS 98 1/2 ADDS C. Lauper K. Loggins T. Turner ADDS Chicago Toto Buffalo, NY C. Lauper G. Guthrie R. Stewart KEZB H.L. Summer REQUESTS Scott Robbins-PD Fab. T Birds Double P. Gabriel Moody Blues El Paso, TX J. Fogerty The Beatles Dave Gillman-MD S. Easton Van Halen Triumph Triumph Ron Haney-PD Stacey Q Run DMC #1 Timex Social Club L. Vandross REQUESTS Chicago R. Ocasek Cat Simon-Asst. PD R. Stewart Lisa Lisa REQUESTS ADDS Madonna REQUESTS It Bites # 1 Stacey Q P. Gabriel FM100 (WRN Art Of Noise Miami Sound Machine G. Loring/C. Anderson REQUESTS ADDS Chicago D. Hall New Orleans, ! C. Lauper Genesis G. Loring/C. Anderson Bananarama G. Loring/C. Anderson E. DeBarge REQUESTS Mike Costello-! Pet Shop Boys Janet Jackson WPLJ M. McDonald Run DMC REQUESTS H. Lewis Wayne Watkin K. Loggins Double Madonna Berlin QIOO(WQQQ) New York, NY #1 Monkees Chicago 98PX (WPXY) Z93 (WZGC) Beatles D. Johnson ADDS Allentown, PA. Larry Berger-PD Triumph Rochester, NY Atlanta, GA Stacey Q Simply Red Bryan Geronimo-PD Lisa Tonacci-MD WMC A. Cooper Tom Mitchell-PD Bob Case-PD KiGL ADDS ADD Memphis, TN Bon Jovi #1 Timex Social Club Fort Worth, TX Double Chris Thomas-MD Triumph L. Vandross ROCK 102 (WBEN) John Conley-PD ADDS ADDS P.J. Olsen REQUESTS Chicago Buffalo, NY REQUESTS #1 S. Winwood P. Gabriel Journey #1 Timex Social Club Bon Jovi P. Gabriel Hank Nevins-PD P. Cetera ADDS T. Turner L. Vandross ADDS Fab. T Birds Pet Shop Boys Roger Christian-MD Lisa Lisa Van Halen Beatles R. Palmer R. Ocasek Genesis C. Thompson Stacey Q C. Lauper ADDS Palmer R. R. Stewart Simply Red 97 STAR (Wf REQUESTS Dr. & The Medics ZIOO(WHTZ) Moody Blues C. Lauper P. Gabriel R. Palmer Run DMC Stacey Q REQUESTS Norfolk, VA New York, NY Eurythmics J. Jackson WBBQ Al Brock-PD . Timex Social Club D. Johnson Scott Shannon-PD Monkees Stacey Q. Augusta, GA Talking Heads Doc Michael-M Berlin Toto Frankie Blue-MD REQUESTS WKDQ G. Loring/C. Anderson REQUESTS Bruce Stevens-PD Madonna #1 S. Winwoc K 106 (WMKR) #1 Bananarama D. Johnson Henderson, KY G. Loring/C. Anderson # ] One To One ADDS Baltimore, MD ADDS Monkees Bruce Clarke-PD WABB H. Lewis ADDS R. Stewart Ralph Wimmer-PD B. Joel Timex Social Club John Christofer-MD T. Turner Mobile, AL Berlin R. Ocasek Tim Watts-MD 98 WCAU Stacey Q ADDS Leslie Fram~PD REM # 1 G. Loring/ POWER 105 C. Lauper Mark Sawyer 103 WPHD Philadelphia, PA C. Lauper B. Raitt C. Anderson (WAVA) Toto Buffalo, NY Scott Walker-PD Toto ADDS REQUESTS ADDS Washington, DC. C. Simon Chicago j John Hager-PD Glen Kalina-MD P. Gabriel Cinch Van Halen Mark St. John-PD J. Jackson R. Palmer Mindy Michaels-MD # 1 S. Winwood R. Stewart D. L. Roth Fab. T. Birds Gene Baxter-MD REQUESTS REQUESTS #1 Berlin ADDS Lisa Lisa D. Johnson C. Lauper #1 Berlin S. Winwood ADDS Bricklin REQUESTS S. Winwood BJ 105 (WBJ Stacey Q ADDS Berlin Bananarama Bon Jovi Toto Bananarama Orlando, FL A. Baker Chicago L. Richie Berlin R. Stewart Chicago Madonna Brian Thomas- REQUESTS Eurythmics POWER 104 (KRBE) R. Ocasek Journey H. Lewis Dave Wright-/ Run DMC REQUESTS Houston, TX WWKX REQUESTS B94 (WBZZ) KHFI Nashville, TN #1 Berlin P. Cetera New Edition Paul Christy-PD Run DMC Pittsburgh, PA Austin, TX Bobby Cook-PD ADDS G. loring/C. Anderson The Beatles Helene Pina-MD Monkees Nick Ferrara-PD Barry Kaye-PD B. J. Harris-MD Eurythmics Lisa Lisa # 1 Bananarama Triumph Selby Edwards-MD Birds KISS 108 (WXKS) Lori Campbell-MD ADDS ADDS Fab. T Boston, MA. #1 G. Loring,/ # 1 Berlin ZZ Top L. Vandross WNNK Q 107 (WRQX) D. Johnson Sonny Joe White-PD C. Anderson ADDS Eurythmics Pet Shop Boys Harrisburg, PA Washington, DC T. Turner of 1 Susan O'Connell-MD ADDS Art Noise T. Turner REQUESTS Bruce Bond-PD Randy Lane-PD Simply Red # 1 Bananarama G. Guthrie S. Easton B. Joel P. Cetera Paul Fuller-MD Toto #1 L. Richie ADDS Chicago Van Halen REQUESTS B. J.& Critters ADDS #1 Berlin Van Halen D. Johnson Double REQUESTS Lisa Lisa D. Johnson G. Tiger ADDS Stacey Q Loring/ Anderson REQUESTS Timex Social Club Loverboy WRVQ P. Gabriel Run DMC A. Cooper P. Gabriel Run DMC B.J.& Critters Run DMC Richmond, VA Chicago Thompson Twins REQUESTS Triumph P. Cetera Run DMC Jim Payne-PD REQUESTS New Edition Madonna WYHY R. Stewart Lisa Lisa Beatles # 1 S. Winwo L. Richie REQUESTS Monkees Nashville, TN A. Cooper 95X (WSSX) ADDS Madonna Rl 104 (WERI) S. Winwood P. Cetera Mike St. John-PD REQUESTS Charleston, SC A. Baker Providence, Rl H. Lewis WOKI Tom Peace-MD Lisa Lisa Brian Philips-PD C. Lauper WFMI Jonathon Monk-PD Glass Tiger Knoxville, TN ADDS Bananarama Dave Allan-MD REQUESTS Lexington, KY ADDS Ron Harper-PD Simply Red | G. Guthrie # 1 Berlin S. Winwood Charlie Fox-PD El DeBarqe WKRZ Gary Beach-MD Nu Shooz ADDS Berlin wzou Indiana Jonze-MD Jets Wilkes Barre, PA # 1 M. McDonald Honeymoon Suite New Edition G. Loring/C. Boston, MA Lexington, KY Lisa Lisa Jim Rising-PD ADDS Toto t R. Ocasek WZAT Pat McCay-PD # 1 Timex Social Club Lover Speaks #1 L. Richie Thompson Twins REQUESTS A. Baker Savannah, G Jim Cutler-MD ADDS R. Ocasek ADDS L. Vandross G. Loring/C. Anderson ( REQUESTS Brady McGrc # 1 S. Winwood Van Halen B. Seger Janet Jackson Journey Madonna Run DMC Randy Summ ADDS Art Of Noise D. Johnson T. Turner Pet Shop Boys S. Winwood Stacey Q Berlin R. Ocasek Toto Chicago Beatles Triumph #1 Timex Social Club B 97 (WEZB) ADDS P. La Belle REQUESTS REQUESTS REQUESTS REQUESTS New Orleans, LA Double R. Palmer Timex Social Club Stacey Q Timex Social Club KZPW Timex Social Club Chris O'Kelly-PD Dallas, TX R. Palmer P. Gabriel Stacey Q G. Loring/C. Anderson Madonna S. Winwood John Greg Rolling-MD O.J. Jones R. Stewart G. Loring/C. Anderson Lisa Lisa Bananarama Shomby-PD Miami Sound Machine. SPECIAL INTRODUCTORY Off® CASHBOX THE MUSIC TIMES SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION For less than the price of a First Class Subscription to Cashbox Alone SUBSCRIBE now and receive the next 51 CASHBOX I Presents o,0> COMPANY TITLE issues of Cashbox xy The Music Times for ADDRESS BUSINESS HOME APT NO THE MUSIC TIMES $ 150.00 CITY STATE/PROVINCE/COUNTRY ZIP IF YOUR BUSINESS IS MUSIC - I NATURE OF BUSINESS PAYMENT ENCLOSED YOU NEED CASHBOX The Music Times SIGNATURE DATE SUBSCRIBE NOW. SPECIAL INTRODUCTORYRATE ON SUBSCRIBE l CASHBOX THE MUSIC TIMES at $150.00 PER CASH BOX ^ 330 WEST 58TH STREET • NEW YORK. NEW YORK 10019 YEAR FOR A UMTTED TIME ONLY NOW 25 2 • 586-2640 MIDWEST REQUESTS ADDS KITS WBBM-FM B96 WCZY ADDS 99 1/2 WLOL Berlin Five Star San Francisco, CA Chicago, IL Detroit, Ml Beatles St. Paul, MN Bananarama R. Palmer Ritchie Sands-PD Buddy Scott-PD Steve Weed- PD C. Lauper Greg Swedburg-PD H. Lewis ADDS Joe Bohannon-MD Kathy Means-MD Double Tom Holcomb-MD ZZ Top 1 S. # 1 G. Loring/ (WZEE) 1 L. Richie KRXY KMJK # Winwood Z 104 # Portland, OR B. Joel ADDS C. Anderson Madison, Wl ADDS Denver, Co Jon Barry-PD D. Johnson Cameo ADDS Jonathan Little-PD G. Loring/Anderson Marc Bolke-PD # 1 G. Loring/ R. Palmer Glass Tiger Matt Hudson-MD Journey Tod Cabanah-MD Z95 WYTZ C. Anderson T. Turner Van Halen ADDS Toto ADDS Chicago, IL ADDS C. Lauper P La Belle Chicago R. Palmer Jan Jeffries- PD KDWB Eurythmics New Edition D. Johnson Stacey Q Journey Brian Kelly-MD St. Paul, MN Simply Red Art Of Noise REQUESTS Fab. T Birds Janet Jackson ADDS Dave Anthony-PD R. Stewart Stacy Q REQUESTS D. Johnson B. Ocean Don Michaels-MD Chicago KWSS G. Loring/C. Anderson G. Loring/C. Anserson James REQUESTS #1 S. Winwood te€s KIMN REQUESTS San Jose, CA Run DMC Miami Sound Machine i Social Club P. Cetera ADDS Denver, CO Run DMC Dave Van Stone-PD WHYT POWER 96 Run DMC Miami Sound Machine , I! G. Loring/C. Anderson ed Randy Jay-PD Art Of Noise Robin Silva-MD 94 WKTI fl /C. Anderson C. Lauper Detroit, Ml Chicago ADDS D. Johnson ADDS Milwaukee, Wl Gary Berkowitz-PD S. Easton D. Johnson S. Easton Q102 (WKRQ) Tim Fox-PD Michael Waite-Asst. PD WSPT Janet Jackson KWOD A. Baker Cinncinatti, OH Mark Jackson-MD Denise Lauren-MD Stevens Point, Wl T. Turner Sacramento, CA Art Of Noise Jim Fox-PD ADDS iial Club # 1 Madonna Tom Chase-PD Dave Allen-MD Triumph Jay Bouley-PD KSND ADDS Jerry Steffen-MD Jeff Hunter-MD KHTY ADDS Eurythmics jnd Machine Eugene, OR None #1 G. Loring/ Santa Barbara, CA M. McDonald Chicago ADDS Dave Shakes-PD REQUESTS Toto Anderson Steve Amari-PD R. Palmer Janet Jackson C. Run Jamey Hyatt-MD DMC K. Loggins ADDS #1 S. Winwood Stacey Q KQKQ P. Cetera ADDS B. Seger C. Lauper ADDS D. Johnson Omaha, NE Chicago Madonna Triumph Journey Jets Mark Evans-PD R. Stewart WGCL REQUESTS Toto Fab. T Birds WGRD John Michaels-MD >nd Machine Toto Cleveland, OH Grand Rapids, Ml Timex Social Club REQUESTS Honeymoon Suite # 1 Bananarama R. Ocasek Phil LoCasio-PD H. Lewis Beatles GTR Matt Clenott-PD ADDS A. Baker # 1 S. Winwood Larry Run DMC Run DMC R. Ocasek Olek-MD Simply Red REQUESTS ADDS Miami Sound Machine REQUESTS # 1 S. Winwood Miami Sound Machine KEYN Dr. & The Medics B. Ocean H. Lewis ADDS Klymaxx Wichita, KS Art Of Noise ZZ Top FM102 (KSFM) Timex Social Club Journey REQUESTS Tom Land-PD Beatles Simply Red Sacramento, CA Miami Sound Machine P. Gabriel Timex Social Club Dan Pearman-MD P. Simon KLUC Rick Gillette-PD WMMS C. Lauper # 1 Stacey Q Las Vegas, NV Chris Collins-MD Z101 (KPLZ) Cleveland, OH REQUESTS L. Richie ADDS Bananarama Jerry Dean-PD # 1 Stacey Q Seattle, WA Kid Leo-OP. MGR WZOK Double Berlin Scott Campbell-Asst. ADDS Casey Keating-PD # 1 S. Winwood Rockford, IL Klymaxx PD Miami Sound Machine Mark Allen-MD ADDS Timex Social Club Steve Brill-PD C. Lauper Jay Taylor-MD S. Easton ADDS R. Stewart WZPL Lisa Dent-MD T. Turner #1 Berlin R. Stewart Journey B Ocean Indianapolis, IN # 1 L. Richie REQUESTS ADDS REQUESTS P. Gabriel Journey Gary Hoffman-PD ADDS S. Winwood C. Lauper Stacey Q Honeymoon Suite P. Gabriel Steve Stiles-MD T. Turner Berlin Loring/C. R.E.M. R. Palmer Chicago G. Anderson Arcadia # 1 Berlin Madonna A. Baker Regina Bon Jovi ADDS D. Johnson KKRD Lisa Lisa KUBE P. Simon Journey T. Turner Wichita, KS ) REQUESTS KCPX Seattle, WA R. Palmer KHTR Jack Oliver-PD xson-OP. WXGT B. J. & The Critters Salt Lake City, UT Wendy Christopher-PD ZZ Top St. Loius, MO .r'fleR Columbus, OH Greg Williams-MD 1 Berlin Dave Robbins-PD Madonna Brad Stone-PD # H. L. Summer Cook-PD # 1 S. Winwood )\D Adam D. Johnson ADDS ADDS Fab. T Birds Tom Kelly-MD 0 Kevin Haines-MD ADDS (wood Stacey Stacey Q Q ADDS Stacey Dnd, VA KIIS-FM # 1 S. Winwood WKFR Q Art Of Noise R. Palmer D. Johnson R. Stewart ^ne-PD Los Angeles, CA ADDS Kalamazoo, Ml Simply Red Chicago Chicago REQUESTS Winwtt I Mike Schaefer-MD B. Joel Terry Weinacht-PD Triumph Journey Loggins Gene Sandbloom-Asst. New Edition Ray Prosser-MD Bananarama Bon Jovi Thompson Twin.; D. L. Roth MD Toto # 1 Bananarama Toto KZZU P. La Belle ADDS Pet Shop Boys ADDS Run DMC n Suite REQUESTS Spokane, WA Journey ESTS R. Palmer R. Ocasek Regina Beatles John Langan-PD REQUESTS WHOT wood A. Baker REQUESTS C. Anderson C. Lauper Youngstown, OH G. Loring/C. Anderson # 1 Bananarama G. Loring/C. Anderson P. Top Gun (S.T.) d Gabriel Madonna ADDS El DeBarge Madonna Dick Thompson-PD ring/Ci L. Vandross S. Winwood R. Stewart 1 | Janet Jackson Timex Social Club # S. Winwood REQUESTS Madonna Lover Speaks II KMEL Eurythmics 106.5 KWK ADDS Beatles mwhr REQUESTS Stacey Springs, CO San Francisco, CA Stacey Q KZIO St. Louis, MO Q Lisa /McGiol' Lisa D. Johnson B.J.& Critters :er-PD Steve Rivers-PD T. Turner Deluth, MN Kim Pool-PD Stacey Q Genesis Somme ( T. Turner y Keith Naftaly-MD C. Lauper John Michaels-PD #1 Berlin erlin H. Lewis Klymaxx KZZP ADDS R. Stewart ADDS ADDS 5 REQUESTS Phoenix, AZ Cameo REQUESTS R. Palmer Q104KBEQ P. Gabriel lie S. Winwood Guy Zapolean-PD Five Star Bananarama C. Lauper Kansas City, MO Journey Imer Bananarama Steve Goddard-MD P. Gabriel Art Of Noise Art Of Noise Steve Perun-PD J. Fogerty Jones L. Richie # 1 Bananarama Pet Shop Boys Run DMC Chicago Karen Barber-MD Toto FIVE STAR "CAN’T WAIT ANOTHER MINUTE” Exploding on the West Coast, Detroit, Chicago, Atlanta, New York ADDED THIS WEEK AT: FM102 KMEL KZZP uob/to Already playing on: B96 WCZY WPOW KF95 KFIV KCAQ KTRS KATD ON DECK Record Lst. Tot. Popularity Factor Pop. Request Sales Rank Title Wk. Wks. 12-17 18-24 25-34 34+ Rank Rank Rank Day Part' 46 4 F F Q] ROBERT PALMER— 1 Didn't Mean to...— Island 39 44 NR Days ^ CYNDI LAUPER—True Colors—EPA 54 2 F F NR 19 NR Days 2! LISA LISA— All Cried Out—Columbia 49 6 X X 22 10 25 2p-6a NU SHOOZ— Point of No Return— Atlantic 48 10 X X NR NR NR 6p-6a ^ ANITA BAKER— Sweet Love— Elektra 50 4 F F NR NR 30 6a-6p ^3 THE JETS— Private Number—MCA 51 6 X X X NR 22 43 3p-6a ^3 THE BEATLES—Twist and Shout— Capitol 57 4 19 6 23 6a-6p ^[THOMPSON TWINS— Nothing in Common— Arista 53 7 X X NR NR NR ^ EL DEBARGE— Love Always—Motown 55 5 X X NR 41 NR Q| FABULOUS THUNDERBIRDS—Wrap it Up—CBS Assoc. 56 5 m m 35 35 33 3p-6a 0] HONEYMOON SUITE—What Does It Take—WB 58 8 X X NR NR NR 6a-6p Q SHEENA EASTON—So Far So Good— EMI 59 7 X X NR 42 NR Days ^3 JOURNEY— Girls Can't Help It— Columbia 73 2 NR NR NR All ^ PAUL SIMON—You Can Call Me Al—WB 61 5 48 NR NR 2p-6p 0 ART OF NOISE— Paranoimia— Chrysalis 65 4 X X NR 31 NR 6p-6a 0J NEW EDITION— Earth Angel—MCA 68 4 X X X X 40 18 32 — OJ ROD STEWART— Another Heartache—WB 77 2 47 NR 31 2p-6a PETER GABRIEL— In Your Eyes— Geffen 78 2 24 48 14 All ^3 KENNY LOGGINS— Playing With The Boys— Columbia 72 4 X X 50 28 NR All 0 EDDIE MONEY—Take Me Home Tonight— Columbia 70 4 29 30 NR 6p-6a MULT! FORMATPLAYLIST Format Penetration All Comb. Req. Title Top 40 Country Urban AC AOR Dance Format% Ret. Rank Rank Comments 1 Lionel Richie—Dancing On The Ceiling —Motown 90% 78% 92% 31% 58.5% 1 29 Wins 2 Janet Jackson—When 1 Think Of You —A&M 86% 90% 46% 91% 52. 1 % 22 27 Close second 3 Billy Ocean— Love Zone—Jive/Arista 84% 79% 88% 44% 49. 1 % 4 Giant moves 4 Genesis—Throwing It All Away—Atlantic 87% 92% 91% 45% 14 49 Always solid 5 Steve Winwood—Higher Love— Island/WB 91% 85% 83% 43. 1 % 2 21 Sensational comeback 6 Madonna— Papa Don't Preach —Sire/WB 100% 11% 59% 87% 42.8% 9 1 Continues 7 Michael McDonald—Sweet Freedom—MCA 88% 34% 80% 49% 41.8% 8 45 Never misses 8 Tina Turner—Typical Male— Capitol 97% 64% 25% 28% 27% 40. 1 % 19 NR Queen of R&R 9 Daryl Hall— Dream Time—RCA 90% 55% 72% 36. 1 % 10 39 First solo smash 10 Run DMC—Walk This Way— Profile 74% 63% 75% 35.3% 13 3 Solid gains 1 1 Loring/Anderson— Friends & Lovers—Carrere/CBS 85% 26% 95% 34.3% 5 5 Great love song 12 El DeBarge— Love Always—Gordy /Motown 29% 85% 91% 34. 1 % 41 Crossing well 13 Huey Lewis— Stuck With You — Chrysalis 90% 98% 31.3% 7 20 Long awaited 14 Eurythmics—Missionary Man—RCA 67% 62% 56% 30.8% 33 Monster LP 15 Anita Baker—Sweet Love— Elektra 42% 42% 97% 30. 1 % 6 NR Sweet song 16 Berlin—Take My Breath Away— Columbia 90% 90% 30% 3 14 Hot soundtrack 17 Billy Joel — A Matter Of Trust— Columbia 65% 43% 65% 28.8% Steam rolling 1 8 Miami Sound Machine—Words Get In The Way—Epic 85% 85% 28.3% 11 15 Surprise superstars 19 Stacey Q—Two Of Hearts— Atlantic 78% 4% 84% 27.6% 12 Huge gains 20 Patti LaBelle—Oh, People—MCA 33% 49% 36% 91% 26.5% 12 Hot streak 1 — ft"—- RECORDS 1 — 1 COMMENTS: {HTHEAST > GIO MENDEZ Activity & good feedback— Long time for him 3 ITHEAST 12" J i BANG ORCHESTRA big in clubs—urban jumping on it I IFORD & SIMPSON Breaking strong black contemporary -ilTHWEST I COUNTRY 12" out "One Great Thing" :meo Doing very well —thru dance/top 20 sales jtWEST IN LEE Strong AOR— Upper M.D. —Twin Cities also . U COUP "Born & Raised on R & R—#2 request— From Cincinatti testing pretty well + ER SPEAKS A chart entry at 90 bullet IFIC NORTHWEST IGLES Out three (3) weeks—Third single from LP -'LL 12" lents 1 1 BANG ORCHESTRA big in clubs—urban jumping on it 1lORNSBY Slow but stead — Denver was his market along with AOR & AC I JOVI Entered CASHBOX top 100 at 89 bullet UGH PRIORITY Very Excited about the F.M./U.K. song, Daryl Hall already top 10 and looking "Frozen Heart" on Portrait; breaking to go all the way. Five Star breaking AOR and beginning to cross. Will keep big on the west coast, KMEL, FM 102, after this one. Luther Vandross. This KZZP. Also B96, Chicago. Will spread could be the one that takes him into to east and south next week. the mass arena. It's slowly breaking Eurythmics gangbusters. LP already into the other areas but it is doing gold, the tour is absolutely fantastic. good at radio. With the adds at KMEL and Z-93, confidence is growing. Till Tuesday. "What About Love" — Epic Walter Winrtick Should be a # 1 record. Album will be E/P/A out in a month. Video done. Our most exciting project in a long time is the Human League single called "HUMAN". It was produced by Jimmy Jam and Terry Lewis. It's a wonderful, one listen record. David and David is an AOR smash, starting to make the transition to CHR. Fresh new sound. stars Charlie Minor A&M Records REGIONAL BREAKOUTS0 LOCAL REQUESTS POPULARI1 SALES NORTHEAST Coming through Upper demos 1 ANITA BAKER—Sweet Love — — 2 TOTO— I'll Be Over You Long awaited 3 ART OF NOISE— Paranoimia Company working hard — Carrying only one format 4 CHICAGO— 25 or 6 to 4 Charted at 83 bullet in the top 100 chart 5 RICK OCASEK— Emotion In Motion Number 85 bullet Cars always did well SOUTHEAST 1 JOHN FOGERTY— Eye Of The Zombie Too soon Participation high influence strong 2 ROBERT PALMER— 1 Didn't Mean To Turn You On Canadian 3 ANITA BAKER— Sweet Love Older Demo Strong BC/AC, should do same 4 5 SOUTHWEST 1 LISA LISA— All Cried Out Very strong Very good Picking up 2 PETER GABRIEL— In Your Eyes Big Mass appeal 3 4 5 MIDWEST 1 BEATLES—Twist & Shout Strong top 1 Everybody seems to love it 2 STACEY Q—Two Of Hearts Hitting teens In all 3 catagories 3 TOTO— I'll Be Over You Waiting for audience reaction 4 CHICAGO— 25 or 6 to 4 7 yr.cycle same as Beatles, etc. 5 PACIFIC NORTHWEST 1 ROD STEWART— Love Touch Second single Second week 2 TOTO— I'll Be Over You Too soon Ditto Ditto 3 ROBERT PALMER— 1 Didn't Mean To Turn You On Proven in Canada Female appeal 4 5 WEST 1 ROBERT PALMER— 1 Didn't Mean To Turn You On Starting Good 2 MADONNA—True Blue LP wonderful #10 3 4 5 SCARECROW PRESS, INC. THE DEFINITIVE HISTORY OF ROCK AND ROl 52 Liberty Street, Metuchen, 08840 N.J. The CASHBOX Singles Charts, 1950-1981, a complete his of all the records to appear on the CASHBOX charts. This Yes, please send me historic volume contains an alphabetical listing of all arti; copy/copies of the CASHBOX SINGLES CHARTS, 1950-1981 at who appeared on the charts and includes the week it first the special price of $41.40 each + $2.00 postage and handling. appeared and all subsequent chart positions. Cross refere by song title. Also compiled in this spectacular reference Enclosed is my check or money order payable to SCARECROW PRESS. are the top ten records of each year, the most chart hits b] Name artist, the most #1 hits by an artist, the most weeks at #1 an artist, the most weeks at #1 by a single record, the rec Address with the longest chart run and a chronological list of #1 City State Zip records. An incomparable reference tool. N.J. residents please add 6% state sales tax 53", SOUTHSIDE’S TENTH AT WNEW-FM—Southside Johnny visited the studios of WNEW-FM to announce the plans for the Jukes’ Tenth Anniversary festivities. Shown are, CLUBBIN’—KLAC/Los Angeles morning DJ Gerry House (I), actor/country from (I to r): WNEW-FM program director Charlie Kendall; Southside; Mark Chernoff, Schneider, and MCA recording artist Steve Wariner at KLAC Free Concert at the WNEW-FM Music director; Atlantic Records director of national album promotion Danny Club in Reseda. Buch; and Atlantic local promotion rep John Weston. SHE’S A WINNER — MCA recording artist Patti LaBelle found herself at the top of the KISS, CASH & CARS—Pictured above is charts this year with her album “Winner In KISS-108 FM (WXKS-FM/Boston) morning You” and her duet with Michael McDonald, man Matt Seigel with two lucky winners to “On My Own.” B’nai Brith also considered the station ’s latest promotion which earned GARY OWENS captures the highest radio LaBelle a winner and awarded her with their Agnes Dinato and Margie Gallagher brand award. The “Radio Award’’ presented by Creative Achievement Award this year. Pic- new autos, both within the space of two the National Association of Broadcasters in tured with Patti at the festivities is Michael hours. New Orleans, at the September convention. McDonald. LET’S GET TOGETHER— Century 21 Programming has entered into an agreement with the Suburban Radio Group. Plans call for Century 21 to consult with and program eight other Suburban Group stations in addition to WPEG/Charlotte which will be using Century's Urban Contemporary format. Pictured at the signing are (I to r): Charlie Hicks, broadcast division manager, Suburban Radio Group; Richie Allen, vice president. Century 21; and Bill Rollins, AMOND— visits the Z-Morning Zoo at the Z-100 studios. president, Suburban Radio Group. ON THE CIRCUIT / » GARY OWENS GRABS THE BIG ONE WW II, Lou Gehrig stepping down, as wells includes playing music from any era. Present- probably very effective, research, \ At this year's NAB, Gory Owens will be the as; Apollo Moon Walk, Woodstock ing the “classics" is the way of the new KFRC. has an official rock 'n roll surve) third person in history to recieve radio's high- and Kent State. Can you imagine what Dave says, "There's a gap in Northern Cali- "STREET SHEET." It's based on reseai est award - the "Radio Award." This will happen when they celebrate 65 years? fornia radio which wi II be filled by MAGIC piled from record store sales and W 1 . if is award is given from the results of the NAB's WNEW-AM LOOKING! Quincy Mc- 6 We know that there great music to be tener requests. This four page b 4700 nominating radio stations. One of the Coy, pd, looking to relpace the tradition of heard, Dave will come up with all the right reveals the 40 top tracks and 20 top most incredible feats is that Mr. Owens has William B. Williams as host of the "Make songs. of the week. FREE to those that care to never had to leave Los Angeles. He has spent Believe Ballroom." McCoy is looking for NEWS - INTEREP Erica Farber, spear WBLS'S BRIDGE TO TV The djs si 25 years in the market where he has continued someone who understands the history and heads the "Major Account Selling Program" ed their favorite videos in a batth to be involved and has contributed much to heritage of the "make believe ballroom" as and is named Executive VP/Radio Develop- WBLS D.J.s and called it "The S the community and radio itself. Congratula- well as a feel for personality radio; a know- ment Director. This is one of the ladies in this Nite Special." Could be a fun thing fc tions to a master who has stayed at the fore- lege of American popular music and can pro- business which has done extremely well in ad- you who have such a facility availabli front of the broadcast industry. Gary ject the energy and style of New York City. vancing up the sales oriented ladder. The IN- G. COATES KCRW Since everyor currently is with KFI radio in L.A. Anyone who thinks they can fill this bill, should TEREP program is designed to educate to be into show "name-calling" he DIXON CROSSES THE LINE In the at send tape and resume to Mr. McCoy at advertisers on how to effectively integrate ra- which really gets your mind tempt of doing good, Q-106's Mason WNEW. Don't call. dio into their overall marketing plan. Look for George Coates of KCRW has de Dixon held a "free" concert on the beach. NAB UPDATE: Ron Stevens and Joy her at NAB. a show called, "Castaway's Choice' will Doing everything right, which included asking Grdnic host and emcee the convention. ENOUGH OF DISNEYLAND, MICHAEL he asks, "Which ten recordings wci f for extra time, etc; and having Atlantic re- They currently write, produce and perform With the premiering of Michael Jackson's take with you if you were castaway cording artists Downes and Price per- comedy vignettes synidicated by ALL STAR "Captain Eo" at Disneyland and Disney serted island?" This is great theatr form, all went well until the end - all were cited RADIO. Ron and Joy also have their own com- World September 19, can we please expect mind. Have you made your list? by local Clearwater officials. The out-come edy album, "Somewhere Over The Radio" some music soon from Captain Michael? I always get excited when I hear has not been determined, but good luck to all which was nominated for a Grammy. Proba- KMGR, Salt Lake City - Names Linda positive radio rock 'n roll song - thank II t gki of you. bly will be an act we shouldn't miss. A. Harper as Administrative Assistant of (R) for making it happen for me. i KJ103 HAS NEW P.D. Lou Patrick SINGING SOAPS The songs continue on KMGR FM and AM. Hope you all had a great safe holiH«A slips into this slot in Oaklahoma City as he day-time soaps in continuous supply. This time WMMS "STREET SHEET" - For local, and you next week. slipped out of his gig at WNKS. Michael McDonald will be heard on KKXX, Bakersfield DAVE KAMPER "The Young And The Restless" singing "Sweet leaves post at KKXX as music director. Freedom" — he'll also participate in a benefit KLOS GIVES YOU HAWAII FOR A rock concert aimed at preventing teenage SONG - KLOS (L.A.) and Inacomp Com- pregnancy. puter Centers sent lucky listeners to Kauai MTV PREMIERES VIDEOS Once again, for a week. While there, KLOS did a live MTV, made it's mark with the unveiling of broadcast via satellite. Rita Wilde, Chuck David Lee Roth (Goin' Crazy) and John Moshontz, Bob Coburn, Geno Mit- Fogerty (Eye Of The Zombie). chellini kicked things off while Steve 106/WCKG - Chicago' s 106 WCKG an- Downes brought the KLOS sound back to nounces it's newest personality, Dan Mi- Southern California from poolside of the chaels. Dan will be responsible for Sheraton Princeville. KLOS received over delivering such features as the "Psychedelic 1400 cassettes, which had a two minute song Psupper" and "Nine Tonite." What a mouth on each. In order to qualify, contestants had full. Don Davis, pd, says, "The latest in the to stating why they wanted to go to Hawaii. long line of Chicago rock music fans to switch I, TINA - The lady comes out with her own to WCKG is Dan, and with his background biography, written with Rolling Stone se- and talent it adds a lot to the station." He's nior editor, Kurt Loder. It's due out in two also glad to have him with them and not weeks, and evidently she tells it all. against them. 64TH HAPPY ANNIVERSARY KFI This SAN FRANS "MAGIC 61" When you station has been on the air since 1922 and are have the professionalism that the guys at running 60 second historical vignettes high- KFRC have, nothing gets in the way. CON- lighting memorable moments. To think that GRATULATIONS to Dave Sholin, Dr. Don POWER 99, PHILLY RECEIVES MAYOR'S AWARD: For promoting racial ha they have actualities of Babe Ruth's 60th Rose, Don Sainte-John and Russ "The Philaelphia the following were present to receive this award: (l-r) Tony Quartarone, p> home run, the stock market crash, "Orson Moose"Syracuse for the "keep on, keep- B. Kates, pd; Mayor W. Wilson Goode; Bruce H. Holberg, president and g.m.; Lorain i w Wells Radio Show" which stirred Ameri- ing on" spirit. Nothing gets in the way of these Morrill, Power Community Project '86 coordinator and morning news anchor; Clint Fr}i 4 ca; Franklin Roosevelt's declaration of kind of guys—they can do anything which affairs director. ito U PROMOTION OF THE WEEK 3 teir CITY CLEVELAND- Forty-five all participate. are: Minnet contestants from over the world Some of them Rudolph's of ft — — l The Wild Boar BB Pits of Seattle, Smokey's in New York City, plus, of course, their local Tony Roma's. The greatest j< of all was for a whopping 7,926 miles. They are Ocean Pacific Restaurant in Hong Kong. bii l|S0f STATION -—WMMS—Cleveland, Ohio—"Buzzard Country" D* J. Jeff Kinzbach, — Lenn "Boom Boom" Goldberg and Kid Leo- -They also invited other prominent Clevelanders to parti w in judging. wei | : -i,«ys PROMOTION— "BEST RIBS IN AMERICA"—The 1986 National Rib Cook-Off bd 1*1 L J. FOXX—Assistant PD/Music DALE "THE VOICEMAN" REEVES— ip-10p Personality, WNCI WRKI RADIO OH - Work, work, work is sup- ed outside imput as well. A record won't be A good rule of thumb that M.J. uses is, “when Brookfield, CT - Dale “the voiceman" is re- - <»t make Johnny a dull boy, however, added because he likes it- and that's a very you are on top, you can't cave in and coast turning to live radio with his own morning fell OT the case with Michael j. Foxx easy trap to fall into- but will wait for the work harder, improve upon the methods you drive-time show at WRKI (1-95). He began this ig high in his multi-facetted position percise moment for a decision to seed. He gets have implemented, and if you need to find stint September 2 at this AOR outlet. as Assistant Program Director, Mu- into some balancing acts because there are better methods, find them. Keep your head on The weekday show - “The Morning Madness" r and disk jockey. A 20-hour day is only two or three positions open each week your shoulders and become a leader in keep- - will feature Reeves' 150-plus funny voices, mon to this young man. A new-com- for new music, but the love of the music, is ing your staff together." Everyone at WNCI is characterizations and impressions. Elvis Pres- ATIONWIDE chain,- he has been again, a factor in keeping the whole dream anxious for the next book, and they are work- ley, President Regan, Ray Charles and Walter ose super contributors through alive. Seems like this is the universal thread for ing daily on strengthing and tuning their theo- Cronkite are just a few of the celebrities I dedicator! and energy. A lot of all of us. ries. What is going on here is that Michael Reeves will perform on his new show. ings have occured in the eight The real joy of the station comes from the always knows that they can do better, they For the last three years Reeves has been the has been with his new company. emotion and excitment the team has been appreciate their accomplishments and they "Voiceman'' for Bridgeport, Connecitut t runs high at WNCI - the “Not Too able to generate throughout the station, as are proud to be a part of the whole. Michael based AMERICAN COMEDY NETWORK, a Too Light" - radio station as they well as the market. The SPIRIT and EMOTION is out in the public a great deal- whether he's syndicator of radio comedy with 25 million Columbus market in their attempt factors certainly are the leading edge and doing a remote show, or entertaining. They listeners and 151 stations nationwide. At lioning themselves while holding fast force in creating the kind of listener loyality have even drawen upwards of 600,000 peo- ACN, Reeves has helped to develop some of eiiefs. Inspite of a mammoth work and involvement. They believe in giving back, ple at the red, white and blue fireworks dis- America's most popular comic characters /Michael is very heady about his and involving the community as much as possi- play on the 4th of July - that's really doing while serving as ACN's vice president/project itichards, who is responsible for Mi- ble, as often as is acceptable, without over- something. director. Reeves will continue to hold his ACN v training schedule. Since, WNCI is kill. Don't let this market fool you. It's happening. positions as well. nny's flagship station, and since the The morning team includes Dave Ryan, Tom It may appear like a sleepy midwest town, but “To be heard locally every morning on 1-95, 8 gone through five program direc- Kelly, and Jim Ginahl. Dave is the main-stay, it has the energy of a cosmopolitan place and nationally through ACN's affiliates, is a i! years, this team means real busi- and Tom is the over half of this morning team. filled with a lot of good ideas. It's a pleasure dream come true," says Reeves. “Like a es obviously been the force behind Tom acts as newsman and is quick to report to find this type of atmosphere being sharred. screen actor returning to the stage, I feel the knowledge is power," and he the latest happenings. His weatherman, Jim, is MN live show will enhance my skills as a radio II this knowlege with his people. Mi- a member of the local TV station's weather performer," he explains. 11 impressed that he doesn't have a department. What is left, is a well-groomed Prior to ACN, Reeves had been a program lust sits behind a his desk, but is as Morning Team. This is a very young energetic director or morning air personality in four of he rest of the staff. There are times team which has fun and a lot inter-personal the Top 10 markets. His new 1-95 show marks ciol believe everything that's happen- enthusiasm. his return to live radio following a five-year one, pi I's certainly greateful. The efforts of Promotions are constantly being used and up- hiatus. In 1981 he completed a successful stint loroin (have been so profound that they dated. However, always remembering that as both program director and morning air - Hint me the station that everyone in Co- you have to give the people what they want personality for WKTU (FM) New York (now nts to hear. This is also attributed to good music. Michael knows that giving Fort known as WXRK). IVE and AGRESSIVE positioning in Knox away isn't enough, you have to keep Leaving the airwaves of WKTU, Reeves began r. Michael contends that people still those people coming back to your station, a successful voice-over career in New York ear familiar music and that you spend time there and feel comfortable with City. His plethora of announcer styles, impres- ords slowly and at the least danger- you. Giving away “free" stuff isn't enough, sions and character voices were heard on hun- luring the day. Knowing the “flow" nor can it always be perceived as important. dreds of commercials and promotional spots nd, knowing which music which is Having a meaningful giveaway is important. for the three television networks and such ou, and which isn't, results in a key They calculate the right percentage of all ele- well-known shows as “Saturday Night Live" : l their programming. He is also a ments and know exactly the right implementa- and “Captain Kangaroo." MN 1111160 ter in knowing that music has to be tion. The reaction stirring giveways are en it is on the air, and shouldn't be always the best. For instance, the morning festjof ce or twice a day, as the results team had the opportunity of awarding a 16- lore. Everything is well planned and year old (who had 15 major hip operations) jt before action is taken. The sys- with a thousand dollars. They took that one sry sophiscated and well executed, step further and they personally took this kid emains a key ingredient and they out shopping - which really put a different lorough and concise. They're after focus on the whole event. A situation like this is I has been able to inspire his staff one of those “goose bump" moments, which ly taking care of business." Re- no amount of money can buy. People in the i constant force and new, and up- audience will always perceive the station as >rmation is always being gathered one that does good things for people, and be in passive or active cells. Infor- they will want to be a part of that. Another always available, but to get it to interesting point is that when you know the Remember, this is the place in which I want all i need it, and getting it impliment- whole community is involved in a particular of you to participate. Please send your pho- ys the hardest part - they know how project, that it's all right to include the other tos, resumes or merely make your presence Michael can safely say that he lis- stations which out putting the wrong emphasis known so the rest of the world can participate the music and is apprised of need- on the competitors. in your enthusiasm. MN -n\ SPECIAL INTRODUCTORY OffER CASHBOX THE MUSIC TIMES For less than the price of a First Class Subscription to Cashbox Alone. SUBSCRIBE now and receive the next 51 issues of Cashbox Xy The Music Times for $150.00 IF YOUR BUSINESS IS MUSIC - \S YOU NEED CASHBOX The Music Times SUBSCRIBENOW SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: CASHBOX NAME Presents COMPANY TITLE ADDRESS BUSINESS HOME APT NO THE MUSIC TIMES CITY STATE/PROVINCE/COUNTRY ZIP NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE SUBSCRIBE NOW. SPECIAL INTRODUCTORYRA TE ON CASHBOX THE MUSIC TIMES at $150.00 PER CASHBOX YEAR FOR LIMITED TIME ONLY 330 WEST 58TH STREET • NEW YORK. NEW YORK 10019 A 212 • 586-2640 CASH BOX TOP 100 ALBUMS CASH BOX TOP 200 ALBUMS CHART IS BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. Seotember 6, 1986 Number, Distributor , Artist, Label, Available on Compact Disc Platinum (RIAA Certified) Gold (RIAA Certified) W W L O L O W C W C RAPTURE 8 98 37 22 66 THE SEER 8 98 67 9 m (Mercury 844-1) ANITA BAKER (Elektra 9-60444) WEA BIG COUNTRY 826 POL TRUE BLUE 9 98 MADONNA (Sire 254421) WEA 35 THE KARATE KID PART II 35 8 67 THE JETS 8 98 62 22 ORIGINAL MOTION PICTURE SOUNDTRACK (United (MCA 5667) MCA Artists SW 40414) CBS TOP GUN 2 14 68 WALKABOUT 898 57 13 * FIXX (MCA ORIGINAL MOTION PICTURE SOUNDTRACK (Columbia m PRIMITIVE LOVE 40 41 THE 5705) MCA SC 40323) CBS MIAMI SOUND MACHINE (Epic BFE 40131) CBS 69 WORLD MACHINE * 8 98 55 23 EAT ’EM AND SMILE 8 98 3 7 37 RIPTIDE* 8 98 38 40 LEVEL 42 (Polydor 827 4271) POL DAVID LEE ROTH (Warner Bros. 25470) WEA ROBERT PALMER (Island 90471) WEA DESTINY 80 4 NVISIBLE TOUCH * 998 4 11 38 RAISED ON RADIO * 31 18 CHAKA KHAN (Warner Bros.25425-l)WEA (Columbia 39936) .GENESIS (Atlantic 81641) WEA JOURNEY OC CBS Bl ABOUT LAST NIGHT 8 98 81 6 39 HEART * 8 98 34 61 ORIGINAL SOUNDTRACK (EMI America SV 17210) CAP BACK IN THE HIGH LIFE 8 98 5 8 (Capitol ST-12410) CAP STEVE WINWOOD (Island/Warner Bros 25448-1) WEA 72 BROTHERS IN ARMS * 8 98 69 67 40 AFTERBURNER 8 98 41 43 DIRE STRAITS (Warner Bros. 25264) WEA * 8.98 6 14 SO ZZ TOP (Warner Bros 25342) WEA PETER GABRIEL (Geffen GHS 24088) WEA 73 MONTANA CAFE 8 98 65 9 NIGHT SONGS* 8 98 52 5 HANK WILLIAMS. JR. (Curb/Wamer Bros 25412- 1) * 8 98 7 1 4 Bl 7 (RAISING HELLO CINDERELLA (Mercury 830 076-1 M-l)POL ' RUN D.M.C (Profile PRO 1217) IND 74 STORMS OF LIFE 8 98 72 11 42 RAGE FOR ORDER 8 98 39 7 RANDY TRAVIS (Warner Bros. 25435-1) WEA ( CONTROL 8 98 8 28 QUEENSRYCHE (EMI America ST 19197) CAP JANET JACKSON (A&M SP-5106) RCA K3 CAN’T HOLD BACK 87 1 43 LANDING ON WATER 8 98 43 5 —1 EDDIE MONEY (Columbia FC 40096)CBS 15 ( THE BRIDGE 4 NEIL YOUNG (Geffen GHS 24109)WEA "BILLY JOEL (Coloumbia OC 40402)CBS 76 LIVES IN THE BALANCE 8 98 73 27 44 STANDING ON A BEACH 8 98 42 15 JACKSON BROWNE (Elektra 60457) WEA REVENGE 12 6 THE CURE (Elektra 60477-1) WEA EURYTHMICS (RCA ATL1 5847) RCA 77 MISTRIAL 898 75 16 * m QRIII 51 5 LOU REED (RCA AFL 1-7190) RCA 15150* 8.98 11 22 QUIET RIOT (Pasha 0Z 40321)CBS (Warner Bros. 25394-1) WEA Ivan HALEN RAT in the kitchen 102 1 m FRANTIC ROMANTIC 8 98 50 11 UB40 (A&M SP5137)RCA 1IMUSIC FROM THE EDGE OF HEAVEN 10 8 JERMAINE STEWART (Arista AL8-8395) WHAM! (Columbia OC 40285) CBS 79 IN VISIBLE SILENCE 82 20 m LIVE 61 4 THE ART OF NOISE (Chrysalis BFV 41528) CBS DESTROYERS (EMI 8 DANCING ON THE CEILING 33 2 GEORGE THOROGOOD AND THE America ST 17214)CAP ..LIONEL RICHIE (Motown 6158MLIMCA 80 SLEIGHT OF HAND 8 98 77 10 JOAN ARMATRAD1NG (A&M SP 5130) RCA * 9 98 45 79 WHITNEY HOUSTON 8 98 9 76 48 NO JACKET REQUIRED PHIL COLLINS (Atlantic 81240- 1) WEA .Arista AL8-8211) RCA 81 MIKE & THE MECHANICS* 8 98 66 38 (Atlantic 81287) WEA 48 17 PLAY DEEP 14 47 49 BACK IN BLACK 8 98 WHODINI (Jive/Arista JL8-8407) RCA | THE OUTFIELD (Columbia BFC 40027) CBS 82 TURBO 68 22 JUDAS PRIEST (Columbia OC 40158) CBS 50 KNOCKED OUT LOADED 44 6 8 98 13 17 HOVE ZONE* BOB DYLAN (Columbia OC 40439) CBS . SILLY OCEAN (Jive/Arista JL8-8409) RCA MEASURE FOR MEASURE 85 13 ICEHOUSE (Chrysalis BFV 41527)CBS 51 POOLSIDE 898 49 15 * 9 98 18 21 HIKE A ROCK NU SHOOZ (Atlantic 81647-1) WEA 30B SEGER & THE SILVER BULLET BAND (Capitol PT 84 SANDS OF TIME* 71 17 12398) CAP THE S.O.S. BAND (Tabu FZ 40279) CBS THREE HEARTS IN THE HAPPY 83 1 m ENDING MACHINE IWINNER IN YOU * 8 98 17 17 85 LISTEN LIKE THIEVES * 8 98 74 45 DARYL HALL (RCA AJL1- 7197)RCA I’ATTI LaBELLE (MCA 5737) MCA INXS (Atlantic 81277) WEA 53 PARADE* 9 98 46 21 8 98 16 18 86 A KIND OF MAGIC 8 98 79 8 IrHE OTHER SIDE OF LIFE PRINCE AND THE REVOLUTION (Paisley Park/ Warner (Polydor 829-179-1) POL QUEEN (Capitol SMAS-12476)CAP I THE MOODY BLUES Bros. 25395) WEA 87 DIFFERENT LIGHT* 88 31 TRUE CONFESSIONS * 8 98 32 54 8 .98 47 14 EMERSON, LAKE & POWELL BANGLES (Columbia BFC 40039) CBS I3ANANARAMA (London 828 013-1) POL (Polydor 827 297-1) POL 88 THE ULTIMATE SIN * 86 30 (BELINDA 898 23 14 55 * 8 98 53 52 PI SCARECROW OZZY OSBOURNE (CBS Associated OZ 40026) CBS J.3EBELINDA CARLISLE (I R S. 5741) MCA JOHN COUGAR MELLENCAMP (Riva 824 861) POL THIN LINE 8 .98 105 6 HE MONKEES THEN & NOW 25 8 HI THE RED GLASS TIGER (Manhattan ST 53032) CAP THE MONKEES (Arista AL9 8432) RCA m DOWN TO THE MOON 64 6 ANDREAS VOLLENWEIDER (CBS FM 42255) CBS 90 UNDER LOCK AND KEY* 8 98 90 39 TUFFr ENUFF 22 27 I (Elektra DOKKEN 60458) WEA lTHE FABULOUS THUNDERBIRDS (CBS Associated BFZ 57 DOUBLE VISION * 8 98 56 14 n JAMES/DAVID (Warner Bros. 25393-1) 1 10304) CBS BOB SANBORN WEA Bl COLOR IN YOUR LIFE 104 4 MISSING PERSONS (Capitol ST 12465)CAP WHO MADE WHO* 8 98 24 13 BC/DC (Atlantic 7-81650) WEA THE WAY IT IS 8 98 63 10 m CT1 * 8 .98 100 26 BRUCE HORNSBY & THE RANGE (RCA NFL1-8058) THE BIG PRIZE RCA HONEYMOON SUITE (Warner Bros. 25293-1) WEA S'TRENGTH IN NUMBERS 19 17 «18 SPECIAL (A&M SP 5115) RCA 59 THE QUEEN IS DEAD 8 98 60 9 93 ACTION REPLAY 6 98 78 11 THE SMITHS (Sire/ Warner Bros. 25426-1) WEA HOWARD JONES (Elektra 604661-Y) WEA I LIFES RICH PAGEANT 36 4 (I I l.E M R.S.5783)MCA 60 ELDeBARGE 8 98 58 13 94 FLORIDAYS 898 89 12 (Gordy/Motown 6181GL) MCA JIMMY BUFFETT (MCA 5730) MCA RUTHLESS PEOPLE 30 9 1RIGINAL SOUNDTRACK (Epic SE 40398) CBS 61 HEADED FOR THE FUTURE * 54 16 IB RUNNING SCARED 9 .98 106 6 NEIL DIAMOND (Columbia OC 40368) CBS ORIGINAL SOUNDTRACK (MCA 6169) MCA PICTURE»•' BOOK * 8 98 20 24 I SIMSIMPLY RED (Elektra 60452 1) WEA 62 HEADLINES 898 59 15 96 BREAKOUT 898 96 7 MIDNIGHT STAR (Solar 60454-1) WEA SPYRO GYRA (MCA 5753)MCA ISOLITUDE/SOLITAIRE 898 21 9 ’ETER CETERA (Warner Bros. 25474) WEA 97 FULL FORCE GET BUSY 1 TIME 98 6 CHARTBREAKER FULL FORCE (Columbia BFC 40395) CBS jaTR * 8.98 28 17 Arista AL8 8400) RCA R1 SLIPPERY WHEN WET 8 98 DEBUT 98 ONE STEP CLOSER 8 98 99 6 BON JOVI (Mercury 83D 264-1 Ml)POL GAVIN CHRISTOPHER (Manhattan ST 53024) CAP EMOTIONAL 898 26 12 IEFFREY OSBORNE (A&M SP 5103) RCA 99 BIG WORLD* 9 98 91 22 NO GURU, NO METHOD, NO 70 4 JOE JACKSON (A&M SP 6021) RCA i: m PLEASE 8.98 29 22 TEACHER* >ET SHOP BOYS (EMI/America PW 17193) CAP VAN MORRISON (Mercury 830 077-1 M- l)POL 100 THOSE OF YOU WITH OR WITHOUT 84 12 CHILDREN, YOU’LL i: ROD STEWART 8 98 21 6 m BLUE 76 7 UNDERSTAND 898 Warner Bros. 25446-1) WEA DOUBLE (A&M SP 5133) RCA BILL COSBY (Geffen GHS 24104) WEA THE TERM CHARTBREAKER REFERS TO THE HIGHEST DEBUTING LP IN THE TOP 100. ' CASH BOX TOP ALBUMS/101 to 200 September 6, 1986 w W L o L O W c W C 101 GUITARS, CADILLACS, ETC., 101 25 134 PRETTY IN PINK * 9 98 129 28 167 CLUB PARADISE 158 ORIGINAL SOUNDTRACK (A&M SP 5113) RCA ORIGINAL SOUNDTRACK (Columbia SC40404) CBS ETC. 8.98 DWIGHT YOAKAM (Reprise/Warner Bros. 15372-1) WEA 135 DIAMOND LIFE*! 131 80 168 ONCE UPON A TIME * ! 8 .98 155 < SIMPLE MINDS (A&M/Virgin 5092) RCA 102 SKEEZER PLIEZER 93 9 SADE (Portrait BFR 39581) CBS U.T.F.O. (Select SEL 21616) 1ND 98 : 136 CLOSER THAN CLOSE 8 .98 135 6 169 STEPHANIE MILLS 8 157 (MCA 5669) MCA 103 ANIMAL MAGIC 8 .98 95 13 JEAN CARNE (Omni 90492) WEA BLOW MONKEYS (RCA NFL1-8065) RCA 170 FINE YOUNG CANNIBALS 8 98 161 137 KNEE DEEP IN THE HOOPLA * ! 8 .98 134 47 (I.R.S.5683) 104 DIRTY WORK 92 22 STARSHIP (Grunt/RCA BXL1-5488) RCA ROLLING STONES (Rolling Stones OC 40250) CBS 171 RECONCILED 898 167 138 8 .98 133 29 MEAN BUSINESS THE CALL (Elektra 60440)WEA 105 BIG & BEAUTIFUL 8.98 94 17 THE FIRM (Atlantic 7-81628) WEA FAT BOYS (Sutra SUS 1017) Sultra 172 HEAR ’N AID 8 .98 156 139 ROCK A LITTLE * ! 8 .98 132 40 (Mcrcury/PolyGram 826 044-1) POL 106 BOYS DON’T CRY 8 98 103 11 STEVIE NICKS (Modern/Atlantic 90479) WEA (Prolile PRO-1219) IND fTO ESPECIALLY FOR YOU 8 98 DEBI SSI fTO 22B3 150 4 “ THE SMITHEREENS (Enigma ST-73208)CAP 107 PROMISE * 108 40 DEVICE (Chrysalis BFV 41526)CBS SADE (Portrait FR 40263) CBS 174 FACE VALUE 8 .98 170 141 THE COLOUR OF SPRING 8 98 137 25 PHIL COLLINS (Atlantic 16029)WEA 108 FALCO 3* 8 98 97 28 TALK TALK (EMI America ST 17179)CAP FALCO (A&M SP 5105) RCA 175 DRUMS ALONG THE MOHAWK 175 142 THEATRE OF THE MIND 136 98 JEAN BEAUVOIR (Columbia BFC40403) CBS 8 .98 109 22 109 BLACK CELEBRATION MTUME (Epic FE 40262) CBS DEPECHE MODE(Sire/Warner Bros. 25429- 1)WEA 176 TRUTHDARE DOUBLEDARE 8 98 171 BRONSKI BEAT (London/MCA 5751)MCA 143 IN SQUARE CIRCLE * 9 .98 140 48 * 107 68 110 NERVOUS NIGHT STEVIE WONDER (Tamla/Motown 6134) MCA HOOTERS (Columbia BFC 39912) CBS 177 RENDEZ-VOUS 898 166 JEAN-MICHAEL JARRE(Dreyfus/Polydor 829 125-1 Y- 144 AS THE BAND TURNS * 8 .98 138 50 THE *! 8.98 110 41 l)POL 111 ROCKIN’ WITH RHYTHM ATLANTIC STARR (A&M SP-5019) RCA THE JUDDS (RCA /Curb ALH1-7042) RCA 178 LOVIN’ EVERY MINUTE OF IT 164 145 R&B SKELETONS IN THE CLOSET 8 98 141 17 SPORT OF KINGS 8 .98 DEBUT LOVERBOY(Columbia FC 39953)CBS TO THE GEORGE CLINTON(Capitol ST 12481)CAP TRIUMPH (MCA-5786JMCA 179 STREET CALLED DESIRE 8 98 169 fTO NINE LIVES 8 98 163 3 (Mercury 824 607- 113 AMERICAN ANTHEM 9 98 113 7 13321 RENE AND ANGELA l)POL BONNIE RAIT (Warner Bros. 25486-l)WEA ORIGINAL MOTION PICTURE SOUNDTRACK (Atlantic 180 ABSTRACT EMOTIONS 8 .98 176 81661-1) WEA 147 INTRODUCING JONATHAN 139 21 RANDY CRAWFORD (Warner Bros. 25423- 1)WEA BUTLER 898 TO TO BE CONTINUED . . . 8 .98 124 6 181 THE SECRET VALUE OF 177 THE TEMPTATIONS (Gordy/Motown 6207GL) MCA (Jive/Arista JL8-8408)RCA DAYDREAMING 898 8 98 114 25 fTO HEARTS IN MOTION 8 98 162 1 JULIAN LENNON (Atlantic 81640) WEA 115 MASTER OF PUPPETS 63823 METALLICA (Elektra 60439-1) WEA AIR SUPPLY (Arista AL9 8426)RCA 182 LITTLE CREATURES 8 .98 179 116 ALABAMA GREATEST HITS* 8 98 112 28 149 CLOSER TO THE FLAME 8 .98 147 11 TALKING HEADS (Sire 25305 1)WEA ALABAMA (RCA AHL1-7170) RCA ROB JUNGKLAS (Manhattan ST-53017)CAP 183 LOST IN THE FIFTIES TONIGHT 8 98 180 RONNIE MILSAP (RCA AHLI 7194)RCA 117 #7 8 98 116 13 150 THE FLAG 8.96 143 11 GEORGE STRAIT (MCA 5750) MCA RICK JAMES (Gordy/Motown 6185 GL) MCA 184 SONGS FROM THE BIG CHAIR * 8 98 173 TEARS FOR FEARS (Mercury 824 300-1) POL TO3:3 GOOD TO GO LOVER 8 98 130 3 fTO LOOK WHAT THE CAT DRAGGED 160 3 GWEN GUTHRIE (Polydor 829 532-1 Y l)POL BN 8.98 185 LIKE A VIRGIN 8 98 183 POISON (Enigma ST 12523)CAP MADONNA (Sire 25157-1)WEA 119 CHANGE OF ADDRESS 898 111 19 KROKUS (Arista AL8 8402) RCA 152 DETROIT DIESEL 153 4 186 THE BROADWAY ALBUM 178 BARBRA STREISANDfColumbia OC 40092)CBS 120 COCKER 898 117 20 ALVIN LEE (21/Atco 90517)WEA JOE COCKER (Capitol ST 12394) CAP 153 LIMITED WARRANTY 8 .98 152 5 187 SILK & STEEL 8 .98 185 GIUFFRIA (Camel/MCA 5742)MCA 121 INSIDE OUT* 118 16 (Atco 90513JWEA PHILIP BAILEY (Columbia FC 40209) CBS 154 FROM LUXURY TO HEARTACHE 146 20 188 COBRA 181 ORIGINAL SOUNDTRACK (Scotti Bros. ZS 40325)CBS 122 RADIO * 122 37 CULTURE CLUB (Virgin/Epic OE 40345) CBS L.L. COOL J (Def Jam/Columbia BFC 40239) CBS 189 CHILLIN’ 898 184 fTO THE COLLECTION 172 1 FORCE MD’S (Tommy Boy/Warner Bros. 1 25394)CBS 123 TOO FAR TO WHISPER 115 10 AMY GRANT (A&M SP 3900JRCA SHADOWFAX (Windham Hill WH 1051)RCA 190 THEATRE OF PAIN 9 .98 187 156 CHILDREN OF THE NIGHT 8 98 151 12 MOTLEY CRUE(£lektra 60418-1)WEA 52ND STREET (MCA 5738)MCA fTO““ NEVER FELT SO GOOD 8 98 DEBUT Jl JAMES INGRAM (Quest/Warner Bros. 25424-l)WEA 191 SONG X 8 98 182 * 157 TINDERBOX 898 145 18 PAT METHENY/ORNETTE COLEMAN (Geffen GHS 125 JOHN EDDIE 123 11 SIOUXSIE AND THE BANSHEES(Geffen 24092)WEA 24096JWEA (Columbia BFC 40181)CBS fTO““ FLAUNT IT 168 1 192 KING OF AMERICA 186 126 INTERMISSION 699 119 11 SIGUE SIGUE SPUTNIK (Manhattan ST 53033)CAP THE COSTELLO SHOW(Featuring ELVIS : DIO (Warner Bros. 25443-1) WEA COSTELLOXColumbia FC 40173)CBS fTO CARL ANDERSON DEBUT 127 EMERALD CITY 120 10 CARL ANDERON (Epic BFE 40410) 193 CLASSICS LIVE 188 TEENA MARIE (Epic FE 40318) CBS AEROSMITH (Columbia FC 40329)CBS 160 THE FINAL FRONTIER 8 98 149 21 128 BORN IN THE U.S.A * 126 115 KEEL (Gold Mountain/MCA 5727) MCA 194 SONGS FROM LIQUID DAYS 189 BRUCE SPRINGSTEEN (Columbia QC 38653) CBS PHILIP GLASS (CBS Masterworks FM 39564)CBS 161 LIGHTNING STRIKES 8 98 159 14 8 .98 191 129 LABYRINTH 898 121 8 LOUDNESS (Atco/ Atlantic 90512-1) WEA 195 THE BLIND LEADING THE NAKED THE ORIGINAL SOUNDTRACK OF THE FILM (EMI VIOLENT FEMMES(Slash/Warner Bros. 25340-l)WEA America SV 17206) CAP 162 HOW TO BE A ZILLIONAIRE 8 98 148 49 196 8 .98 190 ABC(Mercury 824 904- l)POL LIGHT HOUSE 130 ALL FOR LOVE * 8 98 125 41 KIM CARNES (EMI America ST-17198)CAP NEW EDITION (MCA 6579) MCA 163 DO ME BABY 8 .98 144 29 197 LOVE WILL FOLLOW 192 MELLSA MORGANfCapitol ST 12434)CAP 131 WELCOME TO THE REAL 128 55 GEORGE HOWARD (TBA TB 210)IND WORLD*! 8 98 fTO LIFE STORIES 9 98 174 1 198 LIFE! FOR LIFE 8 .98 193 MR. ““ EARL KLUGH (Warner Bros. 25478- 1)WEA MISTER (RCA NFL 1-8045) RCA VARIOUS ARTISTS (I R S 5731)MCA 132 LOVE & HOPE & SEX & DREAMS 8 98 127 13 165 ANOTHER PLACE 165 15 199 PRECIOUS MOMENTS 8 98 194 <( BODEANS (Slash/Warner Bros. 25403)WEA HIROSHIMA (Epic BFE 39936)CBS JERMAINE JACKSON (Arista AL8- 8277)RCA fTO KING OF THE WEST COAST 8 .98 142 3 166 OUT OF MIND OUT OF SIGHT 8 .98 154 13 200 LOVE 898 195 1 L A. DREAM TEAM (MCA 5779)MCA MODELS (Gelfen GHS 24100)WEA THE CULT (Sire 25359)WEA a, THE CASH BOX TOP 200 ALBUMS CHART IS BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. ALPHABETIZED TOP 200 ALBUMS (B YARTITTJ ABC 162 Cosby. Bill 100 GTR 30 Lee, Alvin 152 Outfield 15 Talk Talk AC /DC 24 37 Aerosmith 193 Crawford, Randy 180 Hall. Daryl 52 Level 42 69 Pet Shop Boys 32 Tears For Fears Alabama 116 Cult. The 200 Hear'N Aid 172 Limited Warranty 153 Poison 151 Temptations Air Supply 148 Culture Club 154 Heart 39 L.L. Cool J 122 Prince 53 38 Special Anderson. Carl 159 Cure. The 44 Hiroshima 165 Loudness 161 Queen 86 Thorogood. George Armatrading. Joan 80 Depeche Mode 109 Honeymoon Suite 90 Loverboy 178 Queensryche 42 Travis. Randy Art of Noise 79 Device 140 Hooters 110 Madonna 1.185 Quiet Riot 45 Triumph Atlantic Starr 144 Diamond, Neil 61 Hornsby. Bruce 58 Marie. Teena 127 Rait, Bonnie 146 UB40 Bailey. Philip 121 Dio 126 Houston. Whitney 14 Mellencamp, John 55 Reed. Lou 77 U.T.FO Baker. Anita 34 Dire Straits 72 Howard, George 197 Metallica 115 REM 26 Van Halen Bananarama 20 Dokken 90 Icehouse 83 Metheny, Pat/Coleman,Ornette — 191 Rene & Angela 179 Various Artists »m Bangles 87 Double 65 Ingram. James 124 Miami Sound Machine 36 Richie. Lionel 13 Violent Femmes Beauvoir. Jean 175 Dylan. Bob 50 INXS 85 Midnight Star 62 Rolling Stones 104 Vollenwelder. Andreas Big Country 66 Eddie. John 125 Jackson. Janet 8 Mike & Mechanics 81 Roth. David Lee 3 Wham' Hie; Blow Monkeys 103 0 DeBarge 60 Jackson. Jermaine 199 Mills, Stephanie 169 Run D M C 7 Whodini Bodeans 132 Emerson. Lake & Powell 54 Jackson. Joe 99 Milsap. Ronnie 183 Sade 83.107.135 Williams. Hank, Jr ’fo Bon Jovi 63 Eurythmics 10 James. Bob & Sandborn. David 57 Missing Persons 91 Seger, Bob 17 Winwood. Steve Boys Don't Cry 106 Fabulous Thunderblrds. The 23 James, Rick 150 166 Shadowfax 123 Wonder. Stevie Bronski Beat 176 Falco 108 Jarre. Jean Michael 177 Money. Eddie 75 Simple Minds 168 Yoakam, Dwight Browne. Jackson 76 Fat Boys 105 Jets. The 67 Monkees 22 Simply Red 28 Young. Neil Buffett. Jimmy 94 52nd Street 156 Joel, Billy 9 Moody Blues 19 Siouxsie And The Banshees 157 ZZ Top ’j Butler. Jonathan 147 Fine Young Cannibals 170 Jones. Howard 93 Morgan. Meli'sa 149 Sique Sique Sputnik 158 SOUNDTRACKS Call. The 171 Firm. The 138 Journey 38 Morrison. Van 64 Smithereens. The 173 About Last Night Carlisle. Belinda 21 Flxx, The 68 Judas Priest 82 190 Smiths. The 59 American Anthem Carne. Jean 136 Force MD’S 189 Judds, The Ill Mr Mister 131 SOS Band 84 Club Paradise Carnes. Kim 1% Full Force 97 Jungklas, Rob 149 Mtume 142 Springsteen. Bruce 128 Cobra Cetera. Peter 29 Gabriel, Peter 6 Keel 160 New Edition 130 Spyro Gyra 96 Karate Kid Christopher. Gavin 98 Genesis 4 Khan. Chaka 70 Nicks, Stevie 139 Starship 137 Labyrinth Cinderella 41 Giuffrla 187 Klugh. Earl 164 Nu Shooz 51 Stewart. Jermaine 46 Pretty in Pink Clinton. George 145 Glass. Phillip 194 Krokus 119 Ocean. Billy 16 Stewart. Rod 33 Running Scared Cocker. Joe 120 Glass Tiger 89 LaBelle. Patti 18 Osborne, Jeffrey 31 Strait, George 117 Ruthless People Collins. Phil 48,174 Grant, Amy 155 L A Dream Team 133 Osbourne, Ozzy 88 Streisand, Barbra 186 Top Gun Y LACK CONTEMPORARY \1EBEAT\ 3 -DEN HEADLINES FOR MID- give to achieve their goals. We recalled connections. May all of your Golden Montell made the move to sunny Flori- M HT It was like a family reunion the release of their first Album on Solar Star turn to Platinum. da? Don Eason is offically associate i Belinda, Bo Watson and Mel- and the listening party meeting with the WARNER SIGNS TEEN DREAM director of promotion for Epic in the / Gentry of Midnight Star group. The Cork and me, in the pro- Excitement abounds in the Burbank fa- apple. We are awaiting official word on I signing of Epic’s ] I ped by Cashbox to visit with this duction room at WCIN. had them cilities because of the recent a west coast promotion for Mau- e rter. In gatherings like this, it is nat- autograph the album cover and told hot new trio of lovely and truly talented rice Warfield. Some major pieces of J to reflect on the old days. Certainly them I would hold this until they re- teenaged ladies from the midwest mu- product coming from A&M, one featur- lis reporter there is a great sense of ceived their first gold record which sic connection, this time from Colum- ing Sly Stone doing some vocal work gj J i and happiness for this talented came shortly thereafter. Certainly there bus, Ohio. They are currently here on and Jimmy Jam and Terry Lewis *1: ,p of individuals. Remembering is a feeling of pride in being remem- the west coast finishing up some vocal have produced what will be a major hit i formative years in the Cincinnati- bered and thanked for the very minor work for their upcoming album and re- on Human League. Tom Draper, hit titled, T ucky area they labored long, hard roll I may have played in exposing their fining the soon to be released Ron Ellison and the entire promotion ligilently under the banner of deter- recorded talents. I am elated over their “Let’s Get Busy”, which was written staff heading for Miami to map out 10 f industries i tion perfecting their art form by success, but I am more gratified in and produced by one of the some major strageties. The BMA will ng Jazz, R&B, Pop music or what- knowing they have changed, (hit records great young musicians, Chris Powell. converge on the same city real soon for the club owners wanted in order to and worldly acclaimjyet they have re- While in L.A. the young ladies along some serious meetings. Lynn Tol- ; consistently. I vividly remember mained the same, professional, humble, with Chris and his business partner liver, pd of WZAK, Cleveland to do overwhelming excitement within caring and genuinely sincere about Chris Dawkins will also film a video. some more writing in addition to his " jroup when Dick Griffey, chair- helping others. Now that is the real Lookout music industry the Teen programming. Expect Hank Cald- of Solar Records first showed measure of success when you reach out Dream" has arrived. well, newly appointed executive vp at interest in signing them to a con- to help open the doors of opportunity INDUSTRY ACTIVITY-Word is that Solar to make some staffing announce- L Dick made several trips to Cincin- for someone else. As I told them then Bob Gooding may soon relocate to ments within a couple of weeks. Will :to see this talented group in many and now, regardless of your status, you the east coast to head up RCA’s new George Clinton and Larry Graham -ent musical settings. Finally it hap- never want to become successful, you jazz label Novus Records as director really depart their current labels? Isaac d, Midnight Star had signed a pro- should always be in the process of be- of promotion and marketing. Speaking "Hot, Buttered, Soul" Hayes lands onal recording contract with a coming successful. Much more success of moves, sources say that Dean Ru- a deal with CBS. The Madd Hatter i r record label. Signing a profes- is definite for Midnight Star and Solar fus currently handling the program- has left WGOK, Mobile, Ala and re- 1 contract did not bring instant suc- Records since chairman Dick Griffey ming chores at WDMT in Cleveland, portedly headed to Florida. Vernon not that they were expecting it, hired one of the industries best record may make the switch to the big apple as Wells is now wearing the pd’s hat for hey realized this was as close as executives in the person of Hank pd of WAPP. Is it true that Larkin WGOK. had been to major success, there- Caldwell as executive vice president, Arnold and Jerome Gasper may Bob Long s little more time was not much to who also has some strong Cincinnati trade company names? Has Andre CASH BOX TOP BLACK CONTEMPORARY ALBUMS W W W W L o L O L o L 0 W c W c W c W c AISING HELL 1 14 19 19 70 37 HIGH PRIORITY 36 41 NEVER FELT SO GOOD DEBUT ON D.M.C. (Profile PRO-1217) (Arista AL 1-82 12) CHERRELLE (Tabu/CBS BFZ 40094) JAMES INGRAM (Qwest 25424) iEI FRANTIC 43 5 ONTROL 2 29 20 STREET CALLED DESIRE 20 62 ROMANTIC 58 ABSTRACT EMOTIONS 53 9 JERMAINE STEWART (Arista AL8 CRAWFORD (Warner Bros. 9- \NET JACKSON (A&M SP 5106) RENE & ANGELA (Mercury/PolyGram RANDY 8395) 824-6071 M-l) 25423) IAPTURE 4 23 39 JOYRIDE 39 5 A LOT OF LOVE DEBUT NITA BAKER (Elektra 9-60444-1) 32 5 PIECES OF A DREAM (Manhattan ST m MELBA MOORE (Capitol ST-1247) m1 LEVERT (Atlantic 81668) 53023) IN 41 I OVE ZONE 5 17 60 SQUARE CIRCLE 56 22 21 13 EE1 DANCING ON THE UcdU 1 STEVIE WONDER (Tamla/Motown i LLY OCEAN (Jive/ Arista JL8- 8409) RiCK JAMES (Gordy/Motown 6185GL) CEILING 6134TLJ 3 12 LIONEL RICHIE (Motown 6158 ML) MOTIONAL 61 WALL TO WALL 57 5 FFREY OSBORNE (A&M SP 103) 23 THEATER OF THE MIND 23 10 41 FROM THE LEFT SIDE 37 13 (Malaco 7431) MTUME (Epic FE 40262) JOHNNY TAYLOR SKYY (Capitol ST- 12480) 'INNER IN YOU 6 17 62 WORKIN’ IT BACK 58 49 I! 1TTI LaBELLE (MCA 52770) 24 22 18 EH DESTINY 49 4 TEDDY PENDERGRASS FAT BOYS (Sutra SUS 1017) CHAKA KHAN (Warner Bros. 25425-1) (Asylum 9- 60447-1) lACK IN BLACK 7 17 43 25 CASH FLOW 26 23 PROMISE 38 38 63 LISA LISA AND CULT JAM 63 52 1 HODINI (Jive/Arista JL8- 8407) SADE (Portrait/CBS FR 40263) (Atlanta Artist/PolyGram 826 028- 1) WITH FULL FORCE iiARADE 8 21 44 AS THE BAND TURNS 40 68 (Columbia BFC 40135) WINCE AND THE REVOLUTION 26 STAY 24 18 ATLANTIC STARR (A&M SP- 5019) THE CONTROLLERS (MCA 5681 64 MAZARATI 59 21 li Jis’ey park/Warner Bros. 9 25395) 45 R&B SKELETONS (IN THE 42 17 (Paisley Park/Wamer Bros. 1-25368) 27 TEASE 25 19 CLOSET) DEADLINES 9 15 65 COLONEL ABRAMS 60 37 (Epic BFE 40091) GEORGE CLINTON (Capitol ST- 12481) i| 'DN1GHT STAR (Solar/Elektra 9- (MCA 5682) <454) TAKE IT FROM 50 4 28 27 10 K1 ME EMERALD CITY GLENN JONES (RCA A7L1-5807)RCA 66 GUILTY 61 23 TEENA MARIE (Epic FE 40318) YARBROUGH & PEOPLES (Total 1 LWAYS IN THE MOOD 14 5 47 CHILDREN OF THE NIGHT 46 13 Experience/RCA TEL 8 5715) I1RLEY JONES (Philadelphia Infl ST 34 4 52nd STREET (MCA 5738) i 031) m 67 RESTLESS 62 53 THE TEMPTATIONS (Gordy 6207GL) 48 INSIDE OUT 44 38 STARPOINT (Elektra 9- 60424) Closer than close 11 7 30 TRUE BLUE 29 7 PHILIP BAILEY (Columbia AL 40209) i CA 5669) 1JPOL DAZZ BAND (Geffen GHS 241 10) THE CASH BOX TOP 75 BLACK COMTEMPORARY ALBUM CHART IS BASED ON SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. 9X September 6, 1986 25 CASH BOX TOP BLACK CONTEMPORARY SINGLES THE CASH BOX BLACK CONTEMPORARY SINGLES CHART IS BASED ON A COMBINATION OF RADIO AIRPLAY AND ACTUAL PIECES SOLD AT RETAIL STORES. September 6, 19 Title W w Artist, Label, Number L o o L Producer (Songwriter) W c c w 34 BURNIN’ LOVE 14 15 YOU ARE EVERYTHING 76 884-762-7) m CON FUNK SHUN (Mercury/PolyGram JAMES (D TRAIN) WILLIAMS (Columbia 3806256) LOVE ZONE ATTALA ZANE GILES & BILLY OSBORNE (A, ZANE GILES & B, H. EAVES III, J. WILLIAMS (J. WILLIAMS. H. EAVES) BILLY OCEAN (Jive/Arista JS 1- 9510) OSBORNE) W, BRATHWAITE. B. EASTMAN (B. OCEAN, W. BRATHWAITE. B. THERE’S JUST SOMETHING ABOUT 75 i,: EASTMAN) 35 PRIVATE NUMBER 36 9 m YOU THE JETS (MCA 52846) BEAU WILLIAMS (Capitol B-5611) J KNIGHT. D. RIVKIN, D. POWELL, A. ZIGMAN (J. KNIGHT, fit B. WILLIAMS. L. BALL (B. WILLIAMS) SWEET LOVE 2 14 ZIGMAN) ANITA BAKER (Elektra 7-69557) 36 NASTY 15 21 L IS FOR LOVER 77 M.J. POWELL (A. BAKER, L. JOHNSON. G. BIAS) m | JANET JACKSON (A&M AM 2830) AL JARREAU (Warner Bros. 7-28686) N. ROGERS (D. GAMSON. G. GARTSIDE) AIN’T NOTHIN’ GOIN’ ON BUT THE 5 11 J JAM, T. LEWIS (J HARRIS ID, T. LEWIS, J. JACKSON) I RENT PASSION FROM A WOMAN 42 6 OLD FRIEND 79 GWEN GUTHRIE (Polydor 88S106- 7) is KRYSTOS fFPir 34-06046) 23 PHYLLIS HYMAN (Philadelphia Intemational/Manhattan MARKS BERRY {G. GUTHRIE) R. JACKSON (N.M. WALDEN. R, JACKSON. L. JACKSON. T 50031) GIVE ME A REASON 4 12 SCOTT.R. STIGER) T.Bell (T. Bell/L. Creed) LUTHER VANDROSS (Epic 34- 06129) CAN’T WAIT ANOTHER MINUTE 48 JODY 85 L. VANDROSS, N ADDERLY, JR (L VANDROSS, N ADDERLY, m EQ FIVE STAR (RCA PB 1442) JERMAINE STREWART (Arista ASI-947) JR.) R.J. BURGESS (S. SHERIDAN. P CHITEN) N. M. WALDEN (J. STEWART, N. M. WALDEN, J. COHEN) MIND 8 9 (POP, POP, POP, POP) GOES MY 39 RISING DESIRE 21 14 A LITTLE BIT MORE DEB LEVERT (Atlantic 7 89389) STEPHANIE MILLS (MCA 52843) |Q MELBA MOORE (Capitol B-5632) K. JOHNSON, W RAGUN (G. LEVERT, M. GORDON) GEORGE DUKE (M. JAY, M. WATSON) GENE McFADDEN (McFADDEN VITAU-McKINNEY) DO YOU GET ENOUGH LOVE 1 17 STAY A LITTLE WHILE CHILD 46 LOOK WHAT’S SHOWING THROUGH 81 SHIRLEY JONES (Philly Intemational/Manhattan B 5003) m LOOSE ENDS (MCA-52820) [HI] RODNEY (Columbia 3806203) 1 B S1EGLER (B S1EGLER/K. GAMBLE) N. MARTENELU (MdNTOSH, NICHOL, EUGENE) FRANKLIN T. CURRIER (STROMAN-SHERRIE, MALLOY) f CLOSER THAN CLOSE 6 16 EARTH ANGEL (FROM THE MOTION 53 74 PAPPA DON’T PREACH 74 JEAN CARNE (Omni/ Atlantic 7-99531) PICTURE SOUNDTRACK “KARATE G. WASHINGTON, JR (T PRICE, B. WEILS) MADONNA (Sire/ Warner Bros. 7-28660) KID PART II”) MADONNA, S BRAY (B ELUOT. MADONNA) WHEN I THINK OF YOU 17 NEW EDITION (MCA 52907) JANET JACKSON (A&M AM-02855) F PERREN (C. WILLIAMS, D. WILLIAMS) WONDER WHERE YOU ARE 83 J, JAM, T LEWIS IJ. HARRIS m, T. LEWIS, J JACKSON) MICHAEL SEMBELLO (A&M AM-2850) ALL THE WAY TO HEAVEN 50 R. RUDOLPH, M. SEMBELLO (M. SEMBELLO, D SEMBELLO) 9 10 m E. 9 OH PEOPLE DOUG FRESH (Reality/Danya/Fantasy F969) PATTI LaBELLE (MCA 52877) D. BELL/O. COTTON (D.E. FRESH) ALL OF MY LOVE 87 (A B ROBERTS) m RICHARD PERRY GOLDMARK, 43 MAN SIZE LOVE 43 8 GENOBIA JETER (RCA-14415) T. WILSON, M. MORGAN (L. WILSON. M. MORGAN) DANCING ON THE CEILING 13 8 KLYMAXX (MCA 52841) m (Motown R. TEMPERTON D RUDOLPH, B SWEDEN (R TEMPERTON) 1 LIONEL RICHIE 1843MF) 77 00% PURE PAIN 80 L RICHIE. J A CARMICHAEL (L RICHIE, C RIOS) 44 SWEET FREEDOM (THEME FROM 25 11 O’CHI BROWN (Mercury/Polygram 884 886- 7) STOCK. AITKEN, WA'WATERMAN (STOCK, AITKEN, WATERMAN) ii BORROWED LOVE 11 10 “RUNNING SCARED”) S O S BAND (Tabu /CBS ZS4 6164) MICHAEL McDonald (MCA 52857) HEADLINE NEWS 86 JIMMY JAM. T LEWIS (JIMMY JAM. T. LEWIS! R TEMPERTON, D RUDOLPH, B SWEDEN (R TEMPERTON) m WILLIAM BELL (WRC-204) W BELL, A. BURROUGHS (W. BELL, A. BURROUGHS) ALL CRIED OUT 18 15 45 45 10 m DISTANT LOVER 5, LISA LISA AND CULT JAM WITH FULL FORCE THE CONTROLLERS (MCA 52865) BROKEN GLASS DEfjL Featuring PAUL ANTHONY & BOW LEGGED LOU R. BENATAR, G SENOGLES (M GAYE, G FUQUA, S GREENE) GEORGE DUKE (Electra 7-69524) (Columbia 3805894) GEORGE DUKE (GEORGE DUKE) SHAKE YOU DOWN 52 4 ! is FULL FORCE (FULL FORCE) m GREGORY ABBOTT (Columbia 3805894) 80 MY ADIDAS 56 Iks 10 21 G. ABBOTT (G ABBOTT) 13 RUMORS RUN-D.M.C. (Profile Pro 5102) TIMEX SOCIAL CLUB (Jay/Macola 001) i TYPICAL MALE 65 RUSSELL SIMMONS (J. SIMMONS. D. McDANIELS, R. RUBIN) J. KING, D FOSTER (M.I. THOMPSON, M. MARSHALL, A. HILL) m TINA TURNER (Capitol B-5615) 81 WALL TO WALL FREAKS 84 THE RAIN T BRITTEN (T BRITTEN/G. LYLE) THE ROSE BROTHERS (MSS 103) ORAN “JUICE” JONES (Def Jam/Columbia 38-06209) IE REACTION 55 R. CARSON, J. LEWIS, (C. R. CARSON) V.F. BELL. R SIMMONS (V.F BELL) m REBBIE JACKSON (Columbia 3806197) HUNGRY FOR YOUR LOVE) DEI 15 LOVE OF A LIFETIME D. CONLEY (D CONLEY, D TOWNSEND. B. JACKSON) m HANSON AND DAVIS (FRESH 7-RE5) (Warner Bros 7 28671-A) CHAKA KHAN ONE PLUS ONE 54 HANSON, DAVIS. (HANSON-DAVIS-MURDOCH) G. GARTSIDE, D. GAMSON. A. MARD1N (G. GARTSIDE, D. m 7-28619) GAMSON) FORCE M.D.'S (Tommy Boy R HALPIN (A. LUNDY, R, HALPIN, J, DANIELS) 83 GOOD TO GO 60 TROUBLE FUNK (T T E D /Island 7-99538) ANOTHERLOVERHOLENYOHEAD 20 IT 57 E0 WHAT DOES TAKE (TO WIN YOUR R FRABONI, TROUBLE FUNK (J. AVERY. T FISHER, R REED. T. PRINCE AND THE REVOLUTION (Paisley Park/ Warner m LOVE) Bros. 7-28620) KENNY G (Arista ASI-9516) PRINCE AND THE REVOLUTION (PRINCE AND THE REVOLUTION) 84 LAND OF LA LA 66 P GLASS (J BRISTOL, V BULLOCK. H FUQUA) WORD UP STEVIE WONDER (Tamla/Motown 1846) 51 WHAT’CHA GONNA DO 51 17 S. WONDER (S. WONDER) CAMEO (Atlanta Artist/PolyGram 86 C851) O.C SMITH (Rendezvous 1019) L. BLACKMON (L. BLACKMON. T. JENKINS) * CHARLES WALLERT (L WELCH D FRANK) 85 HOW CAN WE BE WRONG 62 TRINERE (Jam Packed JPI 2003) MIDAS TOUCH 52 GIVIN’ IT 33 18 m (TO YOU) P TONY (T BUTLER, BAKER, B, SMITH) MIDNIGHT STARR (Solar/Elektra 7-69525) SKYY (Capitol B 5560) R-CALLOWAY, MIDNIGHT3HT STARS (B. WATSON, J.W. WILLIAMS) RANDY MULLER & SOLOMON ROBERTS (RANDY MULLER) 86 WALK LIKE A MAN (FROM A FINE 61 19 TEMPORARY LOVE THING 19 13 53 HOMEBOY 30 13 MESS) FULL FORCE (Columbia 3806116) MARY JANE GIRLS (Motown 1851MF) STEVE ARRINGTON (Atlantic 7- 89397) FULL FORCE, J B MOORE (FULL FORCE) R. JAMES (B CREWE. B GAUDIO) II K JOHNSON, W RAGUN (S. ARRINGTON, I ARRINGTON) COUNT YOUR BLESSINGS 23 54 POINT OF NO RETURN 38 10 87 (I’M A) DREAMER 71 ASHFORD & SIMPSON (Capitol B 5598) 7- NU SHOOZ (Atlantic 7-89392) B B & Q (Elektra 69514) SIMPSON. ASHFORD (N ASHFORD V SIMPSON) K. WILLIAMS (K WILUAMS) J, SMITH, R WARITZ (J, SMITH, V. DAY) ONE LOVE 24 HEAVEN IN YOUR ARMS 68 88 RING RING 70 m |j]jj WHOD1NI (Jive/Arista JSI-9507) RJ’S LATEST ARRIVAL (Manhattan B- 50040) TMP BAND (GOLDEN BOY/CRITIQUE CR724) LARRY SMITH (J. HUTCHINS/L. SMITH) THE W1Z (G. GLEN. D QUANDER) C. CRAIG (C. CRAIG) 22 LOVE THE ONE I’M WITH (A LOT OF 7 12 DUKE IS BACK 63 TEN WAYS OF LOVING YOU DE| LOVE) m RAPP1N’ DUKE (Tommy Boy TB 881A) m LENNY WILLIAMS (Nobhill F-970) MELBA MOORE & KASHIF (Capitol B 5577) G SPELLS, S. BROWN. (S BROWN) F. L. PITTMAN (L, WILUAMS-P GLASS) KASHIF (KASHIF) NURSERY RHYMES 64 90 TELL ME TOMMOROW 90 SOWETO 32 L A DREAM TEAM (MCA 52860) PRINCESS (NP 50050) JEFFREY OSBORNE (A&M AM 2863) LA DREAM TEAM (M PERISON, R ANTHONY) S. A WATERMAN (STOCK. AITKEN. WATERMAN) J OSBORNE. H STEWART. F P MOORES. MUSKER (H 58 WRAPPED AROUND YOUR FINGER 58 STEWART. E. LAMERS. F MUSKER) 91 IN THE HEAT OF PASSION 73 YARBROUGH & PEOPLES (Total Experience/RCA TES 1- ATLANTIC STARR (A&M AM-2849) 24 YOU SHOULD BE MINE (THE WOO 12 16 2441) J GALLO, W. POTTS. PIERRE (W I. LEWIS, W. SHELBY, W. POTTS WOO SONG) J. ELLIS (J. ELUS) JR.) JEFFREY OSBORNE (A&M AM 2814) 59 ROACHES 59 RICHARD PERRY (A GOLDMARK, B ROBERTS) 92 TWO OF HEARTS BOBBY JIMMY & THE CRITTERS (Macola MRC 0924) STACEY Q (Atlantic 7-89381) R PARR (R L PARR) E9 LOVE ALWAYS 31 J ST. JAMES (J. MITCHELL, S. GATUN, T. GREENE) EL DeBARGE (Gordy/Motown 1857GF) CAN’T GIVE HER UP 69 B BACHARACH. C B SAGER (B BACHARACH. C B SAGER. 93 HEY GOOD LOOKIN’ B m SKIPWORHTH AND TURNER (Warner Bros 7-28695) ROBERTS) GEORGE CLINTON (Capitol B 5602) P ADAMS (R. SKIPWORFfTH. P TURNER) G. CUNTON (G CLINTON. S. WASHINGTON. G. SHIDER) GIVING MYSELF TO YOU 28 10 YOU WERE MEANT TO BE MY LADY 67 m GLENN JONES (RCA PB 14395) m 94 NOT TONIGHT HAWK WOLUNSKI (G JONES, H WOLUNSKII (NOT MY GIRL) JUNIOR (London/PolyGram 886064-7) ALEXANDER O'NEIL (Tabu /CBS ZS4 06222) D. WANSEL (JUNIOR) E3 FOOL’S PARADISE 29 9 J JAM, T LEWIS (J. HARRIS III. T LEWIS) MELI’SA MORGAN (Capitol B-5600) 95 WISER 62 BREATHLESS 40 18 AND WEAKER L. WILSON, M. MORGAN (L. WILSON, M. MORGAN) DENIECE WILLIAMS (Columbia 3806157) (Epic 34-05899) MTUME G. MATHIFSON (D WILLIAMS. F BASKETT, G. MATHIESON) m I WANNA BE WITH YOU 39 MTUME (J. MTUME) MAZE Featuring Frankie Beverly (Capitol B 5599) 96 MINE MINE ALL '&tl F BEVERLY (F BEVERLY) CASH FLOW (Atlanta Artist/PolyGram 884722- 7} CHARTBREAKER BLACKMON/M. BURNETT (K. BECK) Dll I’M FOR REAL 41 L m ESI JEALOUSY DEBUT is,’ HOWARD HEWETT (Elektra 7-69527) 97 L.O.V.E. M.I.A. r' I I ID M/"\l /DAll, H HEWETT, S CLARKE (H HEWETT. S CLARKE) CLUB NOVEAU (TOMMY BOY TB884) THE DAZZ BAND (Geffen 7-28635- A) JAY K1NG.DENZIL FOSTER, THOMAS McELROY. (J, KING-T mm B. HARRIS (B. HARRIS. K HARRISON) ALWAYS 34 McELROY-D.FISTER) JAMES INGRAM (Qwest/ Warner Bros. 728669) 98 IN THE HOUSE K. DIAMOND (K. DIAMOND. J INGRAM) 64 SAY LA LA 47 12 THE FAT BOYS (SUTRA 156) M MORALES. G. PICKETT, D ORGIN (M. MORALES/G. PICKETT) KISSES IN THE MOONLIGHT 35 PIECES OF A DREAM (Manhattan B 50038) m (Warner Bros. 7 ii GEORGE BENSON 28640-A) L. WHITE (B. WRIGHT/C CAMPBELL) 99 100 MPH N M, WALDEN (N M WALDEN. P GLASS. J COHEN) 65 SWEET AND SEXY THING 49 17 MAZARTI (Paisley Park /Warner Bros. 7-28705) BROWN MARK. DAVID Z.(PRINCE) |Q WALK THIS WAY 44 RICK JAMES (Gordy/Motown 1844GF) RUN D M C. (PROFILE PRO 51 12) RICK JAMES (RICKCK JAMES) 100 THERE’LL BE SAD SONGS (TO MAKE R. SIMMONS. R. RUBIN (S. TYLER. J. PERRY) Eft] FRIENDS AND LOVERS 72 YOU CRY) —:—1 LADY SOUL 37 mGLORIAnoiA i riDiMn a mm padi amt (Carte L. |Q LORING AND CARL ANDERSON ZS4 BILLY OCEAN (Arista JS1- 9465) THE TEMPTATIONS (Gordy/Motown 1856GF) 06122) B EASTMOND, W BRATHWAITE (W. BRATHWAITE, B. P BUNETTA. R. CHODACOFF (M HOLDEN) Y DESSCA (P GORDON. J, GRUSKA) EASTMOND. B. OCEAN) ALPHABETICAL LISTING ON INSIDE BACK COVER — [LACK RADIO/RETAIL M MOST ADDED Oat Of A Possible 85 Stations RETAIL PICK —RADIO PICK Retailer: Arnette Burdette Programmer: Neville Waters 75 Stations Reported This Week Store: Spin City Records Station. WOL Market: Boston, Mass. Market: Washington, D. C. A Little Bit More — Melba Moore Capitol—-17 Adds Song: "Gonna Make You Mine" Song; "Nail It To The Wall" Artist: Loose Ends Artist: Stacy Lattisaw Nail It To The Wall— Stacy Lattisaw—Motown— 14 Adds Label: MCA Label: Motown Jealousy- Club Nouveau Tommy — — Comments: “Typical Loose Ends groove Comments: “This is by far her best re- Boy/Jay 13 Adds — with an added bonus of another excellent lease since Dynamite. A good positive up Believe It Or Not— Billy Griffin — At- Timmy Regisford remix. There is a lot of tempo song that could be a smash for this lantic — 13 Adds anticipation of the new Ip release titled talented D C. native.” Zagora”. 1ST WEST I BALTIMORE,MD-DON BROOKS-PDHOTS: Ashford & Simpson, Hanson & KRIZ-SEATTLE.WA-FRANK BARROW-PD i . Guthrie, H. Hewett, Janet Jackson, A. Baker, Lisa Lisa, Levert, Maze, Midnight HOTS: J. Carne, A. Baker, Shirley Jones, L. Vandross, Prince, Midnight Star, M. Moore, C. I v Edition, M. Morgan, J. Osborne. ADDS: T. Turner, R. Franklin. Kahn, Levert, G. Guthrie. B. Ocean, Controllers. ADDS: The Movies, Atlantic Starr, T. WINDSOR.CT-MELONAE MCCLEAN-MD Turner. . Ocean, Run DMC, Levert, J. Osborne, C. Kahn, D.E. Fresh, Midnight Star, A. KDIA-OAKLAND, CA-BARRY POPE-PD . Guthrie, J. Ingram, El. Debarge. HOTS: Cameo, C. Kahn, H. Hewett, Maze, Five Star, Jets, Ashford & Simpson, P. LaBelle, (.Roy, G. Jeter, 52nd St, Krystol, J. Stewart. El. DeBarge. ADDS: S. Lattisaw, M. Moore & F. Jackson, 52nd Street, B. Griffin, Rene & BUFFALO, N.Y -LAVERNE BAILEY-PD Angela, G. Kane, L A. Dream Team, Dazz Band, D.E. Fresh. { \. Baker, L. Vandross, B. Ocean, G. Guthrie, Full Force, G. Jones, Whodini, KDKO-DENVER, CO-RON ASH-PD li M. Morgan, L. Richie, Nu Shooz, SOS Band, Juice Jones, Levert. HOTS: B. Ocean, Levert, G. Guthrie, Janet Jackson, Prince, Krystol, L. Richie, J. Osborne, SI | Temptations, Givins Family, R. Laws, B. Griffin, M. Henderson, Skipworth & P. LaBelle. ADDS: Rebbie Jackson, J. Stewart, Loose Ends, M. Anthony, S. Mendes, W. •1 i. Humphrey, Oliver Who, Atlantic Starr, G. Abbott. Beasley, Cashflow. ROCHESTER,N Y -ANDRE MARCEL-PD KUKQ-PHOENIX, AZ-RICK THOMAS-PD 80 1 E .E. Fresh, B. Ocean, G. Guthrie, P. LaBelle, L. Richie, C. Kahn, Levert, Run DMC, HOTS: B. Ocean, Nu. Shooz, Lisa Lisa, G. Guthrie, Stacy Q., New Edition, Janet Jackson, j, :kson, Prince. Levert, C. Kahn, Midnight Star. ADDS: L. Richie, B-52’s, Human League, G. Duke, S. S kipworth & Turner, G. Jeter, B. Griffin, M. Moore & F. Jackson, Cashflow, Sweet Murdock, S. Lattisaw. is, Raww. KACE-LOS ANGELES, CA-PAM ROBINSON-PD «OSTON, MASS-ELROY SMITH-PD HOTS: A. Baker, S. Jones, P. LaBelle, B. Ocean, M. McDonald, H. Hewett, R. Franklin, '> sa Lisa, S. Jones, A. Baker, G. Guthrie, Levert, Janet Jackson, Whodini, Juice Levert, El. DeBarge, Janet Jackson, Temptations, D. Sanborn, M. Morgan, P. Hyman, G. 56 iaze, B. Ocean. Benson. ADDS: L. Williams, T. Marie, B. William, Fizzy Quick, T. Turner, Rene & Angela, D. Limply Red, S. Lattisaw, J. Williams, G. Jeter, Five Star. Pack, UB-40, M. Moore & F. Jackson, B. James & D. Sanborn. 1 -NEW YORK, N.Y.—TONY GREY—PD KJLH-LOS ANGELES, CA-CLIFF WINSTON-PD 84 S ,. Baker, B. Ocean, L. Vandross, G. Guthrie, J. Carne, Janet Jackson, Lisa Lisa, El HOTS: S. Jones, B. Ocean, Lisa Lisa, SOS Band, J. Carne, Juice Jones, Janet Jackson, A. JR Timex Social Club, Rene & Angela. Baker, L. Vandross, Madonna, Moore, Timex, Maze, Labelle. ADDS: J. Stewart, Main Ingredient, Club Nuveau, R. Franklin, M. Moore & F. Jackson. East Retail Breakouts so iWere Meant To Be My Lady (Not My Girl)— Alexander West Retail Breakouts — Tabu/CBS Old Friend — Phyllis Hymanm — Philadelphia International/Manhattan iiusy —Club Nouveau — Tommy Boy/Jay What Does It Take (To Win Your Love) — Kenny G. — RCA {Jure Everything — James (D Train) Williams — Columbia Nursery Rhymes — L. A. Dream Team — MCA \jth MIDWEST I MIAMI, FL -GEORGE JONES-PD WVOI-TOLEDO, OH-PAUL BROWN-PD i . Vandross, G. Guthrie, S. Arrington, Trouble Funk, Con Funk Shun, Full Force, B. HOT: Temptations, L. Vandross, Midnight Star, B. Janet Jackson, J. P. II Ocean, Osborne, 1 . Mills, Whodini, Prince. LaBelle, Levert, El. Debarge, A. Baker, Ashford & Simpson, Maze, ./Club Nuveau, Temptations, J. Ingram, B. Griffin, R. Franklin, Junkyard Band, T. ADDS: Kenny G. S. Robinson, RunDMC, J. Stewart, Loose Ends, M. Anthony, Surface lU.’s Latest, G. Jeter, Deshawn, G. Jeter. WCIN-CINC1NNATI.OH-STEVE HARRIS-PD NASHVILLE-TN.-J.C.FLOYD-PD HOTS: Juice Jones, S. Jones, Whodini, Cameo, Levert, Janet Jackson, Midnight Star, Nu Bl > 1. Jimmy, Juice Jones, Cameo, Trouble Funk, A. Baker, Rappin’ Duke, Janet Shooz, Maze, Lisa Lisa, L. Richie, Ashford & Simpson, B. Ocean, M. McDonald. ) Klymaxx, Five Star, Levert. ADDS:Force MD’s, D. Train, Rene & Angela, R.J’s ADDS: G. Jones, R.J.’s Latest Arrival, Kenny G. SO : rival, G.Kane, Trinere, Atlantic Starr. WVKO-COLUMBUS,OH-K.C. JONES-PD VORFOLK,VA-CHESTER BENTON-PD HOTS: S. Jones, ) SOS Band B. Ocean, G. Guthrie, J. Carne, Ashford & Simpson, Levert, 131 isa Lisa, Shirley Jones, L. Vandross, Whodini, Full Force, G. Guthrie, L. Richie, P. LaBelle, C. Kahn, L. Vandross, Prince, A. Baker, L. Richie, Janet Jackson, Cameo. ADDS: 1 -evert, C. Kahn. ADDS: Givins Family, Klymaxx, R.J.’s Latest Arrival, L. Fields. Juice Jones, El. DeBarge, Lisa Lisa, G. Benson, T. Turner, Krystol, G. Jones. ALEIGH, N.C.-CASH MICHAELS-PD KMJM-ST.LOUIS, MO. MIKE STRADFORD-PD 1. Hewett, Trouble Funk, Temptations, Ebo, D. Train, Kenny G. Skipworth & HOTS: H. Hewett, Maze, El. DeBarge, G. Guthrie, Krystol, Levert, Juice Jones, Whitehead ishford & Simpson, J. Osborne, G. Abbott. Bros, S. Murdock, Stacey Q. f. Martinez, Cashflow, R. James, G. Duke, Whitehead Bros, M. Day, Rockwell, ADDS: G. Jeter, Force MD’s, C. DeBarge, S. Lattisaw, The Movies, 52nd Street. oys, Mission, P. Carmin, 52nd St, Rene & Angela, T. Marie, G. Christopher. WGPR-DETRIOT, MICH.-JOE SPENCER-PD HATTANOOGA.TN.-FRANK ST. JAMES-PD HOTS: A. Baker, D.E. Fresh, P.LaBelle, Levert, M. McDonald, Jets, Klymaxx, B. Ocean. M. lu Shooz, G. Guthrie, L. Vandross, P. LaBelle, SOS Band, Klymaxx, L. Richie, Morgan, Whodini. Osborne, Levert. ADDS: Main Ingredient, Krystol, 52nd Street, E. Towns, Force M. D.. M. Moore & F. ivins Family, Four Tops, T. Turner, M. Anthony, Whistle, Club Nuveau. Jackson, G. Benson, Stacey Q. ! ICHMOND VA-STEVE CRUMBLEY-PD WJLB-DETROIT, MI.-JAMES ALEXANDER-PD 91 Guthrie, L. Richie, Cameo, Juice Jones, Prince, C. Kahn, El. DeBarge, J. Ingram, HOTS:El. DeBarge, Juice Jones, Janet Levert, Lisa Lisa, Midnight Star, B. 1 Jackson, Ocean, und Machine, Janet Jackson, Levert. ADDS: New Edition, A. Jarreau, Lisa Lisa, L. Vandross, Ashford & Simpson. eau, T. Turner, R. Franklin. Benson, g ADDS: G. Club Nuveau, Force M. D., Main Ingredient. -BANY, GA-TONY WRIGHT-PD WBMX-CHICAGO, IL-MARCO SPOON-PD J Guthrie, Prince, Janet Jackson, C. Kahn, Levert, Juice Jones, L. Richie, Ashford HOTS: A. Baker, G. Guthrie, B. Ocean, SOS Band, Whodini, El. DeBarge, Jets, Janet >n, Midnight Star, Shirley Jones. F. | ADDS: M. Moore & Jackson, Boogie Boys, Jackson, M. McDonald, L. Richie. tarr, Mtume, Shirley Jones, Cashflow, M. C. Chill. Adds: Yarbrough & Peoples, J. Stewart, S. Lattisaw, Main Ingredient, O.C. Smith. * » South Retail Breakouts Midwest Retail Breakouts nsy — Club Nouveau — Tommy Boy/Jay You Are Everything—James (D Train) Williams — Columbia ry Rhymes — L. A. Dream Team — MCA Heaven In Your Arms — RJ’S Latest Arrival — Manhattan j : is And Lovers — Gloria Loring & Carl Anderson — Carre Can’t Give Her Up — Skipworth And Turner — Warner Bros. Cash Box September 6. 1986 VIDEO NEWS AUDIO/VIDEO CASH BOX TOP 40 THE DOTTED LINE—The word is that MGM/UA Communications VIDEOCASSETTES has agreed to provide HBO with non- exclusive pay TV rights to as many as 72 MGM/UA movies, under a newly L O signed four-year agreement. Despite W C 1 THE JEWEL OF THE NILE 1 8 21 OF the non-exclusivity of the deal, howev- AGNES GOD CBS- Fox Video 1491 RCA/Columbia Pictures Home Video 6- er, reports say that in certain cases, 20563 2 BACK TO THE FUTURE 2 18 movies could end up appearing exclu- MCA Home Video 80196 22 DEAD sively on The ink on this one is HBO. 3 SPIES LIKE US 3 4 Thorn/EMl/HBO Video TVA 3395) Warner Home Video 11533 said to be worth more than $300 million 23 COMMANDO (holy megabucks!). The first film seen 4 WHITE NIGHTS 4 8 CBSFox Video 1484 RCA/Columbia Pictures Home Video on the channel under the new agree- 24 MAXIMUM SALES—Karl-Lorimar Home 6061 CBS-Fox Video 1478 ment will be Rocky IV. Video expects Max Headroom, The Original 5 MURPHY’S ROMANCE 17 3 25 TWICE IN A LIFETIME MTV GEARS UP— As the Septem- Story to become one of the label's hottest RCA/Columbia Pictures Home Video Vestron Video VA 5119 20649 ber 5 awards day approaches, MTV titles. 26 ALIEN CBSFox Video 1090 has all kinds of announcements con- 6 JAGGED EDGE 5 12 RCA/Columbia Pictures Home Video 27 cerning this year’s bash certainly weren’t hurt by Max’s Coke 60591 MGM/UA Home Entertainment MV (and the looks of things, I do mean ads). Max Headroom, The Original Story 800876 from 7 A NIGHTMARE ON ELM 6 9 bash). First of all, tickets to the bi-coast- debuts with a pre-order date of Septem- STREET 2 FREDDY’S 28 REVENGE IS NOW al ceremonies have indeed gone on sale ber 25 and a street date of October 15. Media Home Entertainment M838 Paramount Home Video 1954 to the public for the first time ever, and CLUB TOUR—Look for True Confes- 29 8 COCOON 8 17 REMO WILLIAMS: THE for fifty bucks a throw, attendees will be sions: A Bananarama video Dance Par- CBSFox Video 1476 ADVENTURE BEGINS Thorn/EMl/HBO Video TVA 3676 treated to some stellar performances on ty at a video club near you in the coming 9 DELTA FORCE 13 3 30 KISS OF THE SPIDER each coast: At the Universal Amphithe- weeks. The video tour, presented by the Media Home Entertainment M841 WOMAN atre in L.A., the line-up includes Whit- New York marketing company Second 10 IRON EAGLE 12 2 Charter Entertainment 90001 CBSFox Video 6160 ney Houston, Robert Palmer, Mr. Vision, hit the road August 28 for a ten- 31 MARIE MGM/UA Home Video 800926 Mister, INXS, Pet Shop Boys and market sweep across the U.S., ending 11 ENEMY MINE 18 2 CBSFox Video 1492 32 The Monkees, with such presenters September 15. Vestron Video 5121 12 ROCKY IV 9 12 as Carlisle, Belinda Don Henley, GLORY DAYS— HBO and Cine- CBSFox Video 4735 33 DEATH WISH 3 MGM/UA Home Entertainment MV Janet Jackson, The Bangles, El- max, respectively, celebrate the good 13 WITNESS 10 17 800821 vira, Goldthwait, old days of rock’n’roll this month. Begin- Bobcat Jay Paramount Home Video 1736 34 Leno, and Motley Crue, along with ning on the 24th, Cinemax presents The Vestron Video VA 5106 14 THE BEST OF TIMES 11 8 Whitney Houston and Robert Palmer. Real Buddy Hotly Story, an hour-long Embassy Home Entertainment 1307 35 PRAY FOR DEATH U S. A Home Video 938 At the Palladium in New York, the pre- documentary on the ill-fated rocker, 15 THE HITCHER 20 3 Thorn/EMl/HBO Video TVA 3756 36 RAMBO: FIRST BLOOD formers will be Tina Turner, ’til while starting on the 20th, HBO presents PART II Tuesday, Simply Red and The A '60s Reunion With Bill Graham: A 16 HOUSE 34 2 Thorn/EMl/HBO Video TVA 3002 New World Video 8525 Hooters, with presenters Bananar- Night At The Fillmore, featuring ’60s 37 PEE-WEE’S BIG 17 BRAZIL 14 4 ADVENTURE ama, Gilbert Gottfried, Steve greats - from Joan Baez to Donovan. MCA Dist. Corp. 80171 Warner Home Video 11523 Winwood, Bob Costas and Steven HOME VIDEO REVIEW: Now 18 YOUNGBLOOD DEBUT 38 BEVERLY HILLS COP Paramount Home Video 1134 Wright. The shows will mark a series That’s What I Call Music - Sony MGM/UA Home Video 800966 of “firsts” for the channel: The first Video Software/ Virgin Music 39 SILVERADO 19 BLACK MOON RISING 15 12 RCA/Columbia Pictures Home Video time the Monkees have performed live Video - $29.95 There are 17 Picture New World Video 8503 60567 on TV since the ’60s; The first time Aus- Music International-produced videos on 20 TO LIVE AND DIE IN L.A. 16 14 40 Vestron Video 5123 MGM/UA Home Video MB 800764 tralia’s INXS and Britain’s Pet Shop this 77-minute tape, some of them truly Boys have performed live on American worth owning, such as the sensational THE CASH BOX TOP 40 VIDEO CASSETTES CHART IS BASED TV; The TV premiere of the new Van Tarzan Boy from Baltimora and Tina ON ACTUAL PIECES SOLD AT RETAIL STORES. Halen (performing via satellite); The Turner and Bryan Adams’ steamy It's world premiere of Don Johnson’s vid- Only Love. As far as compilation reels eo, Heartbeat, And just the overall pre- go, this one’s got quite a wide range of miere of ’til Tuesday’s newest tunes. good video from primarily English acts, Also included in the show will be seg- but there are a few dogs. Cliff Richards’ ments from Paul McCartney, David wretch-making She’s So Beautiful is Lee Roth and Don Johnson, beamed in one, so is Jackie Graham and David via satellite, plus a satellite hook-up per- Grant’s Mated. But this tape does in- formance from Genesis. clude some fairly tasty videos, as in the MR. HEADROOM, TO YOU— Due Chrissie Hynde/UB40 rendition of Son- to the enthusiastic response Karl Lori- ny & Cher’s “I Got You Babe.” Other mar Home Video has been getting top acts seen here in hit videos include from distributors and retailers, the com- Pet Shop Boys’ West End Girls, Simple pany has decided to drop the price of Minds’ Alive And Kicking, The Thomp- their Max Headroom cassette from son Twins’ King For A Day, Arcadia’s $39.95 to $29.95. Sales have already Election Day and Kate Bush’s Running quadrupled, the company says. (They Up That Hill. Gregory Dobrin Vcstron MusicVideo brings Columbia recording artist Neil Diamond to home video in October (for those of you who couldn’t get into his sold-out Greek Theatre shows in L. A.) in Neil Diamond: I’m Glad You ’re Here With Me Tonight. Most of his hits are included in this hour-long tape, plus backstage and rehearsal segments - both on the road and in Las Vegas. Suggested retail is $29.95, VHS and Beta HiFi GOING WILDE ON VIDEO—Island recording artist Danny Wilde recently . . . From Disney next Walt Home Video month comes the classic animated video to his second single “Body To Body. ” Directed by Tony Greco of Pendulum movie Sleeping Beauty, for the suggested retail price of $29.95. the video includes diverse animation techniques. Pictured during the L A. shoot are (I Greco; and director of photography, Rolf Kestermann. 28 Cash Box Septembi '. — — 'USIC VIDEO I HOST ADDED Klymaxx Ashford & Simpson CASH BOX TOP 30 M. Bianco B.Manilow MUSIC VIDEOS V-66— Roxy Myzell —Program Director—Framingham,MA W W 38 Special L O L O W c W C S. Easton Doctor & The Medics 1 SWEET FREEDOM 2 4 16 MISSIONARY MAN 17 2 Michael McDonald (MCA) Eurythmics (RCA) A. Baker The Art Of Noise 2 TAKE MY BREATH AWAY 4 5 17 TAKEN IN 20 2 Mike & The Mechanics (Atlantic) Southside Johnny Berlin (Columbia) Nu Shooz 3 PAPA DON’T PREACH 1 6 18 MAD ABOUT YOU 5 11 El Debarge Madonna (Sire) Belinda Carlisle (I.R.S.) R. Berlin 4 WALK THIS WAY 8 4 19 THE EDGE OF HEAVEN 11 4 The Jets Run DMC (Profile) Wham! (Columbia) 5 VENUS 3 6 20 WE DON’T HAVE TO TAKE 6 5 HIT VIDEO USA— Mike Opelka— Bananarama (London) OUR CLOTHES OFF Program Director Jermaine Stewart (Arista) K. Mitchell 6 THE CAPTAIN OF HER 13 2 HEART 21 LOOK AWAY 29 2 Big Country (Polygram) J. Cocker Double (A&M) Glass Tiger 22 DEBUT 7 YANKEE ROSE 7 6 RUNAWAY R.E.M. Luis Cardenas (Allied Artists) David Lee Roth (Warner Bros.) The Art Of Noise tiger Don’t Forget Me — 23 HANGING ON A HEART 14 6 q — Poison 8 BABY LOVE 12 4 tan Regina (Atlantic) ATTACK Device (Chrysalis) U68—Steve Leeds— Program 9 DOES IT TAKE 9 6 WHAT 24 PARANOIMIA 22 3 Director—New York City Honeymoon Suite (Warner Bros.) TRONG ADDS The Art Of Noise With Max Headroom P.McCartney (Chrysalis) 10 HIGHER LOVE 10 5 tnia —The Art Of Noise R.Cash Steve Winwood (Island) 25 SLEDGEHAMMER 21 11 liis. J. Ingram Peter Gabriel (Geffen) 11 DANCING ON THE 26 2 Me— R.E.M. — I.R.S. P. Carmen CEILING 26 INVISIBLE TOUCH 16 8 a way Rene —Southside Johnny The Pandoras Lionel Richie (Motown) Genesis (Atlantic) e Jukes—Atlantic TSOL 23 2 le To The Boomtown—David Sara Tuff 12 LOVE ZONE 27 RUMBLE SEAT 24 3 Billy Ocean (Arista) John Cougar Mellencamp (Riva) i—A & M Ten Ten L. Cardenas 13 PRESS 18 3 28 TAKE IT EASY 19 8 Paul McCartney (Capitol) LOGRAM ADDS R. E.M. Andy Taylor (Atlantic) Pet Shop Boys 14 WRAP IT UP 15 3 29 LOVE TOUCH 25 10 SOS Band Fabulous Thunderbirds (Epic) Rod Stewart (Warner Bros.) -Tom Zingale —Program Girls Night Out r—Gainsville 15 DON’T FORGET ME DEBUT 30 GLORY OF LOVE 28 9 David C. Perkins Glass Tiger (Manhattan) Peter Cetera (Warner Bros.) 38 Special 11 Fly S. Copeland/A Ant THE CASH BOX TOP 30 MUSIC VIDEOS CHART IS BASED ON TELEVISION ROTATION AT VARIOUS STATIONS AND NETWORKS. NIGHT TRACKS—Tom Queally— Program Director Los Angeles J. Taylor 'e Johnny O. J. Jones Oingo Boingo CASH BOX TOP 15 MUSIC OLELV The Jets ves Jezebel The Moody Blues i Big Country I House icroom Rap KTP W W D. Yokum L 0 L O NIGHT VIDEOS— Bette THE RECORD BUYERS GUIDE— W C W C Beth Comstock Program —Program Director—New — 1 THE #1 VIDEO HITS 1 9 8 MOTOWN 25: 8 38 Assistant New Jersey Whitney Houston (MusicVision 6-20631) YESTERDAY, TODAY, My — P. McCartney FOREVER her (MGM/UA Home Video 300302) Dolby’s Cube 2 DICK CLARK’S BEST OF 2 9 Ten Ten BANDSTAND 9 GENESIS LIVE DEBUT David Lee Roth Various Artists (Vestron Music Video Genesis (Atlantic Video 50111-3) 1028) 22— Jennifer Thompson- Arcadia J. Cocker I n Director — Anchorage 10 FUEL FOR LIFE 11 4 Cactus World News Judas Priest (CBS-Fox Music Video he 3 1 CAN’T WAIT 3 11 A. Cooper Stevie Nicks (MusicVision 6-20524) 7104) Machinations David Bangles 11 LOOK TO THE RAINBOW 10 5 El Debarge 4 MADONNA LIVE -THE 5 39 Patti LaBelle (USA Home Video 312847) VIRGIN TOUR Madonna (Warner Music Video 38105) 12 BROTHERS IN ARMS 14 5 *EO PROGRAMMER'S P!CK\ Dire Straits (Warner Reprise Video 5 THE ULTIMATE OZZY 4 5 PD PROGRAM MARKET Ozzy Osbourne (CBS-Fox Music Video 6199) fztte Hisiger Friday Night Videos National 13 THE MAKING OF GTR 13 3 GTR (MusicVision 6- 20633) deo: Word Up 6 RIPTIDE 7 9 Robert Palmer (MusicVision 6-20635) 14 IMAGINE 9 11 tist: Cameo John Lennon (Sony Video R0429) bet: Polygram 7 ROCK ME FALCO 6 11 15 NO JACKET REQUIRED 15 7 n ents: Falco (A&M Video 6-21015) Phil Collins (Atlantic Video 50104) is my favorite video right now. It has a great feel to it and everything moves to IS Jsic.lt ” THE CASH BOX TOP 15 MUSIC VIDEOCASSETTES CHART BASED ON 1 has a nice flow. This song is going all the way to number one. W ACTUAL PIECES SOLD AT RETAIL STORES. “’Ox September 6, 1986 29 ——— ————— —— — —— — —— , INTERNATIONAL U.K. BUZZ Brazil RIO DE JANIERO — Everything is ready for are mounting two full festivals in eai«| Prince and Prince fever hit London Anyway, they have just come up with Brazil’s second “Free Jazz Festival” which At first we worried that the interi . last week. He played not only to the the infectious “Ed’s Funky takes place in Sao Paulo August 27 through acts would not want to play one weel I thousands in Wembley Arena, but at 31 before moving on to Rio De Janiero for Paulo and then have to wait five me two exclusive parties. 1 was among the performances September 2 through 7. to play their next date in Rio. This, priveledged few at The Kensington The festival has been organized by two er, has not been a problem this yea Roof Gardens and I was suitable daz- sisters, Monique and Silvia Gardemberg, ously the artists don’t mind spending I zled— wedged by the crowd to a posi- who operate Dueto Promotions. in Rio!” jljf tion less than a foot away from this Dueto made their name in the U.S. as The festival has also reduced the managers of Djavan, who played at the of acts which perform each night t charming man, I can only say this is no Kool Festival in 1984. Djavan also has a as some of the headline artists in 191 lesser mortal. This is the man that has t publishing contract with Quincy Jones, going on at 2 am or 3 am. made stilletos for men look elegant and who, along with CBS, was a good source of In Sao Paulo the festival is basei macho. The performance at Wembley reference for the international acts. 3,000 seat Anhembi Convention had been just brilliant; he had been bru- It’s Immaterial Iff The Gardembergs hope that the “Free while in Rio its home is the 1,500 si tal and vulnerable, a victim with an un- Jazz Festival” will now firmly establish itself atre of the Nacional Hotel. Tickets erring coy command. He sang about Diner” (Siren). John Campbell claims, in the international festival calender as one pected to have sold-out within threat about lust and love from an ethereal “We are not a pop group; we have of the world’s major events. of going on sale, priced at arou plane. He also sang “How Much Is That grown up with all the pop sensibilities This year, the festival has attracted Ray (U.S.). Charles, David Sanborn, Wynton Marsalis, the festival Dueto sees as a space , Doggie In The Window” . . . Prince al- and now we can mutate pop.” He is Larry Carlton, Stanley Jourdan, Gerry Mul- duce new artists to Brazil and Braz most made me forget about Queen. often inspired by art. The surrealist ligan, The Dirty Dozen Brass Band, and the artists. Their sole interest in the They played Knebworth Park last sculpture of a bar scene with people’s Manhattan Transfer, who have filled the leaving the record companies to ex] week. The EMI coach arrived just as heads replaced by clocks, The Beanery, space vacated by Keith Jarrett’s Standards. sales potential the festival offers. “\ Belouis Some was leaving the stage. by Edward Kienholz, is the cover of The international acts will be supported by opened the space,” says Silvia ( four the single. Partner ft The 45 minute journey had taken Jarvis Whitehead many of the top names in Brazilian jazz, berg, “it is now up to the individi hours. That was nothing; when after the practices fire-eating in his spare time. including Azymuth, Dominguinhos, Paulo companies concerned to capitalize (4*1 show we stumbled back through the He is entirely self-taught and recently Moura, Cesar Camargo Mariano and Eg- The “Free Jazz Festival” won’t! i berto Gismonti. only live-action for jazz fans in the millions of potholes, beer cans and col- set fire to his living room . . . Dave j f j Since the festival has the tours for 1985, expanded months as have been set , lapsed bodies, we found the EMI coach Stewart of The Eurythmics discov- j mini-festival in Sao Paulo to be on the same vis, Flora Purim and Airto, all of whi had broken down. Those who remained ered a tape by The Lover Speaks, footing as the Rio section of the festival. “In finally establish Brazil as a major ja; endured three nightmare hours of the signed them to his publishing company reality”, says Monique Gardemberg, “we for once and for all. flat battery and a Fleet Street Choir and enlisted Jimmy Iovine to produce singing their version of “The Twelve them for A&M. David E Freeman Days Of Christmas.” Fortunately, I (lyrics) and Joseph Hughes (music) managed to hitch a lift . . .Elvis Cos- met in the classroom when they were Record Sales Boom In Braz tello is back in action. His new song, fourteen. They took their nbame from a RIO DE JANEIRO — Brazil’s economy is The international scene is just as 1 “Tokyo Storm Warning,” was written discourse on love by French philoso- illl with his pogues girlfriend, Cait pher Roland Barthes. Hughes says once again booming and of the sectors to Madonna has accumulated sales of benefit most has been the depressed record units for “Like A Virgin” and O’Riordan. “We’re the Sonny and their album will be about different cono- industry. Sales from June 1985 to June 75.000 units for WEA on the la Cher of the eighties, only I’m the Cher,” tations and philosophies on love. “I am i 1986 have jumped 50% for records, accord- “True Blue.” Dire Straits has sl, he said. The single is a dig at the more a very passionate person. All the songs ing to industry sources; and a staggering 450.000 units of “Brothers In Arm}\ sensationalist newspapers. His new al- are fragments of a love affair.” Based 120% for cassettes. the recent offerings from Elton Johr bum, “Blood and Chocolate,” is com- momentarily in Los Angeles, Freeman New Brazilian pop groups have helped Rolling Stones have quickly pas- - plete and he is to embark on a is experiencing the discourse “Absent add to this boom. RPM’s “Radio Pirata ao 100.000 mark. Even “newer” acts November tour. He will use a giant spin- One” (missing a girlfriend). He adds, Vivo” shipped 550,000 units for CBS and Cure and The Smiths have racked ning wheel labeled with Costello classics “Musically, it’s machismo/aggression firm sales have hit 650,000 in less than a in excess of 50,000 units. month. Over at EMI, the company has seen If the present boom continues, t and whatever it stops at they will play and dreamy decadence, juxtaposed Paralamas do Sucessos’ “Selvagem” ship be a few executives looking South . . . Liverpool duo It’s Immaterial with elemnets bordering on the saccha- 350,000 units with the potential to hit the U.S. as Brazil establishes itself as oi] came up with their name when they rine so the effect is neither aggressive million mark by year end. world’s main markets. couldn’t decide what to call themselves. nor sweet.” Chrissy Iley They decided a name was immaterial. MELODYMAKER TOP TEN\ James Taylor Tour Set ! RIO DE JANEIRO After his triumphant Belo Horizonte, Sao Paulo, Curi J^ TOP TEN 45s — performances at last year’s “Rock In Rio,” Porto Alegre. The tour will last fre G 1 I Want To Wake Up With You Boris Gardiner — Review — where he captivated a crowd of over ber 8 through 25. 2 The Lady In Red— Chris Deburgh — A&M 300,000, James Taylor is returning to Brazil In Rio, Taylor will play the Sinitta — 8 3 So Macho— Fanfare in October for a full tour. showhouse and a major outdoor cc 4 Girls And Boys— Prince — Paisley Park Promoter Manoel Poladian, who will the Praca da Apoteose, where the 5 Calling All The Heroes It Bites — Virgin bring Miles Davis to Brazil in September, mous parade of samba-schools end 1 6 Ain’t Nothin’ Goin’On But The Rent—Gwen Guthrie — Boiling Point has booked Taylor to play Rio De Janeiro, 7 Dancing On The Ceiling — Lionel Richie — Motown 8 I Can Prove It —Phil Fearon — Chrysalis — ho 9 Anyone Can Fall In Love — Anita Dobson Simon May — BBC Italy’s Top Ten 10 Human—Human League — Virgin r TOP TEN 45’S TOPTENLP’S % TEN LPs TOP 1 Papa Don’t Preach—Madonna — WEA/ 1 True Blue—Madonna WEA/Sire 1 Lionel — Dancing The Ceiling Richie i On Motown Sire 2Mixage— Various Artists — Baby ili| 2 True Blue Madonna — Sire 2 Lessons In Love— Level 42 — PolyGram/ 3 Oro Puro Estate Various Artis) 1 3 Now That’s What I Call Music Various Artisits — Virgin — EMI Polydor 4 Vendetti E Segreti—Anton 4 Into The Light Chris DeBurgh A&M 3 Run To Me—Tracy Spencer — CBS ditti — Heinz Music — Fabio Conca 5 Riptide Robert Palmer — Island 4 The Edge of Heaven—Wham! CBS/ 5 Senza Awisare Gram/Philips 6 Revenge Eurythmics — RCA Epic 5 Touch Me Samantha Fox — CGD/Jive 6 The Final—Wham! — CBS/Epic i 7 A Kind Of Magic Queen — EMI — Spagna — 7 Festivalbar ’86 Various Artists 6 Easy Lady CBS | 8 Rat In The Kitchen UB40 DEP Int — — Eroi Ramazzotti - — 7 Geil —Bruce & Bongo CGD 8 Nuovi —Eros 9 Wham!-The Final Wham Epic 8 Live To Tell Madonna — WEA/Sire 9 So—Peter Gabriel — Virgin 10 Picture Book Simply Red — Electra 9 Sledgehammer—Peter Gabriel — Virgin 10 Knocked Out Loaded—Bob : 10 Innocent Love Sandra — Virgin CBS 30 Cash Box Septembe . DETAIL i OP TALK\ Jl !R’S SUITE BEAT— Faithful This could happen a half a year later. exclusive items as well as new and clas- to our present customers.” Baker & c 5 of Lee Jcske’s On Jazz col- That’s the way I do it.” Seiler’s musical sic videos from all major studios includ- Taylor president, August Umlauf, ir 'ill already be aware that Haw- experiences are as varied as the travels ing feature films, children’s materials, said that the Sound Video purchase j Vei CA-based Suite Beat Music that have taken him to Africa and Far instructional tapes, and sports pro- was a natural move for his company. .Th^r , lisj® i has pacted with West Germany East. “You have to play everything. I grams. Compact discs, records, music “More and more of our customers want endie inovative Communications (Cash played in rock bands. I had a classical audio cassettes, and related accessories audio and video in their libraries and < i/30, P.20). The label specializes band called Tritonus and this was simi- are also distributed by Sound Video. In stores. We feel Sound Video will help ,J"/ ctronical keyboard synthesizer lar to Emerson, Lake and Palmer. I had addition to greater financial backing them secure these products efficiently according to Peter Seiler, a jazz trio with only grand piano, bass and the expanded distribution facilities, and economically.” Sound Video Un- '"I the label’s premier artists who and drums playing traditional jazz mu- Sound Video’s customer base will be limited was originally formed in the ear- li- I with Cash Box last week. Innova- sic. I played in nightclubs, piano solo strengthened with the inclusion of ly 1960’s as a music distributor under ammunications was founded in hours, happy hours. In the last sixteen braries and bookstores, according the name Sound Unlimited. In 1977, ntion iy Tangerine Dream member years I’ve played all kinds of music,” he Sound Video founder and CEO, Noel Gimbel entered the video marketplace ckets achulze. Label-spawning must be told me. The records on the Innovative Gimbel. Gimbel stated, “It is certain when he began duplicating public do- nthii f the Tangerine Dream experi- Communications are available from that many of of the programs we have main films in the Niles warehouse. The arojj .you’ll recall that founding TD Suite Beat Music Group. They can be developed for our retail accounts can be company then became Sound Video it Peter Baumann is finding reached at 3355 W. El Segundo Blvd., customized to accommodate the spe- Unlimited and an agreement with Mag- spac ,i> hodge podge. Double Fanta- ited, the Niles, IL-based distributor of ,j| V j a Universal Ave.,” Mergener/ music and video software has been pur- ii) er’s “Beam Scape” and Soft- chased by Baker & Taylor, a full ser- > “Chip Meditation” join Seiler’s vice wholesaler serving libraries and ini l Frames” to launch the label bookstores. Baker & Taylor is a subsid- it [oil 1 the United States. Suite Beat iary of W.R. Grace & Company. The ofwl e involved with Innovative Com- agreement between the companies was ijorji itions, according to Seiler, as a reached August 20. As part of of Baker of last year’s MIDEM in south & Taylor’s national distribution net- . Seiler’s album is a beautiful work, Sound Video Unlimited will ex- ammatic” series of musical im- pand its distribution facilities to include 12 Ins based on his wide and varied locations in Somerville, New Jersey and itravels. “I’ve seen all of these Commerce, Georgia. Sound Video cur- iiistas which are on the record. If I have rently operates distribution centers CARLTON NEVER ALONE IN N.Y. —MCA jazz recording artist Larry Carlton wa Jesol recently in York where he played to a sold-out crowd at the Bottom Line in support of hi. cal idea,” Seiler said, “I write it near Los Angeles; in Denver; Portland, New ” and top-selling debut MCA Records album, ‘Alone, But Never Alone. While in the Big Apple jn a lead sheet and keep it, and OR; Phoenix; and Hollywood, FL, in ad- the li Carlton dropped by Tower Records ' downtown store to sign autographs. Pictured (1 to r): Guy while I start composing the whole dition to their company headquarters in has s Ennis, New York field salesman, MCA Distributing; Randi Swindell, Tower Records' store Vlaybe there is at once a theme, Niles. Currently, Sound Video stocks n Am manager; Carlton. ier I write it down and I arrange. over 8,000 video titles including many j, 1» ” acts til CASH BOX TOP 40E COMPACT DISCS W W W W L o L 0 L O L 0 W c W c W C W C 15.98 1 11 12 BROTHERS IN 12 65 22 RAPTURE 29 3 33 WORLD MACHINE 32 13 ER GABRIEL (Geffen 24088)WEA ARMS 1598 ANITA BAKER (Elektra 604442IWEA LEVEL 42 (Polydor 827 487-2IPOL DIRE STRAITS (Warner Bros 25264- ^l/ISIBLE TOUCH 9 2)WEA 23 PLEASE 22 3 PET IESIS (Atlantic 81641- 2)WEA SHOP BOYS (EMI America CDP Jit y 34 LOVE ZONE 31 12 4627 1|C AP 13 LIKE A ROCK 10 8 BILLY OCEAN (Arista JRCD 8409)RCA CK IN THE HIGH LIFE 5 BOB SEGER & THE SILVER BULLET 24 MUSIC FROM THE EDGE DEBUT the VE WINWOOD (Island/Warner BAND (Capitol 46195)CAP 25448JWEA OF HEAVEN loortfi WHAM! (Columbia CK 402851CBS 35 SCARECROW 30 46 14 NO JACKET 13 70 JOHN COUGAR MELLANCAMP (Riva re thet P GUN ORIGINAL REQUIRED 1598 25 CHRONICLES 24 52 824 865JPOL PHIL (Atlantic 81240- )keilUNDTRACK COLLINS 2)WEA CREEDENCE CLEARWATER I Jtnbla CK 403231CBS REVIVAL (Fantasy FCD 623- CCR2IIND 15 DOUBLE VISION 15 98 16 10 36 LIVES IN THE 33 10 UE BLUE 2 BOB JAMES & DAVID SANBORN 26 BREAKOUT DEBUT Spyro Gyra (MCA BALANCE 1598 X)NNA (Site 2 254421WEA (Warner Bros. 2 25393IWEA MCAD 5753)MCA JACKSON BROWNE (Asylum 960457- 27 THE DARK SIDE OF THE 26 104 2)WEA E OTHER SIDE OF LIFE 15 16 GTR 14 12 MOON MOODY BLUES (Polydor 829 GTR (Arista JRCD 8400)RCA PINK FLOYD (Capitol CDP- 46001ICAP 2JPOL 37 DIRTY WORK 37 22 17 CONTROL 17 14 28 RIPTIDE 1598 28 9 THE ROLLING STONES (Rolling IITNEY HOUSTON 50 JANET JACKSON (A&M CD-5106)RCA ROBERT PALMER (Island 2 Stones/CBS CK 40250)CBS ta JRCD-8221)RCA 90471)WEA 18 TUFFENUFF 15 10 AVENGE 5 THE FABULOUS THUNDERBIRDS 29 PICTURE BOOK 15 98 23 8 YTHMICS (RCA PCD1 5847|RCA (CBS Associated ZK 40304)CBS SIMPLY RED (Elektra 60452- 1)WEA 38 BIG WORLD 36 17 J JOE JACKSON (A&M CD 6021)RCA 30 MIKE & THE 25 18 50 1598 15 19 THE WINNER IN YOU 20 6 MECHANICS 1598 I HALEN (Warner Bros. 25394- PATTI LaBELLE (MCA MCAD | A 5737)MCA (Atlantic 81287 2)WEA 39 WINDHAM HILL RECORDS 35 16 SAMPLER ’86 f' 31 PLAY DEEP 27 16 20 21 Hill WN TO THE MOON 18 BELINDA CARLISLE 4 THE OUTFIELD (Columbia CK VARIOUS ARTISTS (Windham 'REAS VOLLENWE1DER (CBS (I.R.S. 5741)MCA 40027JCBS A&M CD- 1048JRCA ierworks MK422551CBS 21 EMERSON, LAKE & 19 7 32 A DECADE OF STEELY 34 28 art 11 31 POWELL DAN 40 RAISED ON RADIO 38 17 otH iitolCDP 46157)CAP (Polydor 829297 2)POL STEELY DAN (MCA MCAD-5570IMCA JOURNEY (Columbia CK 39936ICBS THE CASH BOX TOP 40 COMPACT DISCS CHART IS BASED ON SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. September 6, 1986 31 FILM MUSIC ' FILMUSIC TACKLING NEW FRONTIERS— he hopes to take his new company in, Keeping track of executives on the musically speaking, LeMel commented, move in this oft-wacky business is on a “I’d like us to be as selective as possible par with, say, following the course of an with our use of music. For example, I’m individual fish on a Jacques Cous- working on the music for a new picture teau special. Recently, one of the more starring Jack Nicholson and Cher interesting shuffles came with the de- called The Witches Of Eastwick, and I parture of Gary LeMel from Columbia agree with the director that we’re far Pictures’ music division to a similar po- better off with opera source music, a sition as the new head of music at John Williams score and no pop Warner Bros. In the process, Warner songs. The bottom line is that the free- Bros.’ Joel Sill joined forces with di- dom is there for us to do whatever we rector Taylor Hackford to form a film deem to be right for each project. With- music company named New Visions out question, working here is really (please see accompanying story); and wonderful. It’s going to be a great ride.” Bones Howe took over for LeMel at Columbia. Based on my conversations TOGETHER AGAIN FOR THE with them over recent weeks, it would FIRST TIME— Mention director A GAS, GAS, GAS Aretha Franklin and Keith Richards recently re-recorded th - seem these chess-like executive maneu- Stanley Donen’s name to a group of — classic “Jumpin ' Jack Flash” for the new 20th Century Fox film of the same name, wi vers have, fortunately, worked out people and you’ll evoke thoughts of his Whoopi Goldberg. After completing production on the video version of the song, Keiti I beautifully for all four. Last week, musical classics like Singin’ In The Rain , and friends posed for a flash! Pictured here (l-r) are . Jane Rose, executive, Rolling Stones spoke with LeMel and asked him to re- My Fair Lady and Royal Wedding; or of Abbey Konowitch, v.p. video and artist development, Arista Records; Franklin; Domin he legends like Kelly and flect on his new job and what plans Gene Fred video director; Richards, Elliot Lurie, v.p of music, 20th Century Fox Films; Tract)] has for Warner Bros.’ music depart- Astaire. But Lionel Richie??? Well, director, R&B artist development and publicity, Arista Records. ment. “It’s great here,” he unhesitating- until recently, Donen and Richie were ly first said. “It’s really a terrific probably never mentioned in the same company because the management is sentence, but now such is not the case. so stable and because they have such an After this year’s Donen-directed Acade- agressive and creative production staff my Awards telecast, the famed director Hackford And Sill which stimulates tremendous product.” apparently approached the famed mu- Asked how the atmosphere differs from sician and asked him if he had a director (continued from page 8) that at Columbia, LeMel responded, “It in mind for his then-upcoming video proved to be a really great collaboration have gotten sophisticated enougl seems to be more hands-on here. The version of “Dancing On The Ceiling.” with no egos clashing.” According to Sill, “I choosing films that are appropriate people are involved with offered his prior to that with artists. : much more When Donen considerable had never worked any They’ve become more j the day-to-day production of their films. services, Richie wisely said “OUTRA- filmmaker who had such a good sense of and that’s something we’re espec ^ It’s an extremely creative environ- GEOUS!” Well, the results of this un contemporary music.” cerned with also. We’re aware of j Over the following years, Hackford went lems that arise when you have mi ment.” With it all, however, LeMel con- usual teaming premiered August 9 on on to his next film projects and Sill took merely as a marketing tool.” fessed it wasn’t easy for him to leave HBO and then began airing on MTV over the Warner Bros, music department. While New Visions’ services wiH is Columbia, “primarily in light of the August 12. And the “Dancing On The 1 * But even though the two often did make able to outside filmmakers, its fou great staff we had built up there. The Ceiling” video is now understandably time to get together and share ideas, they especially enthused right now vW ' team we put together simply ex- garnering great of attention, iI was a deal felt their shared creative philosophies could own in-house projects. The first of traordinary, and that’s why it was so since it features special effects recalling only be put to proper use if they forged their musical biography of Ritchie VaF is successful. We were pretty much left the Astaire ceiling-dancing sequence in own company. And thus Visions Bamba which New was La , on Hackford alone to do what we had to do. After all, Royal Wedding. Of this dizzying experi- born. What, then, do Hackford and Sill pri- executive producer (Luis Valdez V 1 we had six number one records in two ence, Richie commented, “It wasn’t marily hope to accomplish with the directed it). The feature film, slatfl company? lease toward the middle of next 1 and a half years at Columbia, and to easy. 1 can hardly even dance when f® ! “One of our main objectives,” Hackford undertaken, Hackford and Sill rr N :,i even think of equalling or topping that both my feet are on the ground.” commented, “is to think about a film’s mu- with the complete approval of the'^'- here will be a definite challenge.” Nev- TODD ON THE TUBE—Rock pio sic right from the early script stage. The er’s family. The film stars Lou Di ertheless, LeMel mentioned, he not only neer Todd Rundgren has delved into whole process of having a song specifically Valens, and boasts appearances bi** feels that his digs couldn’t 1 former be in writing television scores. To be more created to reflect the emotional content of a Crenshaw as Buddy Holly, Brian better hands (“Bones is absolutely specific, he’ll be providing the music for picture is very satisfying. Music, in many Eddie Cochran and Howard Hun great”), but that Warner Bros, will pro- all 22 episodes of next season’s Crime cases, can color a particular character or Jackie Wilson. In addition, Los vide him with even more creative musi- Story story point better than dialogue. The key band which has definite roots in V'% , an NBC offering from Miami “ cal frontiers to conquer. “Everyone Vice producer Michael Mann. for me as a filmmaker and to Joel, who has sic) was brought in to re-record m dealt with films so well for so long, is to singer’s original material. The sou 1 here is very much attuned to music,” he ODDS AND ENDS—Pete Town- really find the right music for each film. We La Bamba will be released nex 1 said. “They understand the value of shend, Phil Collins, Nick Rhodes, want to deal with songwriters who can work Warner Bros. Records. music in film and couldn’t be more sup- Sister Sledge and Simon Le Bon, closely with us, read the scripts and know With this, and other projec portive. And they’re interested in a among others, all contributed cuts to the characters, just like anyone else on the works, it would seem New Vision: film’s musical content right from the the just-released soundtrack of 1 Univer- crew. Only then will the songs work well for very healthy start, then. Yet, no rr earliest stages of pre-production. I’m sal’s Playing For Keeps. The first single the film, and hopefully, the record will go on many job offers the company even working on films that haven’t been from the LP, however, is “Say The to have a life of its own.” Hackford and Sill are only out green-lighted yet.” to of the hysterical scrambles that of- ative, not to be prolific. Their prii 1 As what direction Word” by Arcadia . . . “How Many “One ten occurs is the rush to choose an appropri- both stressed, is to give a hands-o Lovers,” an Anthony & The Camp j track produced by John “Jellybean” ate writer and artist,” Sill remarked. touch to each film they work on, “Putting those components together was of- how long that may take. As Had Benitez, will be heard in a new feature ten difficult for me because 1 was frequently “We’ll only work on pictures we < titled Modern Girls . . . BMI will be offer- dealing with filmmakers who didn’t under- personally. It’s not just hiring tale 1 ing an 8-week film scoring workshop stand how to approach the whole issue. cians and hoping something ha with noted composer Earle Hagen at Taylor and I wanted to develop a company the guidance you add to that eBteis the podium. The course will start the where we wouldn’t be too overworked but guidance completely open to PRE-FEATURE FEATURE—Once we first week of October at the performing where we would have a great deal of cre- You’ve got to allow room and til f had cartoons, newsreels or shorts like Trout rights society’s offices ative satisfaction. (After forming New Vi- ative expression, and not just fre west coast [ Fishing In Canada before to getting the main (please contact BMI). Having studied sions), we decided to sign our own writers, name. You’ve got to offer pers'f feature. Now, there’s something for new while not excluding the other independent ment . . . I’m convinced there wil with Mr. H. myself, 1 highly recommend moviegoers-the group Broken Arrow mak- talent out there, because it gives us a strong an audience for good music in filn I this workshop to anyone who has any ing its national debut in a short titled To foundation to build on.” continue to pursue that goal. W interest in film music. It 1 Whom May Concern, a four-minute offer- At the same time, Sill added, New Vi- our infant stages, but I believe t Peter Berk ing from ModernCinema 35. sions plans to avoid the soundtrack overkill here and I definitely know the ex syndrome. “Fortunately, the record labels here.” f !l 32 Cash Box Septeml ll LENT ON STAGE wounded fatale. If this is a bit of fun, self- equiped with pen and notepad, ready to deprecating humor, we can all join in. But write down whatever techniques they could the torture of some of these songs, and pick up from these masters. other behaviors that lead you to believe he Warming up the audience was Blue Note is deadly serious, give one pause. artist, guitarist Stanley Jordan playing on That aside, The Smiths are an original only one guitar what sounded like fully or- and thoroughly captivating band. Johnny chestrated renditions of such well known Marr’s guitar playing is nothing if not bril- tunes as “One Less Bell To Answer,” liant. The thunderous and driving rhythm “Overjoyed” and “Eleanor Rigby” among section of drummer Mike Joyce and bassist others. Even Lee Ritenour joked about the Andy Rourke supplied a rock and roll foun- fact that although he didn’t get to see Jor- dation that you can miss if you only know dan play, he met some of the guys in his The Smiths via their records. This was espe- band back stage. Truly an amazing talent, cially evident on the haunting “How Soon Is Jordan was the perfect opener for what was Now?” yet to come. 'IPS AWAY AT THE PIER—As part of his current cross-country concert tour, But the nagging problem with The A rip roaring jam brought the band on ording artist Graham Nash recently played an ovation-gathering show at The Pier in Smiths continues to be this quality of taking stage, while Ritenour put on the charm in- ” •r, Jty. Nash’s itinerary follows the release of his new solo album, “Innocent Eyes. The themselves a bit too seriously. The title troducing himself as the “master of ceremo- ’ ” | > a new single this week, “Chippin Away. Shown backstage at The Pier in N. Y. are, track to their current Sire Records LP, “The nies by default” and then he introduced \ntic director of Nation Album Promotion Danny Bush ; Atlantic vice president of Queen Is Dead” was the closing song for the “Darth,” his very fancy new SynthAxe (gui- & Video Mark Schulman; Nash; Atlantic vice president of National Album Promotion regular set. With lights flashing and band tar/synthesizer). Then, after reciting a long V Nash’s manager Bill Siddons and Atlantic Secondary Promotion manager Joe thrashing, Morissey picked up a placard wonderful list of Grusin’s television and upon which the title of the song was embla- movie themes like “On Golden Pond,” zoned. He succumbs to requests to relin- “Maude,” “The Jefferson’s” and “St. Els- and everybody cheered the birthday girl. quish his shirt. He tosses it into the where,” to name a few, the band kicked off For three hours on the water, all was right audience. He parades with the “Queen Is the rest of the evening with Grusin’s “Early with the world. Dead” sign. He sings, “life is very long when AM Attitude” from the Harliquin LP. The one problem Musicruise has is that you’re lonely.” He smashes the “Queen Is The early part of the set included songs >nny Rollins it’s a huge boat and only a limited number of Dead” sign. He trots off stage. from “Earth Run,” Lee’s up-and-coming LP people could see each set. There’s a floor of The show was opened by Los Angeles’ on GRP Records. Ritenour’s “Earth Run” films, a disco floor, and an upper-deck own “average, all-American lesbian Jewish marks his 16th album in a 10 year span, SE, NYC — Sonny Rollins — the where the music is piped-in and the view is folksinger” Phranc. She proved her meddle, beginning with “First Course.” “Earth atest living jazz soloist — thrives priceless. But the hottest action on this rendering a 30-minute set of captivating Run”is dedicated to an international torch >i settings, so Musicruise — which night was on the second deck — where Son- songs in an intimidating environment with run sponsored by the United Nations in v, »me for a Hudson River Dayliner ny Rollins, in his easy chair, with his lame self assured ease. Her cool, confident and which a torch will be carried throughout the i usic — seemed right up his alley: limb on a marching ottoman, played the hell positively infectious manner won the hearts cities of 45 countries, including the United o ; of sailing in New York Har- out the tenor saxophone. There are very of her audience before she was half finished. States, South America, the Far East, China ation Sonny is familiar with few undeniable jazz giants — players of the Phranc’s plainspeak, common sense ap- and the Soviet Union. The run will be called Jnis now-legendary woodshedding highest echelon — still active, and almost proach was universal enough to garner sym- Earth Run, and will honor the international I0 pijljaars ago on the Williamsburgh none who are currently playing at peak pathy and support from even unlikely year of peace, 1986. The proceeds will go to j- emed just the thing to bring out form. Too much attention can not be paid to quarters. Stephen Padgett UNICEF. ote qJkst in the very best. But Sonny Sonny Rollins. Lee Jeske Ritenour and his band went on to dazzle ^l|p has a penchant for strolling: he the audience with great tunes like “Moun- [eo |i|k out his tenor saxophone solos tain and “Cats Are Real,” but the we Dance” Spring hither and thither. Well his ee Ritenour, audience really went wild when vocalist Phil s strollings somewhere a week Dave Grusin, Perry and surprise artist Patti Austin joined left Sonny Rollins with a broken the stage for “Sunset Driver.” Austin re- promoters of Musicriuse rolled marked as she came on stage, “I couldn’t |l L Stanley Jordan armchair and hassock for the T he Smiths/Phranc find my seat, so I thought I’d come up here o sit in. Sonny Rollins seated in and sing.” This was truly a highlight to an air on a boat? Piece of cake — What happens when you get the best fu- already extraordinary evenii i. shut his eyes, leaned back in UNIVERSAL AMPHITHEATRE, LOS AN- sion composers and players together on one And if that wasn’t enough, Grusin then per- it up his feet like he was settling GELES, CA — The Smiths — fronted by the stage? You wind up with a special kind of formed a rare solo piano version of his I iubleheader on TV, and played Scarlet Pimpernel of rock, Morissey — flut- excitement and chilling enthusiasm. Lee Ri- theme from the movie Tootsie, dedicating it ively hair-raising tenor saxo- tered into Los Angeles for a two-night en- tenour on guitar, Dave Grusin on key- to Sydney Pollack and Merilyn and Alan Sonny Rollins is at the top of gagement at the Amphitheatre last week. boards, Abraham Laboriel on bass, Vinnie Bergman. s he was on this night — it is the Morissey, a captivating though unlikely sex Colaiuta on drums and Paulinho DaCosta And, for a standing ovation, Lee Riten- (Jl' available in 1986 to the jazz god, has an almost fanatical following on percussion are just the ticket to this rare our, Dave Grusin, Abraham Laboriel, Vin- |ces g l re: the Lester Youngs, Ben Web- among youths in the midst of their identity and unique kind of excitement. On Tues- nie Colaiuta, Paulinho DaCosta and vocalist g,j ir |jJ|l.oleman Hawkins’. It is pure jazz crisis. Perhaps it’s because his songs are so day, Aug. 19, these musical geniuses gave a Phil Perry once again prolonged the excite- j descriptive of similar crises, or maybe it’s concert at the Universal Amphitheatre in with an encore of “This Is The Count- Los! ment , \S gig, Sonny fronted a band con- because his persona exudes fragile vulnera- Los Angeles. Not only did fusion lovers down,” leaving a very enthusiastic crowd ts j n jJUark Soskin on piano, Bobby bility. Nonetheless, fans of The Smiths have show up, but almost every guitar player and dancing in their seats and wanting more. 0I i. guitar, Bob Cranshaw on bass, bestowed upon their hero something resem- teacher in Los Angeles attended, each fully Judie Haymes )esol " ter on drums — Rollins veterans bling god-like stature. jvided a firm cushion and — par- The real question, it seems, is whether he ster — were right with Rollins: is a god-like genius or just a whiney misfit. just enough, laying back at just The evidence from Monday’s show at the >ments. They each also contrib- Amphitheatre is inconclusive. You just ent solos — though all Rollins can’t tell if the stuff he does is a joke or dead faced with the problem of hav- serious. Morissey swirls and swoons. He i Rollins, a thankless task, bends like a sapling in a stiff breeze. His two sets on the boat, Sonny Rol- unbuttoned shirt exposes a bare chest. He d massive improvisations on ca- falls to the ground. Girls (and boys) scream. n’t Stop the Carnival”), ballads But is this showmanship or self-delusion? mental Mood”, with brilliant pi- That Morissey and guitarist Johnny Marr from guest Tommy Flanagan), are two of the better songsmiths to emerge ing a 12-bar stamper that found this decade is beyond question. For shear himself upward and upward — force of lyrical simplicity and aching melan- e screamed like this was the cholia, they can’t be beat. “I Never Had No pop tunes. His solos, as usual, One Ever” and ‘‘Heaven Knows I’m Miser- ind swoop — they built in upon able Now” are as sad and believable as any jj | the melodies were fragmented songs ever written. BUFFET BRINGS FLORIDAYS TO SO. CAL —Jimmy Buffett recently appeared for two •grifsed. After dozens of chorus- On record these songs stand on their sold-out nights at The Greek Theatre in Los Angeles during a national summer tour. Buffett “ t Stop the Carnival” — spurred own. Live, they are given a dramatic (melo- played his previous hits as well as music from his current MCA Records album, “Floridays vd that was hooting and stamp- dramatic?) touch that sends warning signals Shown backstage after the show are (I to r): Myron Roth, president, MCA Records; Buffett; Irving Rollins leaned back in his easy up. As The Smiths came to the end of “Mis- Azoff, president MCA Music Entertainment Group; Howard Kaufman, president of Frontline look of utter contentment. The erable,” Morissey struck a statuesque pose, Management; Richard Palmese, executive vice president of Marketing & Promotion. MCA berty then sailed by the window back-lit, that looked everything like the Records. 1 September 1986 ,J 6, NEWS Penguin Cafe Orchestra Waddles Through Malcoh By Lee Jeske NEW YORK — It’s a match made in movie robber named Frank, Malcolm take music heaven: the quirky, oddball, naive- it’s a delightful movie and much of yet-sophisticated music of England’s Pen- light comes from the way such F guin Cafe Orchestra and Nadia Tass’s Cafe Orchestra pieces as “Telepho Malcolm which has quirky, oddball, naive- Rubber Band”, “The Ecstasy of , a [ yet-sophisticated title character. Simon Fleas”, and “Music For a Found Hi Jeffes, the leader of the Penguin Cafe Or- urn” are utilized beneath the whin chestra, writes music that is guaranteed to Malcolm’s geegaws. All of the music raise a smile and, during an early sequence from the Penguin Cafe Orchestra’s t in Malcolm, when Malcolm is tooling around tions EG albums (distributed here b the streetcar lines of pre-dawn Melbourne “Penguin Cafe Orchestra” and “Brc on his own little tram, the music fits so snug- ing From Home.” ly that it is obvious that Jeffes put in pains- “We were dealing with his n taking work to match music to action. ment,” says director Nadia Tass “Simon Jeffes wasn’t involved at all,” Jeffe’s non-involvement in the film’s '‘CRUSH” MANOEUVERS—Paul Humphreys and Andy McCluskey of OMD are says David Parker, writer and co-producer tion. “And it’s through the mana pictured with producer Stephen Hague and engineer Tom Lord-Alge at Paris ’ Studio de la Grand of Malcolm — the first release from Vestron that we’ve actually been able to acq Armee, where the group recently completed work on their third album for A&M, “ The Pacific Pictures — which opened nationally last rights. And 1 believe the Penguin ( ” Age. “The Pacific Age, ” due for release on September 29, comes on the heels of two recent weekend. “Basically, what happened was chestra are very happy that we’ve cl OMD breakthroughs: “Crush, ” the group’s first Top 40 album in the United States, and “If You we were looking for music for the film and put their music in the film.” ” Leave, their Top Five single hit from the film Pretty In Pink Pictured (I to r): Stephen Hague, one of our editors suggested listening to this “I really have to hand it to our edi Andy McCluskey; Tom Lord-Alge, and Paul Humphreys. band called the Penguin Cafe Orchestra. So Sallows, who is the guy who first “ “ he and I went down to the local record shop, out this music to us,” says Parker. an import record shop, pulled one of their ously felt that the music had an affii records out and played a bit of it — played a the character, and he was right. It \ couple of tracks — and we went for it. So we just a matter of finding the peak Karl*Lorimar Debuts KLV-TV bought a couple of their records, brought action that corresponded to the pea^ them back, and tried fitting them into the music and then run things ba< •' film. Obviously this is a difficult way of do- there — fitting the music in with the Marketing! Scheme At VSDA ! ing things, but this was not a high budget And, although there’s some lot 1 °“ film.” volved, says Parker, “There were i Malcolm is about a young Australian sim- or anything. If you buy the records ^ By Gregory Dobrin pleton named Malcolm — an ingenuous soul, the music as it is.” LAS VEGAS — In a new marketing strategy work.” not unlike Being There's Chance the gar- In an era of pop tunes being s: ith designed to give consumers a hightened In retail outlets that so-far number dener, with an uncanny ability to build gad- every which way into pre-fab formi sense of control over their home video pro- 30,000, K-LV product will be arranged in a gets. When Malcolm meets up with a bank it’s a pleasure to hear — and see - _J S gramming, Karl-Lorimar Video (K-LV), a special KLV-TV section which the company company that expects to become the #1 hopes will help alleviate the “blur” of videos video manufacturer in two years, has an- on the market, and allow them to choose Hefner nounced Karl-Lorimar Video Television easily from the company’s entertainment, (KLV-TV), a blanket sales-oriented cam- fitness, how-to, sports, children and video (continued from page 4) paign that brings all K-LV product under the publishing genres. these pressure groups have found that that pornography is not directly re; banner of a video “network” in which retail The company will spend $5 million in where they can get an inch they will take for sex crimes (including the fact Mf ers act as “affiliates” and consumers be- television, newspaper and magazine adver- another inch and another inch, and those crimes occured in abundance lor;® come programmers. tising over the next several months, of- retailers who have chosen not to buckle such material became available) and i in making the announcement here, K-LV fers extensive in-store displays and other have done so, I believe, not just on principal Hefner’s speech focused on the ( president Stuart Karl said “the consumer p.o.p.’s to augment the debut. The adds will but on the reality that the list of what these such “skewed” government repo: 1 ^ will have freedom of choice” in deciding focus on dealers where KLV-TV is available. people find objectionable is virtually never- Meese Commission’s in a free t lost which programs to screen (tying KLV-TV in “What we’re trying to do,” Karl told re- ending - magazines, books, records, video- which she said endangers the Firs neatly with this year’s Video Software Deal- porters, “is to change the scope of the video cassettes, contraceptives - if you ultimately ment and flys in the face of our k ers Association (VSDA) convention theme, business. It’s a move toward a consumer, allow only that which they find acceptable principal of individual responsi “Freedom of Choice,” which partly es- rather than a manufacturer driven to be your inventory, you will be selling very crime. “We don’t let alcohol sta’1 !® pouses such freedom for the consumer), and business.” little indeed.” excuse for drunk driving,” she no't jiir it called the consumer’s “personal net- While it presented overwhelming findings RJU ik\ RIAA (continued from page 4) Cyndi Lauper’s “True Colors” Search for a Washington-based chief will begin at once with candidate screening by a (continued from page 9) four-member Search Committee chaired by an emphasis on jazz) for almost eight abiltity to be both ingenuous and outra- Gortikov. Gortikov himself will continue to years.” geous is unquestionably one of the main rea- office in New York “to assure an orderly Ironically, one of the keys to finding her sons she has such an unusally commanding transition and to maintain essential contact initial confidence was in going back to mystique. with the industry.” sqaure one, she mentioned. “I re discovered So, with uncertainties in the past and con- “RIAA’s non-Washington activities will the child in me. Everyone has that inno- tinued success in the future, Cyndi Lauper’s continue on a business-as-usual basis,” Gor- cence still somewhere in them. There are so true colors are brighter than ever. “I’m not tikov explained, “even though our home many dimensions to everybody, so many going to be exactly the same now as I was base will change.” The move will eventually different emotional levels. Being a singer, 1 before,” Lauper said about this latest phase include the office of executive director, gen- learned how to call on those emotions, be- in her career. “I’m always going to change eral counsel, anti-piracy, legal, public rela- cause singers have to use them and bend and grow. I’m just glad to have a medium to tions, gold platinum, controller, and them, pull them in and spit them out. That’s do what I want to do. Everybody wants suc- committee projects. Several key executives what singing is all about . . . creating feeling. cess because it enables you to be continu and staff are expected to join the move, That’s what art is supposed to be.” ously creative, to do the work you live and while others will decline. OUTFIELD POP-IN—ASCAP How does Lauper feel about her voice these die for, in a sense. When you have that kind “There will be no diminution of focus on services manager Ellen Meltzer days, then? “It’s a pain in the - really. Basi- of freedom, there’s nothing better.” intra-industry problems and concerns,” Gor- Outfield, following the group’s cally, it’s alright . . Actually, I love my Lauper is set to embark on a worldwide tikov clarified. “We will maintain priority at New York s Radio City voice now. I cherish it and I’m grateful for it. tour this month, with her cross-country tour attention to member wants and needs, here are (I to r): drummer It was a gift, it really was a gift, and it saved of the U S. scheduled to get underway in whether they require action in New York, Meltzer, guitarist John Spinks my life many a time.” And now, Lauper’s late October. Los Angeles, Nashville, or Washington.” er/vocalist Tony Lewis. 34 COUNTRY iSHVILLE FORUM CASH BOX COUNTRY ALBUMS a 3; it left us at a 6 or a 7. “Now, while all that was happpen- Title, Artist, Label, Number, Distributor W ing, we increased our manpower and * = Available on Compact Disc L O = Platinum (RIAA Certified) W C our spending to take care of the 10, like | = Gold (RIAA Certified) 25 JUDY 25 13 the factories that manufacture boots or w JUDY RODMAN (MTM ST- 71050) something, but when the 10 left us, we L 0 EB GUITAR TOWN 28 15 W c didn’t cut it back. And I think that’s STEVE EARLE (MCA 5713) STORMS OF LIFE 1 12 what’s out of kilter. Q 27 LIVE IN LONDON 23 40 RANDY TRAVIS (Warner Bros. 25435- RICKY SKAGGS (Epic FE 40103) “1 think there’s still a healthy market, 1) 28 THE GIRLS NEXT DOOR 30 5 it’s just not as good as some major la- 2 MONTANA CAFE 2 9 ST- 71053) HANK WILLIAMS, JR. (Warner Bros./ GIRLS NEXT DOOR (MTM bels would like to see, because they Curb 1-25412) 29 SEASONS * 27 20 want an Alabama or a Willie or a Kenny WHOEVER’S IN NEW 4 26 OAK RIDGE BOYS (MCA 5714) Q ENGLAND Rogers every day — and they have to 30 HEROES 29 10 REBA McENTIRE (MCA 5691 JOHNNY CASH & have that. WAYLON 4 GEORGE STRAIT #7 3 13 JENNINGS (Columbia FC 40347) But few acts “related to country mu- GEORGE STRAIT (MCA 5750) 31 KILLBILLY HILL 32 10 lowing is the continuation of an sic” are truly mega-sellers, he says. In Q FOUR FOR THE SHOW 6 12 SOUTHERN PACIFIC (Warner Bros. THE STATLERS (Mercury 826-782-1M- 25409) Vf w with Jerry Bradley, former fact, during his 13 years at RCA he wit- 1) ™ Nashville operations for RCA nessed the emergence on the music 32 FIVE-0 31 50 6 GUITARS, CADILLACS, 5 38 HANK WILLIAMS, JR. (Warner Bros./ v heads up the brand new Opry- scene of only three acts — Kenny Rog- ETC., ETC. Curb 1- 25267) DWIGHT YOAKAM (Warner Bros./ sic Group. Part One of the inter- ers, Willie Nelson and Alabama — who Reprise 25372-1) 33 GREATEST HITS*D 34 76 GEORGE STRAIT (MCA 5567) ns printed in last week’s Forum.) could be counted on to sell in multi-mil- 7 ROCKIN’ WITH THE 8 41 having been with a major for so lion quantities consistently. RHYTHM 34 STREAMLINE + 33 50 THE JUDDS (RCA/Curb AHL1- 7042) LEE GREENWOOD (MCA 5622) Bars, one might expect the role “Considering that fact, I hope to be ffl ALABAMA GREATEST 9 28 PB SWEETHEARTS OF THE 41 3 ittle guy”to be somewhat fright- able to run this label on a level where M HITS*D RODEO ALABAMA (RCA AHL1-7170) or at least anxiety-producing. the costs and the sales should be some- SWEETHEARTS OF THE RODEO (Columbia C 40406) RABBITT TRAX 10 18 Hy, says Bradley, where in line. Some of these people are Q EDDIE RABBITT (RCA AHL1-7041) 36 IT STILL RAINS IN 38 4 iljonna be tough, but the associa- laying everything on the line, betting on 10 A FRIEND IN CALIFORNIA 7 24 MEMPHIS th a major for distribution will the guy that’s gonna sell 4 million every MERLE HAGGARD (Epic FE 40286) T. G. SHEPPARD (Columbia FC 40310) ^ iget there.” time out, and I don’t think that, in our 11 TWENTY YEARS OF DIRT 11 13 37 ROSE OF MY HEART 39 4 THE NITTY GRITTY DIRT BAND NICOLETTE LARSON (MCA-5719) ie moment, three major labels marketplace, you’re gonna find that. So (Warner Bros. 25382- 1) 38 STRAIGHT TO THE 40 3 own an interest in handling dis- our company really needs to be struc- 12 CLASS OF ’55* 13 13 HEART C. PERKINS, J.L. LEWIS, R. ORBISON, 9- i for the embryonic indie. Such tured on a lesser scale — to be able to CRYSTAL GAYLE (Warner Bros. ( America/Smash 830 002-1-M- J. CASH 25405-1) 1 would give him the muscle and handle that 3 or 4 million when it hap- ) 39 SOMETHING SPECIAL 35 51 t he needs to be competitive in pens and then don’t think you gotta do |U I TELL IT LIKE IT USED TO 15 13 BE GEORGE STRAIT (MCA 5605) arena, while at the same time it all the time. T. GRAHAM BROWN (Capitol ST- 40 LOOKING AHEAD 37 15 12487) him to maintain a “slim and “Country music — whether you like it BILLY JOE ROYAL (Atlantic America 7-90508) aage for his own organization. or not — is a good, steady flow of artists 14 LOST IN THE FIFTIES 12 22 TONIGHT 41 GREATEST HITS * 36 42 io feel that it’s time for an inde- putting out records at a reasonable RONNIE MILSAP (RCA AHL1-7194) EARL THOMAS CONLEY (RCA AHL1- 7032) . Monument, in the past, has cost. Selling a considerable amount of 15 THE PROMISELAND 14 20 WILLIE NELSON (Columbia FC 40327) j been the most successful inde- records, with everything else — the ex- 42 FROM THE PAGES OF MY 45 3 16 PERFUME, RIBBONS 17 12 MIND out of Nashville, and history penses and all — being in line. & PEARLS RAY CHARLES (Columbia FC 40338) lad l ty of repeating itself. The swing “Somebody’ll still catch a 10, sales- THE FORESTER SISTERS (Warner Bros. 25411-1) 43 BORN YESTERDAY 42 26 :e Id m independents to (major) com- wise, now and then, and then come THE EVERLY BROTHERS (Mercury 17 BLACK & WHITE 18 5 826 142-1) nd I think it’s coming back.” back to a 6 or 7. Conway Twitty’s done JANIE FRICKIE (Columbia FC40383) 44 STARTING NEW 47 3 I: he has a long list of credentials it for years. Waylon did it for years. 18 GREATEST HITS 19 5 MEMORIES EXILE (Epic FE 40401) ivn as a producer, he intends to Milsap’s done it, Dolly’s done it. I guess GENE WATSON (Epic FE 40306) 19 WON’T BE BLUE 16 48 lost of his product through out- every label has done it. 45 THIRTEEN 43 26 ANYMORE (Warner Bros. 9- Is with producers, projects that the label, EMMYLOU HARRIS I independent Bradley new DAN SEALS (EMI America ST 17166) 25352-1) that respect, he’s opting for de- by basing their strategies on a balance m FALLIN’ FOR YOU FOR 26 5 46 FROM WHERE 1 STAND DEBUT jAjif new acts — as opposed to mak- of costs and sales, will be able to maneu- YEARS DOBIE (Capitol ST-12489) l GRAY P CONWAY TWITTY (Warner Bros. realistically in the gering deals with major names. ver more 25408) 47 GREATEST HITS VOL.2 * 44 40 V re just not pursuing heavy con- marketplace. 21 GIRLS LIKE ME 22 20 HANK WILLIAMS. JR. (Warner Bros./ Curb 1-25328) TANYA TUCKER (Capitol ST- 12474) als. We’re really looking to gen- “When the opportunity comes, 22 WILL THE WOLF 20 22 48 SHAKIN’ 46 46 ii ir own demand by signing new we’re gonna be there to jump on it. SURVIVE SAWYER BROWN (Capitol/Curb ST- 12438) iat’s where the money is—find We’re gonna take the opportunity. But WAYLON JENNINGS (MCA 5688) 49 67 ij Jy new and develop 'em. You then you gotta sit down and look at 23 A MEMORY LIKE YOU 21 30 49 GREATEST HITS VOL. 2 JOHN SCHNEIDER (MCA 5668) RONNIE MILSAP (RCA AHL1-5425) > a helluva harvest if it works.” what you really are — at who you really 24 HARMONY 24 24 50 NEW MOVES 48 25 ey envisions such a potential are.” JOHN CONLEE (Columbia FC- 40257) DON WILLIAMS (Capitol ST 12440) out of what he considers a very As I leave the Bradley HQ I hear a marketplace. sound, like the rat-tat-tat of distant r e was a day, in the 50s and 60s drums. A signal that says it won’t be HOT CUTS untry music sold ‘x’ amount of long until the field commander will once On a scale of 1 to 10, say, it again be leading the charge . . . • • • * Hank Williams, Jr. —Mind Your Own Business — (Montana Cafe) ut a 3 or a 4. Then the cowboy ime in and everything sold a Attention radio owners: We know of a Randy Travis—Storms of Life — (Storms of Life) busting’ 10. Everything went high-caliber individual looking for a Randy Travis—Send My Body — (Storms of Life) faylon enjoyed it, Milsap en- manager’s position. This guy can work Dolly enjoyed it, Alabama en- miracles for you. All inquiries will be Girls Next Door—Can’t Say It On The Radio — (The Girls Next Door) - everybody got a taste of that, forwarded. Sweethearts of the Rodeo— Midnight Girl/Sunset Town — (Sweethearts of the i it left. But it didn’t leave us at Tom McEntee Rodeo) Steve Earle —Goodbye’s All We Got Left — (Guitar Town) OUR APOLOGIES Hank Williams Jr. —Montana Cafe — (Montana Cafe) George Strait — Rhythm of the Road — (#7) Randy Travis—No Place Like Home — (Storms of Life) Wtffaek’s Premier One ad, Johanna Edwards’ name was The Statlers— Forever — (Four for the Show) intly omitted from the list of promoters working Mason /Dix- Dwight Yoakam—Bury Me — (Guitars, Cadillacs, Etc., Etc.) lome Grown” single. September 6, 1986 35 CASH BOX COUNTRY SINGLES September 6,1986 J Title W W Artist, Label, Number L O L O Producer (Songwriter) W C W C LOVE KEEP YOUR DISTANCE 38 7 m YOUR LOVE m A.J. MASTERS (Bermuda Dunes Cl 14) (Luu BURBANK STATION 123) LITTLE ROCK 3 11 PH 35 HONEYCOMB 36 5 REBA McENTIRE (MCA 52848) m SIXTEEN CANDLES GARY MORRIS (Warner Bros. 7-28654) 1 JERRY LEE LEWIS (America/Smash 884-934-7) 2 DESPERADO LOVE 1 13 NO ONE MENDS A BROKEN HEART 42 3 m 70 SAD STATE OF AFFAIRS CONWAY TWITTY (Warner Bros. 7-28692) LIKE YOU BARBARA MANDRELL (MCA 52900) LEON EVERETTE (Orlando ORC-114) R] IN LOVE 6 9 1 RONNIE MILSAP (RCA PB-14365) 37 TEN FEET AWAY 28 11 71 I WON’T LET YOU DOWN KEITH WHITLEY (RCA PB-14363) TOM WOPAT (EMI America P-B-8334) El GUITARS, CADILLACS 8 9 1 DOO-WAH DAYS 45 5 DWIGHT YOAKAM (Warner Bros./Reprise 7- 28688) IS m YOU’VE TAKEN OVER MY HEART MICKEY GILLEY (Epic 3406184) BOBBY G RICE (Door Knob DK86-251) 5 SOMETIMES A LADY 5 13 39 YOU MADE A ROCK (OF A ROLLING 29 9 EDDY RAVEN (RCA PB-14319) STONE) E0 WRONG TRAIN BETH WILLIAMS (BGN 71086) THE OAK RIDGE BOYS (MCA 52873) SLOW BOAT TO CHINA 10 12 Q 1 GIRLS NEXT DOOR (MTM B- 72068) 40 WORKING CLASS MAN 30 12 B1 ROCKIN’ AT THE REUNION LACY J DALTON (Columbia 3806098) - LANIER MCKUHEN (Soundwaves SW4777-NSD) 7 COUNTRY STATE OF MIND 2 13 HANK WILLIAMS JR. (Warner Bros./Curb 7-28691) 41 NOBODY IN HIS RIGHT MIND 25 17 75 INDIAN LAKE WOULD’VE LEFT HER CROSSROADS (Moore NR 1931) B1 GOT MY HEART SET ON YOU 12 12 GEORGE STRAIT (MCA 52817) J JOHN CONLEE (Columbia 38 06104) 42 WILL THE WOLF SURVIVE 34 16 76 JUKE BOX SATURDAY NIGHT ROY CLARK (Silver Dollar SD7-0004) A STAND A LITTLE RAIN 14 11 WAYLON JENNINGS (MCA 52830) - J THE NITTY GRITTY DIRT BAND (Warner Bros. 7- 28690) STARTING AGAIN 47 3 SIDES ESS OVER m TWO nil CRY 13 7 STEVE WARINER (MCA 52837) JIMMY MURPHY (Encore EN 10033) CRYSTAL GAYLE (Warner Bros. 7- 28689) m IF YOU’RE ANYTHING LIKE YOUR 48 5 78 ALIVE AND WELL LONELY ALONE 15 9 EYES TAMMY WYNETTE (Epic 3406263) HI“ - THE FORESTER SISTERS (Warner Bros. 7- 28687) ROBIN LEE (Evergreen EV-1043) PH SHAPED LIKE A BEND (IN THE RIVER) 4 45 I’VE GOT A NEW HEARTACHE 39 15 12 HEARTBEAT IN THE DARKNESS 14 NICK SEEGER (Rumpelstiltskin RR1303) DON WILLIAMS (Capitol B-5588) RICKY SKAGGS (Epic 3405898) JUST LOVE 17 8 I’M NOT TRYING TO FORGET YOU 52 4 EH YOU SHOWED ME HOW TO LOVE m ANOTHER J 1 1 m (Columbia 3806246) DON MALENA (Maxima MRC-1234) WILLIE NELSON TANYA TUCKER (Capitol B-5604) HONKY TONK CROWD 56 4 ALWAYS HAVE, ALWAYS WILL 19 10 GOOD OLE COUNTRY MOOD ESS m JOHN ANDERSON (Warner Bros. 7-28639) E3 JANIE FRICKIE (Columbia 3806144) MARCIA LYNN (Soundwaves SW4776) YOU’RE STILL NEW TO ME 63 2 IEI GUITAR TOWN 20 11 82 THAT ALL OVER LOOK IS ALL OVER — n MARIE OSMOND WITH PAUL DAVIS (Capitol/Curb P-B- ^ STEVE EARLE (MCA 52856) 5613) YOU CARLA LADD (Fifth Street CR-106) fn BOTH TO EACH OTHER (FRIENDS AND 21 8 DADDY’S HANDS 55 3 LOVERS) EH HOLLY DUNN (MTM PB-72075) 83 SUSIE’S BEAUTY SHOP 77 Sla EDDIE RABBITT and JUICE NEWTON (RCA PB 14377) TOM T. HALL (Mercury 884 850-7) CHEAP LOVE 59 3 ize; 17 17 JUICE NEWTON (RCA PB-14417) STRONG HEART 11 m HARD ON THE HEART Ion T.G. SHEPPARD (Columbia 38 05905) - J GERRY BAZE AND TOUCH OF COUNTRY (OLR45-115) 51 SLOW MOTION 53 5 m DIGGIN’ UP BONES 27 3 MALCHAK & RUCKER (Alpine APSO03) - 1 — RANDY TRAVIS (Warner Bros. 7-28649) 85 KING LEAR SO THIS IS LOVE 61 4 CAL SMITH (Step One SOR 358) m CHARLY McCLAIN (Epic 3406167) 19 ROCKIN’ WITH THE RHYTHM OF THE 7 16 RAIN 86 WE BUILT A MANSION OF LOVE 88 THE JUDDS (RCA/Curb PB- 14362) 53 FARTHER DOWN THE LINE 50 7 A.J. McBRIDE (Lamon LR-10145) LYLE LOVETT (MCA/Curb 52818) Efil TOO MANY TIMES 24 5 STRAIGHT TALKIN’ 54 THE PAGES OF MIND 49 5 E3 DE EARL THOMAS CONLEY AND ANITA POINTER (RCA MY MELBA MONTGOMERY (Compass C045-7) RAY CHARLES (Columbia 3806172) PB-14380) W 55 ALL BECAUSE OF YOU 57 3 EH HONEY, CAN YOU MAKE IT DE R1 IT’LL BE ME 26 5 OGDEN HARLESS (Cypress CYP-8511) 1 MARTY STUART (Columbia 3806230) J EXILE (Epic 34 06229) BABY, YOU’RE b 22 THAT’S HOW YOU KNOW WHEN 23 13 EH SO YOUNG DE LOVE’S RIGHT CHARTBREAKER MAYF NUTTER (CBT-7777) 'i NICOLETTE LARSON (MCA 52839) FBDDLBN’ MAN DEBUT 90 THE NIGHT PORTER WAGONER CAME 92 m : MICHAEL MARTIN MURPHEY (Warner Bros. 7-28598) TO TOWN ESI SINCE 1 FOUND YOU 32 7 a 1 SWEETHEARTS OF THE RODEO Columbia 38 06166) T.C. ROBERTS (db 86107) HOW MUCH DO 1 OWE YOU 65 4 m (Master bt: W\ SECOND TO NO ONE 31 8 TONI PRICE MR 01) 91 ON A NIGHT LIKE THIS 89 — ROSANNE CASH (Columbia 3806159) THE HUTCHINS BROS (Lamon LR 10147) I’M HAVING A FOGGY MOUNTAIN 64 5 M A GIRL LIKE EMMYLOU 33 5 m BREAKDOWN 92 MIAMI DREAMIN’ SOUTHERN PACIFIC (Warner Bros. 7- 28647) BRANSON! (Ramblin’ R681) SKIP GRAVES (Hornet HR 1012) 26 HIGH SAVIN’ MY LOVE FOR YOU 9 17 HELL AND WATER DEBUT 93 LOST WITHOUT A TRACE m T. (Capitol B-5621) PAKE McENTIRE (RCA PB-14336) GRAHAM BROWN DALE UPTON (Umon LR 1014845) YOU CAN’T STOP LOVE 35 9 SHE USED TO BE SOMEBODY’S BABY 67 2 H2 m LARRY, STEVE, RUDY: THE GATLIN BROTHERS 94 ’OLE LONE STAR MOON 95 SCHUYLER, KNOBLOCH, & OVERSTREET (MTM B- 72071) (Columbia 38- 06252) HAL GOODSON (Progress PR 117) HOME GROWN 37 5 OH LOUISIANA 70 4 95 THE FAMILY FARM D EH m 198310) JIM JESSE (MSR MASON DIXON (Premier One P-O-R- 101) AND JOHN PAUL CODY (Canyon Creek CCR-86O520) 62 THAT’S WHAT HER MEMORY IS FOR 66 3 29 A FRIEND IN CALIFORNIA 18 14 96 THE OTHER HAND BUTCH BAKER (Mercury 884857 7) ON MERLE HAGGARD (Epic 34-06097) RANDY TRAVIS(Warner Bros. 7-28962) AT THE SOUND OF THE TONE DEBUT m DIDN’T WE 41 5 1 m JOHN SCHNEIDER (MCA 52901) 97 YOU CROSSED MY MIND LEE (MCA 52896) GREENWOOD STEVE BART (Gold Rush GR-8601-1) MY LIFE’S A DANCE DEBUT 31 COUNT ON ME 16 16 m ANNE MURRAY (Capitol B 5610) THE STATLER BROTHERS (Mercury/PolyGram 884-721- 98 ACROSS THE ALLEY FROM THE 7) ALAMO 65 FIRST TIME 1 SAW YOU 68 3 BILLY MATA (BGM 61986) LIZ BOARDO (Belmont BR-058) THAT ROCK WON’T ROLL 44 4 E31 1 RESTLESS HEART (RCA PB-14376) 99 NOTHIN’ VENTURED NOTHIN’ GAINED 66 HAVE 1 GOT A HEART FOR YOU 69 4 SYLVIA (RCA PB-14375) ROCKINHORSE (Long Shot LSR 1002) StO 33 YOU’RE THE LAST THING 1 NEEDED 22 17 t. TONIGHT 67 SMACK DAB IN LOVE 71 3 100 TEXAS MOON JOHN SCHNEIDER (MCA 52827 TRACE (Senator S-86T001) JOHNNY DUNCAN (Pharoah PR-2503) s ALPHABETICAL LISTING ON INSIDE BACK COVER \ kl — tOUNTRYRADIO TRONG ADDS WKTY— La Crosse—Jim Crowley HOTPHONES Randy Travis Holly Dunn Diggin’ Bones Randy Travis — (Warner Bros.) Charly McClain Up — Southern Pacific Little Rock— Reba McEntire — (MCA) Jim & Jesse In Love— Ronnie Milsap — (RCA) Burbank Station Bobby G. Rice Guitars, Cadillacs Dwight Yoakam —(Warner Bros. /Reprise) Juice Newton (Pick) — Lyle Lovett Both to Each Other (Friends and Lovers)— Eddie Rabbitt and Juice New- ton — (RCA) Dark Horse: Beth Williams Desperado Love —Conway Twitty — (Warner Bros.) Slow Boat to China —Girls Next Door — (MTM) WMLR—Hohenwald — Michael Kelly Marie Osmond with Paul Davis John Denver Shelly West WQST— Forest—Wayne Sheffield KOFE— Saint Maries—Joe Benson Daryl and Don Gatlin Juice Newton Lee Greenwood Shelly West Michael Martin Murphey (Pick) Restless Heart oe Still New To Me— Marie Michael Martin Murphey (Pick) Billy Joe Royal Wayne Massey ol with Paul Davis— (Capitol/ J. D. Souther/Nancy Shanks Tammy Wynette A.J. Masters Jenny Yates Ronnie McDowell Jack Strong Orleans Pacific T. I in’ Man— Michael Martin Southern Graham Brown Holly Dunn Cal Smith Watson ., Gene >i y —(Warner Bros.) Perry LaPointe Mickey Gilley Toni Price I e Sound of the Tone—John tier— (MCA) Mayf Nutter Gerry Baze and Touch of Country Michael Martin Murphey t| fe’s A Dance —Anne T. Graham Brown Jim & Jesse Shelly West Don Malena B — (Capitol) Larry, Steve and Rudy: The Gatlin :^en Candles—Jerry Lee Steve Willoughbyy Dark Horse: None Brothers Billy Joe Royal -(America / Smash) howed Me How to Love Cal Meece KRRV—Alexandria— B. Mitchell Dark Horse: Roy Clark I lena — (Maxima) Marie Osmond with Paul Davis Dark Horse: Roy Clark John Schneider (Pick) WICO— Salisbury — C.R. Hook Shelly West Beth Williams Dl KAYZ-FM— El Dorado — Dave Sehon Todd Joos Sonny Martin A.J. Masters Branson! The Solid Gold Band The Stonehill Bros. Jim & Jesse Barbara Mandrell (Pick) rATION ADDS Slewfoot Lanier McKuhen John Schneider Orleans Mason Dixon Larry, Steve and Rudy: The Gatlin * -Roosevelt— Charlie Cruise Juice Newton (Pick) Beth Williams Brothers n'Jandrell (Pick) Don Malena Don Malena Marie Osmond with Paul Davis cKuhen Bobby G. Rice Malchak & Rucker Robin Lee 71 Station Melba Montgomery ze and Touch of Country Dark Horse: Toni Price Dark Horse: Steve Ricks v iton Dark Horse: none isi KSGM— Ste. Genevieve —Bob Scott I irse: Perry LaPointe WYXC— Cartersville — Julie Frew Steve Wariner (Pick) Roy Clark Barbara Mandrell UYpsilanti—Clyde Beaver Mayf Nutter Marie Osmond with Paul Davis ey Rockinhorse Shelly West r Daryl and Don Gatlin Larry Boone m Brown (Pick) Marie Osmond with Paul Davis ;ee Johnny Bee Dark Horse: None iggard Bobby Rich 101 Dt Steve Ricks ?na Ray Price artin Cal Meece Dl IcDowell Branson! Cal Smith fl lurphy IE John Schneider (Pick) ton Dark Horse: Mason Dixon D >rse: Vern Gosdin "Thanks, Radio, For Your Support" T.C. Roberts The night Porter Wagoner Came To Town #90 this week Cash Box Country Singles IED 43 records db 86107 x 5807 ^Itlutnbus GA 31906 db (404) 323-2867 records MONTANA’S NOT SO COLD— Bill Wright of KPQX in Havre warms up to Tanya Tucker after a recent concert in the Northern Montana town. 1 '°X September 6, 1986 37 COUNTRY STREET TALK\ OUT OF THE BOX\ ANOTHER TALENT SEARCH— gro. ..When Carl Perkins and his wife T. GRAHAM BROWN (Capitol P-B- Wrangler Jeans is conducting a major Valda returned home from a cruise re- 5621) Hell And High Water (3:08) event titled the Willie Nelson /Wran- cently (on which he was performing) (April/Ides of March/Preshus Child- gler Music Invitational. The best lo- they found a package waiting for them. ASCAP/BM1) (T.G. Brown, A. Harvey) cal blues, rock and country acts in ten Inside, Perkins found a handmade gui- (Producers:B. Logan) major U.S. Markets will be given an op- tar with a heart-shaped sound hole and Does this guy really gargle with portunity for national exposure. a silver plate engraved with his name on Drano? What a throat! Sounds like Unlike any other national talent the front, and on the back was the mes- gravel under attack by acid rain. And, search, this one is by invitation only. sage “To Our Rockabilly Buddy,” of course, it’s not without strong effect, Sponsoring radio stations in Baltimore, signed Dave, Eric, Ringo, George. as evidenced by this gritty ditty which New Orleans, Nashville, Houston, Seat- (Ringo and George are obvious, Eric re- his T-ness co-created along with heavy- tle, St. Louis, Denver (CB reporter fers to Clapton and Dave is producer duty pen pal Alex Harvey. Expect him KBRQ), Tampa, New York and San Dave Edmunds)... Nashville songwriters to score heavily with femme listeners. Diego will select a nominating commit- Pam Rose, Mary Ann Kennedy and tee that will then invite up to seven acts Thom Schuyler (of Schuyler, Knob- to compete in each category. The act loch and Overstreet) were recently in must already be in existence with a local the Stargem studio remixing some of following and must not have had a sin- their songs — with folks from Warner gle or album on any national chart. Bros. Music listening in. ..The Interna- GEORGE STRAIT (MCA-52914) It Ain’t Cool To Be Crazy About You ( The winner of each category in the tional Country Music Awards, vot (Larry Butler/Blackwood/Southwing — BMI/ASCAP) (D. Dillon, R. Porter) (Pn regional contests will then compete ed by readers of Britain’s Country ers: J. Bowen, G. Strait) with the three winners from each of the Music Round Up, selected Ricky The cowboy dons a tux and slides smoothly into a new/old sound. From its ] remaining markets. The finals will be Skaggs the Most Popular International bar simplicity to the full ballroom orchestration, this one’ll knock you Strait. held Nov. 21 in Austin to select the na- (Male) Solo Act of the year, and Janie THE O’KANES (Columbia 38-06242) Oh Darlin’ (2:51) (Cross Keys- tional country, blues and rock winners. Fricke received the same award in the (J. O’Hara, K.Kane) (Producers: K. Kane, J. O’Hara) RADIO NEWS: CB reporter WRNS- female category. ..The Oak Ridge The tune may sound vaguely familiar, but you’ll still find your foot keepin’ Kinston, N.C. scored heavily in the lat- Boys held a press conference in Nash- spite of itself. est ARB results, reports P.D. Kevin ville to dispel rumors of their impending KATHY MATTEA (Mercury 884 978-7) Walk the Way the Wind Blows O’Neil, who tells us that the station breakup. Even though they joked about (Colgems-EMI/White Sheep — ASCAP) (T.O’Brien) (Producer: A. Reynolds) jumped in cumes from 45 to 109, while it being great for their tour dates (“Peo- The wind’s blowin’ Mattea right into the hearts of tradition-loving also off in ple this their last this release. knocking #ls 12 + , 18 + , are hearing may be with 25+ and a #2 in 35+ in the Coastal chance to hear us as a group”), they felt GEORGE JONES (Epic 34-06296) Wine Colored Roses (3:17) N.C area. ..Another CB reporting sta- the rumors have gotten out of hand, Frizzell/Cavesson — BMI/ASCAP) (D. Knutson, A. L. Owens) (Producer: tion, KVOO-Tulsa, didn’t realize, when and as they enter the recording studio The soul-searing sounds of the legendary Jones voice are in full force they did an on-air interview with the with a new producer, Jimmy Bowen, Nothing new — but then, he doesn’t have to. Almost Brothers (Mike Ragogna and they wanted to clear the slate. (After all, ED BRUCE (Duet with Lynn Anderson) (RCA 5005-7 RDA) Fools For Steve Mosto) recently, that it would re- they have to make room for new ru- Other (3:55) (Chappell — ASCAP) (G. Clark) (Producers: E. Bruce, B.Mevis) sult in a booking agreement for the two mors, don’t they?). ..Fans will get to E.B. gives the ballad a solid base, and Anderson shoots it full of with the Halsey Company. Jim Hal- hear Dolly Parton, Linda Ronstadt overdue vocal matchup. sey heard their rap with Billy Parker and Emmylou Harris perform a cut JENNY YATES (Mercury 884 973-7) Let It Be Love (2:28) (Galleon — on the station and called KVOO to talk from their elusive album before the five- (J. Yates) (Producer: J. Kennedy) to them. One thing led to another and, year project is completed when the trio Nice vocals with lots of backup harmonies on an upbeat tune. without even seeing the boys perform, performs at the CMA Awards in Octo- Halsey signed them with the agen- ber. The busy girls’ schedules have cy. ...Scott Piper, Assistant P.D. for been hanging up the finishing touches KFDI-Wichita, announced the station’s of the LP, which is now hoping for an ALBUM RELEASES involvement again this year in the Kid- early 1987 release. NASHVILLE ney Foundation’s Annual Horse & Wag- NEWS: Johnny Cash was signed to MOMENTS— Barbara Mandrell— on Ride-For-Life on Sept. 27-28. ..Bill Polygram Records a couple weeks (MCA MCA-5769)— Producer: Lawson, Jr. was recently appointed ago. He shares the label with one of his T.Collins General Manager of WMTZ-FM, Au- fellow “Highwaymen,” Kris Kristof- For ballad-loving Barbara fans, we’ve gusta. CHIT CHAT: Freddie Fend- ferson, and there may be a possibily, got your staying-in-love ballads, falling- er is spending his time in New Mexico unconfirmed, that Waylon Jennings out-of-love ballads and looking-for-love with Robert Redford filming a movie will be involved in the production end of ballads, each with their own strengths titled The Milagro Bean Field War, in a Cash project. and weaknesses. “Love’s Gonna Get which he portrays the mayor of Mila- Valerie Hansen You” has a pleasing lite rock sound, “Freedom Feels Like Lonliness Today” is strong lyrically, and “Come As You Were” has a great bluesy sax opening. For something more upbeat, try “You Know What I’m Not Talking About.” I ONLY WANTED YOU- Osmond— (Capitol ST-125| Producer: P. Worley If you’re still in a lovin’ state c after Barbara, Marie will take ov' a selection of being-in-love-rig songs. The tempo sways from th tiful “Cry Just A Little” and The Feeling” to the mid-tempo c “I Only Wanted You” and “New to the upbeat “Everybody’s ’Bout My Baby.” This one also c that great Osmond/Davis IT’S STUDIO TIME—Keith Whitley (right) and producer Blake Mevis returned to the studio “You’re Still New To Me.” recently to add three new cuts to Whitley’s “L.A. to Miami” album Cash Box Septembe h( 1 COUNTRY INDIE SPOTLIGHT » !SH BOX TOP INDIE SINGLES JERRY LEE LEWIS (A merica/ W Smash 884 934-7) Sixteen Candles K- L O (3:44) (Unichappell-BMI) (L. Dixon, A. W C hent) (Producer:C.Momam) ilE 11 YOUR LOVE 13 3 GROWN The Killer can still get a stranglehold j)N DIXON (Premier One P O R BURBANK STATION (Luv 123) i'ontact: (615) 321-5566 Contact: 3784 Realty, Dallas, TX 75244 on a lyric and just wear it out, as he proves with his updating of this ageless I 'E KEEP YOUR 12 YOU’VE TAKEN OVER MY 16 Itance HEART tale of pubescent warmies. Yanked llASTERS (Bermuda Dunes Cl 14) BOBBY G RICE (Door Knob DK 86 the “Class of ‘55” LP, the tune Bet: (619) 345-2851 251) Contact: (615) 3836002 from truly dates back to that original class OU’RE ANYTHING 13 WRONG TRAIN 17 year) should ignite a |k YOUR EYES BETH WILLIAMS (BGM 71086) (give or take a and 654-8773 S LEE (Evergreen EV 1043) Contact: (512) history-bookful of interest from old-tim- |ct: (615) 327-3213 14 ROCKIN’ AT THE 18 ers as well as any younger folks count- W MOTION REUNION ing candles at this time. |fcHAK & RUCKER (Alpine APS- LANIER McKUHEN (Soundwaves SW i'ontact: (615) 327-2227 4777-NSD) Contact: (615) 385-2704 f MUCH DO I OWE 15 SIXTEEN CANDLES DEBUT Wt JERRY LEE LEWIS (America/Smash- INDIE FEATURE PICKS 884-934-7) Contact: (615) 2443776 3l| PRICE (Master MR-01) Contact 12544900 16 TWO SIDES 19 SUSAN ROSE (Sollie Sunshine SR-0001) This Girl (3:30) (Music City Maxie — SAVING A FOGGY JIMMY MURPHY (Encore EM 10033) BMI) (M. Lawrence, M. Barton, F.Palmer) (Producer: M. Lawrence) NTAIN BREAKDOWN Contact: (818) 842-8300 lilSON (Ramblin’ R 861) Contact: Fiddle kicks off, steel kicks in, and pleasing female vocalist fills in the spaces of .76-1729 17 INDIAN LAKE 14 CROSSROADS (Moore MR 1931) this two-stepper. Contact: 2596290 OUISIANA 10 (317) VANESSA PARKER (Lamon LR 1015445-1) Only A Fool (2:51) (CDT — .-.ID JESSE (MSR 198310) Contact: s ~««ox 24646. Nash., TN 37202 18 JUKE BOX SATURDAY 15 ASCAP) (M. Allen) NIGHT (Producer: D. Moody, C. Moody, D. Moody, T.Moody) I ROY CLARK (Silver Dollar SD76004) . »T TIME SAW YOU Spill Contact: 334-6655 I DARDO (Belmont BR058) Contact: (417) Nice, straight-forward country tune. 1664171 GEARY HANLEY (Kansa KA 629) Pride of Texas (2:29) (Jack and Bill/Aman- 19 SHAPED LIKE A BEND (IN 20 ilo#s|,[E I GOT A HEART FOR 1 THE RIVER) da-Lin/Hall-Clement/Laurel Mountain/Ricky Skaggs — ASCAP/BMI) (L.Cordle, NICK SEEGER (Rumpelstiltskin RR ' l0 K D. Clark, R.S. Clark) (Producers: K. Johnson, R. Light) (1NHORSE (Long Shot LSR-1002) 1303) Contact: (212) 8761445 [WW tt: (919) 663-2822 This ear-catcher will pluck the strings of Texans and Texans-at-heart. 20 YOU SHOWED ME HOW DEBUT NICKY HARRIS (Carolina CR-516) Holy Cow (3:16) (Marsaint — BMI) (A.Tous- |ICK DAB IN LOVE 12 TO LOVE E (Senator S86-1001) Contact: DON MALENA (Maxima MRC-1234) saint) (Producers: N. Harris, C.Styron) *127-1700 Contact: (714) 6531556 Country vocals teamed with Dixieland brass makes for a unique swing sound. UPAND COMING ALSO MENTIONABLES LE COUNTRY MOOD MARCIA LYNN (Soundwaves SW4776) BILLY JOE BURNETT (Orbit OR 2113) It’s So Easy N THE HEART gerry baze and touch of country iolr4sh5) DAVE PLUMMER (Cypress CYP 8512) Waiting On You iHT TALKIN’ melba Montgomery (Compass co467) on-A CAN YOU MAKE IT OGDEN HARLESS (Cypress CYP 8511) EAR CAL SMITH (Step One SOR 358) INDIE LP REVIEWS NICK SEEGER (Rumpelstiltskin RKHORSE CONSENSUS RRLP 1303-A) Producers: E.Roth- pearl, C.Cassone, R.Sabino l| SHLEY—One Strike You’re Out (West W 722) This LP offers quite a cross section of lent radio response already coming in on this debut effort by musical styles on mostly self-penned ligster with the super voice. Dark Horse picks coming in from all directions, tunes. Seeger bounces through g KNEU, KBFS, WAMS, WCCN, KAYZ, WMLR, KFEQ, KVGB, KJJR, “Shaped Like a Bend in the River,” ’ 1 KWOC, WSCP and KPQX. Expect a good future from this one. croons the blues on “Don’t Let the Past” and “So Familiar,” and then steels his way into the basic country swing of “Take Two” and “You Said No.” This is the kind of album that grows on you the more you hear it. THANKS TO “CHARTMAKER” STATIONS FOR OUR BULLET DEBUT IN CASH BOX AND INDIE BULLET #89 Cash Box Top 100 ‘Baby You’re So Young” ads Mayf Nutter MILLING AROUND— It was grins in a circle at the Music Mill studio in Nashville when the crew on CBT Records listened to the final playback of Lanier McKuhen 's "Rockin 'at the Reunion" single. Pictured (I to r) are: engineer Gene Rice, McKuhen, and co-producers Jimmy Payne and Joe Gibson September 6, 1986 39 | Lend A Hand: LP REVIEWS THE COLLECTION — AMY Help For The Homeless GRANT—MYRRH 7-01-684306- 8— PRODUCER: BROWN BANNISTER By Amy Lavelle Grant’s Collection” “Lend a Hand,” a national tour to benefit For more information on how you can Amy “The fea- homeless people, has been organized jointly "Lend a Hand" in your city, phone Atkins, tures some of her best-known songs by the Benson Company and Rick Brenck- Muse and Associates in Nashville at (“My Father’s Eyes,” “El Shaddai” and man, founder of Home Aid, a relief project (615)259-9111. “Find A Way,” to name a few) and two originally intended to help the homeless of new ones: “Stay For Awhile” and the New York City. Now that project has been hopeful “Love Can Do.” These two expanded to include the homeless in the en- have much of the modern synchroniza- tire USA. tion techniques added, in tasteful and The project was inspired by Brenckman’s fitting ways. A wonderful package that song “Not a Handout, Just a Hand,” which Benson picked up and recorded with Jessy is no less than what we’ve been hearing Dixon, Brent Lamb and Angie Lewis, in a from this energetic leader of Christian Billy Smiley production. Plans were then set music. for a 29-date tour featuring these same art- ists. The tour will begin on September 6 in SHOUTING AT THE WALLS— Columbus, Ohio and end in Chicago on De- RICK RESO —HOME SWEET cember 13. Other cities included in the tour HOME 7-01-001439-6 — PRO- are St. Louis, Detroit and Atlanta. DUCERS: RICK RESO AND TIM All funds raised at each specific site will From left to right: Jessy Dixon, Brent Lamb JAQUETTE be used to benefit the homeless of that city. and Angie Lewis recording "Not a Handout, music! If you’re not in The Benson Co. is sponsoring the tour with Just a Hand" at Hummingbird Studio in Nash- Good mood a a number of local groups from each urban ville. The song is the theme of their upcoming good mood when you begin listening to "Lend a Hand" tour. this, chances are you will be when it’s over. The title cut is aggressive — and so is “No Fear of Flying,” with its street- flavored rock n’ roll beat. Towards the CASHBOX end, you’ll find the peaceful and reas- suring “Edge of Darkness,” followed by ANYTHING ELSE IS A “See the Light.” The LP Reso-nates with soul and energetic vocals, which, when combined with some real nice har- COMPROMISE monies, creates a flavorful sound. CASH BOX TOP 30 CASH BOX TOP 30 SPIRITUAL ALBUMS INSPIRATIONAL ALBUMS W W W L O L O L o W C W C W c 1 l WE’RE WAITING 1 43 16 LOVE ALIVE III 16 81 MORNING LIKE THIS 1 21 ED UNDIVIDED SANDRA CROUCH (Light/Lexicon WALTER HAWKINS (Light LS 5857) SAND! PATTI {Word 9003) FIRST CALL (Dayspring 4144) 5855) THERE IS HOPE 17 17 17 SHAKE TO ES MILTON BRUNSON AND THE SCANDALON 19 ME WAKE ME STEVE CAMP (Sparrow SPR 1103) 2 CELEBRATION 2 37 THOMPSON COMMUNITY SINGERS MICHAEL CARD (Sparrow SPR 1117) SHIRLEY CEASAR (Rejoice 7-01 (Rejoice 7-01-500528-X) BIG PICTURE 5001284) GIANTS IN THE LAND 25 ED THE IS TRYING 18 11 MICHAEL W. SMITH (Reunion 7-01- MAYBE GOD (Dayspring 4135) Gen WAYNE WATSON ! ED 000512- 1 3 LET MY PEOPLE GO 3 29 TO TELL YOU 5) THE WINANS (Quest 9 25344) Ora SOMETHING THE CHAMPION 17 19 LIVE LEARN SOUNDTRACK FROM THE COLOR AND CARMAN (Word WR 8321) PAUL SMITH (Dayspring 4139) El THINGS ARE GOING TO 4 23 PURPLE (Warner Bros. 20466) WORK OUT SOMEHOW HAND IN HAND 21 7 MEDALS 59 CHRONOLOGY REV CLAY EVANS AND THE ED (Myrrh 7-01- 679206- m 7-01-6844064) THE WILLIAMS BROTHERS (Malaco RUSS TAFF 4) DAVID MEECE (Myrrh (Savoy FELLOWSHIP CHOIR 14777) 4409) COMMANDO SOZO 37 NO KIDNAP TODAY 20 WORK ON ME 20 23 m 5 JUST A REHEARSAL 5 39 DEGARMO AND KEY (Benson/Power MICHAEL JAMES MURPHY (Home ALBERTINA WALKER (Savoy 14766) WILLIE NEAL JOHNSON and the Disc PWR 01079) Sweet Home 0012) GOSPEL KEYNOTES (Malaco 4403) 21 YESTERDAY, TODAY, 19 23 FOREVER VOICES IN THE WIND 8 16 m SHADOWLAND 6 SHEILA WALSH (Myrrh 6838) HE IS THE LIGHT 6 29 DONALD VALES/CHORALEERS TERI DESARIO (Dayspring 7-01413103- AL GREEN (A&M 5102) (S O G. 149) X) 23 CHANGE THE WORLD 7 HAVE MERCY 7 47 22 THE SEARCH IS OVER 22 21 DALLAS HOLMES AND PRAISE 5110) SOMEBODY’S BROTHER 15 EDWIN HAWKINS (Light TRAMAINE HAWKINS (A&M (Word 7014138014) 5887) SCOTT WESLEY BROWN (Sparrow 23 1 GIVE MYSELF TO 23 57 YOU SPR-1112) 24 WHAT YOU NEED 8 DEDICATED 8 53 THE RANCE ALLEN GROUP (Myrrh 7- THE ENGLISH BAND (Myrrh 7- 01- NICHOLAS (Command CRN 1003) 016784061) BENNY FROM HERE 51 681301-1) 24 MISSISSIPPI POOR BOYS 24 39 BENNY HESTER (Word SPCN 9-01- 9 JUST DARYL 9 15 CANTON SPIRITUALS (Jay and Bee 638357-3S) SO GLAD I KNOW DARYL COLEY (Plumbline 7012) 0069) E DENIECE WILLIAMS (Sparrow SPW HOLDS KEYS 11 57 1121 ) 10 MAKING A WAY 10 57 25 BLESSED 25 43 HE THE ED STEVE GREEN (Spanow SPR 1104) THE TRUTHETTES (Malaco 4397) THE WILLIAMS BROTHERS (Malaco 26 SHEEP IN WOLVES 4400) IN 10 29 CLOTHING 11 GREATEST HITS 11 47 ii BLACK AND WHITE A SO GLAD 1 KNOW 27 4 MYLON LEFEVRE AND BROKEN JACKSON SOUTHERNAIRES (Malaco m GREY WORLD DENIECE WILLIAMS (Sparrow SPW LESLIE PHILLIPS (Myrrh 7-01682606 HEART (Myrrh 7016790061) 4402) 1121) 6 ) BETTER THAN BLESSED 28 4 LOVE AROUND THE 12 UNSPEAKABLE JOY 12 57 m LOUISE CANDY DAVIS and FAITH WORLD DOUGLAS MILLER (Light 5876) ARMED AND DANGEROUS 9 LEON PATILLO (Myrrh SP 753) (Malaco MAL 4405) ED MATHEW WARD (Lone Oak 0005) 13 COME UNTO JESUS 13 41 28 LIVE AT THE 26 53 SILENT PARTNER REV CHARLES NICKS (Sound of WASHINGTON TEMPLE 13 UNGUARDED 67 JESSE DIXON (Power Disc/Benson Gospel 146) C.O.G.I.C. AMY GRANT (Myrrh 7 016806065) PWR01078) TIMOTHY WRIGHT (Gospearl PL 14 HOLD ON 14 43 16021) 14 HOLY ROLLIN 14 13 SONGS FROM THE HEAR1 REV F. C BARNES & REV JANICE BRYAN DUNCAN (Light 70912) SANDI PATTI (Impact R03884) BROWN (Atlanta International 10099) 29 1 AM GOING ON 29 57 COMMISSIONED (Light 5861) ED ELECTRO VOICE 16 9 KINGDOM SEEKERS ED JEHOVAH IS HIS NAME 15 17 30 NO TIME TO LOSE 30 104 DAN PEEK (Heartwarming/Benson TWILA PARIS (Starsong SPCN 7-102- INEZ ANDREWS (Jewel 0191) ANDRAE CROUCH (Light LS 5863) 3834) 06186 2) 40 Cash Box Septeml - LASSIFIEDS CLASSIFIED AD RATE 35 CENTS PER WORD /ery word including all words in firm name. Numbers in address count as one word Minimum WANTED— Quarter Horses Lasers — Ke- | >ted $10.00 or CHECK MUST ACCOMPANY ALL ORDERS FOR CLASSIFIED CASH nos — Mach 111 — Dragons Lair Pole Posi- JUKEBOX OPERATORS—We will buy i: USING. If cash or check is NOT enclosed with your order your classified ad will be held for tion— Spy Hunter — Punchout — your used 45’s — John M. Aylesworth & i receipt of your check or cash. NOTICE — $203 Classified Advertisers (Outside j issue pending classified Crossbow — Paperboy — Hangons — Gaunt- Co., 9701 Central Ave., Garden Grove, 1 $78 to your present subscription price). You are entitled to a ad of 40 words in each issue for a period of one full year, 52 consecutive weeks. You are allowed to change your lets— Will exchange for Belgian Cranes — Calif. 92644 (714) 537-5939 each week if you so desire. All words over 40 will be billed at a rate of per word. Please Jd 35c Five Line Criscross — Pokers — Bingos, etc. >rds carefully. Be sure your Classified Ad is sent to reach the Los Angeles publication office, Amuse, Hillside, New Jersey (201) inset Blvd., Los Angeles, CA 90028 by Tuesday, 12 noon, of preceding week to appear in the A&P 926-0700. 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II Electronic Scales. High quality Cannady Amusement Co., 2819 Detroit EMPLOYMENT SONGWRITERS Low cost direct from manufac- Rd„ Niles, MI 49120. Phone: 616-683-5913. act ASTRO VISION INC., 145-9 • • • GOVERNMENT JOBS $16,040- SONGWRITER’S MONTHLY NEWS- ;e., Nepean, Ont., Canada K2E ATTENTION JUKEBOX OPERATORS $59,230/yr. Now Hiring. Call 805-687- LETTER, 1626 N. Wilcox, #940, Holly- 513) 226-7515. current issue send: SUNBELT MUSIC, TEXAS LEADING 6000 Ext. R-4415 for current federal list. wood, CA 90028. For SUPPLER TO JUKEBOX VENDORS, HAS $1.00. Every Songwriter should have a £ME . . BEST SELECTION AT i ... October 4 . 11:00 AM., THE OF 45S THE copy!! stributing Co., 36339 Groesbeck BEST PRICE! WITH PREPRINTED TITLE REAL ESTATE Clemens, Michigan. Phone (313) STRIPS FOR ALL NEW RELEASES Over 100 Pinball, Video, Phono- OVER 5,000 OLDIE TITLES, ALL OR- SONGWRITERS: MillionSeller writer/ Pool Tables. Consignments DERS SHIPPED THE SAME DAY. 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Best Lucky Star Music, 88 over 5,000 oldie titles, all orders (717) “Top Songs”, Excellent • • • “Top Recordings”. Hampton Road, Forest Gate E7-ONU, Lon- e samesarr day. Use our toll free # for TV Album $7500.00. Call (615) 226- don, England •-527-; 5137 . . . Texas 1-800442- SLOT MACHINES FOR SALE— 1723. 534-3715. il-Ot World’s largest Manufacturer of Video Slots — in stock 1000 assorted Bally-Jen- nings — IGT-must be sold now! Si Redd, wSW. ) POOL TABLES 4x8-$l,000 IGT, 520 So. Rock, Reno, NV 89502, (702) Ueposit & balance C.O.D. 1 want 323-5060. S Crownline Cig Machines in good ; • • • Henry Adams Amusement Co. 1st, P.O. Box 3644, Temple, TX ATTENTION! Join the Illinois Coin Ma- ! chine Operators Association Now! United We State Tall. For further information call 312-369-2406. iS VOLUME Control & Re- • • • COCKSURE CBS recording artists Cock Robin were recently presented with gold record — Minute installation time on — Lucky Distributing Company. Distribu a wards earned for sales of their debut self-titled album in Europe. Cock Robin ha ve earned awards Choice wall mount or hand held. tords for: l.G.T. Credit Plays — Rock-Ola in France and Holland. Pictured at the presentation are (I to r) Bunny Freidus; senior vice :e - ree Rl' $180.00. Berkhoff De- 0 Phonographs — Irvine Kaye Pool Tables. (If president, creative operations. CBS Records International; Bob Campbell .vice president, market 1 Montaur Hy, Brookhaven, NY It Takes Coins We Got It). 2179 Nolensville ing and sales. CBS Records International; Richard Denekamp. marketing and sales manager. b) 2824527. CBS Rd„ Nashville, TN 37211. (615) 242-3621 Records Holland; Henri De Bodiant. managing director. CBS Records France, Jay Landers, Cock Steve Shacklett, owner. Robin 's manager; and cock members Anna La Cazio and Peter Kingsbery. - 1 'X 1986 September 6 , 41 COIN MACHINE! " Around The Route New Accessories From By Camille Compasio Arachnid With the exception of maybe a handful of bear hug that was his traditional convention newcomers to the trade, is there anyone in greeting. Lenny died on Tuesday, August coinbiz who does not recall the days when 19. Cash Box expresses condolences to his CHICAGO — Arachnid, Inc. is currently of- tained by writing Arachnid at P.( Len Schneller traveled far and wide in wife, Reba, and the Schneller family. We fering operators their new English Mark 2901, Rockford, Illinois 61132-2' behalf of U.S. Billiards to set up, coordinate shall all miss this beautiful man. May he rest Darts full color accessory sheets which illus- phoning the company at 815-654-02 and promote coin-op pool tournaments? in peace. trate a wide variety of products such as dart : His name was synonymous with these Windy City debut. We don’t have an ex- collars and shafts, hundreds of flight designs 'l events and he unhesitatingly gave his all act count as yet but an estimated 250 opera- and the new point of purchase display rack whenever he was called upon because he tors from Chicago and the surrounding with blister packed products. These sheets loved doing them. What about his jokes and areas were on hand at the Como Inn on are up to date with all of Arachnid’s new anecdotes? He had a million of ’em. You Thursday evening, August 21, to view the part numbers and contain photos of many couldn’t miss seeing him at industry trade new Seeburg “Laser Music System” com- products never before offered by the com- W ft shows. No way. If you didn’t get to his ex- pact disc jukebox. The showing was hosted pany. One addition is the new 2ba/2ba col- hibit he’d get to yours. I remember one par- by World Wide Distributors, with an assist lars (24 in all). ticular year when I was sitting at the Cash from the entire Seeburg executive team, Additional sheets featuring other new Box booth and along came Lenny, slowly who provided ops with all of the particulars items such as sportsware, and novelty items walking by with what appeared to be a small about the CD juke. The majority of those will be available in the series. dog on a leash but was in reality a stiffened attending were seeing the machine for the The individual sheet format will allow leash with nothing attached. I cracked up first time. We’ll have full coverage of the new sheets to be added as new products and so did everyone else he encountered event in next week’s issue, but suffice to say become available. Brochures may be ob- that day at an AMOA convention. There the op turnout is indicative of the kind of was always something he would do to make interest sparked by this machine. World people laugh and, in the process, he en- Wide prexy Fred Skor was ecstatic over deared himself to all of us. At the past few the response - which was totally positive - conventions, however, the effects of failing and the attendance, which was totally ex- Rock-Ola Intro's The health were becoming progressively evi- pected, based on the enthusiasm ops ex- ’86 dent. When I saw him last, at the March pressed to him when he announced his ‘Nostalgia’ Jukebox ACME convention in Chicago, he was in a plans for the showing. We are all experienc- wheelchair. That familiar voice which in- ing the start of the jukebox revolution - long variably announced his presence even be- may it prosper! And when it comes to pro- fore he came into view was softer and the nouncing the word j-u-k-e-b-o-x, no one does By Camille Compasio — 6-8 wide Schneller grin was narrower but there it quite like Seeburg board chairman Ed CHICAGO Rock-Ola Manufacturing ber AMOA convention in Chicagf ^ was still a glimmer of sparkle in his eyes,, as Blankenbeckler, with his own personal Corp. has come up with a terrific idea for a The machine will be produced in he extended his hand to me in lieu of the flair! phonograph. They’ve taken the advanced quantity, the primary market prefer^ technology of the present in combination ing the music operator. However, Bi with cosmetics structural the and design of stressed the obvious appeal of the N „ s decades passed to produce the Rock-Ola to the home market. “This is a “Nostalgia” jukebox. In appearance, it is for the home. You see it given away ^ (Mi unlike anything that’s been on location for . . promotions^, shows . you see big quite some time, and here you have the key and, as a matter of fact, we are wo^ii for attracting patron interest. Since it is rem- various promotion ideas at Rock iniscent of the 50’s, there will be those who told us. In addition to which, the Nc will gravitate to it simply because it repre- coming out right before the Chris* >3 sents a past era and, perhaps brings back son so it is conceivable that holii youthful memories; but it also holds appeal chases will be reflected in the sale: for the younger generation who are natural- We talked a bit about the jukt> , ly attracted to new concepts and new ket, its soft periods, and how the n ID. adaptations. erator often needs a little shove tow When Cash Box first learned of the piece, direction of new equipment purcl we contacted Rock-Ola’s executive vice major stimulus, of course, is an ir The Rock-Ola “Nostalgia ” jukebox, in the The “Nostalgia ” offers 160 selections and you president Bette Lockhart, who obligingly ar- product. “Music is a replacement bi'Wi company of executive veepee Bette Lockhart can see the lineup in this photo. Stan Harris, ranged to have one model ready for us to said Bette, “to the tune where Ssdf Soior and marketing manager Frank Schulz, who are Rock-Ola’s purchasing manager, is pictured look at and photograph. Marketing manag- will continue to upgrade their ou hi. very proud of this machine. Even at this stage with Bette and Frank. er Frank Schulz and members of the fac- ment. If they maintain their music r of development, it looks mighty good tory’s engineering team outdid themselves should be maintained and keep nc and worked up until the very last minute to ment on it, this will make the dif provide a presentable model for our photog- The trouble is “we make the t rapher. What you will see in the accompa- good” so they have a long life spa: nying photos is the Rock-Ola “Nostalgia” at Speaking of which, among the near completion, with some cosmetics and ings in Bette’s office is a curren technical tuning still to be done, but even at Sound II” jukebox, which is in play % IfeoiYc that, the concept is apparent enough. a day. While it provides a pleasan isfli Bette Lockhart gave us a few particulars environment, this is not its main about the machine. The Nostalgia is a 160- “During the day I drop money ij JW. selection coin-op unit, although it will have a though it was being played on loc | This is a coin-op jukebox. However, as Bette We told you about the jukebox that is currently dollar bill acceptor on it. Rock-Ola’s current at night it is played on test so that illustrates in this photo, there will be a dollar on test in Bette ’s office. Well, here it is, the Super 200-selection mechanism is employed in- functioning 24 hours a day, eve bill acceptor at the far right of this machine. Sound II, and Bette is filling it up for its day’s side, however, as she pointed out, the re- happen to be out of the office,' work as CB’s Camille Compasio observes. maining selections will be blocked out to plained. “If something goes wron ^ avoid the possibility of other records being call the engineering department 4ie(E 'j put in by mistake. The front door is the checked out immediately to dete same as the Sonata (Rock-Ola has an agree- extent of the difficulty. This he I lands all, ment with the company) and the doors will great deal. After I am not a mei t>U> be produced in Mexico, while the control I want to be able to talk about the !|Go board for the mechanism is strictly a prod- when I go out on the street so tha uct of Rock-Ola. “All of the parts in the operator comes to me and says Nostalgia will be the same as the parts in our such is happening on a machin UK- current ‘Super Sound II machine,” she add- more of a feel for the problem.” f t/oMs ed. “The plastics are the original plastics The Rock-Ola organization is ' X»i Picture a stage, complete with curtain, a dancing Frank Schulz gave us a quick tour of the fac- the machine.” about their latest creation and from Sonata ed | * If couple and floating musical notes andyou ’ll have tory. This is part of the assembly area where The Nostalgia is scheduled for shipment to siasm has obviously spread tf the scene that is depicted in the see-through front the 490-1 and II cabinets are being readied for the first their distributor network. As Bi•J* Sim Rock-Ola’s distributor network during . of the model. That’s director of engineering completion before entering the next stage of week of October and will subsequently be dis- hart related - the first two runs o Shuja Hague with his back to the camera. production. played in the factory’s exhibit at the Novem- talgia are already sold out! 'll? 42 Cash Box Septemb - — — mARTINDEX ALPHABETIZED TOP 100 SINGLES (INCLUDING PUBLISHERS AND LICENSEES) — d ueen/Beechwood — BMI) 100 Holding Back (April — ASCAP) 98 Opportunities (Cage/Ten adm by Virgin The Edge (Morrison-Leahy/Chappell — ASCAP) 20 — (Kid - tt« Joe!) 38 1 Didn’t Mean (Flyte Tymes/Avant Garde ASCAP) 93 The Hunter Glove BMI) 80 N; (not listed) 69 ASCAP) 41 Papa Don’t (Elliot/ Jacobsen — ASCAP) 5 The Other Side (W.B - ASCAP) 77 iin’ — U (Willesden/My! My! admin, by Careers — If Looks (Blackwood/Stone Diamond — BMI) 96 Paranoimia (Buffalo — ASCAP/Perfect — BMI) — 57 There’ll Be (Zomba ASCAP) 97 — jn 43 I’ll Be Over (Rehtakul Veets/California Phase Playing With (Adm. By Unichappell/Ensign — BMI)62 Throwing It All Away (Hit And Run — ASCAP) .21 — le >ve (Warning Tracks — ASCAP) 66 ASCAP) 65 Point Of (Poolside — BMI) 44 True Colors (Dennis Barry/Billy/Steinberg ly (MCA, Div. of MCA-ASCAP) 79 In Your Eyes (Cliofine/Hidden Pun — BMI) 61 Press (MPL Communications — ASCAP) 29 ASCAP) 42 at K I , nae: heartache (Irving/Calypso Toonz/Adams Invisible Touch (Anthony Banks/Phil Collins/M. Private Number (Almo/Crimsco/Irving — ASCAP/ 25 Or 6 To 4 (Lamminations/Aurelius — ASCAP) 10 — t is-EMl — ASCAP) 59 Rutherford/Hit And Run — ASCAP) 39 BMI) 46 Twist And Shout (Unichappel Screen Gems — EMI '} over (Controversy — ASCAP) 91 It’s You (Gear — ASCAP) 68 Rumbleseat (Riva — ASCAP) 70 BMI) 47 — L e (Black Lion/Regina Richards/Deutsch- Lonely Is (WB/Albert Hammond/Realsongs Rumors (J. King IV -BMI) 9 Two Of (On The Note — BMI adm. by Bug/Tim pril/Maz Appeal — ASCAP) 10 ASCAP) 67 Ruthless People (Unichappell — BMI/Promopub — Green — ASCAP) 28 [j'n (Brockman — ASCAP) 4 Love Always (New Hidden Valley — ASCAP) 50 PRS/ Arista/Blue Network — ASCAP) 60 Typical Male (Warner Bros. /Irving Almo) 30 I>ne (Famous — ASCAP) 72 Love Comes Quickly (Cabe/Ten — ASCAP — Uni- Sledgehammer (Cliofine/Hidden Pun — BMI) 35 Velcro Fly (Hamstein — BMI) 34 j:>ur (Blue Network — ASCAP) 95 chappel/Charisma — BMI) 75 So Far (Triple Star/Snow/Dyad — BMI) 54 Venus (Dayglow — ASCAP) 3 — — F let (Colgems-EMI/Tiger Shards/Irving/Ca- Love Of (Gamson/WB/Jouissance adm. by WB Somebody Like (Rocknocker — ASCAP/Irving Walk Away (New York Times BMI) 92 - ASCAP/CAPAC - BM1/PROC) ... 19 ASCAP) 81 BMI/Calypso Toonz — PROC) 49 Walk Like (Claridge, a div. of MPL - ASCAP) ... 82 (Anxious — BMI) 14 Love Touch (Makiki/ Arista — ASCAP) 52 Somebody’s Out There (Triumph — ASCAP) 76 Walk This (Unichappel/Daksel — BMI) 13 iel (Dootsie Williams — BMI) 58 Love Walks (Yessup — ASCAP) 33 Spirit In (Westminster) 64 Weatherman (Jobete/Sea Of Keys/Up The Charts/ |ii Motion (Lido, Inc. — ASCAP) Love Zone (Zomba — ASCAP) 16 Stuck With (Hulex — ASCAP) 7 China Plate -ASCAP) 88 j e (Zappo — ASCAP) 71 Mad About (Alpine One/Careers/This Is Art — BMI/ Suzanne (Street Talk/Frisco Kid adm. by Colgems- We Don’t (Bellboy — BMI /Chappell — ASCAP) 18 And Lovers (WB/French Surf/Colgems- Arista — ASCAP) 15 EMI- ASCAP) 86 What Does (Screen Gems-EMI/ Autotunes, a div. of |:ap) 8 Man Size (April/MGM/UA adm. by Almo — Sweet Freedom (Rodsongs/April/MGM-UA adm. by Suite — BMI) 53 Help It (Street Talk Tunes/Rock Dog/ ASCAP) 17 Almo — ASCAP) 6 When I Think (Flyte Times — ASCAP)22 — Admin by Colegems-EMI — ASCAP) ... 55 Missionary Man (RCA/Red Network — BMI) 32 Sweet Love (Old Brompton Road,Adm. By Jobete Wild Wild Life (Index — Ascap) 78 j (pic — ASCAP) 73 Modern Woman (Joel — BMI) 87 ASCAP) 45 Words Get (Foreign Imported — BMI) 11 1 (Fall Line Orange — ASCAP/ Air bear/ Money$ Too (Stan Flo adm. by Otis — BMI) 36 Take It (Poetlord/Marilor — ASCAP) 94 Wrap It Up (East/Memphis/Irving/Pronto — BMI) 51 ( — '4 merlane — BMI) 12 Nasty (Flyte Tyme — ASCAP) 99 Take Me Home (Chappell Music/C and D Music Yankee Rose (Diamond Dave/Syvy — ASCAP) ... 27 in (Makiki adm. by Arista — ASCAP) ... 84 No More (Anxious Adm. Warner-Tamerlane — BMI) ASCAP Adm. By Warner — Tamerlane — BMI) — 63 You Can Call (Paul Simon — BMI) 56 — f (Epic -ASCAP) 31 Nothing In (Zomba — ASCAP) 48 Take My (GMPC/Famous — ASCAP) 2 You Give Love (Bon Jovi/April//Desmobile n (Sordid/Duke Reno/Poetical License/Fa- Oh, People (Broozertoones/Nonpareil — ASCAP/ Taken In (Michael Rutherford/Pun/63/Arlon/Chap- ASCAP) J )CAP/Irving/Ensign — BMI) 25 BMI) 37 pell- ASCAP) 40 You Should (Nonpareil — ASCAP/Broozertoones — we (F.S. — PRS/ Willin’ David/Blue Sky One Step (Music Corp. of Amer./Bayjun Beat/ That Was (Mosquitos — ASCAP) 24 BMI) 23 III) 1 Rashida/MCA - BMI/ASCAP) 74 The Captain (Z Muzik adm. by Almo — ASCAP) . . 26 ALPHABETIZED TOP B/C SINGLES (INCLUDING PUBLISHERS AND LICENSEES) — in’ (Dum Di Dum — ASCAP) 3 Headline News (Azrock/Oatie — BMI) 78 Midas Touch (Hip-Trip/Midstar — BMI) 18 Sweet And (Stone City adm. by National League it (Willesden/My!My! adm. by Careers — Heaven In (WB/Silver Sun/DQ — ASCAP) 55 Mine All (Personal /All-Seeing Eye — ASCAP) 96 ASCAP) 65 12 Hey Good (Warner-Tamerlane/X-0 Skeletal — My Adidas (Protoons/Rush Groove — ASCAP) ... 80 Sweet Love (Old Brompton Road adm. by Jobete — L/e (Fuss -ASCAP) 76 BMI) 93 Nursery (Beblica — ASCAP) 57 ASCAP) 2 itertaing/Dancia — BMI) 42 Homeboy (Konglather — BMI /Motor / Cheyenne — Nasty (Flyte Tyme — ASCAP) 36 Tell Me (Terrace — ASCAP) 90 eith Diamond/Willesden/Yah Mo — ASCAP) 53 Not Tonight (Junior/EMI — ASCAP) 94 Temporary Love (Forceful adm. by Willesden — How Can (Music Specialists — BMI) 85 Oh People (Broozertoones/Nonpareil — ASCAP/ BMI) 19 (Controversy — Hungry For (Beach House — ASCAP) BMI) 9 Ten Ways (Len-Lon/Glass House/Idnyc-Derf tprefjbverholenyohead (I’m A) Dreamer (Pizzazz — ASCAP) 87 100 MPH (Controversy - ASCAP) 99 BMI) 89 ‘ Ve \ Love (Flyte Tyme — ASCAP) 11 I’m For (Lakiva/Nominee — ASCAP/Clarkee — 100% Pure(Tenrace — ASCAP) 77 The Rain (Def Jam — ASCAP) 14 we, — — , ss (Mycenae — ASCAP) 79 BMI) 29 Old Friend(Bell Boy /Decreed BMI Admin, by There’s Just (Beau Williams BMI) 68 — — p’ ( — . . 70 There’ll (Zomba ASCAP) 100 IS a ve (Black Lion, Captain Z, Billy Osborne In The Heat Almo/Jodaway/Richer ASCAP) 91 Mighty Three) Be e J°e ~ BMI) 34 In The House (Fools Prayer/Gordy Grove — BMI) 98 One Love (Zomba — ASCAP) 21 Two Of Hearts (On The Note — BMI,Admin by Bug/ >n aul .1 (Mtume Co. — BMI) 62 I Wanna (Amazement — BMI) 28 One Plus (T-Boy/Fly Girl/Force M.D. — ASCAP) .49 Tim Green — ASCAP) 92 mti0l — Bros. /Irving 3 (Larry Spier - ASCAP) 60 Jealousy (Jay King IV BMI) 63 Papa Don’t (Elliot/ Jacobson — ASCAP) 74 Typical Male (Warner Almo) 47 are it (Ensign/Boomers Mothers/Naked Jody (Virgin — ASCAP) 71 Passion From (Gratitude Sky — ASCAP/Alexander Walk Like (Claridge - ASCAP) 86 — (Unichappell/Daksel — BMI) 32 1 l 38 Kisses In (Gratitude Sky ASCAP/Bellboy/When Kee BMI) 37 Walk This Hock- ) — (Sloopus — BMI) 7 Words/Collide — BMI) 31 Point Of (Poolside — BMI) 54 Wall To Wall Freaks (Muscle Sound/Jalew — BMI) 81 — Private — (Alain/Figskikibow/D. Frank — Jr (Nick-OVal — ASCAP) 20 Lady Soul (Dream Dealers/Buchu ASCAP) 33 Number (Almo/Irving ASCAP/BMI) 35 What’cha Gonna Chrii ! n (Brockman - ASCAP) 10 Land Of (Jobete/Black Bull - ASCAP) 84 Pop,Pop (Trycet/Ferncliff — BMI) 5 BMI) 51 ^er (Jobete — ASCAP) 45 L Is For(WB- ASCAP) 69 Reaction(Calglms — EMI — ASCAP) 48 When I (Flyte Tyme — ASCAP) 8 iat ho t (Assorted/Henry Suma adm. by Mighty Little Bit (Bush Burnin’ — ASCAP) Ring Ring (not listed) 88 Wiser And (Black Eye adm. by WB — ASCAP/ 41) 6 Looks What’s Showing (Blackwood — BMI) 73 Rising Desire (WB/Zubaidah — ASCAP) 39 Manely/Mighty Mathieson — BMI) 95 ck (Tee Girl /Rap City — BMI) 56 Love Always (New Hidden Valley — ASCAP/Carole Roaches (King IV/Grandma Hands — BMI) 59 Wonder Where You Are (WB/Gravity Raincoat- »I (Dootsie Williams — BMI 41 Bayer Sayer/Broozertoones — BMI) 25 Rumors (J. King IV — BMI) 13 admin. by WB — ASCAP) 75 (WB/French Surf/Colegems-EMI — L.O.V.E. M.I.A. (Dazzberryjam — ASCAP/Be Say La (Screen Gems-EMI/Bernard Wright/ Word Up (T-Man/Larry Junior/All Seeing Eye — 66 Dazzie — BMI) 97 Mchomo — BMI) 64 ASCAP) 17 pur, nt dise (Fuss -ASCAP) 27 Love Of (Gamson/WB/Jouissance adm. by WB — Shake You (Charles Family/ Alii Bee/Grabbitt — Wrapped Around (Temp Co. — BMI) 58 is an pic — ASCAP) 4 ASCAP) 15 BMI 46 You Are (Huemar//Blackwood/Diesel/ to One — ASCAP) 52 Love The (Kashif/Rare — BMI/ASCAP) 22 Soweto (Joe’s — ASCAP) 23 Unicappell — BMI) 67 jmentljne — l self (Warner Bros. /Overdue — ASCAP/ Love Zone (Zomba — ASCAP) 1 Stay A (MCA/Brampton/ Virgin — ASCAP) 40 You Should (Nonpariel — ASCAP/Broozertoones — ! iolomon — BMI) 26 Man Size (April/MGM/UA adm. by Almo Sweet Freedom (Rodsongs/April/MGM-UA adm. by BMI) 24 to \ckee/Maxx Kidd - ASCAP) 83 ASCAP) 43 Almo -ASCAP) 44 You Were (Flyte /Tyme/Avante Garde — ASCAP) 61 music the d ALPHABETIZED 100 COUNTRY SINGLES (INCLUDING PUBLISHERS AND LICENSEES) ethe TOP norbit/ Admin, by Careers — BMI) 18 Heart’s Aren’t (Tom Collins — BMI) 60 Nobody In (Hall-Clement c/o Welk — BMI) 25 Susie’s Beauty Shop (Hallnote — BMI) 77 (That’s What She Said/Long Tooth/ Home Grown (Dale Morris/Baray — BMI) 37 Nothing Ventured (MCA/Don Schlitz/ April/ Wel- Ten Feet Away (WB/Two Sons — ASCAP/Algee/ — and Up -BMI/ASCAP) 33 Honeycomb (Golden Bell/Admin, by Arista beck/BlueQuill — ASCAP/SheepInTow — BMI) ... 43 Blue Lake — BMI) 28 — Alley (Michael H. Goldsen — ASCAP) . 91 ASCAP) 36 Old Violin (Dwight Manners BMI) 97 Texas Moon (Magneto/Blackwood — ASCAP/ e of You (Rolling Tide — ASCAP) 57 Honky Tonk Crowd (Jack and Bill/Foggy Jonf/ ‘Ole Lone Star Moon (Buried Treasure — ASCAP) 95 BMI) 58 we (Texican/Cavesson Co. c/o Merit Amanda-Lin — ASCAP) 56 On a Night Like This (Laymond/Hut — Ro — BMI) 89 That All Over Look is All Over You (Chapie — 19 How Much Do I Owe You (Emily Too — SESAC) . . 65 Rockin’ at the Reunion (HitKit — BMI) 85 BMI) 84 A/el!(Tree — BMI /Cross Keys — ASCAP) 80 I Wanna Hear (E.C.B./Safespace ADM. by Warner- Rockin’ With (MCA/Don Schlitz/Welbeck/Blue That Rock Won’t Roll (Combine — BMI) 44 iodfather — BMI) 78 Tamerlane/Pitchford — BMI) 73 Quill -ASCAP) 7 That’s What Her Memory is For (Tom Collins — BMI Ifl i on — iCh Other (Colgems-EMI /Warner Bros. I Wish That (Tree /Cross Keys - BMI/ASCAP) ... 96 Rollin’ Nowhere(Timberwolf — BMI) 46 Collins Court — ASCAP) 66 .21 I Won’t Let You Down (Garwin/WB/Bob Montgom- Savin’ My (Warner-Tamerlane/Flyin Dutchman — That’s How (Screen Gems-EMl/Moon & Stars/Col- '/On The Other (Writers Group/Scarlet ery -ASCAP) 74 BMI) 9 gems-EMl - ASCAP BMI) 23 1I;MCA/Don Schlitz - ASCAP) 40 If You’re Anything (Hall-Clement c/o Welk — BMI) 48 Sad State Of (Southern Grand Alliance/Hoosier — The Night Porter Wagoner Came to Town (Tree — e (Shidel/Bug — BMI) 59 I’m Having a Foggy Mountain Breakdown (History — ASCAP) 54 BMI) 92 — — Me (Statler Bros. BMI) 16 BMI) 64 Second To (Chelcait/ Admin, by Atlantic BMI) . .31 The Pages Of (April/Welbeck — ASCAP) 49 ate (Bocephus/Tapadero.a div. of Merit — I’m Not Trying to Forget You (Willie Nelson — BMI)52 Shaped Like a Bend (in the River) (Rumpelstilt- Too Many Times (Rowdy Boy/P.B.T.W./Tunaday — - 2 Indian Lake (40 West BMI) 79 songs — BMI) 87 ASCAP) . 24 ro, Bernstein & Co. — ASCAP) 13 In Love (Lodge Hall- ASCAP/Milsap- BMI) 6 She Used to be Somebody’s Baby (Larry Gatlin — Two Sides (Hear No Evil — BMI) 86 — — ands (Blackwood BMI) 55 It’ll Be Me (Tree/Pacific Island c/o Careers BMI)26 bmi) 67 Until I Met (King Coal - ASCAP) 51 Love (Tree/Lowery — BMI) 1 I’ve Cried (Tree — BMI) 62 Since I (Lawyer’s Daughter/Uncle Artie/ A div.of We Built a Mansion of Love (Bill Monroe — BMI) 88 (Good Single/Irving/WB/ I’ve Got A (Cedarwood/ Wayne Walker — BMI) ... 39 MTM- BMI/ASCAP) 32 What's One (CBS U Catalog - ASCAP) 100 BMI/ASCAP) 41 Juke Box Saturday Night (Blackwood — BMI/Priori- Slow Boat (Uncle Artie — ASCAP) 10 What’s Your Name (Rightsong — BMI) 99 it SO'" — ) Bones (Writers Group/Scarlet Moon/ ty- ASCAP) 81 Slow Motion (Combine/City — BMI/ASCAP) 53 Will The Wolf (Davince/No K.O./Admin. by Bug nijsdy a div. of Musiplex)/Lawyer’s Daughter (a Just Another Love (Web IV — BMI) 17 Smack Dab in Love (Rosey Red — BMI) 71 BMI) 34 M) — (BMI) 27 King Lear (Lyn Pen — BMI) 90 So This is Love (Tapaders (adm. by Merit)/Little Woman Of (Prima-Donna — BMI) 76 Days (Young Beau/Tapadero,A Div. of Little Rock (Combine/Music City — BMI/ASCAP) . 3 Shop of Morgan — BMI) 61 Working Class (Chappell/Frisco Kid — ASCAP) 30 c/o Merit — BMI) 45 Living In (Mighty Nice/Victrolla/Skunk DeVille — Sometimes A (Raven Song/Michael H. Goldsen /Col- You Can't Stop (Lawyer’s Daughter/Writer's (Hall-Clement I Saw You — BMI) 68 BMI) 98 lins Court — ASCAP) 5 Group/Scarlet Moon/Bethlehem — BMI) 35 (Michael Goldsen/Lyle — Lovett — . — ?art (Simonton/NZD- BMI/ASCAP) . 12 Love Keep (Desert Sands/Medicine — BMI) 38 Starting Over Again (Forest Hills/Write Road — Dick James — BMI) Dust West - BMI) adillacs (Coal 8 Miami Dreamin’ (Rae — Ann — BMI) 94 BMI) 47 You’re Still New to Me (Writers Group Scarlet — vn (Goldline ASCAP) 20 No One Mends a Broken Heart Like You (Collins — Strong Heart (Chappel/MCA/Chriswald/Hopi Moon/ Web IV — BMI) /Patchwork ASCAP) (MCA 4 ASCAP) 42 Sound/Bibo — ASCAP) 11 You're The (Jack & Bill c/o Welk — ASCAP) 82 CASHBOX _y cT mTROO° ° CASHBOX plus pfcCtM- s ' Clje fHttstc Suites For less than the price of a First Class Subscription to Cash box Alone. 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