Chariots of Fire
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Daily Get Alone Time: Eric Liddell's Recommendations Liddell's
Daily Get Alone Time: Eric Liddell’s recommendations A Disciple desires to meet with God day by day, through good times and bad. Like Jesus, they make it a habit to have get alone time before God. It refreshes them spiritually, so they can refresh others. How to keep the get alone time fresh and meaningful? It’s a struggle. Here’s good guidance from a wise leader. (review this with a Disciple) Eric Liddell was famous as a Olympian, the hero of the movie Chariots of Fire. His memorable saying was, when I run I feel His pleasure. He served as a missionary in China in the 1930s. He was captured by the Japanese and put in a concentration camp. He died there. During internment he wrote a Manual of Christian Discipleship for serious Christians. Here’s his teachings about a daily quiet time. Liddell’s Morning Quiet Time: One way to know God is to spend time with him each day. Set aside a specific time for prayer and Bible study and plan to stick to it... Ask yourself, Have I surrendered this new day to God and will I seek and obey the guidance of the Holy Spirit throughout its hours? Wait until you can honestly say, Yes... Here are some suggestions to help you make the most of that time: 1. Be still. God, the source of all truth and love, is here. Take time to realize his presence. Be glad that he speaks when we listen and hears when we pray. Thank him for his Spirit living in us. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Peter Bramhill Photo: Matt Hussey
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Peter Bramhill Photo: Matt Hussey Height: 5'9" (175cm) Other: Equity Playing Age: 35 - 45 years Eye Colour: Blue-Grey Appearance: Scandinavian, White Hair Colour: Blond(e) Television 2019, Television, Man In Park, Alabama, BBC, Jim O'Hanlon 2017, Television, Mark Lumsden, Holby City, BBC, Various Directors 2016, Television, Arnold Sommerfeld, Genius: Einstein, Fox21 Television Studios, National Geographic, Kevin Hooks 2016, Television, Pilot, No Offence, Abbott Vision Channel 4, Rob Quinn 2016, Television, Gregory Garrod, Doctors, BBC 2015, Television, Greg Collins, New Tricks, BBC, David Innes-Edwards 2013, Television, Richard Wright, Doctors, BBC, Dave Beauchamp 2013, Television, Felix Underwood, Father Brown, BBC, Matt Carter Television, Thomas Blakeway, The Wickedest City, Wall To Wall, Diene Petterle Television, Oliver Young, Vexed, BBC/Greenlit, Matt Lipsey Television, Rev Able Lunn, Doctors, BBC Television, Rebecca Gatward Television, P.C. Woods, Dustbin Baby, Kindle entertainment Ltd, Juliet May Television, Uncle Hank, Made With Magic, Fresh One Productions, Keith Rogerson Television, Alistair Childs, Eastenders, BBC Television, Jo Johnson Television, David Standing, The Bill, Talkbackthames TV, Simon Massey Television, Dr Jim O'Brien, Holby City, BBC Television, Ian Jackson Television, Matthew, Footballers Wives, Shed Productions, Julie Edwards Stage Stage, Tony, Dogs Days, Theatre 503, Lisa Cagnacci Stage, James/Mark, -
Eric Liddell's Lasting Olympic Impact on Chinese Culture by Rev Dr Ed & Janice Hird
Eric Liddell's Lasting Olympic Impact on Chinese Culture By Rev Dr Ed & Janice Hird - published in the July 2019 Light Magazine How often does a Chinese-born missionary to China become the subject of an academy award- winning movie?1 The people of China see Eric Liddell as their first Olympic gold medalist, even recently unveiling a statue of him.2 His daughter Patricia Liddell commented, "My father was multi-faceted, he didn't just appeal to religious people. He was born in China, he worked in China, he died in China. He's their Olympic hero." Duncan Hamilton poignantly commented, “In Chinese eyes, he is a true son of their country; he belongs to no one else.”3 In Chariots of Fire, he is shown running for the glory of God in the 1924 Olympics.4 Eric commented, “I never prayed that I would win a race. I have of course prayed about the athletic meetings, asking that in this too, God might be glorified.”5 A leading sports reporter summed him up as ‘probably the most illustrious type of muscular Christianity ever known.’6 Nicknamed the flying Scotsman, he famously said: “God made me fast, and when I run, I feel His pleasure.”7 When asked how he ran so quickly, he often said that he ran as fast as he could for the first half of a race, and then asked God to help him run even faster for the second half.8 Eric won so much gold and silver that his mother hid his trophies under her bed at night, in case of burglary.9 Missionary families often make great sacrifices for the sake of the lost. -
Movie Store Collections- Includes Factory Download Service
Kaleidescape Movie Store Collections- Includes Factory Download Service. *Content Availability Subject to Change. Collection of 4K Ultra HD & 4K HDR Films Academy Award Winners- Best Picture Collection of Family Films Collection of Concerts Collection of Best Content from BBC Our Price $1,250* Our Price $1,450* Our Price $2,450* Our Price $625* Our Price $650* MSCOLL-UHD MSCOLL-BPW MSCOLL-FAM MSCOLL-CON MSCOLL-BBC 2001: A Space Odyssey 12 Years a Slave Abominable Adele: Live at the Royal Albert Hall Blue Planet II A Star Is Born A Beautiful Mind Aladdin Alicia Keys: VH1 Storytellers Doctor Who (Season 8) Alien A Man for All Seasons Alice in Wonderland Billy Joel: Live at Shea Stadium Doctor Who (Season 9) Apocalypse Now: Final Cut All About Eve April and the Extraordinary World Celine Dion: Taking Chances World Tour - The Concert Doctor Who (Season 10) Avengers: Endgame All Quiet on the Western Front Babe Eagles: Farewell 1 Tour — Live from Melbourne Doctor Who (Season 11) Avengers: Infinity War All the King's Men Back to the Future Elton John: The Million Dollar Piano Doctor Who Special 2012: The Snowmen Baby Driver Amadeus Back to the Future Part II Eric Clapton: Slowhand at 70 - Live at the Royal Albert Hall Doctor Who Special 2013: The Day of the Doctor Blade Runner 2049 American Beauty Back to the Future Part III Genesis: Three Sides Live Doctor Who Special 2013: The Time of the Doctor Blade Runner: The Final Cut An American in Paris Beauty and the Beast Hans Zimmer: Live in Prague Doctor Who Special 2014: Last Christmas Blue Planet II Annie Hall Cars INXS: Live Baby Live Doctor Who Special 2015: The Husbands of River Song Bohemian Rhapsody Argo Cars 2 Jackie Evancho: Dream with Me in Concert Doctor Who Special 2016: The Return of Doctor Mysterio Chinatown Around the World in 80 Days Cars 3 Jeff Beck: Performing This Week.. -
Budds Barns DVD List 2020
Budds Barns DVD list 2020 Listed will be the name of the dvd, the age rating and the length of the film/series. If you would like a dvd please ask. Name of film Age rating Length of film/series A christmas carol PG 92 minutes Airplane 15 84 minutes Aliens in the attic PG 82 minutes Alvin and the chipmunks U,G 1 hour and 15 minutes meet frankenstein “Am i bovvered?” The 15 6 hours and 40 minutes Catherine Tate show (series one and series two.) Ancient Egyptians n/a 52 minutes Tutankhamun. Angus, thongs and 12 96 minutes perfect snogging Animal Farm PG 90 minutes Annie U 86 minutes A private function 15 92 minutes A simple wish U 1 hour and 26 minutes Avatar 12 155 minutes Batman begins 12 134 minutes Brave PG 93 minutes Bride wars 12 85 minutes Casino 18 1 hour 57 minutes Casino Royale 12 2 hours 18 minutes (James Bond) Charade PG n/a Chariots of fire U 118 minutes Cinderella 2 dreams U 70 minutes come true Dark shadows 12 108 minutes Days that shook the world PG 59 minutes Days that shook the world 12 59 minutes Despicable me U/G 1 hour and 31 minutes Die Another Day 12 2 hours 7 minutes (James Bond) Dorian Gray 15 107 minutes Downton Abbey 12 6 hours 4 minutes (series 1) Dumbo U/G 61 minutes Fantasia U/G 119 minutes Fawlty Towers 12 370 minutes The complete collection remastered Ferris Bueller’s day off 15 99 minutes Finding Nemo U 96 minutes Football’s Greatest ever n/a 50 minutes matches. -
ME 500 (Online) Credit Hours: 3 the Rt Rev Dr Grant Lemarquand [email protected] [email protected]
FALL 2020 Course Title: Introduction to World Mission Course Number: ME 500 (online) Credit Hours: 3 The Rt Rev Dr Grant LeMarquand [email protected] [email protected] I. COURSE DESCRIPTION This course will introduce the student to the biblical, theological and historical aspects of world mission and explore the scope of mission practice. Attention will be given to an ex- amination of issues related to evangelism, mission, missions, dialogue, the persecuted church, unreached peoples, cross-cultural communication, justice, spiritual warfare, and the place of mission in the local church. II. TEXT BOOKS Required Books • Bauckham, Richard. The Bible and Mission: Christian Witness in a Postmodern World. Grand Rapids: Baker, 2003. ISBN: 1-84227-242-X. • Stark, Rodney. The Rise of Christianity. San Francisco: HarperCollins, 1997. ISBN: 0-06- 067701-5. • LeMarquand, Grant, ed. “The Gospel in the Public Square: Essays by and in honor of Lesslie Newbigin.” Trinity Journal for Theology & Ministry 4/2 (2010). This is a Trinity School for Ministry publication and will be made available for a very reasonable cost! • Mountstephen, Philip. The Bishop of Truro’s Independent Review for the Foreign Secretary of FCO Support for Persecuted Christians. Final Report and Recommendations 2019. Available online at: https://christianpersecutionreview.org.uk/report/ Not Required, but really fabulous and I wish I could require them all ... • Bosch, David. Transforming Mission. Maryknoll: Orbis, 1991. • Goheen, Michael W. Introducing Christian Mission Today: Scripture, History and Issues. Downers Grove: IVP, 2014. ISBN: 978-0-8308-4047-2. • Tennent, Timothy C. World Missions: A Trinitarian Missiology for the Twenty-first Century. -
FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27. -
Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.