Never Surrender! Behind the Scenes of Galaxy Quest: the Journey Continues

Total Page:16

File Type:pdf, Size:1020Kb

Never Surrender! Behind the Scenes of Galaxy Quest: the Journey Continues Never Give Up! Never Surrender! Behind the Scenes of Galaxy Quest: The Journey Continues Pop Culture for Parents | www.FamilyFans.com Summer 2015 1,000 Words POP CULTURE FOR PARENTS Summer 2015 MIKE NAPPA Unless otherwise indicated, all other material within this pdf | Publisher | edition of the FamilyFans e-magazine is copyright © 2015 Nappaland Communications Inc. All Rights Reserved. No AMY NAPPA portion may be copied, reprinted, or otherwise published or | Executive VP/Associate Publisher | distributed without fi rst obtaining the express written consent of Nappaland Communications Inc. JILL WUELLNER | Senior Editor/FIlm Critic | § § § WALKING CARNIVAL CREATIVE FREE REPRINTS AVAILABLE | Art Direction/Design | We want to support what you do in the same ways our readers and publishing partners support what we do. To DR. NORM WAKEFIELD that end, we offer free reprints of individual articles (text | Contributing Editor | only) for non-commercial and not-for-profi t use. Find details under the “About” link at FamilyFans.com. TONY NAPPA |Associate Editor | § § § § § § SUBMISSIONS POLICY FamilyFans does not accept unsolicited submissions for articles or graphics. To submit a query only, please visit ABOUT FAMILYFANS FamilyFans.com and send a note through the “Contact Us” FamilyFans is a free, entertainment e-magazine for parents page on the site. dedicated to helping moms and dads enjoy, and better relate to, their kids. We fi rmly believe that “Happy memories § § § make happy families,” and so FamilyFans works to provide pop culture insight, ideas, advice, wisdom, and a healthy MEDIA POLICY dose of fun for parents to share with their children. To inquire about media coverage for a product, event, or personality, please visit FamilyFans.com and send a note FamilyFans operates under an ongoing grant from through the “Contact Us” page on the site. Nappaland Communications Inc. that allows us to deliver this e-magazine, and ancillary content and materials, free of § § § charge to our readers. CORRESPONDENCE § § § To send a letter to the editor, please visit FamilyFans.com and send a note through the “Contact Us” page on the site. SUBSCRIPTIONS You may also send postal mail to: To request a free subscription to FamilyFans Subscriber Update emails, please visit FamilyFans.com and register FamilyFans your email address through the “Subscribe (Free!)” link on A Nappaland Publication the cover. 446 East 29th #1674 Loveland, CO 80539 § § § § § § COPYRIGHT All copyrighted product-related graphics and celebrity images in this publication are standard publicity images FamilyFans is a non-commercial publication of and are owned by their respective publishers. Used by Nappaland Communications Inc. permission. www.FamilyFans.com 2 FAMILYFANS Summer 2015 3 The Joyful Dad Contents Dr. Norm COVER Pop Culture Lesson from a Cranky Dad Insurgent —Page 14 The Girl on the Train “All you need to ou don’t wake up in the morning, flip on the light switch, and suddenly feel joyful. YIf you have young children, you may flip on a light and feel downright cranky from —Page 16 grow fine, a lack of sleep. My son-in-law had such an experience. Listen to what he says about it: vigorous grass is “Our very best family friends came over for a weekend, and (as usual) we stayed up Silk #1 a crack in your way too late talking and playing games. The next morning we were dragging out of sidewalk.” bed—except the kids, of course. Our children were unending bundles of energy, plus —Page 17 there weren’t enough bathrooms, no one felt like making breakfast, and none of us Never Give Up! had ironed clothes for church. —Will Rogers Never Surrender! As You Wish “Lying exhausted in bed, I could hear the rising din of kids who’d gotten up at the Behind the scenes of Galaxy Quest: The —Page 18 crack of dawn and who would rather play than dress. Mixed in were sounds of parents Journey Continues. who’d rather sleep than eat. I groaned. Suddenly, I realized that this day was mine. I didn’t have to be a poster-child for the Crankiness Foundation; nor did anyone else. —Page 6 “Although I didn’t believe it at first, I dragged out of bed and announced to my wife, ‘Today is going to be a great day.’ She didn’t believe it either. ‘Why is that?’ she snapped. Smiling, I shrugged and said, ‘It just is. I’ve got a good feeling Features & Departments about it.’ A half-smile played on her lips as she looked me in the eyes and said, ‘Maybe you’re right.’ 1,000 Words “Encouraged, I looked for my friends and the rest of my family. One by one I made the announcement that this would be a good day. The children already knew it. One adult friend seemed relieved, saying, ‘I’m so glad.’ Columns —Page 3 “The tension eased. A few smiles broke out. Sure, we were late for church, but so what? After all, today was going to be The Joyful Dad: a great day. And you know, it turned out even better than I expected.” Lesson from a Cranky Dad Quick Picks —Page 5 Rather than give in to a joyless Sunday morning, Mike chose to plant a seed of joy into the lives of those in his house. So You’ve Been Publicly Shamed; All he did really was to change his own attitude, but that was enough to infect those around him and change the mood. Big Thunder Mountain Railroad #1; Are you a father who plants bits of joy into the rooms of your home? As the father goes, so goes the family— especially when it comes to setting an emotional climate at home. “Dad’s in a bad mood” 14 Things You Don’t Complete Bible Handbook means everyone must stay out of his way. “For some reason, Dad’s got a smile on his Know about —Page 19 face today” frees the rest of the family to smile, too. It would be nice if we could shove responsibility for creating happy memories onto Disney•Pixar’s other family members, but that’s not the way life is. A mother makes an irreplaceable Just for Fun FamilyFans.com credit: photo contribution to a family’s legacy, and siblings wield a strong influence on the way Inside Out Marriage & Family Builder Ideas! childhood memories are shaped. But it’s the father who leads, who sets the tone, who —Page 12 —Page 20 must initiate and cultivate a legacy of joy. When have you seen your attitude affect the attitudes of those in your family? The Back Door What have you done with that power? —Page 22 Dr. Norm Wakefield is author of The Dad Difference (with Josh McDowell), Legacy of Joy, and Men are From Israel, Women are from Moab. He’s a sought-after speaker, a seminary professor, and joyful dad to five happy, adult children. 4 FAMILYFANS Summer 2015 5 Never Give Up! Never Surrender! Tom Waltz and Erik Burnham take us behind .com the scenes of... Galaxy Quest: The Journey Continues! Mike Nappa photo credit: © 2015 DW Studios LLC / www.IDWPublishing LLC Studios DW © 2015 credit: photo 6 FAMILYFANS Summer 2015 7 In case you didn’t know it, 1983 was In case you haven’t followed the movie a pretty important year for Galaxy into the comics yet, here’s the premise Quest. of the series: Yes, yes, I know. The Galaxy Quest movie didn’t release As you recall, the end of the Galaxy Quest film saw our in theatres until 1999, and in fact, no one had even TV-actors-turned-space-heroes saving the universe thought of Galaxy Quest in 1983. Nonetheless, that year through a wondrous device called the Omega 13, which was a significant one for the franchise that gave us the miraculously twisted time and took everything backward immortal phrase, “Never give up, never surrender!” 13 full seconds. Hooray! But... 1983, you see, was the year that five- What if, far across the galaxy, a civil war was raging. And, what if the Omega 13 kicked in at just the moment year-old Erik Burnham lost pretty much when the rebels in that war had won a tide-turning, everything. covert battle? And what if erasing that 13 seconds had changed that history, causing them to lose that battle instead? “Our family had a house fire,” he remembers. And— poof—everything little Eric owned went up in smoke. Well, the lizard-like, shape-shifting rebels would know their victory was stolen of course, and begin a search You can imagine how that must of have felt for a kin- to find out why. That would lead them to Earth, which dergartner! So his grandfather did what he could. To would put our TV-star heroes directly in the blaster-path cheer up his little Erik, he pulled a comic out of his own once again. And so, as the say, the journey continues… collection (Avengers Annual #6, if you were curious) and gave it to his grandson as a gift. Here at FamilyFans, we thought this was such a fun idea for a Galaxy Quest comic series, that we cornered “little” “It was my first possession after losing everything I’d Erik Burnham and editor Tom Waltz—and we forced known up to that point,” Erik says, “and I read it into them to tell us all their behind the scenes secrets about rags. Just that one book being given to me at that time Galaxy Quest: The Journey Continues. permanently cemented my love for the medium.” (See, it’s good to be a friend of this e-mag, isn’t it dear Fast-forward to today, and Erik has turned his love reader?) for Avengers Annual #6 (and grandpa) into a thriving career as a comic book writer, including an acclaimed Ω Ω Ω run on the Ghostbusters comic book series from IDW Publishing.
Recommended publications
  • Brave: the New Face of Princesses? by Aisling Breen May 2015
    Brave: The New Face of Princesses? By Aisling Breen May 2015 Page | 1 This dissertation has been submitted in partial fulfilment of the BA (Hons) Film degree at Dublin Business School. I confirm that all work included in this thesis is my own unless indicated otherwise. Aisling Breen May 2015 Supervisor: Barnaby Taylor Page | 2 Acknowledgements I would like to acknowledge the help, contribution and support from the following people. I would not have been able to complete this without them: Barnaby Taylor Martin Breen Siobhan Breen Jason Muddiman Shane Hegarty The Disney Store Cast Members DBS Library Brenda Chapman Mark Andrews Thank you so much for your help and support. I appreciate every bit of it. Page | 3 Table of Contents Chapter 1 Page Introduction 5 The History of Animation 6 Chapter 2 Animation 11 Background of the Company 15 Chapter 3 Origins of Brave 19 Chapter 4 The Film 23 About Brave 27 Chapter 5 Responses to the Film 30 To Change or Not to Change 33 Chapter 6 Conclusion 36 References 43 Bibliography 45 Filmography 48 Page | 4 Chapter 1 Introduction The Pixar Animation Studios have been around for many years and in those years it has made some outstanding feature and short films. It has exchanged hands three times but has kept its flare and individuality. It is the company that has created some ground breaking technology that has changed how animation looks and is received today. It is the company that is making history for all the right reasons and makes childhood memorable and creating memories for the adults.
    [Show full text]
  • Luca Fun Facts
    CHARACTERS BEST FRIENDS – The character of Alberto is inspired by director Enrico Casarosa’s own childhood best friend, also named Alberto. SCALE IT BACK – Sea monster Luca has 3,436 scales on his body. SOUND EFFECTS – When Luca gobbles up his first plate of pasta, Jacob Tremblay, who lends his voice to the character, was happy to provide the burp that followed. It turns out that burping on command is a special skill of the actor. QUICK COMMUTE – Jack Dylan Grazer (voice of Alberto) recorded every single line of dialogue inside his mother’s closet. MANGIA, MANGIA – Emma Berman (voice of Giulia) speaks fluent Russian and has an extreme love for spaghetti. She loves to go to her favorite neighborhood Italian restaurant in San Francisco, where she practices ordering food in Italian for her family. GETTING IN SHAPE – Artists gave Giulia a distinct look, embracing triangle shape language—particularly in her hair and pants. CAMEO – Director Enrico Casarosa provides the voice of the winning card player in Portorosso who shouts “Scopa!” He is also the fisherman in the boat who yells to a speeding boat, “What’s wrong with you, Stupido!” OUT OF CONTROL – There are 221 and 223 individual controls in Luca’s and Alberto’s mouths, respectively, to help animators create the rounded mouth expressions they use throughout the film. 1 5/13/21 FISHY BUSINESS – One of Luca’s chores on his underwater family farm is herding goatfish. There are several real-life species of goatfish—some found in waters off the coast of Italy. HIDDEN GEMS ON THE BALL – The iconic yellow, red and blue Pixar ball can be spotted on a rooftop as the Portorosso Cup bike race gets underway.
    [Show full text]
  • Disney Parks Around the World Walt Gave Us a New Place for Adventure When He Next Find the Answers to All the Questions
    YEARS MouseAdventure 2000 | 2020 Disney Parks Around the World Walt gave us a new place for adventure when he Next find the answers to all the questions. Once you opened Disneyland in 1955. His little idea for a have determined the correct answer, transfer the place to enjoy with his daughters on the weekend shown blank or colored dots to the left or right side blossomed into a theme park. The Disney company of the corresponding park. has seen fit to spread the opportunity of a closer Now determine a writing system that will help you visit by opening additional theme parks on multiple translate the dotted blocks. When translated and continents. Test your knowledge of these locations read in the correct order your final answer is to tell and their history by completing the following quest. us what Disney park this word is referring to. Start by listing all the Disney parks on the lines on the following page in the order of their opening dates. Are you game? mouseadventure.com MouseAdventure 20 YEARS #20in20 January © 2020 thirdgategames.com MouseAdventure 20 YEARS Tokyo Disney Sea Walt Disney Studios Park Left Left What is the material that makes shrinking your From the new attractions coming to Avengers submarine possible on Nemo & Friends SeaRider? Campus, what are the two featured characters? l l Coaxium l l Ant-man and Iron Man l l Chidiminium l l Spider-Man and Iron Man l l Shrinkabis l l Star Lord and Gamora l l Roehdeum l l Captain Marvel and Spider-Man Right Disneyland Paris What is not a symbol on the crest for Society of Left
    [Show full text]
  • What's the Story Behind Wall-E's Fully Charged Sound?
    Search for questions, peopleA, sakn dN etowp Qicusestion Sign In Quora uses cookies to improve your experience. Read more WALL-E (2008 movie) Pixar (company) Movies Related Questions What's the story behind Wall-E's fully charged Is WALL-E an Apple product? sound? Why autopilot misunderstands the captain in 3 Answers WALL- E? In what year does Wall-E take place? Craig Good, I've helped make a few. Updated Sep 4, 2012 · Author has 20.2k answers and 60.5m answer views What is the theme or message of WALL-E? It is the Mac boot sound. There's another Apple Easter Egg in the film, too. Note that When will WALL-E 2 be released? WALL•E's improvised TV is based on a then-current iPod. Why does WALL-E sound like a grandma? What is the real story behind The Notebook? We sometimes add Apple references just for fun. What 80's movies do millennials like? Update: What's your favorite 80's childrens' movie? Why was there only one Wall-E? A commenter claimed that Eve was designed by Apple. That's not quite right. She Ask New Question was designed at Pixar, but Jony Ive was invited up to consult and approve. Eve clearly was influenced by Apple design, but not designed there. 9.5k Views · View 121 Upvoters · Answer requested by Quora User Your feedback is private. Is this answer still relevant and up to date? Yes No Related Questions More Answers Below Is WALL-E an Apple product? Why autopilot misunderstands the captain in WALL- E? In what year does Wall-E take place? What is the theme or message of WALL-E? When will WALL-E 2 be released? Ask New Question Lane Booth, Ask me anything about the films, I can answer.
    [Show full text]
  • The Magic Behind the Magic: Discovering Why the Walt Disney Company Is So Successful
    Dominican Scholar Honors Theses Student Scholarship 5-2017 The Magic Behind the Magic: Discovering Why The Walt Disney Company is so Successful Chloe Becker Dominican University of California https://doi.org/10.33015/dominican.edu/2017.HONORS.ST.23 Survey: Let us know how this paper benefits you. Recommended Citation Becker, Chloe, "The Magic Behind the Magic: Discovering Why The Walt Disney Company is so Successful" (2017). Honors Theses. 25. https://doi.org/10.33015/dominican.edu/2017.HONORS.ST.23 This Honors Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. The Magic Behind the Magic: Discovering Why The Walt Disney Company is so Successful Abstract One might not realize the empire standing behind the brand name “Disney” and what has gone into the creation of such a multifaceted business model that is leading the industry. While Disney, officially called Thealt W Disney Company, has hand-crafted every element of the magical experiences and creations they put forward, there is an underlying business model and leadership skill-set that has brought the company ahead of the rest. It is within the social sciences that we can focus on this model and how it affects the estr of the film and mass media companies who strive to mimic the enterprise that is second to none. I argue that there is a “magic,” a defining factor, behind the constructed ‘magic’ Disney puts forward.
    [Show full text]
  • Funkcje Nawiązań Międzyobrazowych W Komunikatach Wizualnych – Na Przykładzie Animacji Disneya, Pixara I Dreamworks
    WYBRANE POLSKIE OFIARY WĘGIERSKIEJ WIOSNY LUDÓW FUNKCJE NAWIĄZAŃ MIĘDZYOBRAZOWYCH W KOMUNIKATACH WIZUALNYCH – NA PRZYKŁADZIE ANIMACJI DISNEYA, PIXARA I DREAMWORKS Anna Wojciechowska Wprowadzenie Zjawisko intertekstualności wskazujące na wyraźne relacje pomiędzy tekstami jest przedmiotem badań przede wszystkim literaturoznaw- czych i językoznawczych. Koncepcje intertekstualności opierają się na obserwacji, że „każdy tekst stanowi rodzaj intertekstu, ponieważ mo- żemy w nim odnaleźć ślady innych tekstów pochodzących z kultury wcześniejszej lub współczesnej jego powstaniu”1. Fenomen intertek- stualności polega na pewnego rodzaju nieśmiertelności tekstu. Każdy tekst zawiera w sobie bowiem fragment innego tekstu, przy czym ten nowo powstały twór może być źródłem kolejnej inspiracji, tym samym nie tylko wzbogacając treść nowego utworu, ale również rozszerzając jego znaczenie oraz grono odbiorców. Przytaczając słowa Kristevej2 – francuskiej badaczki, która jako pierwsza wprowadziła pojęcie inter- tekstualności – Bobowska-Nastarzewska zwraca uwagę na fakt, że każ- dy tekst „powstaje w relacji do innych tekstów poprzez zapożyczenia, porównania, odniesienia, kontynuację myśli, dlatego nie jest tworem samodzielnym. To struktura uzależniona od innych systemów semio- tycznych, która staje się swoistą «mozaiką» dyskursów, transformacją 1 T. Tomaszkiewicz, Przekład audiowizualny, Warszawa 2009, s. 175. 2 J. Kristeva, Problèmes de la structuration du texte, „Théorie d’ensemble”, Paris 1968, s. 297–316. – 233 – Anna Wojciechowska i absorbcją innych tekstów”3. Według Schäffner ta sieć nawiązań po- między pojedynczymi tekstami może przybierać różną formę, tzn. re- ferencja może być bezpośrednia lub pośrednia, ze wskazaniem źródła lub bez przypisu, a tekst, z którego autor czerpie inspiracje, pochodzi zarówno z tego samego, jak i z innego gatunku literackiego4. Niektórzy badacze5 podkreślają jednak fakt, że zjawiska intertek- stualności nie można już rozpatrywać jedynie pod kątem dzieł lite- rackich.
    [Show full text]
  • ADVENTURE 007 Skyfall A13 12 Strong A124
    ADVENTURE John Wick A112 Taken 2 A78 Blazin’ Saddles C1 007 Skyfall A13 Kill Bill 1 A46 The Bourne Legacy A96 Bride Wars C71 12 Strong A124 Kill Bill 2 A47 The Bourne Ultimatum Bruce Almighty C29 13 Hours A117 Kill the Messenger D138 A95 Big Momma’s House 2 The Count of Monte Cristo 15:17 to Paris A125 King Arthur A51 C18 A22 2 Fast 2 Furious A30 Kingsman Secret Service Charlie Wilson’s War C60 2Guns A105 A111 The Expendables A82 Cheaper By the Dozen 2 The Family Stone C52 3:10 to Yuma A71 Knight & Day A83 C23 300 A70 Legend of Tarzan A118 The Fast and The Furious Cheaper By the Dozen C22 47 Meters Down A121 License To Kill A7 A29 Chef C112 A Good Day to Die Hard Live Free or Die Hard A72 The Fate of the Furious Chuck & Larry C59 A73 Lone Survivor A106 A35 Crazy Rich Asians C123 Air Force One A19 Master and Commander The Fugitive A17 Daddy’s Home C117 American Sniper A110 A48 The Grey A94 Dan in Real Life C63 Apocalypto A69 Max A115 The Guardian A65 Date Night C84 Atomic Blonde A129 Mission Impossible A61 The Interpreter A55 Due Date C88 Baby Driver A128 Mr. & Mrs. Smith A56 Dumb and Dumber Too Black Sea A109 The Italian Job A27 National Treasure A75 C111 Blood Diamond A67 The Last Samurai A39 National Treasure/ Book Duplicity C74 Book of ELI A81 The Legend of Zorro A58 of Secrets A76 Eddie the Eagle C118 Bullitt A14 The Magnificent A127 North by Northwest A1 Evan Almighty C62 Captain Phillips A107 The Magnificent Seven A2 Now You See Me 2 A103 Four Christmases C70 Casino Royale A11 The Man with the Golden Now You See Me A102 Freak Friday
    [Show full text]
  • COCO​ ​(2017) Released​​On​​November​​22Nd,​​2017 1
    COCO (2017) ​ ​ ● Released on November 22nd, 2017 ​ ​ ​ ​ ​ ​ ​ ​ ● 1 hour 49 minutes ​ ​ ​ ​ ​ ​ ● $180,000,000 (estimated) ​ ​ ● Directed by Lee Unkrich ​ ​ ​ ​ ​ ​ ● Budget: $20 million ​ ​ ​ ​ ● Pixar Animation Studios, Walt Disney Pictures ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ● Rated PG for thematic elements ​ ​ ​ ​ ​ ​ ​ ​ QUICK THOUGHTS ​ ​ ● Demetri Panos ​ ​ ○ Opinion: Coco is a vibrant visual narrative with heartfelt poignancy you expect from pixar. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ They again prove that story, theme & character building is as important as environment ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ building. Not that the depiction of dia de los muertos isn’t eye popppingly beautiful; it is! ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Latin pride & heritage burst out in color and emotion. Directors lee unkrich and Adrian ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Molina seamlessly blend concept and culture. Exposition is expertly and efficiently ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ relayed so as audiences easily understand the set up, the risks, stakes and goals. As a ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ visual medium pixar has again raised the bar. Not since inside out has use of lighting, ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ color, opascity and translucancy been used to tell story with such effect. The depictions ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ of land of the living and land of the dead all come to
    [Show full text]
  • A Childlike Ragpicker: Toward a Benjaminian Reading of WALL-E Li
    興大人文學報 第六十一期,頁 1-20 二○一八年九月 A Childlike Ragpicker: Toward a Benjaminian Reading of WALL-E Li-chung Yang* Abstract WALL-E, a multi-award winning film released in 2008, compels our attention to the entanglements of consumerism and environmentalism in a capitalistic society. This essay argues that WALL-E illustrates an ecological approach that taps into the articulation of nature, commodity, and technology when its film narrative is read along with Walter Benjamin’s theoretical perspectives of the child and the ragpicker. The essay examines the extent to which the character WALL-E is figured as a child- like ragpicker, who collects odds and ends, tracks trash, debunks the myth of tech- nological progress, and helps find life on the abandoned Earth. The character and presence of this childlike ragpicker suggests an ecological approach which does not celebrate the ostensibly pristine nature that capitalism often markets, or the advanc- ing technology that humans seem to have too much faith in, but instead copes with the obsolete commodities or trash heaps that humans have discarded along the way. Keywords: Animated Films, Environmentalism in Motion Pictures, Walter Benjamin, WALL-E * Professor, Department of English Instruction, University of Taipei (Received October 31, 2017;Accepted September 21, 2018) 11 Li-chung Yang 興大人文學報第六十一期 A Childlike Ragpicker: Toward a Benjaminian Reading of WALL-E Since its release in 2008, the film WALL-E has elicited conflicting responses to the en- vironmental messages embedded in the film. Andrew Stanton, writer and director of the film, claims that apocalyptic environmentalism is not the film’s theme.
    [Show full text]
  • Sermon Manuscript
    Leaving his mark on the world Acts 11:19-26 Pastor Tim Melton I would like to introduce you to “A113” ... It's everywhere! It's Andy's mom's license plate number in the movie Toy Story. It's a door number in the movie Monsters University. It's the courtroom number in the movie Up. It's the camera model number in the movie Finding Nemo. It's on a rat's ear tag in the movie Ratatouille. And it's the train number in the movie Cars. You can even Find it in Pixar´s most recent movie, Soul. But what does “A113” mean? John Lasseter, a co-founder of Pixar, the company that made all these movies, explains how “A113” is the number of the animation classroom at the California Institute of the Arts. Every time you are watching one oF these animated movies and see “A113”, one of the animators is leaving their mark, letting everyone know that a Former student of the CaliFornia Institute of the Arts was involved in the making oF the movie. Giving credit to the greatness oF their school. As Christians we are called to do the same, not For a school, but For our Savior. We are called to leave His mark, the mark oF Christ, in our conversations, in our relationships, in our business dealings, in our homes, and in our world. If they are paying attention, those around us should Find ongoing evidence oF Christ in our lives. This has always been the purpose of God’s people.
    [Show full text]
  • WALL-E a World
    CELEBRATING 6 PWAA-TASTIC YEARS! YEARS FILM AUTHOR WALL-E Emily Paul EDITOR Tania Asnes FILM ALPACA-IN-CHIEF Daniel Berdichevsky A World Transformed II: World in Flux 2 0 1 2 ® the World Scholar’s Cup ® FILM RESOURCE | 1 Film Resource 2012: A World in Flux Table of Contents Preface: Lights, Camera, Look Out! .......................................................... 2 Influences ................................................................................................ 17 I. Pixar: To Infinity and 3D .......................................................................... 4 The Beautiful Life of Life Is Beautiful ............................................... 17 Objectives ............................................................................................... 4 VI. Characters in Life Is Beautiful ............................................................ 18 Pixar’s Story ............................................................................................. 3 Objectives .............................................................................................. 18 A113 ............................................................................................................ 5 Guido....................................................................................................... 18 The Key(frame) to Good Storytelling ................................................ 5 Dora ......................................................................................................... 18 II. ‘Bots and BNL Customers:
    [Show full text]
  • Download Thesis
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ From the Light of Luxo The New Worlds of the Computer-Animated Film Holliday, Christopher David Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 1 FROM THE LIGHT OF LUXO: THE NEW WORLDS OF THE COMPUTER-ANIMATED FILM Thesis submitted for the degree of Doctor of Philosophy at King’s College London by Christopher David Holliday Department of Film Studies King’s College London September 2013 2 Abstract Emerging at the intersection of feature-length animated cinema with computer- generated imagery (CGI), and preceded by a cycle of preparatory shorts released during the 1980s, the computer-animated film has become the dominant form of mainstream animation.
    [Show full text]