BIEFF 2018 Edition Catalogue
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Guy Maddin Y El Fin Del Cine: Donde Habitan Los Monstruos Raúl Hernández Garrido [email protected]
fre Guy Maddin y el fin del cine: donde habitan los monstruos RAúl HeRnández GARRido [email protected] Guy Maddin and the end of cinema: where the monsters dwell Abstract From 1985 Guy Maddin has created an exemplary filmography composed of thirteen films and almost forty shortfilms. By crisscrossing particular techniques of the silent cinema and primitive cinematographies with a very personal theme, he has disrupted the modes of narration and representation, as well as proposing a singular rewriting of the history of cinema. Key words : Silent cinema. Postclassical cinema. Avant-garde. Deconstruction. Simulacrum. Incest Resumen Desde 1985 Guy Maddin ha creado, a través de trece largometrajes y casi cuarenta cortometrajes, una filmogra - fía ejemplar en la que, cruzando técnicas propias de los filmes silentes y de cinematografías primitivas con una temática muy personal, convulsiona los modos de la narración y representación y propone una singular reescri - tura de la historia del cine. Palabras clave: Cine silente. Cine postclásico. Vanguardia. Deconstrucción. Simulacro. Incesto. ISSN. 1137-4802. pp. 107-121 Anclándose en un ya moribundo siglo XX, es en 1985 cuando la muy par - ticular filmografía del canadiense Guy Maddin, tan desigual como fascinan - te, arranca. Para comprender mejor su obra deberíamos volver la mirada a algunos años antes, cuando Maddin, a través de las series documentales de Kevin Brownlow ( Hollywood, 1980 ) descubre y empieza a ver películas silen - tes y a sentirse fascinado por su variedad de formas de expresión. Su primera película, de forma ejemplar, se llama The Dead Father , el padre muerto. The Dead Father (Guy Maddin, 1985) Raúl Hernández Garrido t& 10f8 Junto a la figura del Padre, muerto y sin embargo presente, molesto y penoso, autoritario pero no sujeto a una ley, muchas veces competidor o estúpido adversario del protagonista, otras convertido en un zombi sin voluntad, la personalidad fuerte de la Madre dominará su filmografía. -
ARTICLES of INTEREST January 17, 2020 QUOTE(S
ARTICLES OF INTEREST January 17, 2020 QUOTE(S) OF THE WEEK “Millions saw the apple fall, but Newton was the one who asked why.” – Bernard Baruch “We need our public and private Churchills, leaders who can re-imagine, who can call forth wellsprings of daring and guts and spirit and spunk, from one and all, to topple the way things may have been for many generations—and who inspire us to venture forth into today’s and tomorrow’s whitewaters with insouciance and bravado and determination.” – Tom Peters “As yet, if a man has no feeling for art he is considered narrow-minded, but if he has no feeling for science this is considered quite normal. This is a fundamental weakness.” – Isidor Isaac Rabi “Many who have had an opportunity of knowing any more about mathematics confuse it with arithmetic, and consider it an arid science. In reality, however, it is a science which requires a great amount of imagination.” – Sofia Kovalevskaya “A fact is a simple statement that everyone believes. It is innocent, unless found guilty. A hypothesis is a novel suggestion that no one wants to believe. It is guilty, until found effective.” – Edward Teller “It is poor civic hygiene to install technologies that could someday facilitate a police state.” – Bruce Schneier “It is above all by the imagination that we achieve perception and compassion and hope." – Ursula K. Le Guin “When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.” – Arthur C. -
Coat Drive Report 2016 Th Is Year, the Coat D Rive Goes Mobile
Coat Drive This year, the Report 2016 Coat Drive goes mobile. Text COAT to Just buys a new coat for a New Yorker in need. Table of Contents The Coat Drive Goes Mobile 4 Coat Drive Champions 6 Coat Drive Media and Press 8 Shifting the Coat Drive Call to Action 9 Financial Supporters 12 Collection Partners 24 Recipient Agencies 34 New York Cares York New Coat Drive Report 2016 3 The Coat Drive Goes Mobile Thanks to the generosity and compassion of “The need in our city is simply More than 1,400 companies, civic groups, and thousands of New Yorkers, New York Cares individuals also stepped up this year to deliver collected and distributed 109,213 winter coats enormous, and we developed the gently used coats through their own private during the 28th Annual Coat Drive. This year’s text option to cast a wider net collection efforts. When combined with the coats numbers broke collection records as a new mobile dropped off at our 300 public collection sites, these donation option and increased participation and engage more New Yorkers groups delivered 78,000 coats in 2016. from companies and civic groups delivered than ever. We understand that unprecedented warmth across the city. With homelessness in New York City reaching near- not everyone has an extra coat at record highs and the rising cost-of-living pushing In 2016, for the first time, New York Cares made it home to donate or can make it to more residents below the poverty line, requests possible to give a coat via a simple text message. -
[email protected] //
[email protected] // www.nataliebaxter.com // 859.361.5728 // EDUCATION 2012 UNIVERSITY OF KENTUCKY // MFA Lexington, KY 2007 UNIVERSITY OF THE SOUTH; SEWANEE // BA in Studio Art Sewanee, TN // SOLO EXHIBITIONS 2018 Upcoming: CUNSTHAUS Tampa, FL Upcoming: ELIJAH WHEAT SHOWROOM, TrollLolLol Brooklyn, NY 2017 PURDUE UNIVERSITY FOUNTAIN GALLERY, Clearly Confused Lafayette, IN UNIVERSITY OF THE SOUTH, CARLOS GALLERY, Fired Up Sewanee, TN APPALSHOP GALLERY, Warm Guns & Bloated Flags Whitesburg, KY 2016 INSTITUTE 193, OK-47 Lexington, KY WILD GOOSE FARM, Gun Show Kent, CT 2012 LEXINGTON VISUAL COLLECTIVE, home/place Lexington, KY BRIGGS THEATRE screening of home/place Lexington, KY // SELECTED GROUP EXHIBITIONS 2018 Upcoming: GROUND FLOOR GALLERY, Women at Work Brooklyn, NY BEVERLY’S, Wendy Let Me In New York, NY RESONATOR GALLERY, Fire and Fury Norman, OK KEYSTONE ART SPACE, Two Person Show, Trash Talk Los Angeles, LA SCHAUFENSTER GALLERY, Paingame Berlin, Germany 2017 ALBANY PUBLIC LIBRARY, Interwoven Albany, NY THE MIDWAY GALLERY, Bow San Fran, CA SEARS PEYTON GALLERY, Light in the Dark New York, NY YALE UNIVERSITY, Branford College Gallery, Broad Stripes & Bright Stars New Haven, CT ARTSWESTCHESTER, Give Us The Vote White Plains, NY WAYFARERS GALLERY, Woven Brooklyn, NY AFFORDABLE ART FAIR, Fired Up, Melted Down New York, NY HARRIS ART GALLERY, University of La Verne, Unloaded La Verne, CA VERMONT STUDIO CENTER GALLERY, Bitter Candy Johnson, VT WOSKOB FAMILY GALLERY at Penn -
19 ASEF Summer University
19 th ASEF Summer University Sustainable Urbanisation in Heritage Cities The People of ASEFSU 9-21 August 2015 Symbiosis International University Pune, India #ASEFSU CO-ORGANISED BY SUPPORTED BY KNOWLEDGE TECH PARTNER PARTNER ASEF’s contribution is with the financial support of the European Union. 19th ASEF Summer University (ASEFSU) - Working Document The People of ASEFSU Draft as of 3 August 2015 The People of the 19th ASEF Summer University The Participants Heritage preservation in cities matters because... Ms Anjali ROBERTS Australia ... they are physical vestiges of our society’s dreams and fairytales. Ms Angelika KÖPF Austria ... it builds useful connection between experience and new development. Mr Syed Ahmad NAFISUL ABRAR Bangladesh ... it represents economic and social potential of sustainable regional development. Mr Benoît MASSET Belgium ... we learn from our history, such a motto is more than accurate. Heritage allows us to remember where we came from. 19th ASEF Summer University (ASEFSU) - Working Document The People of ASEFSU Draft as of 3 August 2015 Mr Khairul Hazmi ZAINI Brunei Darussalam ... it creates the sense of place and identity. Ms Veselina YONCHEVA Bulgaria ... we have to know our past, so that we can have a future. Mr Sokun THAY Cambodia ... it represents the soul, culture, tradition, history, economy, society and value of each nation. Mr Zihao CHENG China ... it is the evidence that we once existed. Mr Mateo GUDIĆ Croatia ... it makes the basis for identities of cities and its citizens. 19th ASEF Summer University (ASEFSU) - Working Document The People of ASEFSU Draft as of 3 August 2015 Mr Panagiotis CHATZIMICHAIL Cyprus .. -
Annali Del Museo Pasqualino
ANNALI DEL MUSEO PASQUALINO ANNO II, n. 2, 2019 edizioni Museo Pasqualino edizioni Museo Pasqualino direttore Rosario Perricone ANNALI DEL MUSEO PASQUALINO ANNO II, n. 2, 2019 edizioni Museo Pasqualino Rivista annuale Registrazione presso il Tribunale di Palermo n.1/2018 del 10 gennaio 2018 Direttore responsabile Rosario Perricone Redazione Monica Campo Maria Rosaria Fasino Chiara Vaglica ANNALI DEL MUSEO PASQUALINO ANNO II, n. 2, 2019 edizioni Museo Pasqualino © 2019 Associazione per la conservazione delle tradizioni popolari Museo internazionale delle marionette Antonio Pasqualino Piazza Antonio Pasqualino, 5 – 90133 Palermo PA www.edizionimuseopasqualino.it – [email protected] Regione siciliana Assessorato dei beni culturali DGBID e dell’identità siciliana DIREZIONE GENERALE PER LE BIBLIOTECHE Dipartimento dei beni culturali GLI ISTITUTI CULTURALI E IL DIRITTO D’AUTORE e dell’identità siciliana Progetto grafico e impaginazione Salvo Leo · Tundesign.it Stampa Fotograph S.r.l., Palermo In copertina Angelia, pupo palermitano proveniente al teatro di Canino, Museo internazionale delle marionette Antonio Pasqualino, foto di Antonio Cusumano. L’editore è a disposizione per eventuali aventi diritto che non è stato possibile contattare. Il presente volume è coperto da diritto d’autore e nessuna parte di esso può essere riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo elettronico, meccanico o altro senza l’autorizzazione scritta dei proprietari dei diritti d’autore La carta utilizzata utilizzata per la stampa è realizzata -
2019 Faculty Directory
diversity Associate Leadership Institute 2019 FACULTY DIRECTORY www.nycbar.org/ALI 2019 ASSOCIATE LEADERSHIP INSTITUTE MARCH 6 | ORIENTATION & WELCOME RECEPTION Alumni Fellows Panel: DUPE ADEGOKE, Morrison Cohen LLP CAMILLE BENT, Baker Hostetler LLP MARCIE CLEARY, Frankfurt Kurnit Klein & Selz PC GURU SINGH, Cooley LLP Moderated by GEOFF YOUNG, REED SMITH LLP MARCH 15 | LEADERSHIP/MANAGEMENT SKILLS & EXECUTIVE COACHING Facilitated Session: GEORGE FLOWERS, Invisible Hurdle, LLC Executive Coach Breakout Session: ANNJOAN HYMAN, NEONU JEWELL, CELINA LEE, ADELE LEMLEK, PATRICIA PAUL, LOURDES OLVERA-MARSHALL, JULIA SCHECHTER MARCH 27 | EXECUTIVE PRESENCE & BUILDING YOUR PERSONAL BRAND Welcome Remarks: JUDGE RAYMOND LOHIER, US Court of Appeals, Second Circuit Keynote Fireside Chat: JUAN ARTEAGA, Crowell & Moring LLP DEBO ADEGBILE, Wilmerhale TRACY ELISE POOLE, Johnson & Johnson HANNAH SHOLL, Visa Moderated by SHARON JONES, Jones Diversity APRIL 10 | FELLOWS DINNER KIMBERLEY HARRIS, NBCUniversal In Conversation with SHEILA ADAMS, Davis Polk & Wardwell LLP APRIL 19 | LEVERAGING YOUR NETWORK: MENTOR & SPONSOR RELATIONSHIPS Panel: SCOTT PEELER, Arent Fox LLP SHARIS POZEN, General Electric WENDY HUANG WASZMER, Wilson Sonsini Goodrich & Rosati LLP TOPE YUSUF, Arent Fox LLP Moderated by SHEILA MURPHY , Focus Forward Consulting Facilitated Session: JEROME GRAHAM WEBB, Former V.P. General Counsel, Colgate-Palmolive Company, Greater Asia Division APRIL 26 | MAINTAINING GRIT & RESILIENCE IN YOUR CAREER Facilitated Session: DR. MILANA HOGAN, Sullivan & -
Master in Business Innovation (Mbi)?
2 Imagination Albert Einstein is more important than knowledge The 1st in Thailand New Creative Program International Program Multi-disciplinary Program Can be completed in 18 months Classes taught on Saturdays Blended learning with 2/3 time spent in class and 1/3 scheduled at home Taught by International experts Available as a dual degree with France or South Korea Innovative teaching techniques (MOOCs, Action Learning, Problem and Team based learning, flipped classroom…) Project-based learning (PBL) in collaboration with local organizations Highlights of the MBI Program Highlights of the 4 Innovation distinguishes between a leader and Steve Jobs a follower WHY A MASTER IN BUSINESS INNOVATION (MBI)? MBI PROGRAM’S DETAILS Program’s goals MBA vs MBI What is business innovation? CURRICULUM Career Opportunities Curriculum overview Program philosophy Innovation-Project Intra/entrepreneur Curriculum Dual Degrees Fast track Ph.D. in Knowledge Management & Innovation Management ADMISSION Applicant profile Admission process Tuition Fees CREATIVE LEARNING ENVIRONMENT Bangkok University The Institute for Knowledge and Innovation Southeast Asia (IKI-SEA) University networks of industrial partners FACULTY 6 Why a Master in Business Innovation (MBI)? The sources of both wealth and The Past performance have evolved over history. During the agricultural age, wealth was measured by the amount of land one possessed. Knowledge-Based Economy 1990-? Information Economy With the beginning of automation 1954-1990 Industrial Economy 1850-1954 in the industrial age, the source of Agricultural Economy Prehistory-1850 wealth shifted from land to labor as the more employees that worked for a company, the more it could produce and the more it could improve its Wealth Land Labor Capital Knowledge performance. -
Short Film Competition Programme II 國際短片競賽節目 (二)
Short Film Competition Programme II 國際短片競賽節目 (二) Accidence 入門 Dir: Guy Maddin, Evan Johnson, Galen Johnson 導演:佳麥甸、伊凡莊遜、基倫莊遜 Canada 2018 DCP Color 10min 加拿大 2018 DCP 彩色 10 分鐘 A feature film in 9 minutes: A mysterious murder [ 導演的話 ] 一部長片濃縮在九分鐘內,從三百 is observed, over and over again, from some 300m 米外,反覆觀察一宗凶案,以及凶案發生時的連 distance, as events leading up to the commission of 串事件,它們發生於一個個公寓露台上,每個露 the crime transpire over a gridwork of apartment 台都有其天天如常的事情,一鏡直落,從遠處一 block balconies, each containing its humdrum 座住宅大樓拍攝。 everyday life activities, all shot in one long continuous take from another apartment block across the way. Guy Maddin, Evan Johnson and Galen Johnson Guy MADDIN was born in Winnipeg, Canada in 1956. Selected 佳麥甸 1956 年生於加拿大溫尼伯。執導影片有《日防夜 Filmography: Careful (92), The Saddest Music in the World (03), 防 》( 92)、《悲歌之王》(03)、《故城風雪行》(07)、《窺孔》 My Winnipeg (07, docu), Keyhole (11), The Forbidden Room (15, (11)、《非請勿進》(15,合導)、《拼貼迷魂記》(17,合導)、 co-dir), The Green Fog (17, co-dir), Accidence (18, short, co-dir). 短片《入門》(18,合導 ) 等。 Evan JOHNSON is a writer/filmmaker. He co-directed The 伊凡莊遜 2009 年起與佳麥甸合作,執導影片有《非請勿 Forbidden Room (15), The Green Fog (17) and Accidence (18, 進》(15,合導 )、《拼貼迷魂記》(17,合導 )、短片《入門》 short) with Guy Maddin. (18,合導 )。 Galen JOHNSON worked in architecture before working 基倫莊遜 曾為《非請勿進》(15) 任美術指導及作曲,執 as production designer, title designer, and composer. He 導影片有《拼貼迷魂記》(17,合導 )、短片《入門》(18, collaborated on The Green Fog (17) and Accidence (18, short) with 合導 )。 Guy Maddin and Evan Johnson. -
Media Release. Canadian Visionary Guy Maddin
February 6, 2018 .MEDIA RELEASE. CANADIAN VISIONARY GUY MADDIN COMING TO TIFF BELL LIGHTBOX FOR ELECTRIFYING THE GREEN FOG AND VERTIGO DOUBLE BILL Maddin will present the cinematic classic alongside his latest feature, a luminous retelling of Hitchcock’s masterpiece, on March 16. TORONTO – Canadian cinema icon Guy Maddin is returning to TIFF Bell Lightbox this March for a special screening of his latest, and most ambitious work to date, The Green Fog – A San Francisco Fantasia. His second feature collaboration with Evan and Galen Johnson (The Forbidden Room), the film is a dazzling retelling of Hitchcock’s Vertigo, reassembled with archival television and film footage taken from works shot in San Francisco. Commissioned by Noah Cowan, former TIFF Bell Lightbox Artistic Director and current Executive Director of the San Francisco Film Society, The Green Fog – A San Francisco Fantasia will screen for the first time in Toronto on March 16, shown alongside Vertigo as a mind-bending double bill with Maddin in attendance to introduce and discuss both films. “The Green Fog reimagines Hitchcock’s masterpiece as only Guy Maddin could,” said TIFF Artistic Director, Cameron Bailey. “We are excited to have one of Canada’s most prolific cinematic visionaries back at the Lightbox, and to be able to offer Toronto the opportunity to experience both works together. This is love of film at its finest.” The following day, the filmmaker will return to TIFF Bell Lightbox for a live narration and screening of his Canadian docu-fantasia classic My Winnipeg, as part of the annual Society for Cinema and Media Studies conference. -
Gsff19 Brochure
FILM • GAMES • POST AGI LE CITY MLG McAllister Litho Glasgow Ltd. Glasgow CONTENTS INTRODUCTION Introduction 3 In our waking lives we are flooded with manipulated Soda_Jerk: TERROR NULLIUS and Astro Black 4 information. We constantly strive to become ever Points On A Space Age 4 more sophisticated in our engagement with this deluge, The Green Fog 5 in order to stay afloat in a sea of lies and half-truths. But at a time in which authenticity has become UnRealities 5 a currency to be traded in, manipulation of existing Bill Douglas Award 6–7 media can sometimes reveal hidden truths. Award Winners 7 Notions of manipulation and authenticity run throughout Scottish Short Film Award 8 this year’s programme, from the revisionist mash-ups First Reels 9 of star guests Soda_Jerk, to the play between ethnography and fiction in the work of Colombian Calendar 10–11 filmmaker Laura Huertas Millán; from the films emerging Reclaim the Name 12 from the margins of the Paris banlieues to the inclusivity The EthnoFictions of Laura Huertas Millán 12 of First Reels, a Scottish short film scheme that cast Anti-Ethnography 12 its net wide to find and nurture a new Scottish cinema. Brazil: Luto para nós é verbo 13 We welcome Shalimar Preuss, presenting her delicate narratives that draw magical realism from mundane Nous les sauvages: voices from the banlieues 13 reality, and Tara Razavi, whose videos for Tyler, the Accents 13 Creator and SZA have seared extraordinary images onto Shalimar Preuss 14 our eyeballs. We dive into the world of VR with UnRealities. -
NYFF12 Brosuraa6 V4 TIPAR FINAL Red Covers.Indd
Making Waves: New Romanian Cinema is co- The Festival would like to thank particularly Horia-Roman Patapievici, presented by The Film Society of Lincoln Center and former president of the Romanian Cultural Institute, whose vision- the Romanian Film Initiative, in collaboration with ary line of thinking made possible, seven years ago, the inception of our New York film event. Transilvania International Film Festival (TIFF), the Ro- manian National Film Center and László Jakab Orsós Leading support for Making Waves is provided by the Trust for Mu- (PEN World Voices Festival). Making Waves continues tual Understanding, along with Blue Heron Foundation, visual artist the celebrated Romanian film series in New York Adrian Ghenie, and producer-director Bobby Păunescu. The festival has also gathered the grass root support of more than 300 donors. launched in 2006 at the initiative of Corina Șuteu as a partnership of the Romanian Cultural Institute in New RFI would like to acknowledge the support Mona Nicoară, Erin York with TIFF and Tribeca Cinemas. After five suc- Casper, Adam Brown, Sara Kiener, Ana Maria Sandu, and Mihai cessful years at Tribeca Cinemas, the festival was in- Grecea have given to the launch of the Kickstarter campaign, and to thank Dan Perjovschi, Alexandru Ciubotariu, Matei Branea, Șerban vited in 2011 to be part of the distinguished lineup of Sturdza and Cărturești Bookstores for their generous donations. events hosted by the Film Society of Lincoln Center. This year, despite the festival’s growing success and Special thanks to actor Andi Vasluianu, ambassador Simona Miculescu, recognition, its survival was jeopardized by the recent friends of the festival Raluca Gold and Daiana Voiculescu.