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Required Music List BRASS EVENTS 2016-17 -- 2021-22 This Association is governed by an elected State Board consisting of three music teachers and one school administrator from each of the eight zones in Indiana. Rules and Regulations of all events are determined through procedures as prescribed in the ISSMA Music Festivals Manual. All festivals are administered and coordinated through the ISSMA office. Please direct all inquiries to: Indiana State School Music Association, Inc. www.issma.net All Directors Please Note It is important to refer to the Solo and Ensemble required manuals listed on the official ISSMA web site to validate and retrieve the most current information. Any publication posted on the ISSMA, Inc. website will supersede any previously printed edition. Unless a particular editor or arranger is specified, any standard, unabridged, unarranged edition is acceptable. SPECIFIC INFORMATION PERTAINING TO BRASS EVENTS * Indicates selection is Permanently Out of Print The following abbreviations specify instrumentation used in ensembles: trpt = Trumpet hrn = French Horn btrb = Bass Trombone cor = Cornet mel = Mellophone bar = Baritone picc = Piccolo Trpt. alth = Alto Horn euph = Euphonium flgl = Flugelhorn trb = Trombone tba = Tuba NOTE: EVENT NO. 053, Mellophone/Alto Horn Solos, now has its own independent list. Selections that are specified for Alto Horn only are indicated as such on the list. NOTE: EVENT NO. 055, Bass Trombone Solos, and EVENT NO. 056, Euphonium or Baritone Solos, have their own independent lists that have been expanded to include selections from other required lists. Students entering either of these events must play a selection from the indicated list. Exception: For event 056, can additionally select from the “Addendum” at the end of this manual. NOTE: Any changes/additions of ornaments, embellishments, or articulations different from the published version of the selection should be clearly notated on the judges copy of the score. NOTE: Time limitations must be followed as outlined in the Music Festivals Manual under Solo and Ensemble, Time Limits and Cuts. Group I Solos and Ensembles shall have a maximum “actual” performance time of 5 minutes. Selected movement requirements or standardized suitable cuts are listed for many, lengthier selections on the lists. Suitable cuts shall be made by the students or teachers if cuts are not already indicated and the piece exceeds the event time limit. However, the total performance must demonstrate the demands of the composition. REVISION COMMITTEE The Indiana State School Music Association gratefully acknowledges the professional efforts of the Brass Manual Revision Committee and all the contributors who offered suggestions for this publication. The committee devoted many hours to develop the material included. This publication contains the required music selections for all Group I Brass Solo & Ensemble events. James Williams – Chairman – ISSMA, Inc. Thomas Barker Emily Britton Charles Conrad Brett Evans Jason Glashauser Brittany Hendricks Brian Hoover John Huber Bruce Knepper Gail Lewis Albert Lilly, III Matthew Lyon Larry Purdue Charles Steck Mickey Stisher Melissa Williams 3 CORNET & TRUMPET SOLOS---EVENT NO. 050 052 Handel/Fitzgerald-Aria con Variazioni COL (B-flat, C, or E-flat trumpet as deemed appropriate) 053 Handel/Musser-Sonata for Trumpet and Piano INT 054 Handel/Powell-Sonata No. 3 001 Addison-Concerto (mvt. 1 without cadenza) (mvts. 1 AND 2) INT, SMP OR (mvt. 3) STB 055* Hartley-Concertino (any two mvts.) PHC 002 Alary-Morceau de Concours RUB, CBC 056 Hartley-Sonatina (mvt. 3) AND 003 Alexius-Sonatina (mvt. 1 and 2) (one other mvt.) RMP OR (mvt. 2 and 3) WIM 057 Haydn-Concerto in Eb 004 Arban-Carnival of Venice CFM (mvt. 1 OR mvt. 3) CFM, HEM, BHI, UED 005* Arnold, M.-Concerto (mvt. 1) FAB 058 Hering-Concertino CFM 006 Arutiunian-Aria et Scherzo 059 Hindemith-Sonata for Trumpet and Piano (Aria OR Scherzo) LED (mvts. 1 and 2) OR (mvt. 3) BMP 007 Arutiunian-Concerto (cut the cadenza 060 Hubeau-Sonata (mvts. 1 and 2) OR (mvt. 3) DUR OR cut from G to Q) INT, SIK 061 Hue/Mager-Solo de Concert AJA, SMC 008 Arutiunian-Concert Scherzo EDB 062 Hummel, J.-Concerto 009* Bach-Hungarian Melodies HIM (any one mvt.) BHI, KNG, HEM, GAV 010 Bach, J.S./trans.Fitzgerald-Bach Suite 063 Ibert-Impromptu APL (any three of the four mvts.) BSM 064* Jongen-Concertino MBC 011 Balay-Andante et Allegretto SMC 065* Kaminski-Concertino (mvt. 1) LMC, MCA 012 Balay-Prelude et Ballade BMP 066 Kennan-Sonata (mvt. 1 OR mvt. 3) WBR, REM 013 Barat-Andante et Scherzo LED 067 Ketting-Intrada (Unaccomp.) DON 014 Barat-Fantaisie en mi bemol (Fantaisie in E flat) LED 068 Kreisler-Sonatina (all) SMC 015 Bellstedt-La Mandolinata SMC 069 Latham-Suite for Trumpet (any two mvts.) TPC 016 Bellstedt-Napoli CCP, SMC 070 Neruda-Concerto (any two mvts.) MUS 017 Beversdorf-Sonata (mvt. 1 OR mvt. 3) SMC 071 Nestico-Portrait of a Trumpet KEN 018 Bitsch-Quatre Variations (omit Var. II) LED 072 Pakhmutova-Concerto for Trumpet and Orchestra 019 Bloch, E.-Proclamation (best on C trumpet) BRE (cut rehears. 7 to 16 AND rehears. 25 to 34) MCA 020 Bohme-Concerto in F (mvt. 1) HIM 073 Peeters-Sonata (mvt. 1 OR mvt. 3) PET 021 Bohrnstedt-Concerto (mvt. 1 OR mvt. 3) MPH, WBR 074 Pennequin-Morceau de Concert KAL, MBC 022 Bozza-Badinage LED 075 Pilss-Concerto (any one mvt.) BLD 023 Bozza-Caprice LED 076 Pilss-Sonate for Trompete (any two mvts.) UED 024 Bozza-Rustiques LED 077 Porrino-Concertino RIC 025 Broughton-Oliver’s Birthday BSM 078 Purcell-Sonata (all) (D or Piccolo Trumpet) MUS 026 Chance-Credo BHI 079 Reed-Ode for Trumpet SMC 027* Charlier-Solo de Concours #1 BEL 080 Riisager-Concertino (mvt. 1 OR mvt. 3) WHH 028* Charlier-Solo de Concours #2 BEL 081 Ropartz-Andante and Allegro CBC, SMC 029 Charlier-36 Etudes Transcendantes 082 Runolfsson-Sonata (mvt. 1) HEM (any one etude) (unaccomp.) LED 083 Savard-Morceau de Concours CBC, SMC 030 Clarke-Bride of the Waves WBR 084* Senee-Concertino (two mvts.) SMC 031 Clarke-Carnival of Venice WBR 085 Shakhov-Scherzo EDB 032 Clarke-From the Shores of the Mighty Pacific WBR 086 Simon-Willow Echoes CFM 033* Clarke-Sounds from the Hudson 087 Smith, Philip-Advanced Concert Studies (entire cadenza) WBR (unaccomp.) (any one) CRM 034 Clarke-Stars in a Velvety Sky CFM 088 Smith, Philip-Concert Studies (any one) CRM 035 Clarke-The Debutante WIT 089 Snedcor, Phillip-Low Range Studies #1 036 Clergue-Sarabande et Rigaudon HLM (unaccomp.) APL 037 Cools-Solo de Concours LED 090 Sparke, Philip-Concerto for Trumpet (or Cornet) 038 Corelli/Fitzgerald-Sonate VIII and Brass Band (piano red.) (mvt. 1 OR mvt. 3) STM (both fast mvts. AND one slow mvt.) BEL, COL 091 Sparke, Philip-Song and Dance GMB 039 Enesco-Legend INT 092 Staigers-Carnival of Venice CFM 040 Ewazen-Concerto (any one mvt.) SMC 093 Stephenson, Jim-Call (unaccomp.) STE 041 Ewazen-Sonata No. 1 (any one mvt.) SMC 094 Stephenson, Jim-L’Esprit de la Trompette 042 Fitzgerald-Rondo Capriccio CFM (B-flat or E-flat version) STE 043 Gabaye-Boutade LED 095 Stephenson, Jim-Mutations STE 044 Gabaye-Sonatine (mvt. 1) MBC 096 Stephenson, Jim-Old Salt STE 045 Gabrielli/Joosen-Sonatine (omit mvt. 2) HEM 097 Stephenson, Jim- Sonata I 046 Giannini-Concerto (mvt. 1 OR mvt. 3) WBR (mvt. 1 OR mvt. 3) STE 047 Goedicke-Concert Etude 098 Stevens-Sonata (mvt.1 OR mvt. 3) PET (M.M. quarter note=132 or faster) INT, MCA, TBP 099 Tomasi, H.-Concerto (any one mvt.) LED 048* Goedicke-Concerto, Op. 41 (omit Cadenza) INT 100 Torelli-Concerto in D (all) 049* Goeyens-Introduction and Scherzo CFM (D or Piccolo Trumpet) TPC 050 Gotkovsky-Concertino (mvt. 1 OR mvt. 3) ESA 101 Tull-Three Bagatelles (No. 1) AND (No. 3) BHI 051 Gregson-Concerto (any one mvt.) NOV 102 Turrin-Caprice TBP 4 CORNET & TRUMPET SOLOS (Continued) 103 Turrin, Joseph-Two Portraits (play Incantation) EDB 013 Beckel-The Glass Bead Game 104 Vannetelbosch-20 Etudes Melodiques et (mvt. 1 OR 2 OR 3) HLN Techniques (any etude) (unaccomp.) LED 014 Beethoven-Horn Sonata, Op. l7 105 Vivaldi/Fitzgerald-Allegro RIC (mvt. 1 OR mvt. 3) CFM, EMU, CBC, INT, BHI 106 Walters-Episode SMC 015 Beversdorf-Sonata for Horn and Piano 107* Walters-Fantasy for Trumpet BMP (mvt. 1 OR 2 OR 3) AJA, SMC 108 Whitney-Concertino (mvt. 1 OR mvt. 3) GSI 016 Bissill, Richard-Lone Call and Charge 109 Wormser-Fantasie, Theme & Variations LED (unaccomp.) WAR 017 Borroff, E.-Sonata (mvt. 1 OR 2 OR 4) KNG 018 Bozza-Chant Lointain LED 019 Bozza-En Foret LED, KNG, MBC FLUGELHORN SOLOS---EVENT NO. 051 020 Bozza-En Irlande LED, KNG, MBC 021 Bozza-Sur Les Cimes LED 001* Abel-Sonata I POP 022 Brouwer-Sonata for Horn & Piano CFM 002 Berdiev/Gorham-Elegy PPM 023 Bujanovsky-Espana from “Pieces for Horn Solo: 003 Buselli-A Night In Lapland RGM Four Improvisations (from traveling impressions)” 004 Cooman, C.-Big Blue House MFA (unaccomp.) MCC 005 Cooman, C.-The Prayer of St. Ambrose MFA 024 Busser, Henri-Concert Piece in D, Op. 39 SMC 006 Delmas-Chorale et Variations BLD 025 Busser, Henri-Cantecor, Op. 77 APL 007 Dong/Nagel-Great Mountain, Brilliant Land QCB 026 Butler, Martin-Hunding for Solo Horn 008 Dunker, Amy-Prayer and Lamentation ALI (unaccomp.) OUP 009 Emmanuel-Sonata (three mvts.) LED 027 Chabrier-Larghetto TPC 010 Hovhaness-Haroutiun PET 028 Cherubini-Two Sonatas (either one) INT 011 Hovhaness-Prayer of St. Gregory 029 Cioffari, R.-Festive Rondo SMC (play in b minor) PIC 030 Clerisse-Chant Sans Paroles APL 012 Marlatt-Reflections ENO 031 Cooke-Rondo in B flat SCH 013 Michel, J.F.-Devil’s Dance EDB 032 Corelli-Sonata in F Major (mvts.
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  • Los Angeles Philharmonic Celebrating

    Los Angeles Philharmonic Celebrating

    CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today.
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS

    Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS

    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.