Brass Events

Total Page:16

File Type:pdf, Size:1020Kb

Brass Events Required Music List BRASS EVENTS 2016-17 -- 2021-22 This Association is governed by an elected State Board consisting of three music teachers and one school administrator from each of the eight zones in Indiana. Rules and Regulations of all events are determined through procedures as prescribed in the ISSMA Music Festivals Manual. All festivals are administered and coordinated through the ISSMA office. Please direct all inquiries to: Indiana State School Music Association, Inc. www.issma.net All Directors Please Note It is important to refer to the Solo and Ensemble required manuals listed on the official ISSMA web site to validate and retrieve the most current information. Any publication posted on the ISSMA, Inc. website will supersede any previously printed edition. Unless a particular editor or arranger is specified, any standard, unabridged, unarranged edition is acceptable. SPECIFIC INFORMATION PERTAINING TO BRASS EVENTS * Indicates selection is Permanently Out of Print The following abbreviations specify instrumentation used in ensembles: trpt = Trumpet hrn = French Horn btrb = Bass Trombone cor = Cornet mel = Mellophone bar = Baritone picc = Piccolo Trpt. alth = Alto Horn euph = Euphonium flgl = Flugelhorn trb = Trombone tba = Tuba NOTE: EVENT NO. 053, Mellophone/Alto Horn Solos, now has its own independent list. Selections that are specified for Alto Horn only are indicated as such on the list. NOTE: EVENT NO. 055, Bass Trombone Solos, and EVENT NO. 056, Euphonium or Baritone Solos, have their own independent lists that have been expanded to include selections from other required lists. Students entering either of these events must play a selection from the indicated list. Exception: For event 056, can additionally select from the “Addendum” at the end of this manual. NOTE: Any changes/additions of ornaments, embellishments, or articulations different from the published version of the selection should be clearly notated on the judges copy of the score. NOTE: Time limitations must be followed as outlined in the Music Festivals Manual under Solo and Ensemble, Time Limits and Cuts. Group I Solos and Ensembles shall have a maximum “actual” performance time of 5 minutes. Selected movement requirements or standardized suitable cuts are listed for many, lengthier selections on the lists. Suitable cuts shall be made by the students or teachers if cuts are not already indicated and the piece exceeds the event time limit. However, the total performance must demonstrate the demands of the composition. REVISION COMMITTEE The Indiana State School Music Association gratefully acknowledges the professional efforts of the Brass Manual Revision Committee and all the contributors who offered suggestions for this publication. The committee devoted many hours to develop the material included. This publication contains the required music selections for all Group I Brass Solo & Ensemble events. James Williams – Chairman – ISSMA, Inc. Thomas Barker Emily Britton Charles Conrad Brett Evans Jason Glashauser Brittany Hendricks Brian Hoover John Huber Bruce Knepper Gail Lewis Albert Lilly, III Matthew Lyon Larry Purdue Charles Steck Mickey Stisher Melissa Williams 3 CORNET & TRUMPET SOLOS---EVENT NO. 050 052 Handel/Fitzgerald-Aria con Variazioni COL (B-flat, C, or E-flat trumpet as deemed appropriate) 053 Handel/Musser-Sonata for Trumpet and Piano INT 054 Handel/Powell-Sonata No. 3 001 Addison-Concerto (mvt. 1 without cadenza) (mvts. 1 AND 2) INT, SMP OR (mvt. 3) STB 055* Hartley-Concertino (any two mvts.) PHC 002 Alary-Morceau de Concours RUB, CBC 056 Hartley-Sonatina (mvt. 3) AND 003 Alexius-Sonatina (mvt. 1 and 2) (one other mvt.) RMP OR (mvt. 2 and 3) WIM 057 Haydn-Concerto in Eb 004 Arban-Carnival of Venice CFM (mvt. 1 OR mvt. 3) CFM, HEM, BHI, UED 005* Arnold, M.-Concerto (mvt. 1) FAB 058 Hering-Concertino CFM 006 Arutiunian-Aria et Scherzo 059 Hindemith-Sonata for Trumpet and Piano (Aria OR Scherzo) LED (mvts. 1 and 2) OR (mvt. 3) BMP 007 Arutiunian-Concerto (cut the cadenza 060 Hubeau-Sonata (mvts. 1 and 2) OR (mvt. 3) DUR OR cut from G to Q) INT, SIK 061 Hue/Mager-Solo de Concert AJA, SMC 008 Arutiunian-Concert Scherzo EDB 062 Hummel, J.-Concerto 009* Bach-Hungarian Melodies HIM (any one mvt.) BHI, KNG, HEM, GAV 010 Bach, J.S./trans.Fitzgerald-Bach Suite 063 Ibert-Impromptu APL (any three of the four mvts.) BSM 064* Jongen-Concertino MBC 011 Balay-Andante et Allegretto SMC 065* Kaminski-Concertino (mvt. 1) LMC, MCA 012 Balay-Prelude et Ballade BMP 066 Kennan-Sonata (mvt. 1 OR mvt. 3) WBR, REM 013 Barat-Andante et Scherzo LED 067 Ketting-Intrada (Unaccomp.) DON 014 Barat-Fantaisie en mi bemol (Fantaisie in E flat) LED 068 Kreisler-Sonatina (all) SMC 015 Bellstedt-La Mandolinata SMC 069 Latham-Suite for Trumpet (any two mvts.) TPC 016 Bellstedt-Napoli CCP, SMC 070 Neruda-Concerto (any two mvts.) MUS 017 Beversdorf-Sonata (mvt. 1 OR mvt. 3) SMC 071 Nestico-Portrait of a Trumpet KEN 018 Bitsch-Quatre Variations (omit Var. II) LED 072 Pakhmutova-Concerto for Trumpet and Orchestra 019 Bloch, E.-Proclamation (best on C trumpet) BRE (cut rehears. 7 to 16 AND rehears. 25 to 34) MCA 020 Bohme-Concerto in F (mvt. 1) HIM 073 Peeters-Sonata (mvt. 1 OR mvt. 3) PET 021 Bohrnstedt-Concerto (mvt. 1 OR mvt. 3) MPH, WBR 074 Pennequin-Morceau de Concert KAL, MBC 022 Bozza-Badinage LED 075 Pilss-Concerto (any one mvt.) BLD 023 Bozza-Caprice LED 076 Pilss-Sonate for Trompete (any two mvts.) UED 024 Bozza-Rustiques LED 077 Porrino-Concertino RIC 025 Broughton-Oliver’s Birthday BSM 078 Purcell-Sonata (all) (D or Piccolo Trumpet) MUS 026 Chance-Credo BHI 079 Reed-Ode for Trumpet SMC 027* Charlier-Solo de Concours #1 BEL 080 Riisager-Concertino (mvt. 1 OR mvt. 3) WHH 028* Charlier-Solo de Concours #2 BEL 081 Ropartz-Andante and Allegro CBC, SMC 029 Charlier-36 Etudes Transcendantes 082 Runolfsson-Sonata (mvt. 1) HEM (any one etude) (unaccomp.) LED 083 Savard-Morceau de Concours CBC, SMC 030 Clarke-Bride of the Waves WBR 084* Senee-Concertino (two mvts.) SMC 031 Clarke-Carnival of Venice WBR 085 Shakhov-Scherzo EDB 032 Clarke-From the Shores of the Mighty Pacific WBR 086 Simon-Willow Echoes CFM 033* Clarke-Sounds from the Hudson 087 Smith, Philip-Advanced Concert Studies (entire cadenza) WBR (unaccomp.) (any one) CRM 034 Clarke-Stars in a Velvety Sky CFM 088 Smith, Philip-Concert Studies (any one) CRM 035 Clarke-The Debutante WIT 089 Snedcor, Phillip-Low Range Studies #1 036 Clergue-Sarabande et Rigaudon HLM (unaccomp.) APL 037 Cools-Solo de Concours LED 090 Sparke, Philip-Concerto for Trumpet (or Cornet) 038 Corelli/Fitzgerald-Sonate VIII and Brass Band (piano red.) (mvt. 1 OR mvt. 3) STM (both fast mvts. AND one slow mvt.) BEL, COL 091 Sparke, Philip-Song and Dance GMB 039 Enesco-Legend INT 092 Staigers-Carnival of Venice CFM 040 Ewazen-Concerto (any one mvt.) SMC 093 Stephenson, Jim-Call (unaccomp.) STE 041 Ewazen-Sonata No. 1 (any one mvt.) SMC 094 Stephenson, Jim-L’Esprit de la Trompette 042 Fitzgerald-Rondo Capriccio CFM (B-flat or E-flat version) STE 043 Gabaye-Boutade LED 095 Stephenson, Jim-Mutations STE 044 Gabaye-Sonatine (mvt. 1) MBC 096 Stephenson, Jim-Old Salt STE 045 Gabrielli/Joosen-Sonatine (omit mvt. 2) HEM 097 Stephenson, Jim- Sonata I 046 Giannini-Concerto (mvt. 1 OR mvt. 3) WBR (mvt. 1 OR mvt. 3) STE 047 Goedicke-Concert Etude 098 Stevens-Sonata (mvt.1 OR mvt. 3) PET (M.M. quarter note=132 or faster) INT, MCA, TBP 099 Tomasi, H.-Concerto (any one mvt.) LED 048* Goedicke-Concerto, Op. 41 (omit Cadenza) INT 100 Torelli-Concerto in D (all) 049* Goeyens-Introduction and Scherzo CFM (D or Piccolo Trumpet) TPC 050 Gotkovsky-Concertino (mvt. 1 OR mvt. 3) ESA 101 Tull-Three Bagatelles (No. 1) AND (No. 3) BHI 051 Gregson-Concerto (any one mvt.) NOV 102 Turrin-Caprice TBP 4 CORNET & TRUMPET SOLOS (Continued) 103 Turrin, Joseph-Two Portraits (play Incantation) EDB 013 Beckel-The Glass Bead Game 104 Vannetelbosch-20 Etudes Melodiques et (mvt. 1 OR 2 OR 3) HLN Techniques (any etude) (unaccomp.) LED 014 Beethoven-Horn Sonata, Op. l7 105 Vivaldi/Fitzgerald-Allegro RIC (mvt. 1 OR mvt. 3) CFM, EMU, CBC, INT, BHI 106 Walters-Episode SMC 015 Beversdorf-Sonata for Horn and Piano 107* Walters-Fantasy for Trumpet BMP (mvt. 1 OR 2 OR 3) AJA, SMC 108 Whitney-Concertino (mvt. 1 OR mvt. 3) GSI 016 Bissill, Richard-Lone Call and Charge 109 Wormser-Fantasie, Theme & Variations LED (unaccomp.) WAR 017 Borroff, E.-Sonata (mvt. 1 OR 2 OR 4) KNG 018 Bozza-Chant Lointain LED 019 Bozza-En Foret LED, KNG, MBC FLUGELHORN SOLOS---EVENT NO. 051 020 Bozza-En Irlande LED, KNG, MBC 021 Bozza-Sur Les Cimes LED 001* Abel-Sonata I POP 022 Brouwer-Sonata for Horn & Piano CFM 002 Berdiev/Gorham-Elegy PPM 023 Bujanovsky-Espana from “Pieces for Horn Solo: 003 Buselli-A Night In Lapland RGM Four Improvisations (from traveling impressions)” 004 Cooman, C.-Big Blue House MFA (unaccomp.) MCC 005 Cooman, C.-The Prayer of St. Ambrose MFA 024 Busser, Henri-Concert Piece in D, Op. 39 SMC 006 Delmas-Chorale et Variations BLD 025 Busser, Henri-Cantecor, Op. 77 APL 007 Dong/Nagel-Great Mountain, Brilliant Land QCB 026 Butler, Martin-Hunding for Solo Horn 008 Dunker, Amy-Prayer and Lamentation ALI (unaccomp.) OUP 009 Emmanuel-Sonata (three mvts.) LED 027 Chabrier-Larghetto TPC 010 Hovhaness-Haroutiun PET 028 Cherubini-Two Sonatas (either one) INT 011 Hovhaness-Prayer of St. Gregory 029 Cioffari, R.-Festive Rondo SMC (play in b minor) PIC 030 Clerisse-Chant Sans Paroles APL 012 Marlatt-Reflections ENO 031 Cooke-Rondo in B flat SCH 013 Michel, J.F.-Devil’s Dance EDB 032 Corelli-Sonata in F Major (mvts.
Recommended publications
  • Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
    Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013.
    [Show full text]
  • Amii Stewart
    Amii Stewart Ha iniziato le lezioni di ballo quando aveva 9 anni. Dopo 8 anni ha vinto una borsa di studi presso la prima scuola delle belle arte a Washington D.C. “Workshops For Careers In The Arts”, perfezionando il suo talento naturale per il ballo, recitazione ed il canto sotto la tutela di Mike Malone, Lewis Johnson, Debbie Allen, Charles Augins, Robert Hooks e Bernice Regan. Dal 1975 al 1978 Musicals “Bubbling Brown Sugar”: come ballerina nelle Compagnie di Miami e Broadway. Poi nella Compagnia di Londra come Interprete, Assistente della Coreografia e della Regia. “Toby Time”: Interprete, New York. “All God’s Children”: Assistente Coreografa, Prima Ballerina nello Special televisivo per il canale londinese BBC. Discografia: L.P. “Knock On Wood”, (otto millioni di dischi venduti, n°1 in tutte le classifiche mondiali.) Video: “Knock On Wood”, “Light My Fire” Premi: “Migliore artista europea per il Disco Music”, Nomina alla Grammy Awards, “Migliore esibizione” nel “Tokyo Music Festival””. Dal 1979 al 1981 Discografia: L.p.:“Paradise Bird”, (più di 500.000 copie vendute,) prodotto da Barry Lang 45 giri: “Jealousy “- “Light My Fire” (premiati con dischi d’oro) prodotto da Barry Lang L.p.: “I’m Gonna Get Your Love”, prodotto da Narada Michael Walden. Tour Promozionale: U.S., Europa, Messico, Sud America, Japone, Canada. Televisione: U.S.: “The Merv Griffin Show”, “The Dinah Shore Show” e “Soul Train”, Presentatrice dello spettacolo “Midnight Special”. U.K.: “The Terry Woogan Show”, “Top Of The Pops”, e “The Royal Command Performance” per la Regina D’Ingilterra. Video : “Paradise Bird”,”Jealousy’‘, My Girl My Guy’ (duetto con Johnny Bristol).
    [Show full text]
  • The Canadian Clarinet Works Written for James Campbell
    THE CANADIAN CLARINET WORKS WRITTEN FOR JAMES CAMPBELL by Laura Chalmers Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree, Doctor of Music Doctoral Committee __________________________________________ Eli Eban, Research Director and Chair __________________________________________ James Campbell __________________________________________ Kathleen McLean __________________________________________ Peter Miksza September 29, 2020 ii Acknowledgements I would like to express my gratitude to the following people, without whom this document would not have been completed: To Prof. Campbell, Allan Gilliland, Phil Nimmons, Timothy Corlis, and Jodi Baker Contin, who gave their time and shared their recollections with me. To my wonderful friends, Emory Rosenow, Laura Kellogg, Mark Wallace, and Lilly Haley- Corbin, who not only read through this entire document to correct mistakes, but who also encouraged me and bolstered me as I wrote this paper. To my family, Mom, Marcus, and Leisha, who have always supported me and continue to do so through my Doctorate. Finally, to my husband, Jacob Darrow. This is as much his success as it is mine. iii Table of Contents Acknowledgements ....................................................................................................................................
    [Show full text]
  • Brass Chamber Ensembles David Scott, Director Abstract No
    Path of Discovery (2005) Eric Morales (b. 1966) Trumpet Ensemble Katrina Smith and Steve Morics, trumpet and piccolo trumpet Jorge Araujo-Felix, Jake Ferntheil, Matthew Richards, Francisco Razo and Andrew Priester, trumpet Brass Chamber Ensembles David Scott, director Abstract No. 2 Robert Russell Arr. Wiff Rudd Friday, April 7, 2017 - 6 p.m. Trumpet Ensemble Frederick Loewe Performance Hall Jorge Araujo-Felix, Jake Ferntheil, Katrina Smith and Andrew Priester, trumpet Quintet for Brass No.1, Op. 73 (1961) Malcolm Arnold Francisco Razo and Matthew Richards, flugelhorn (1921-2006) Alpha Brass Quintet Back to the Fair (2002) Bill Reichenbach Katrina Smith and Jake Ferntheil, trumpets (b. 1949) Terrence Perrier, horn Julia Broome-Robinson, Jonathan Heruty, Joel Rangel, trombone Michelle Reygoza and Andrew Glendening, trombone Ross Woodzell, tuba Jackson Rice, Todd Thorsen and Joel Rangel, bass trombone Fantasy Ralph Martino Simple Gifts 19th Century Shaker tune (b. 1945) arr. by Eberhard Ramm Tuba Ensemble David Reyes and Andrew Will, euphonium Earle of Oxford’s Marche William Byrd Maggie Eronimous and Ross Woodzell, tuba (1540-1623) arr. by Gary Olson Cinq Miniatures Pour Quatres Cors Jan Kotsier Bravo Brass Quintet 1. Petite March (1911-2006) Matthew Richards and Andrew Priester, trumpet 2. Chant Sentimental Star Wasson, horn 5. Finale Jonathan Heruty, trombone Margaret Eronimous, tuba Frippery No. 14 “Something in Two” Lowell Shaw (b. 1930) Horn Ensemble Gregory Reust, Hannah Vagts, Terrence Perrier, Hannah Henry, Star Wasson and Sam Tragesser, horn Fanfares Liturgiques Henri Tomasi from his London Philharmonic Orchestra days is revealed by his expert i. Annonciation (1901-1971) use of the contrast of tone color and timbre of the brass family in different ii.
    [Show full text]
  • ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request Your FANTASTIC FREE BROCHURE, Written by the Retirement Experts
    T HE M A GAZI NE OF THE COLORADO SYMPHONY Get the facts about ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request your FANTASTIC FREE BROCHURE, written by the retirement experts. This comprehensive brochure is packed with information about the carefree lifestyle at Wind Crest, Highlands Ranch’s premier continuing care retirement community for seniors 62-plus. Request your FREE brochure today! Call 1-877-460-5331 or visit WindCrestRetirement.com. Highlands Ranch WindCrestRetirement.com Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within 13964114-CPAP the network of communities developed and managed by Erickson Living.® Need some me time? (You find the time. Here’s the place.) Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%) WhiteCOMPLIMENTARY + Black (C-40%, M-50%, Y-50%, K-100%) MOUNTAIN CONCIERGE DESIGN SERVICE Mountain Project? We can Help! Make an appointment with one of our Interior design services from talented and qualified designers. inception to realization. 303.296.9514 303.566.8635 [email protected] [email protected] DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS 6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 27 Mahler 6 31 Community Support 48 Ticketing Options COMING SOON coloradosymphony.org 4 COLORADOSYMPHONY.ORG THE COLD WAR WAS FOUGHT ON ICE.
    [Show full text]
  • The Harmony of Debussy in Contemporary Jazz Brigham
    THE HARMONY OF DEBUSSY IN CONTEMPORARY JAZZ BRIGHAM PHILLIPS A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JANUARY, 2018 © BRIGHAM PHILLIPS, 2018 ABSTRACT Claude Debussy and other late 19th-century composers (especially Maurice Ravel) introduced several new harmonic innovations that have since become standard tools of the jazz composer/arranger/improviser, among them the rich harmonies of chromatically altered chords as well as the use of the whole tone, pentatonic and octatonic scales. This thesis presents an original composition The Stanley Bridge Suite that demonstrates ​ ​ how these harmonic concepts are used in modern orchestral jazz. A brief history of impressionism is included, followed by a chapter showing the increasing prevalence of impressionist harmony in jazz over the years. Because The Stanley Bridge Suite was arranged for ​ ​ an orchestral jazz ensemble the makeup of the modern jazz orchestra is also discussed. The final chapter analyzes the thesis composition in detail, showing where and how the various Debussy techniques were incorporated in the work. ii ACKNOWLEDGEMENTS I would like to thank Professors Al Henderson and Dr. Mark Chambers for their guidance and assistance. I would also like to acknowledge and thank my parents for giving me the gift of music and encouraging my choice to make a living as a professional musician. My father, recently deceased, always hoped I would pursue a Masters Degree in Music one day. Finally, I would like to thank my wife, daughter and son for encouraging me to go on this Masters journey and for putting up with my frequent absence from their lives while doing so.
    [Show full text]
  • Solo and Ensemble Recognized Events
    RECOGNIZED SOLO AND ENSEMBLE EVENTS (The event number is to be used on the Solo and Ensemble entry form.) WOODWIND SOLO BRASS SOLO PERCUSSION SOLO PIANO SOLO 1. Piccolo 050. Cornet/Trumpet +099. Drum Set 150. Piano Solo 2. C Flute 051. Flugelhorn +100. Xylophone/Marimba/Vibraphone 3. Alto/Bass Flute 052. French Horn +101. Orch. bells 4. Oboe 053. Mellophone/Alto Horn (Group IV & V only) 5. English Horn 054. Trombone +102. Snare Drum VOCAL SOLO 6. Bassoon/Contrabassoon 055. Bass Trombone +103. Tympani 160. Vocal Solo 7. Eb Clarinet 056. Baritone/Euphonium (accompanied or unaccomp.) VOCAL ENSEMBLE 8. Bb Clarinet 057. Tuba/Sousaphone 104. Multiple Percussion 170. Barbershop Quartet 9. Alto Clarinet +105. Multi-Tenor (a cappella) 10. Bass Clarinet BRASS TRIO 175. Small Vocal Ensemble 11. Contra Bass/ 065. Cornet/Trumpet Trio + Refer to Percussion Manual (3 to 6 performers) Contra Alto Clarinet 066. French Horn Trio for additional requirements *180. Large Vocal Ensemble 12. Alto Sax 067. Trombone Trio PERCUSSION ENSEMBLE (7 to 20 performers) 13. Tenor Sax 068. Brass Trio (Tpt., Horn, 110. Percussion Ensemble *185. Madrigal 14. Baritone Sax Trombone) (3-6 performers) (4 to 20 performers) 15. Bass Sax 069. Misc. Brass Trio 111. Mallet Ensemble (a cappella) 16. Soprano Sax (Bb & Eb) (any combination of 3 brasses (3-6 performers) not previously listed) WOODWIND TRIO *112. Large Mallet Ensemble 025. Flute Trio. Like Inst. BRASS QUARTET (7-20 performers) 026. Clarinet Trio. Like Inst. 070. Cornet/Trumpet Quartet *113. Large Percussion Ens. 027. Sax Trio. Any 3 Sax 071. French Horn Quartet (7-20 percussion inst.
    [Show full text]
  • Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
    Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2
    [Show full text]
  • Nsftmc@Soundings—Notes
    nSFTMC@Soundings—Notes The San Francisco Tape Music Center (SFTMC) is quite a notable and influential institution in the history of electronic and experimental music in the United States, and came into being through the efforts of a small group of composers working in the Bay Area who were looking to gather resources and create venues for their work. Today the names of those involved in its founding read as a list of luminaries of the American Experimental tradition: Ramon Sender, Morton Subotnick, Pauline Oliveros, Terry Riley, Anthony Martin. The SFTMC began its life in 1961 as an improvised, cooperative studio in the attic of the San Francisco Conservatory of Music—made up of a pool of tape-composition equipment, no more than six audio oscillators and some tape recorders. By 1962 the SFTMC had found its way out of the attic to more suitable locations, eventually residing at 321 Divisidero where Steve Reich created his landmark It’s Gonna Rain (1965). During this time there was also a relationship with Berkeley’s KPFA, founded by Korean War pacifists in 1949 and famously investigated by the House Un-American Activities Committee and the Senate Internal Security Subcommittee for “subversion”. (Sound-poet, composer Charles Amirkhanian was Music Director of KPFA from 1969 to 1992—but as we shall see, this was after SFTMC had ended as an institution.) 1966 saw a relationship with the SFTMC and Don Buchla develop, which eventually lead to creation of Buchla’s modular synthesizer. (Tonight we’ll hear the fruitful outcome of that collaboration in Subotnick’s music.) 1966 was also the end of the SFTMC through the acceptance of a grant for $15,000 to become the Mills Tape Music Center (MTMC) at Mills College across the bay in Oakland.
    [Show full text]
  • Coaching the Brass Quintet: Developing Better Student Musicians Through Chamber Music
    COACHING THE BRASS QUINTET: DEVELOPING BETTER STUDENT MUSICIANS THROUGH CHAMBER MUSIC By Albert E. Miller Jr. Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________ Chairperson Dr. Michael Davidson ________________________________ Professor Scott Watson ________________________________ Dr. Alan Street ________________________________ Dr. Paul Popiel ________________________________ Dr. Martin Bergee Date Defended: April 1st, 2014 ! ii" The Dissertation Committee for Albert E. Miller Jr. certifies that this is the approved version of the following dissertation: COACHING THE BRASS QUINTET: DEVELOPING BETTER STUDENT MUSICIANS THROUGH CHAMBER MUSIC ________________________________ Chairperson Dr. Michael Davidson Date approved: April 15, 2014 " iii Abstract The brass quintet is currently one of the most predominant outlets for brass players to gain vital chamber music experience in the university setting. As a result, the role of applied brass instructors at universities has evolved into a role that is not entirely different than that of a conductor. The applied instructor plays the role of chamber coach, often without the skills necessary to provide the students with the skills they need for chamber music playing. This document seeks to provide the novice brass chamber coach with a guide as to the role of the applied professor in the musical and extra-musical development of young players. It will provide vital information for the coach that includes rehearsal strategies as well as samples of common performance issues found in the repertoire. While the amount of different rehearsal strategies and concepts is vast, this document aims to give the novice coach a primer for the instruction of student chamber ensembles.
    [Show full text]
  • Los Angeles Philharmonic Celebrating
    CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]