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The Knotted Tails a Supplemental Storyline for Mask of the Oni the KNOTTED TAILS
the knotted tails a supplemental storyline for Mask of the Oni THE KNOTTED TAILS The Knotted Tails Part One: This is an optional bonus storyline that may be played within Mask of the Oni, an adventure for the Legend of the Storyline Background Five Rings Roleplying Game. Encounters are designed for If played during Mask of the Oni, the GM can use this a party of four PCs of rank 2, though these can be adjust- as an opportunity to prepare the players for the dangers ed for parties of any size and ranks by using Gauging an they will face once inside the castle. As the PCs piece Encounter on page 310 of the core rulebook. together the Knotted Tails’ version of the past, they may The Knotted Tails takes place before the PCs reach uncover clues about the history of the Hiruma and their Shiro Hiruma, but after the optional encounter “The fate. If played during a different Shadowlands adventure, Lost” on page 15 of that adventure. Alternatively, it can the PCs have an opportunity to make useful allies––if they be adapted for use within any campaign in the Shad- can find and slay the threat that is on the hunt for nezumi owlands. Whether PCs are involved in Mask of the Oni blood. Either way, the PCs can rest in the relatively safe or not, these encounters allow them to meet and learn territory of the tribe and gain useful supplies, valuable about the human-sized, rat-like nezumi and discovr what information, and the promise of nezumi aid in the future. -
Considering the Creation of a Domestic Intelligence Agency in the United States
HOMELAND SECURITY PROGRAM and the INTELLIGENCE POLICY CENTER THE ARTS This PDF document was made available CHILD POLICY from www.rand.org as a public service of CIVIL JUSTICE the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit NATIONAL SECURITY research organization providing POPULATION AND AGING PUBLIC SAFETY objective analysis and effective SCIENCE AND TECHNOLOGY solutions that address the challenges SUBSTANCE ABUSE facing the public and private sectors TERRORISM AND HOMELAND SECURITY around the world. TRANSPORTATION AND INFRASTRUCTURE Support RAND WORKFORCE AND WORKPLACE Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Homeland Security Program RAND Intelligence Policy Center View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND mono- graphs undergo rigorous peer review to ensure high standards for research quality and objectivity. -
Credits.Indd
ENEMIES OF THE EMPIRE LEGEND OF THE FIVE RINGS RPG, 4TH EDITION: ENEMIES OF THE EMPIRE WRITTEN BY: Shawn Carman, Robert Hobart, PRODUCTION MANAGER: David Lepore Brian Yoon; Kevin Blake, Mikael Brodu, Patrick Duke, SENIOR BRAND MANAGER: Todd Rowland Dave Laderoute, Maxime Lemaire, Jacob Ross, Ray Rupp, Rich Wulf, CHIEF EXECUTIVE OFFICER: John Zinser Ryan Reese HEAD PLAYTESTER: Brian Bates EDITED BY: Robert Hobart, Todd Rowland PLAYTESTERS: Team 1 (Dave Smith, Patrick Chen, Aien Elmi, Jason kang, Ki Chang Kim, PROOFREADERS: Dace, Ryan Reese, Roger Liang, Arthur Nguyen), and Richard Whitney Team 2 (Lucas Twyman, Lee Masheter, Amanda Martyn, Chad Kirby, Andrew Flynn, ART DIRECTOR: Todd Rowland Lauren Murray), Team 3 (Kit LaHaise, Catherine Pickett, Bret David Hewes, Francois Martineau), COVER DESIGN: David Ardila Team 4 (Becca Hobart, Todd Stites, Will Stampley, GRAPHIC DESIGN: David Ardila Kevin Blake, Lewis Fleak, Daniel Briscoe), Team 6 (Dace, Erykah Fasset, Tracy Pinkelton, Daniel Walters, LAYOUT: Edge Studio Laura Harvey), Team 7 (Jason Shafer, Nathan Shafer, Matt Strout, Liza Strout, Joe White, Terry “Dingo” Moore, Eric Newlin), Team 8 (Robert Knight, Brebouillet Mathieu, Credits ARTISTS: Aaron Acevedo, Christopher Appel, Aaron Rubman, David Whitney, Richard Whitney, Steve Argyle, Drew Baker, beet, Heather Bruton, Stuart Biggs, Edward Reynolds, Ryan Gossens, Ron Chironna, Miguel Coimbra, Conceptopolis, Ed Cox, Jean-Phillipe Lanfond), Team 10 (Luke Fleman, Joseph Schuster, Edwin David, Thomas Denmark, John Donahue, Andrew Snow, Christopher Myers, Michael Neer, Paul Siebuhr, Chris Doranus, Randy Elliott, Jason Engle, Anthony Francisco, Ryan Flynn), Team 11 (Cory Mills, Caitlin Mills, Molly Poole, 1 Thomas Gianni, Paul Prof Herbert, Rob Hinds, Jon Hodgson, Darren Walters, Lynne Ahlgren, Jeremy Bullens, Albert Koenig), Jon Hunt, IFS, Hugh Jamieson, Veronica V. -
The Dark Archetypes V1.3
Sample file THE DARK ARCHETYPES Author: NIKOLAS TOTIEF Artist: ALEXANDER KAMI Corrupted by: Sample file Contents The Dark Archetypes Barbarian Path of the Deathsworn ............................................................................................................................................. 3 Items for a Deathsworn .................................................................................................................................................................................... 4 Bard College of the Scream .................................................................................................................................................................................. 5 College of the Scream Spells ....................................................................................................................................................... 6 Cleric Demon Cult Domain ..................................................................................................................................................................................... 8 Demon Cult Spells .............................................................................................................................................................................................................. 9 Druidic Circle of the Fungus ....................................................................................................................................................................... 11 Circle of the Fungus -
Complete Book of Necromancers by Steve Kurtz
2151 ® ¥DUNGEON MASTER® Rules Supplement Guide The Complete Book of Necromancers By Steve Kurtz ª Table of Contents Introduction Bodily Afflictions How to Use This Book Insanity and Madness Necromancy and the PC Unholy Compulsions What You Will Need Paid In Full Chapter 1: Necromancers Chapter 4: The Dark Art The Standard Necromancer Spell Selection for the Wizard Ability Scores Criminal or Black Necromancy Race Gray or Neutral Necromancy Experience Level Advancement Benign or White Necromancy Spells New Wizard Spells Spell Restrictions 1st-Level Spells Magic Item Restrictions 2nd-Level Spells Proficiencies 3rd-Level Spells New Necromancer Wizard Kits 4th-Level Spells Archetypal Necromancer 5th-Level Spells Anatomist 6th-Level Spells Deathslayer 7th-Level Spells Philosopher 8th-Level Spells Undead Master 9th-Level Spells Other Necromancer Kits Chapter 5: Death Priests Witch Necromantic Priesthoods Ghul Lord The God of the Dead New Nonweapon Proficiencies The Goddess of Murder Anatomy The God of Pestilence Necrology The God of Suffering Netherworld Knowledge The Lord of Undead Spirit Lore Other Priestly Resources Venom Handling Chapter 6: The Priest Sphere Chapter 2: Dark Gifts New Priest Spells Dual-Classed Characters 1st-Level Spells Fighter/Necromancer 2nd-Level Spells Thief / Necromancer 3rd-Level Spells Cleric/Necromancer 4th-Level Spells Psionicist/Necromancer 5th-Level Spells Wild Talents 6th-Level Spells Vile Pacts and Dark Gifts 7th-Level Spells Nonhuman Necromancers Chapter 7: Allies Humanoid Necromancers Apprentices Drow Necromancers -
Ghostories Designed by Table of Contents Brett M
GhoStories DESIGNED BY TABLE OF CONTENTS Brett M. Bernstein Introduction 2 Part I: Rules of Play 3 WRITTEN BY 1. Characters 4 Brett M. Bernstein, Matt McElroy, 2. Getting Things Done 19 3. Tainted Workings 27 Peter C. Spahn, Mark Bruno 4. Tainted Entities 41 5. The World Around Us 61 ILLUSTRATION BY 6. Expanding the Game 69 Laura Pelick, Paul Daly, Tim Bobko, Part 2: The Stories 77 Anthony Montemayor, Jason Moser, 1. Not Forgotten 78 Mike Vilardia, Marshall Andrews III, 2. Desecration 82 Tom O’Neil, Chris Martinez 3. Web of Seduction 85 4. Dark Tremors 88 ©2002, 2007, 2008 Precis Intermedia. All Rights 5. From the Past 93 Reserved. genreDiversion, Ghostories, Unbidden, 6. Amends 96 Masterbook, Bloodshadows, Impresa, Mean Streets, and 7. The Reverend 98 Active Exploits are trademarks of Precis Intermedia. No 8. The Cup Runneth 101 part of this book may be reproduced in any form, except where noted. 9. Tears of Joy 103 Part 3: Reference 110 Any similarities to people, situations, or organizations are strictly coincidental. The themes, people, situations, and Task Reference 111 supernatural elements presented in this book are fictional Violence Reference 112 and intended for entertainment purposes only. Paranormal Reference 113 Gimmick Reference 114 Blank Sheets 115 WWW.PIGAMES.NET Part 4: Templates 118 Sample Characters 119 ISBN 978-0-9770673-8-1 PLI106 Characters for Tears of Joy 124 q GhoStories Welcome to Ghostories: Supernatural Mystery Roleplaying. Supernatural as Myth This game can be played as a one-shot adventure, series of The supernatural does not exist, but many people still adventures, or as a foundation for your own campaign. -
Counterintelligence in the Kingdom and the States
Counterintelligence in the Kingdom and the States A Historical Comparison of the FBI and MI5 Matthew Kalkavage Master’s Thesis Advisor: Professor Arthur Hulnick Submitted: April 14, 2014 Executive Summary The United States and the United Kingdom have different kinds of organizations to defend their national security from espionage and terrorist threats. The US relies on the Federal Bureau of Investigation (FBI), a law enforcement agency with counterintelligence functions, while the UK depends on the Security Service (MI5), a purely counterintelligence agency without law enforcement powers, to meet these challenges. The purpose of this paper is to examine the benefits, detriments, and the key motivations behind each system’s development for the sake of showing that MI5 has ultimately served the UK better than the FBI has served the US in the realm of counterintelligence. The historical trajectory of the Security Service is one of constant honing of counterintelligence work from its very inception. The history of the FBI reveals an organization that was initially established for law enforcement purposes and has never completely abandoned its preference for that mission amid US governmental pressure to become more intelligence- driven in times of international crisis (especially during World War I, World War II, and parts of the Cold War). The counterintelligence practices of the Service and the Bureau throughout their histories illustrate the deficiencies and proficiencies of each, which mutually contribute to the understanding of key counterintelligence qualities that are presented in the final chapter. These attributes are an overall penchant for secrecy, an external orientation, and a preventative operational culture. -
Quoth the Raven 26Th
Quoth the raven 26th A Fraternity of Shadows netbook Halloween 2019 Summary Introduction ................................................................................................................................................... 2 The Conferences of Victor Gagné - part the Third: The Shadow ........... 3 Deadly Denizens ....................................................................................................................................... 50 Ravenloft's Elemental Planes: 43 original spells for 5e ............................... 59 Skulland, land of Undeath and Life ................................................................................... 89 The Coldhands ........................................................................................................................................... 98 The Mummy’s Curse ............................................................................................................................ 106 Another 100 Shades of Dark .................................................................................................... 116 Lazendrak ................................................................................................................................................... 138 Van Richten’s files : the Clavius Keel Case ............................................................ 147 Mordentshire, Land of Souls and Hauntings........................................................... 157 1 Copyrights This product has been published under the regulations -
Frostburn: Mastering the Perils of Ice and Snow, and Their Respective Logos, and Wizards Product Names Are Trademarks of Wizards of the Coast, Inc., in the U.S.A
CREDITS DESIGNERS ART DIRECTOR WOLFGANG BAUR, JAMES JACOBS, Dawn Murin GEORGE STRAYTON COVER ARTIST DEVELOPMENT TEAM Sam Wood RICHARD BAKER (LEAD), ANDREW J. FINCH, DAVID NOONAN, JAMES WYATT INTERIOR ARTISTS Steve Bel l edin, Mitch Cotie, Ed Cox, EDITOR Dennis Crabappl e McCl ain, Steve El l is, GREG COLLINS David Griffith, David Hudnut, MANAGING EDITOR Dana Knutson, Doug Kovacs, Dan Scott GWENDOLYN F.M. KESTREL GRAPHIC DESIGNER DESIGN MANAGERS Dee Barnett, Trish Yochum CHRISTOPHER PERKINS, ED STARK CARTOGRAPHERS DEVELOPMENT MANAGER James Jacobs, Todd Gambl e ANDREW J. FINCH DIRECTOR OF RPG R&D GRAPHIC PRODUCTION SPECIALIST BILL SLAVICSEK Erin Dorries PRODUCTION MANAGERS IMAGE TECHNICIAN JOSHUA C.J. FISCHER, RANDALL CREWS Robert Jordan Resources: Epic Level Handbook, Arms and Equipment Guide, FORGOTTEN REALMS Campaign Setting, World of Greyhawk Campaign Setting, Living Greyhawk Gazetteer, Monsters of Faerûn, Races of Faerûn, Oriental Adventures, Dragon Magazine, and Book of Vile Darkness. Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This product uses updated material from the v.3.5 revision. This Wizards of the Coast ® game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20. U.S., CANADA, ASIA, PACIFIC, EUROPEAN HEADQUARTERS & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. T Hofveld 6d P.O. -
The Carroll News- Vol. 59, No. 9
John Carroll University Carroll Collected The aC rroll News Student 11-19-1976 The aC rroll News- Vol. 59, No. 9 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 59, No. 9" (1976). The Carroll News. 554. http://collected.jcu.edu/carrollnews/554 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. : ' .. ' . ' Session airs dirty question A thorough airing of the sulfur Stern, who has spent more than Amdur, Harvard University oxide controversy in northeast 40 years in air poiJution control, is toxicologist; Patrick J . Lawther, ern Ohio will take place at a two - regarded as a national authority an environmental research day public conference at John and is respected for his fairness director at St. Bartholomew's Carroll University Nov. 18-19. in conducting open meetings on Hospital Medical College, Lon this controversial subject. don, England; Dr. Benjamin G. Leading experts in govern Ferris, professor of environ For 13 years he was assistant mental health and safety, Har ment, industry, and health fields director of the U.S. National Air will be among the panelists En· vard University; and Dr. Walter Pollution Control Administration W. Heck, air pollution research vironmental and labor groups and, for 12 years, he was chief of will also have a voice in the pr<> leader, U.S. -
Preserving Film Preservation from the Right of Publicity1
de•C ARDOZOnovo L AW R EVIEW PRESERVING FILM PRESERVATION FROM THE RIGHT OF PUBLICITY1 Christopher Buccafusco† Jared Vasconcellos Grubow* Ian J. Postman# INTRODUCTION Newly available digital tools enable content producers to recreate or reanimate people’s likenesses, voices, and behaviors with almost perfect fidelity. We will have soon reached the point (if we haven’t already) when a movie studio could make an entire “live action” feature film without having to film any living actors. Computer generated images (CGI) could entirely replace the need for human beings to stand in front of cameras and recite lines. Digital animation raises a number of important legal and social issues, including labor relations between actors and movie studios, the creation and dissemination of fake news items, and the production of 1 Copyright 2018 by Christopher Buccafusco, Jared Vasconcellos Grubow, and Ian J. Postman. The authors are grateful for comments on an earlier draft from Jennifer Rothman and Rebecca Tushnet and for a helpful discussion of film restoration with Lee Kline. † Professor of Law, Director of the Intellectual Property + Information Law Program, Associate Dean for Faculty Development, Benjamin N. Cardozo School of Law, Yeshiva University. DISCLOSURE: Professor Buccafusco’s spouse, Penelope Bartlett, is an employee of The Criterion Collection, one of the major restorers and distributors of classic films. * Editor-in-Chief, Cardozo Law Review Volume 40, J.D. Candidate (June 2019), Benjamin N. Cardozo School of Law; B.M. Syracuse University Setnor School of Music, 2013. # Submissions Editor, Cardozo Law Review Volume 40, J.D. Candidate (June 2019), Benjamin N. Cardozo School of Law; B.S. -
UNIVERSITY of CALIFORNIA Los Angeles the Time of the Thriller: Suspense and Continuity After World War II a Dissertation Submitt
UNIVERSITY OF CALIFORNIA Los Angeles The Time of the Thriller: Suspense and Continuity after World War II A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in English by Martin Zirulnik 2019 © Copyright by Martin Zirulnik 2019 ABSTRACT OF THE DISSERTATION The Time of the Thriller: Suspense and Continuity after World War II by Martin Zirulnik Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Ursula K. Heise, Chair Through the analysis of a selection of thrillers written and produced in the years immediately following World War II, this dissertation defines the threshold conditions of narrative suspense in the twentieth century—the pending disappearance of continuity, not just in techniques of storytelling but in longstanding assumptions about time, about how it is and how it ought to be organized. These works, for instance, seem in various ways to prefigure a more general attenuation of narrative retrospection—narrative retrospection as a grammatical convention of realist fiction but also as a form of belief, as fidelity to the qualitative density of human experience as it is transmitted through time. This period of aesthetic transition, marked by the iconoclasm of the avant-garde, is often seen as a terminal point in the history of storytelling after modernism, a time (though certainly not the only time) when the novel dies along with the systems of value that upheld it. Alternately, as more recent scholarship has shown, it can be seen as the moment when the present tense starts to gain traction as the dominant mode of fictionalizing time.