Response to Ofcom Discussion Paper: Citizens, Communications and Convergence
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Drug Education and Its Publics in 1980S Britain
International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’. -
Buses from Grange Hill
Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St. -
Grange Crescent, Grange Hill, IG7 £850000
Chigwell 22 Brook Parade High Road Chigwell IG7 6PF Tel: 020 8500 1234 [email protected] Grange Crescent, Grange Hill, IG7 £850,000 - Freehold 4 bedrooms, 3 Bathrooms Preliminary Details Offers over £850.000 With an abundance of space is this attractive semi-detached four bedroom house. The property is situated in sought after location within a short walk of Grange Hill underground station, giving easy access to the City, Stratford, for Westfield shopping and the West End and local shopping. The accommodation features, on the ground floor, excellent spacious entrance hall, large through lounge, a second reception, ground floor show-room/bathroom, fitted kitchen leading to a third reception, Utility room and access to the garage. The first floor boasts four good sized double bedrooms all with fitted wardrobes and the master having a en-suite bathroom and a family bathroom. Externally there is a large mature garden measuring approximately 95 feet and off-street parking for multiple cars. Key Features • Semi-detached House • Large Kitchen/Diner • Spacious Receptions • Ground Floor W/C • Four Bedrooms • Garage Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 1 Area Overview © Collins Bartholomew Ltd., 2013 Nearest Stations Grange Hill (0.2M) Hainault (0.5M) Chigwell (0.9M) Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 2 Floor Plan Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 3 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
Directed by Nancy Carlin by George Bernard Shaw
CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents By George Bernard Shaw Scenic Designer Costume Designer Lighting Designer Kelly James Tighe Victoria Livingston-Hall Kurt Landisman Sound Designer Stage Manager Prop Master Lyle Barrere Gregg Rehrig* Christopher Kesel Wig Designer Judy Disbrow Cast Andy Gardner Maggie Mason Kendra Lee Oberhauser Gabriel Marin* Aaron Murphy Lisa Anne Porter* Craig Marker* Michael Ray Wisely* Directed by Nancy Carlin Margaret Lesher Theatre January 27 - February 25, 2012 Lesher Center for the Arts Season Season Partner Season Media Sponsor Foundation Sponsor Sponsor *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Lighting Designer is a member of United Scenic Artists Union The Director is a member of the Stage Directors and Choreographers Society Center REP is a member of Theatre Bay Area and Theatre Communications Group (TCG), The National Organization for the American Theatre CAST (in order of appearance) Craig Marker* (Captain Kendra Lee Oberhauser Bluntschli) has appeared at (Louka) is delighted to Catherine Petkoff ........................... Lisa Anne Porter* Center REP in The Mousetrap return to the Center REP Raina Petkoff .........................................Maggie Mason and The Marriage of Figaro. stage where she was last Louka .....................................Kendra Lee Oberhauser His Bay Area theater credits seen in Dracula (Mina Captain Bluntschli .................................Craig Marker* include The Glass Menagerie, Murray), Noises Off (Poppy) Russian Officer ............................ Andy Ryan Gardner Seagull, 9 Circles, Equivocation and The Women (various). Nicola ....................................................... Aaron Murphy and Bus Stop at Marin Theatre Company; The Circle Recent credits include: Reduction in Force and Major Petkoff ............................. -
Project 3 Unit 3 Mock Test3
Put the verbs in the brackets into the correct tense. Use the past simple or past continuous tense. My friends saw me when I was waiting for my girlfriend. (see, wait) ________________________________________ 1. The teacher ____________ into the classroom when we _____________ football. (come, play) ________________________________________ 2. I ___________ my girlfriend while I ________________________________________ ___________ at university. (meet, study) 3. Mark ______________ home when it ___________ to rain. (walk, start) /6 . A detective is asking questions. Write the questions. What were you doing at 6 o´clock? ________________________________________ I was walking my dog at 6 o´clock. ________________________________________ 1. _____________________________________? ________________________________________ We were sitting on a bench. /6 2. ______________________________________? . Complete the sentences with the words from the box. I saw a beautiful girl. 3._____________________________________? wind water snow volcano A short skirt and a yellow Tshirt. lightning earthquake 4. ____________________________________? 1. It rained a lot but there was no ___________. She went into the restaurant. 2. The ____________________ destroyed a lot of 5. ____________________________________? houses. She was short and slim. 3. The _______________ exploded and there /5 came out a lot of stones and lava from the . These are pictures from yesterday. Write what mountain. happened. 4. Tornado is a kind of a strong ________________ which goes very quickly. 5. A flood is a lot of _________________. 6. During an avalanche a lot of _____________ goes down a mountain and destroys everything. /6 When the boy was playing football, he fell and he broke his leg. Correct the sentences. Change only 1 word in 1. When did Grange Hill start? ___________________________________ each sentence. -
1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch. -
THE CHILDREN's MEDIA YEARBOOK 20 17 ••• Edit E D B Y Te
The Children’s Media Yearbook 2017 ••• EditEd by tErri LANGAN & frANcEs tAffiNdEr 8 The Children’s Media Yearbook is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2017 © Terri Langan & Frances Taffinder for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. You must not circulate this book in any other binding or cover. ISBN 978-0-9575-5188-6 (paperback) ISBN 978-0-9575518-9-3 (digital version) Book design by Jack Noel Welcome to the 7 2017 Yearbook research Greg Childs can reading improve 38 children’s self esteem? editor’s introduction 9 Dr Barbie Clarke and Alison David Terri Langan the realitY of 41 virtual for kids current Alison Norrington can You groW an open 45 affairs and mind through plaY? industrY neWs Rebecca Atkinson children’s media 11 rethinking 47 foundation revieW toddlers and tv Anna Home OBE Cary Bazalgette concerns about kids and fake neWs 51 media 14 Dr Becky Parry Anne Longfield OBE coming of age online: 54 animation uk 17 the case for Youth-led Helen Brunsdon and Kate O’Connor digital -
Jayne Chard Producer
Jayne Chard Producer Jayne is an award winning producer working in TV and Film. She has produced for SKY studios and for the BBC on the BAFTA winning series Casualty. Jayne has produced three feature films – Two Heads Creek; B&B and Dartmoor Killing, which between them have won over fourteen awards, including Best Thriller at the National Film Awards for Dartmoor Killing and Best LGBTQ Film at the London Independent Film Festival for B&B. Agents Georgina Carrigan [email protected] Credits Television Production Company Notes THE RISING Sky Studios Producer 2 episodes. Executive Producer Serena 2021 Thompson. CASUALTY BBC 1 Producer 5 episodes. Series Producer Loretta Preece 2021 CASUALTY BBC 1 Producer 2018 - 2019 10 episodes. Series Producer Lucy Raffety. THE BENCH ITV Director Single Drama. Producer Grace Kitto HOLLYOAKS Channel Four Director 6 episodes. Producer Juliette Charlesworth GRANGE HILL BBC 1 Director 2 episodes. Producer Karl Dolan United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BROOKSIDE Channel Four Director 2 episodes. Producer David Richardson Film Production Company Notes TWO HEADS CREEK Storm Vision; Dicentium Films Producer 2019 Hummingbird Films Wr. Jordan Waller. Dir. Jesse O'Brien. B&B Creative England/ Film Wales Producer 2017 Hummingbird Films Wr./Dir. Joe Ahearne. Distributors: Pecadillo (UK) Breaking Glass (USA) DARTMOOR KILLING PNF/Hummingbird Films Producer/Line Producer 2015 Wr. Isabelle Grey. Dir. Peter Nicholson. Shown theatrically in 35 screens in the UK. Documentaries Production Company Notes CVS: SAFE OR SORRY Channel Four Producer/Line Producer. -
Andrew Lynch
Andrew Lynch Film, TV, Radio, Theatre Agent: Nicky Lund Andrew Lynch has been a writer for television radio and the stage for over thirty years. His radio drama The Ragged Trousered Philanthropists was nominated for Best Radio Drama at the Writers Guild Awards 2009. TV Moving On 2 episodes BBC One 2014 Ragged Playhouse Presents Sky Arts 2013 The Street 2 episodes for the BAFTA winning BBC One 2007-2008 series Grange Hill 2 episodes for the BAFTA winning BBC One 2006 – 2008 series Courtroom Series on C4 C4 2005 -2006 Hollyoaks 65 Episodes for C4 series C4 1996 – 2000 Brookside 174 Episodes for C4 C4 1982 – 2004 Moving On For C4 series C4 1998 Emmerdale 70 Episodes for ITV series ITV 1993 – 1996 Thief Takers For ITV series ITV 1997 Nature’s Morphine A drama documentary for Yorkshire Yorkshire Television 1993 Television Waterfront Beat For BBC 1 series BBC One 1991 Albion Market Co-deviser and writer for ITV series ITV 1983 Jury Deviser and writer for thirteen part BBC One 1982 series RADIO The Magic Faraway Tree Enid Blyton's classic children's tale, BBC Radio 4 2012 adapted by Andrew Lynch Diary of a Nobody Adaptation of the Grossmith BBC Radio 4 2012 brothers' comic novel Badfellas Original 45min play for Perfectly BBC Radio 4 2010 Normal Productions No Angel Original 27 min situation comedy BBC Radio 2 2010 drama for Perfectly Normal Productions Chequebook & Pen 2010 Original 44min play for Woolyback BBC Radio 4 Productions Mugsborough 1917 Dramatisation BBC Radio 4 2009 Mugsborough 1926 Dramatisation BBC Radio 4 2009 A Question of Royalty One-off radio comedy drama BBC Radio 4 2009 The Ragged Trousered Classic Series adaptation BBC Radio 4 Philanthropists 2008 Mild and Batter 30 minute theatre BBC Radio 4 1970-1980 The Spam Fritter Man 6 part comedy BBC Radio 4 1970 - 1980 The Dartist Afternoon Theatre BBC Radio 4 1970 - 1980 Best Side Story Afternoon Theatre BBC Radio 4 1970 - 1980 A Fall of Moondust Saturday Night Theatre adaptation of BBC Radio 4 1970 - 1980 an Arthur C. -
Skins and the Impossibility of Youth Television
Skins and the impossibility of youth television David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays, can be found at: https://davidbuckingham.net/growing-up-modern/. In 2007, the UK media regulator Ofcom published an extensive report entitled The Future of Children’s Television Programming. The report was partly a response to growing concerns about the threats to specialized children’s programming posed by the advent of a more commercialized and globalised media environment. However, it argued that the impact of these developments was crucially dependent upon the age group. Programming for pre-schoolers and younger children was found to be faring fairly well, although there were concerns about the range and diversity of programming, and the fate of UK domestic production in particular. Nevertheless, the impact was more significant for older children, and particularly for teenagers. The report was not optimistic about the future provision of specialist programming for these age groups, particularly in the case of factual programmes and UK- produced original drama. The problems here were partly a consequence of the changing economy of the television industry, and partly of the changing behaviour of young people themselves. As the report suggested, there has always been less specialized television provided for younger teenagers, who tend to watch what it called ‘aspirational’ programming aimed at adults. Particularly in a globalised media market, there may be little money to be made in targeting this age group specifically. -
I Am Writing to You to Express My Deep Concern About the Recent
I am writing to you to express my deep concern about the recent news from the BBC that they have applied to OFCOM to ask if they can reduce news output on the CBBC channel – by axing the main afternoon edition of the much loved Newsround. I am appalled that the BBC would even think this is a good decision. As far as i understand, they say that less children are watching Newsround and more are getting their news online, from the Newsround website and other sources. I cannot understand this reasoning. This is same reasoning they applied to the removal of BBC3 as linear service – and we all know that the end result of that was the BBC reached even less young people. To say more children are watching things online is a cop out. Why are children spending more time watching online? The answer is because they are poorly catered for by linear services. Don’t children spend enough time online as it is? Do we really want to encourage them to spend more time online? Newsround has been a fixture in the CBBC schedule for over 40 years. Surely, this is what the BBC should be spending their money on – a daily news programme for children aged 7- 15. CBBC broadcasts for 14 hours a day- is it really too much to ask that they provide 7 minutes of news in the afternoon / evening? The CBBC channel narrowed its focus to 7-12 year olds in 2013. Some of the continuity presenters can hardly string a legible sentence together and others would be more suited to Cbeebies. -
Philip Harrison
PHILIP HARRISON Height: 6’3 Hair: Light Brown Eyes: blue/grey Training and skills: Trained at A.L.R.A 3 year acting course, Sorrell Carson Stockton Billingham Tech, Foundation drama, 2 yrs. Ken Parkin Fencing (Most Bladed weapons) A.F.A Basic coach Foil, Epee, Sabre. Eskrima (stick fighting). Martial arts: Basic Kung Fu, (Sholin Golden Fist) Karate (Wado Ryu) Progressive combat. Archery. Guitar. Video Production. Juggling, Stilt walking. Film credits include: The Boy on the Bus Simon Pitts Flourishing Pictures Harrigans Nick Tall Trees Films Sleepworking Gavin Williams Hook Pictures Television credits include The Dumping Ground Di Patrick BBC Inspector George Gently Gillies Mackinnon BBC Inside Out Dan Farthing BBC Vera Paul Whittington ITV Emmerdale John Anderson/Micky Jones Granada Television ('North') Byker Grove Rob Bailey BBC/Zenith North ('Ollie’s Dad') Badger Paul Harrison BBC/Zenith North ('Egger') Fighting for Gemma Julian Jarrold Granada ('Frank') Clock Shock 999 Katie Thomas BBC ('Father') Per Chance To Dream Tim Putnam Channel 4 ('Hobbs') Heartbeat Tim Dowd Yorkshire Whispers of the Rock David Sands Border TV ('Lt Wallingford') Glass Virgin Sarah Hellings Tyne Tees ('Big fella') Harry Mary MacMurray BBC Commercial and corporate credits Newcastle Brown Ale commercial Droga 5 Arberia Roman Fort museum film Centre Screen Medical in house film Scenario Role Play NHS Stroke Awareness film Tyne Media Rally Car film Landau Reece Theatre credits include: Shortcuts Rosie Kellegher Live Theatre Cuckoo Jack Janet Nettleton No Limits