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Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
You'll Never Leave Harlan Alive": Using FX's Justified Ot Form a Cultural Understanding of Crime in Harlan County, Kentucky Morgan Stone Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship January 2016 "You'll Never Leave Harlan Alive": Using FX's Justified ot Form A Cultural Understanding of Crime in Harlan County, Kentucky Morgan Stone Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the Criminology Commons, Film and Media Studies Commons, and the Rural Sociology Commons Recommended Citation Stone, Morgan, ""You'll Never Leave Harlan Alive": Using FX's Justified to Form A Cultural Understanding of Crime in Harlan County, Kentucky" (2016). Online Theses and Dissertations. 431. https://encompass.eku.edu/etd/431 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. “YOU’LL NEVER LEAVE HARLAN ALIVE”: USING FX’S JUSTIFIED TO FORM A CULTURAL UNDERSTANDING OF CRIME IN HARLAN COUNTY, KENTUCKY By MORGAN A. STONE Bachelor of Arts Western Kentucky University Bowling Green, Kentucky 2013 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May 2016 Copyright © Morgan A. Stone, 2016 All rights reserved ii DEDICATION This thesis is dedicated to my family for teaching me that growing up in the mountains of Appalachia is one of the greatest gifts I could have ever been given. iii ACKNOWLEDGMENTS I would like to thank, first and foremost, my family and friends for their support throughout this entire process. -
World Health Forum World Health Forum a Quarterly Record of Ideas, Arguments, and Experiences Contributed by Health Professionals the World Over
World Health Forum World Health Forum A quarterly record of ideas, arguments, and experiences contributed by health professionals the world over. Individual issues, which may feature as many as 30 communications, are edited to reflect the latest and best thinking about public health policy and practice around the world. Priority is given to practical information that can bring the processes of health thinking and planning closer to real conditions in the field. Published since 1980, the Forum is now firmly established as a leading source of advice and stimulation. Quarterly, with four issues of approximately 1 00 pages each; separate editions in Arabic, Chinese, English, French, Russian, and Spanish 1987 subscription (Vol. 8): Sw.fr. 50.- I US $27.50 For further information, write to Distribution and Sales, World Health Organization, 1211 Geneva 27, Switzerland. ISBN 92 4 156103 3 © World Health Organization, Geneva, 1987 Health care - lNho pays? Reprinted from World Health Forum Foreword H. Mahler . 3 Introduction 4 Part 1 : Economic perspectives and principles 5 Improving cost-effectiveness in health care Brian Abel-Smith . 6 An economist looks at health strategy J. Brunet-Jailly ....... 9 Doctors must learn economics Paul Beeson . 10 Making the most of scarce resources B. Abel-Smith & A. Leiserson ..... 12 Part 2: Issues in the financing of health services 23 Good intentions are not enough E. Tarimo ...................... 24 What are the financial resources for "Health 2000" 7 Lee M. Howard . 30 Paying for health services in developing countries: a call for realism David de Ferranti . 37 Sharing the costs of health care . 44 Funding health for all- is insurance the answer? Brian Abel-Smith . -
Justified, but Ever Since I’Ve Been Thinking, What If He Hadn’T? What If He Just Sat There and Let the Clock Run Out
UNTITLED ELMORE LEONARD PROJECT by Graham Yost Based on the Short Story "Fire in the Hole" by Elmore Leonard Timberman/Beverly Productions February 4, 2009 Sony Pictures Television TEASER EXT. SOUTH BEACH - DAY The sand is crowded with TOURISTS and SUN WORSHIPPERS who didn’t get the memo on skin cancer. The ocean is inviting, the surf speckled with KIDS on boogie boards. GLORIA, 20, crosses on the cement bike path/boardwalk. She’s in a bikini and flip-flops, with a beach bag over her shoulder. Beautiful. We follow her. She heads up an approach path to a big hotel. INT. HOTEL BAR/RESTAURANT - DAY Gloria cuts through the bar. Some of the MEN are less subtle about checking her out than others. One guy doesn’t look at all. He stands at the bar, drinking a ginger ale. We only see him from the back. He wears a Stetson, old cowboy boots. Gloria slows, scans the restaurant, sees who she’s looking for and heads for a table. At the table are TOMMY BUCKS, 35, a slick-haired goon from Italy; HARRY ARNO, 55, balding and nervous, and JOYCE, 35, a former exotic dancer who’s wondering how the hell her life brought her to be sitting at this table. Tommy Bucks lights up when he sees Gloria approach. TOMMY BUCKS Gloria! What a surprise! GLORIA I was just coming in to use the john and I saw you. TOMMY BUCKS Sit. Join us. ANGLE ON THE TABLE From the bar. We see Gloria unsling the beach bag from over her shoulder and sit down, putting the bag under the table. -
If You Have Issues Viewing Or Accessing This File, Please Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file, please contact us at NCJRS.gov. j, ., . DEVELOPING AND USING UNDERWORLD POLICE INFORMANTS Howard A. Katz I: Regional Law Enforcement Training Center COLLEGE OF THE MAINLAND Texas City, Texas = 7 DEVELOPING AND USING UNDERWORLD POLICE INFORMANtS TABLE OF CONTENTS In troduc tion ........................ I\: •••••• 1(1 ................. \I .......... ii Narcotics Investigations: Developing and Using Informants •••••••••••• 1 The Use of Juveniles as Police InformantB ..••.••••••••.••••••••••••• 13 The Use of Probationers and Parolees as Police Info~lants •••••.••••. 19 Appendix A - Confidential Informant File Form •••.••.•••••••••••••••• 29 Appendix B - Fiscal Accountability Forms .•••.••••••••••••••••••••••• 31 i INTRODUCTION The IiU,nderworld Informant" i·s a person who is engaged in criminal activities or who, if not so engaged, maintains a close relationship with persons involved in crime and vice activities, Their use by the police for the purpose of conducting investigations has always been quite contro- versial. The American public, by and large, has a strong belief in "fair play" and the use of such informants is generally considered as being somewhat unfair to persons under investigation. Furthermore, civil liber- tarians believe that the use of underworld informants, especially in vice and narcotics investigations, lends itt;lelf to the entrapment of the persons under investigation, a violation of their constitutional rights. Finally, the prosecution's case may be tainted in the eyes of a jury whenever an underworld informant played a substantial role in the investigatory process, since the defense attorney will almost surely lead the jurors to suspect that the informer was permitted to continue his crimimll .ectivities during the course of the investigation. -
The Rise of 'Bright Noir'. Redemption A
Author’s Accepted Manuscript (AAM) of the following chapter: García, Alberto N. "The Rise of 'Bright Noir'. Redemption and Moral Optimism in American Contemporary TV Noir", in European Television Crime Drama and Beyond, edited by Kim Toft Hansen, Steven Peacock, and Sue Turnbull, Palgrave, 2018, pp. 41- 60. Published version: https://www.palgrave.com/gp/book/9783319968865 1 The Rise of “Bright Noir” Redemption and Moral Optimism in American Contemporary TV Noir Alberto N. García Lou Solverson: We’re just out of balance. Betsy Solverson: You and me? Lou Solverson: Whole world. Used to know right from wrong. A moral centre. Now... (Fargo, “Fear and Trembling”, 2.4) Seated on the porch of their home, the Solversons reflect on evil and its masks, consequences and origins. Such ruminations have always been implicit, and sometimes explicit, in film noir since its emergence. However, as the above scene illustrates, Fargo (FX, 2014–) addresses evil from a classical moral perspective, as opposed to the anti- heroism and cynicism of angry, contradictory protagonists that have characterized the first decade of the golden age of television fiction (Martin 2013; Lotz 2014; Vaage 2015). Fargo is unlike other ‘quality TV’ crime series – such as The Sopranos (HBO, 1999–2007), The Wire (HBO, 2002–2008) or The Shield (FX, 2002–2008) – because the Solversons demonstrate hope, the “cousin” of optimism. Fargo embraces optimism, which, as defined by the anthropologist Lionel Tiger, is “a mood or attitude associated with an expectation about the social or material future—one which the evaluator regards as socially desirable, to his advantage, or for his pleasure” (1979, 53). -
Season 1 Quotes
SEASON 1 QUOTES Variety, March 12, 2010 (Brian Lowry) “…the ‘Deadwood’ alum enlivens every scene he’s in…” “…a wonderfully old-fashioned drama…” “…Olyphant delivers an unabashed star turn in this one.” “…an enormously appealing performance…” “Thanks to Olyphant, women, too, might find more to like about the show than your average dry cop procedural.” “JUSTIFIED has a clear sense of its strengths and shrewdly plays to them. For FX, that savvy combined with Olyphant’s charisma has all the makings of a series destined to nail its target.” USA Today, March 23, 2010 (Robert Bianco) “No matter how good a show’s pilot may be, you’re always justified in worrying that a good pilot may be all the show has to offer. So you should be relieved to hear the next two episodes of FX’s extremely promising JUSTIFIED are just as smart and sharp as last week’s premiere.” “JUSTIFIED stars a terrific Timothy Olyphant…” “Surprisingly funny, and at times, equally surprisingly violent, JUSTIFIED is FXs most entertaining series since ‘Rescue Me.’ And that’s high praise, indeed.” USA Today, March 16, 2010 (Bruce Schwartz) “One of spring’s most promising new series…” USA Today, March 2, 2010 (Robert Bianco) JUSTIFIED was included as one of Robert Bianco’s TV Picks for the month of March in his “The I’ds (I’d Watch) of March” “One of spring’s most promising new series…” Associated Press, March 27, 2010 (Frazier Moore) “The show is colorful and quirky, befitting its roots in the fiction of crime novelist Elmore Leonard.” Wall Street Journal, March 26, 2010 (Nancy deWolf -
Movie Success Prediction Using K-Nearest Neighbor Algorithm Bramesh S M, Assistant Professor, P
International Journal for Research in Engineering Application & Management (IJREAM) ISSN : 2454-9150 Vol-06, Issue-05, Aug 2020 Movie Success Prediction using k-Nearest Neighbor Algorithm Bramesh S M, Assistant Professor, P. E. S. College of Engineering, Mandya, India, [email protected] Puttaswamy B S, Assistant Professor, P. E. S. College of Engineering, Mandya, India, [email protected] Abstract - The quantity of movies produced and / or released in the globe is growing exponentially except during an outbreak of a pandemic disease like COVID-19. The success proportion of the movie is of highest importance since huge amount of money is financed in the creation of each of these movies. In such a situation, prior knowledge about the failure and / or success of a specific movie and knowing the factors affecting the movie success will benefit the production communities, since these forecasts will give them a reasonable idea of how to go about with the campaigning and advertising, which itself is an expensive issue altogether. So, the prediction of the failure and or success of a movie is very much important to the film industry. Hence, we aim to explore Internet Movie Database (IMDb) in order to predict the imdb_score, which will reflect the movie success, using k-Nearest Neighbor (k-NN) algorithm. From the experimental analysis, we found that k-NN on the test data got the highest accuracy of 68.64% when k = 9. Obtained results finally show that the prediction model using k-NN has achieved a decent prediction accuracy on the IMDb dataset. Keywords — k-NN, Predictive analytics, Movie success, Critical review, IMDb score, R. -
Chatting up a Storm: Noah V. AOL Time Warner and Extending Federal Civil Rights Liability to Internet Chat Rooms
CHATTING UP A STORM° NoAH v. AOL TME WARNER ANDm EXTENDING FEDERAL CIVIL RIGHTS LIABILITY TO INTERNET CHAT ROOMS Peter M. McCamman Many people today view the Internet as an inte- tempted to sue America Online ("AOL") for vio- gral part of everyday life. Online shopping, e- lating Title II of the Civil Rights Act ("Tide II") by mailing friends, even filing electronic tax forms failing to remove hate messages in their Islamic demonstrate the Internet's growing influence in topic chat rooms. 7 The court ultimately rejected transforming societal habits around the world. As this argument,8 holding that chat rooms do not the Internet continues to break barriers in tradi- constitute a physical "place of public accommoda- tional notions of communication, disagreements tion under Title II."'9 It also found that the Com- emerge on how best to regulate this developing munications Decency Act of 1996 (the "CDA") medium.' Indeed, some of the hot communica- gave Internet Service Providers ("ISPs"), such as tions topics today (e.g., online privacy, copyright, AOL, "publisher" immunity from the potentially 2 spam) center on the debate between preserving libelous messages of its members. 10 the Internet's unfettered nature and imposing Noah raises a fundamental issue of whether In- 3 greater government oversight. One of the most ternet chat rooms should "escape" federal regula- challenging questions courts now face concerns tion simply because of their non-physical charac- the Internet's exact legal definition. 4 Does it con- teristics. Some suggest that this serves as bad pre- stitute a mere collection of wires and processors cedent, since laws like the Civil Rights Act enforce or an actual, tangible location subject to tradi- against a particularly divisive social evil-racial 5 tional federal and state laws? discrimination.' Others disagree with this inter- Noah v. -
A Streetcar Named Desire Opening
PRESS CONTACT: Claudie Fisher 503.445.3765 [email protected] MEDIA RELEASE A Streetcar Named Desire, Tennessee Williams’ Pulitzer Prize-winning Masterpiece, Completes Portland Center Stage’s 2015-2016 Season Previews Begin May 14 | Opening Night is May 20 | Must Close June 19 TICKETS STARTING AT $25 — ON SALE NOW April 28, 2016 – PORTLAND, OR. Tennessee Williams’ Pulitzer Prize-winning masterpiece, A Streetcar Named Desire, will begin preview performances at Portland Center Stage on May 14; open on May 20; and run through June 19 on the U.S. Bank Main Stage. PCS Artistic Director Chris Coleman will direct a cast that includes two actors from NBC’s gripping new drama Game of Silence – Demetrius Grosse and Deidrie Henry – in the roles of Stanley and Blanche. Kristen Adele and Keith Eric Chappelle will join them as Stella and Mitch; along with seven Portland actors: Bobby Bermea, Dana Millican, Gilberto Martin del Campo, Anya Pearson, David Bodin, Sofia May-Cuxim and Blake Stone. Speaking about the production after a recent rehearsal, Chris Coleman said, “I saw the movie eons ago, and of course it’s one of the most famous plays in the English language. But I had never studied it. I find the story and emotional complexity of the writing thrilling. It’s a dangerous, sexual, painful, layered dance between these fascinating characters. And the language is astounding. Hearing this story in the mouths of a group of primarily African American actors sounds at once like it was written for them, and as if you’ve never heard the story before.” Regular tickets start at $25. -
F:\COA Opinions\14Th\080901\001356F.Wpd
Reversed and Remanded and Opinion filed August 9, 2001. In The Fourteenth Court of Appeals ____________ NO. 14-00-01356-CR ____________ WILLIE SMITH, Appellant V. THE STATE OF TEXAS, Appellee On Appeal from the 272nd District Court Brazos County, Texas Trial Court Cause No. 27,827-272 O P I N I O N A jury convicted appellant, Willie Smith, of possession of a controlled substance with intent to deliver and sentenced him to 50 years in the Texas Department of Criminal Justice, Institutional Division. Finding the State failed to demonstrate the police had reasonable suspicion for the stop which led to the discovery of the controlled substance, we reverse and remand. I. Background On April 10, 2000, Wayland Rawls of the Brazos Valley Narcotics Trafficking Task Force (“the Task Force”) relayed information to Brian Bachmann, also with the Task Force, about a call Rawls received from Beverly Garrick, a person from whom the Task Force had received information in the past.1 Rawls told Bachmann that appellant would have heroin in his vehicle as he drove northbound on Highway 6 sometime between 6:00 and 8:00 p.m. Rawls generally described appellant’s vehicle as a tan Lincoln with a black roof, gave its license plate number, and further told Bachmann that appellant would have two passengers with him, including Garrick. Bachmann and Rawls, as well as other members of the Task Force, established surveillance on Highway 6. Shortly after 6:00 p.m., Rawls contacted Bachmann via police radio and advised that a car matching the description of appellant’s was heading northbound on Highway 6. -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No.