MARCH “Remember, no journey 2012 is made without many Volume 97 stops along the way. Number 2 Relish the stops.” EQUITYNEWS —-TwylaTharp A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices

Annual Membership Meeting The Struggle forVisibility is a is Friday,April 13, 2012 Fight for Equal Opportunity The Eastern, Central and Western Regions will be connected by telephonic hook-up so that members in all By Pun Bandhu City Stages 2006/07-2010/11, 2%. The numbers for Native which tallies the racial make-up American, Middle Eastern/Arab Regions may be able to hear statements of candidates running n February 13, 2012, of cast members from every Americans, and disabled actors for election to Office and Council. more than 400 theatre production at the 16 largest not- were so small that combined, The statements will begin at 2:30 PM (Eastern Time), Oprofessionals piled into for-profit theatre companies in they made up 1% of the whole. 1:30 PM (Central Time) and 11:30 AM (Western Time). the Pope Auditorium at Fordham New York as well as every Caucasian actors, who secured The meeting in the EASTERN REGION will convene at 2 University in New York City for a Broadway show that opened in 80% of the roles, were the only PM in the Council Room on the 14th Floor of the Equity Build- roundtable discussion with the last five years. This is ethnicity to over-represent ing, 165 West 46th Street, New York, NY. industry leaders entitled information that has never compared to their relative RepresentAsian: The Changing before been publicly available. population size. Only 9% of all The agenda will also include the following: Face of New York Theatre. The According to the report, available roles were non- • Presentation of the Rosetta LeNoire Award. roundtable, organized by the African American performers traditionally cast. Asian • Membership Discussion Period in accordance with the Asian American Performers filled 13% of all available roles in Americans were the only By-Laws. Action Coalition (AAPAC), the last five years, Latinos/ minority group to see their (A Sign Interpreter will be present on request.) coincided with the release of the Hispanic American actors were numbers decline over this five- group’s report, Ethnic represented at 4% and Asian year period and they were also The Meeting in the CENTRAL REGION will convene at 1 Representation on New York American actors were PM in the Member Center on the 1st Floor of the Equity (continued on page 7) Building, 557 West Randolph, Chicago, IL. The agenda will also include the following: • Report of the Central Regional Vice President. • Report of the Central Regional Director. • Membership Discussion Period in accordance with the By-Laws. The meeting in the WESTERN REGION will convene at 11 AM in the Bellamy Board Room on the 5th Floor of the Equity Office, 6755 Hollywood Blvd., Los Angeles, CA. The agenda will also include the following: • Report of the Western Regional Vice President. • Report of the Western Regional Director. • Membership Discussion Period in accordance with the (From l): Don Birge, Oskar Eustis, Stephen C. Byrd, Douglas Carter Beane, David Henry Hwang, By-Laws. Angel Desai, Nancy Piccione, Bartlett Sher. (Photo: Bruce Alan Johnson)

Your IncomeTax Q: Which ones will be tion while you’re on the road – deductible? Equity whether it’s by car, train, plane Travel and Meal Expenses A: The deductible expenses or bus. will be the ones for which you do Supports Q: When we’re out-of-town, Self-Employment, Etc., Etc. not receive a reimbursement that they take taxes out from all of Q: I heard that, if we get per someone gives you money to covers your costs. If you spend SAG/AFTRA the states and cities we play. diem on the road, we don’t get spend on your lodging and more than you receive in per Do we really have to file tax any deduction for travel meals, you can’t turn around diem, you may deduct the Merger returns for all of these expenses. Is this right? and claim that you were out-of- amount above the places? And how do we pay reimbursement. If you spend At its meeting of our own state’s taxes? A: Yes! It makes sense that, if pocket on those same February 21, 2012, Council expenses. But this isn’t nearly less, you might have additional A: VITA has prepared as unanimously passed the as simple as it sounds because taxable income to report. If you’re many as 30 different tax returns following resolution: “AEA performers who go out-of-town on a gig out-of-town and you get for one performer in one year. strongly supports SAG and to work may be on one of a a very small reimbursement, Every taxing jurisdiction has the AFTRA in their proposal to number of contracts – some keep track of the expenses and right to assess a tax on your merge their unions.” paying a generous per diem, deduct the amounts you spent income if you perform the some paying a modest per diem above the per diem you received. services there. Aside from and some paying no per diem at If you didn’t get any per diem, states that have no income tax, government provides a standard all. the expenditures will be 100% you will find you have allowance for meals when you’re Q: How do I know if I have deductible. withholding in virtually all of away overnight. Just keep your to keep track of my Q: If I go out-of-town to them. When you return home contract, the itinerary, the expenses? audition, do I still keep that and do your tax returns, you inclusive dates and the number A: First of all, you should be with the out-of-town should probably file with every of days overnight in each place. in the habit of tracking expenses? state that has withheld tax or Your tax preparer will have a everything you spend – whether A: Yes. All business trips you won’t be able to get refunds listing of the government meal it’s a personal or a business away from home that require or credits on that withholding – rates. expense. Once you get in that you to stay overnight qualify, Q: I heard that I can deduct (continued on page 3) habit, keep track of your even if you don’t get the gig. Be my car mileage even though expenses in two main sure you get business cards, the producer provides Index categories: local and out-of- brochures, on line information, transportation throughout the town costs. The reason for this etc. of where you went and the tour. Right? RepresentAsian: discussion of is the required reporting when business purpose to support the A: Wrong. If the producer pro- ethnic representation on you file your tax returns. The expenses you incurred in Broadway ...... 1 NEWS vides the conveyance, you are IRS (and your home state, if you looking for the job. certainly free to reject it, but you Your income tax ...... 1 have a state income tax) want Q: How do I keep track of can’t then deduct the cost of Things to know about your expenses separated this my food costs? your preferred mode of travel. Unemployment Insurance...... 2 UITY way and it’s easier if you A: That’s the one area where What you can deduct, however, National News ...... 5 Q segregate them as you go than you don’t have to keep track of is the cost of getting to an audi- 165 West 46th Street New York, NY 10036 Address Service Requested Second Class Postage Paid in New York, NY E trying to do it later. what you spend. The Letters...... 8 2 / EQUITY news MARCH 2012 Area Liaison What They Don’t Teach Hotline system HEALTH Post - Show At Conservatory Call 877-AEA-1913 WELL Lesson 116: Unemployment Insurance Equity has a National toll-free NESS Crash hotline system for members who & By Buzz Roddy to remember: live in Area Liaison and office day). Maybe I’ll start such a Eastern Principal • Keep good records. Keep By Melissa Robinette cities. The number is 877-AEA- group in my living room. But then Councillor every pay stub and W-2. If your records are complete and con- 1913 (honoring the year of Eq- he Actor’s circle of life: again, would anyone be willing to “I don’t collect unemployment cise, you can always know what uity’s founding). Each Area Audition. Call back. Book leave their PJs, couch and com- insurance,” said the Actor, “I work you are due and when. Liaison city has its own exten- Tthe job. Work. Opening. fort items for a support group? for a living!” • You can work with an sion, where members can ac- More work. Closing. Crash. A friend of mine, who prefers I talk to many Actors who open UI claim. Working during cess news and information in The Stage Manager’s circle of to remain anonymous, stays in think that unemployment insur- your claim only interrupts it tem- their region. life: Submit. Interview. Book the bed for a week. “I allow myself to ance is charity. One of the basic porarily. You can re-activate your (1) Dial 877-AEA-1913 job. Work. Opening. More work. mourn the loss. It is a death after rights that the labor movement claim when your job ends. Closing. Crash. all.” This person also said, “I don’t fought for, besides minimum (2) Dial your city extension: • UI is taxable as income. All Whether you are an Actor, audition, book day job work, go wages and the concept of the states give the option of with- 811 Atlanta Stage Manager, production or to class, do a single thing around weekend, was the right to Unem- holding federal taxes and most 812 Austin/San Antonio tech, we are all too familiar with the house, watch what I eat, an- ployment Insurance (UI). Unlike state taxes, too. Be careful about 813 Boston it. It’s something one rarely talks swer my phone, email or (gasp) some other countries, in Ameri- waiting until the end of the tax 814 Buffalo/Rochester about. It’s the dark place, the “I’ll even check my Facebook. I ca, the only people who qualify year and having an unpleasant 815 Chicago never work again” place. mourn and come out the follow- for UI are those who work. surprise. If you leave your house, you ing Monday with my chin up, Actors and Stage Managers 816 Cincinnati/Louisville • Be aware of time con- find yourself plastering on your ready to hit the pavement for au- occupy the same category as 817 Cleveland straints. The wages that your best party smile, trying to save ditions and new possibilities.” An- construction workers - that of 818 Dallas/Fort Worth local DOL uses to figure your face and the little shred of sanity other friend deals with it by con- episodic employees. Because 819 Denver benefit rate are only usable for you feel you have left, wondering sistently working on audition ma- our work is per-project and finite, 820 Detroit a finite period of time. if anyone actually will “know” how terial so the panic of “what’s we have the right to a UI claim. 821 Florida – Central • Don’t give up. It is not un- you feel or what you are going next” is lessened. UI can assure that you do not common for Actor claims to be 822 Florida – South through.You pray they don’t ask While we are working, we have to drop 823 Houston how you are doing. manage to have a family feeling out of your act- 824 Kansas City How do we as a community (even the dysfunctional part). ing class; it can 825 Las Vegas and as individuals deal with it? The “Oh my goodness, I can’t pay for your 826 Los Angeles Most of us take to our dark place believe we lived through that to- new photos, or 827 Milwaukee/Madison for a brief period of time, come gether” feeling. After closing, life help you feed goes on and sometimes it feels 828 Minneapolis/St Paul out on the other end and never that three-meal- talk about it except to our closest like the entire experience was a 829 Nashville a-day habit. family and friends. It’s a wonder dream. Back to reality we march. 830 New Orleans The criteria The Actors Fund doesn’t have a Every time. The part that I find 831 New York for qualifying support group for “my show curious: We always feel like we and the meth- 832 Philadelphia closed, I’m unemployed and in march that march alone. But if ods for figuring 833 Phoenix/Tucson the dark place funk.” In fact, you think about it, the entire benefit rates 834 Pittsburgh maybe they should start one that company marches alone—to- (the amount of money you get erroneously denied. There are 835 San Diego meets on Thursdays (aka pay- gether. every week) vary from state to defined remedies to appeal any 836 San Francisco state. Actor UI claims are some decision or benefit rate that their 837 Seattle of the most complicated that De- DOL issues. Keep on them.You 838 St. Louis partment of Labor (DOL) claims will prevail. 839 Washington DC/Baltimore Stage Manager Survey specialists tackle since we often • Ask for a hearing. A hear- have several employers, some- ing is a chance to lay out your Yields Specific Stats times in multiple states. No mat- claim face to face with someone ter in which state your claim is who can give you satisfaction. Do he October/ November are very satisfied and 41% are filed, your local DOL claims spe- not fear the hearing – it is a tool 2011 issue of Equity satisfied with their careers cialist will probably grumble while to get you what you are due and News carried a letter (significantly higher than their T working on it because it is labor- Equity can offer assistance in from David McGraw, an Equity non-Equity counterparts); and intensive. Don’t let this dissuade this area. Stage Manager and head of the 62% have stage managed in you. Remember – it is your right. If you have never collected UI, Stage Management Program at New York City at some point in Learning the ins and outs of or it has been a while since your the University of Iowa. Mr. their careers. UI is challenging and some times last claim, we urge you to take McGraw, with support from the The survey also showed that eye-crossing, but help is avail- advantage of it. It has already Stage Managers’ Association, “the vast majority of Stage able. Equity has a specialist in been paid for by your employers, EQUITYNEWS was conducting a survey of Managers joined Equity in their Editor: DICK MOORE our New York office to help you. and it’s your money – go get it! professional Stage Managers on 20s (184 members joined at Associate Editor: HELAINE FELDMAN Her name is Val LaVarco. No behalf of the University of Iowa ages 21-25 and 88 joined at matter where you live, or are fil- Equity News Advisory Committee and called for volunteers. The ages 26-30), while 32 joined in Most states allow you ing your claim from, Val can an- Christine Toy Johnson, Chair results are now in and are their 30s, six in their 40s, two in to apply for UI on line. (Eastern) swer all your UI questions. She posted at www.smsurvey.info. their 50s, and one joined AEA in Find your state here: Nancy Daly (Western) can be reached at 212-869- Diane Dorsey (Central) Mr. McGraw reports that “614 his/her 60s. Eighteen survey http://www.actorsequity.org/ 8530, ext. 327 or via email at Nicole Flender (Eastern) Stage Managers, including 332 participants reported joining benefits/Departments Bruce Alan Johnson (Eastern) [email protected]. Equity members, shared their Equity before age 21. Several LaborState.asp Stas’ Kmiec’ (Eastern) Here are some important points Kevin McMahon (Western) thoughts on the field, particularly participants noted that they Liz Pazik (Central) new technologies for stage joined as Actors and some Barbara Roberts (Western) Melissa Robinette (Eastern) management.” The AEA continue to worth both as an Buzz Roddy (Eastern) members who participated, Actor and as a Stage Manager.” EQUITY NEWS (ISSN: 00924520) is representing approximately 15% Perhaps the most interesting “Menopause The Musical” published monthly except for com- of all Equity Stage Managers, response about Equity, bined issues in Jan./Feb., July/Aug., were identified as follows: 64% according to Mr. McGraw, “was Contract Expires in July Oct.,/Nov., by Actors' Equity are female (compared to 70% the desire among non-members Association, 165 West 46th Street, he Equity Menopause conditions, rehearsals, Stage female for the full survey pool); to join.” When the nearly 300 New York, NY 10036. Telephone: The Musical Agreement Management issues, or any (212) 869-8530. Periodicals 54% are single; 20% have non-members were asked if they expires on July 1, 2012 union matter specific to the postage paid at New York, NY. and worked one to five years as a were planning to join the union, T and the Menopause Committee Menopause The Musical additional mailing offices. Copyright Stage Manager; 26% have “42% responded ‘yes’ and 37% 2003, Actors' Equity Association. will soon be formulating Agreement, contact Business worked six to ten years; 35% were undecided. It will be very Subscription price for non-members proposals. Comments and Representative Cynthia E. have worked 11-25 years and interesting,” he said, “to see how of Actors' Equity Association: $25 suggestions regarding work Hanks at chanks per year. Postmaster: Send address 17% (56 responses) have stage management membership under this contract are of great @actorsequity.org or call changes to Equity News, 165 West worked more than 26 years as a grows in the coming years.” importance. If you have any 312-641-0393, ext. 239. 46th St., New York, NY 10036. Stage Manager. In addition, 29% concerns regarding working All information is confidential. MARCH 2012 EQUITY news / 3

Your Income Tax 2012 Annual Election Calendar AEA Mourns Zina Bethune, continued from page 1 Thursday, March 22, 2012 Deadline for registration to vote Activist, Diversity Champion you might even owe tax to one electronically ina Bethune, Equity Disability Act and also helped to of those non-resident states. Friday, April 13, 2012 Annual National Membership member, daughter of Life further the Arts and Disability And you might find you owe tax Meeting (all Regions via Member and former Movement and the inclusion to your home state because Z teleconference) Candidate Western Councillor Ivy Bethune, guidelines. that’s the one place the speeches and recipient of the 2009 Accepting the Rosetta employer probably didn’t Monday, April 16, 2012 Distribution of ballots (from Rosetta LeNoire Award and the LeNoire Award for her company, withhold it! balloting company) 2011 Tri-Union Diversity Award, Bethune Theatredance, Ms. Q: How do I handle the tax Wednesday, May 23, 2012 Deadline for receipt of ballots died on February 13 as the Bethune said, “This honor to us I might owe to my home state Thursday, May 24, 2012 Tabulation Day result of a hit-and-run accident further fuels our passion and if my employer doesn’t in Griffith Park, California. She commitment to alter perceptions withhold it? was 66. Ms. Bethune, a human so that images through the arts A: In one of two ways: 1) a tax expert to learn how to Q: How much should I be rights activist, had stopped her represent our society more Send estimated taxes in keep abreast of your obligations. saving on that kind of income? car to help an animal lying in the realistically.” The mission of quarterly based on what you Q: What if I don’t go out-of- A: It depends, but a good rule road when she was killed. Bethune Theatredance will be know you will be earning. 2) town, but I have too little to follow is to save about 25%- Save a chunk of money withholding? I make some of 30% on the total you earn. Pay throughout the tour or out-of- my money on 1099s and about 70% of it to the feds and town gig, and send it in when always seem to owe. 30% to the state. A tax expert you file your returns. Option #1 A: That’s because there’s no should help you set up a system will eliminate any penalties for tax withheld, but the money is of paying estimated taxes and not having enough home state still taxable. As with the state provide you the vouchers to tax withheld because it’s a pay- problems on the tour, any send in on a quarterly basis. as-you-go approach, which we income that puts you behind in all are required to do. Option #2 withholding can put you in a The New York VITA office is will make sure you have enough hole at tax time. Estimated taxes open Mondays, Wednesdays, at tax time, but you might pay a are created for taxpayers who Thursdays and Fridays (no premium for paying it all at once. earn 1099 income, Tuesdays) from 10:30 to 4 on If you do a lot of work out-of- unemployment benefits, taxable the 14th floor of the New York town or have any other kind of social security, interest, Equity building. Telephone 212- income that might not have dividends, etc. on which no tax – 921-2548. Check the website for enough withholding, consult with or too little tax – was withheld. other VITA Programs.

Zina Bethune (l) with her mother, Ivy Bethune. (Photo: Ed Krieger)

Equity Centennial Book on the Way Zina Bethune received early exemplified, she continued, dance training from George “when diversity and persons will be available through major balance text with visual By Jack Goldstein Balanchine and performed as a with disabilities are an exciting book stores, Playbill Inc., one of excitement to ensure wide Director of Governance prima ballerina with such and empowering challenge and the primary media partners for audience appeal. Policy and Support companies as the Royal Danish our differences can be a the Centennial, has agreed to The book will launch EA’s Centennial Ballet, the New York City Ballet celebration of the human handle on-line sales with coincidentally during a national celebrations are on and San Francisco Ballet. She experience.” discounts for Equity members. election cycle in which union- schedule with the also performed on Broadway, A memorial service for Zina A The book is targeting a broad bashing may become even manuscript and design of its and guest-starred on television Bethune was held at The El popular and educational more familiar political rhetoric. If illustrated history nearing and in feature films. As an Portal Theatre in North audience. It will be fact-filled so, Performance of the Century completion. activist, she worked diligently to Hollywood on March 8. enough to attract students and will serve an ambassadorial role Entitled, Performance of the pass the Americans with devoted theatregoers and be as well, not to hostile politicians, Century, 100 Years of Actors’ entertaining enough to open a but to average American Equity Association and the Rise window on professional theatre citizens who may be curious of Professional American for thousands of potential and admiring of a labor union Theater, the coffee table book is theatregoers. The book made up of the improbable Equity Partners With being written by well-known compares the intensely creatures who inhabit the stage. theatre journalist Robert demanding craft of the theatre If theatre is the mirror of human AGMA to Support New Simonson and will be published in the words of Actors and experience, then perhaps for national release in the fall of Stage Managers with the readers will recognize Model Alliance 2012 by Applause Books. glamour and lore that so themselves in the pages of Richard Rothschild of Print ctors’ Equity the-scenes discussions with Ziff fascinates the public and Performance of the Century as Matters Inc., and the President Association has joined about her brainchild, AEA and examines Equity’s professional well. of the National Association of Awith the American Guild AGMA were able to advise her and moral choices that have (Editor’s note: This article Book Packagers, has been of Musical Artists (AGMA) in as she moved forward in had a lasting impact. It will also originally appeared in the engaged to oversee the project supporting and advising a new creating The Model Alliance. tell the story of Equity’s role in January/February 2012 issue of under the direction of the organization, The Model Both unions will also provide making American theatre a Equity News with an incorrect Centennial Committee’s book Alliance, founded by models for expertise to The Model Alliance worldwide phenomenon. first paragraph. This is the subcommittee. While the book models. Support, an advisory arm of Special care is being taken to correct version.) A non-profit organization The Model Alliance. The formed by Sara Ziff, who was program offers a confidential scouted as a model at age 14, reporting system for models The Model Alliance will who have been subjected to show, but that is not a “rule” in advocate for models’ rights, sexual harassment and Equity Equinyms Actors’ Equity Association including pay, working exploitation. An ongoing column of Equity be required to be present at Agreements. conditions and the unregulated Flora Stamatiades, Equity’s regularly-used terms, each performance and may INCREMENTS hiring of child models. National Director, Organizing & abbreviations and acronyms. have other duties, such as Increments are additional According to Ziff, models are Special Projects, who is UNDERSTUDY chorus, dance captain, or fight payments required by Actors’ not only workers, but exploited spearheading this effort for captain. workers. The general public AEA, said “We are very pleased An Actor who is contracted to Equity Association in its associates the field with high- to partner with AGMA in perform a role should the Actor STANDBY Agreements for additional work earning super-models like supporting The Model Alliance. portraying that role be unable to “Standby” is an industry term performed by an Actor. Gisele Bundchen or Heidi Klum, Models are a group of workers perform. The Understudy may often used interchangeably with Examples include but not limited rather than the young model who have been greatly be assigned all or part of a “Understudy.” As an industry to: Dance Captain, Understudy with a median income of misunderstood, and anything Principal role or term it is used for billing (such and Chorus playing a Part. $27,000, who has few we can do to help them improve chorus/specialty and there may as in programs) and in individual Increments are also negotiated protections and even fewer their working conditions can be more than one Understudy employment contracts. A for consideration on Term benefits such as healthcare and only benefit the larger world of for the Understudy part common concept is that Contracts and six-month Chorus pensions. workers as well.” contracted. Understudies may Standby Actors are not in the Riders. Through numerous behind- 4 / EQUITY news MARCH 2012

THEATRE Eastern Region SPOTLIGHT An Epic Achievement for an Off-Broadway Theatre

xciting things are ways to get artists comes up, I’ve got a not only actively create work happening at New York’s into the places partner in finding exploring various issues of EEpic Theatre Ensemble— they are needed solutions on the other social justice, but also actively thanks to a new Equity contract: most,” says end of the phone line. work to pay at a higher rate than a Letter of Agreement Executive Director That’s when you can almost all Off-Broadway and referenced to Off-Broadway, Ron Russell, “into really take some LORT contract minimums. By which covers both Off-Broadway communities that organizational risk, and including teaching artist work in and school-based teaching are disadvantaged make positive strides.” the contract, they foster a future activities. While this contract is and New Equity member audience for the theatre in new, Epic Theatre Ensemble is disenfranchised Aimé Donna Kelly situations where there would be not, having been in operation and disconnected received her Equity none.” since 2001. In prior years, from the role AEA member Godfrey L. Simmons, Jr. as Claudius contract working under Equity member Godfrey however, the theatre operated theatre could play and Chelsea High School/Epic student Hazel the new Epic agreement. Simmons is a longtime under the standard NYC-LOA in their recovery; Bonilla as Ophelia in a production of Hamlet. She says, “In two weeks Producing Artist for Epic and and Off-Broadway contracts. into schools I’ve played Horatio in knows “firsthand the frustrations this work, the theatre has Founded by Zak Berkman, saddled with cultures of low Hamlet and Antigone in Epic had in trying to do so many received the 2009 Coming Up Melissa Friedman, Teri Lamm, expectations; into productions Antigone. I’ve taught at a high wonderful programs with Taller Award from the Craig Rovere, Ron Russell, that tackle complex and often school in Brooklyn and have professional actors. The thing to President’s Committee on the Shaheen Vaaz and James intractable challenges that our mentored students that remember,” he says, “is that Arts and the Humanities. It has Wallert, Epic Theatre country struggles with.” reminded me a lot of myself ten Epic never performed on a also been honored with Obie, Ensemble’s first official day of Thanks to the new Equity years ago when I started as a Showcase Code. They always Lucille Lortel and Outer Critics operations was September 11, contract, Mr. Russell continues, student of Epic. I truly consider believed that artists should be awards. Over 80,000 people 2001. But rather than be “Epic has condensed almost all Epic my family and it’s only paid fairly for their work and have seen an Epic production, deterred by world events, the of our extensive Off-Broadway, fitting that this gig be the one to have wanted to make citizen- including more than 12,000 high theatre was galvanized to work new play development, and in- take me into Equity. It’s like artists the center of their work. school students, 4,000 adult harder to empower diverse school and after-school parents giving you keys to your It’s been hard to do and still first-time theatergoers, and voices, foster public dialogue educational programming under first car. I am so honored and remain relevant on the Off- thousands of college students in and inspire social change. They this single umbrella agreement.” grateful that Epic has chosen Broadway landscape. It was a non-arts departments. do this through Arts-in- Over the years, Epic’s school me to be a part of this first try brilliant move to get an actual Managing Director Robert Education residencies and programs have played a critical with the new contract and I hope Equity contract for not only the Chelimsky thanked Councillor community programs. They also role in helping high school that both it and I stick around for Off-Broadway stuff, but the Francis Jue for his involvement produce socially-relevant plays graduation rates in partner the long haul.” after-school stuff and the in steering the theatre to Equity that are performed Off- schools rise by an average of Erin Koster is Production workshops. Now I feel like l’m a and praised Equity, especially Broadway, and commission, 30%. They’ve reached over Stage Manager under the new true company member that is Business Rep Michelle Kelts, for develop, nurture and produce 25,000 students and Epic contract. “Having worked with being paid and recognized for the “incredible encouragement, plays that inspire audiences to teaching artists (also covered by Epic on two LOAs previously, it the totality of my talents: acting, flexibility and understanding” think, laugh and want to take the Equity contract) have given is extremely inspiring to see the teaching, writing and social shown in crafting this contract. “I action. over 18,000 hours of in-school enormous step they have taken justice. This contract allows that know that whatever challenge “We’ve always tried to find and after-school instruction. For in creating this contract. They to happen.”

Eastern Region Palm Beach Dramaworks: The Little Theatre That Could—And Did

t may not seem like a big 3,700 broadening scope of Palm Beach. And the new venue deal when a theatre moves subscribers. programming and a meaningful, is a jewel.” Ifrom an 84-seat venue to a Also, despite the responsive relationship with the Equity member Margery new 218-seat house. But in country’s community, but my predominant Lowe agrees. “I have been West Palm Beach, Florida, it economic impression of the place—and fortunate enough to have done was! downturn, PBD I’ve said this to their staff and to numerous productions with It was so important that to ended last fellow Actors about to work Palm Beach Dramaworks,” she celebrate the opening of Palm season in the there for the first time—is that says, “and to have watched Beach Dramaworks’ new facility, black, as they it’s all about getting better.” them grow in size and scope. the Don & Ann Brown Theatre, have for all the “Having worked at Palm From the first production I was 12 years of their the local Mayor, Jeri Muoio, Beach Dramaworks in their part of, they have always been existence. declared November 7-13, 2011 previous space, it is such an incredibly respectful of their Equity Dramaworks Theatre Week, extreme pleasure for me now to Actors, taking special attention which included a week of free member John be sharing in the excitement of to observe all union rules and theatre tours and performances. Leonard their beautiful new home,” says regulations and make their The official proclamation came Thompson has Equity member Laura Turnbull. Actors feel like family. Through on October 31 at City Hall; there worked at Palm “Bill, Sue Ellen and Nanique the years, they have continued was a gala ribbon cutting Beach have taken great care to ‘do it to add more and more ceremony on November 7; and Dramaworks right,’ and their carefully contracts, as well as increase the opening night curtain rose Harriet Oser (l) and Laura Turnbull in The over a period planned, slow and steady Effect of Gamma Rays on Man-in-the-Moon salary rates, while maintaining on Arthur Miller’s All My Sons, covering three growth of Palm Beach Marigolds at Palm Beach Dramaworks. the integrity and quality of the the first production in the new (Photo: Alicia Donelan) seasons and two Dramaworks has paid off. The theatre, on November 12. “What venues, and in theatre is well equipped, productions they produce. excited me most is the body of was founded in 2000 and gave that time “had a magnificently designed, and Dramaworks is a very special, work that now opens up to us in its first performances at Palm chance to see some of the very professionally run. They collaborative, and unique this new space,” said producing Beach Atlantic University. For its work, do some of the work, and understand the importance of company that always had the artistic director, William Hayes. second season, the company gotten to know and observe the not only giving the audience the best interests of their company “This move allows us to expand moved to a 45-seat theatre and staff under more direct kind of material they want to members in mind, matching the our artistic horizons and after a couple of years there, circumstances than might be see, but giving them the best high standards of productions accommodate our ever- moved to its former 84-seat possible at a larger LORT possible productions, using top they produce. We, in South increasing audience, while home—all the time continuing to theatre. It’s exciting and notch designers and Equity Florida, are lucky to have them enhancing our community grow. Last year, the theatre instructive to be around a place Actors. After the tragic loss of as a union house, and I outreach and educational ended up with slightly more than that is getting bigger for all the Florida Stage, it’s great to still personally feel lucky to continue initiatives.” 2,700 subscribers. At Equity’s right reasons.Yes, that includes have a theatre that is producing to watch them grow and Palm Beach Dramaworks press time, they had more than more Equity contracts and a high quality productions in West expand.” MARCH 2012 EQUITY news / 5

Denver Members Meet for Bagels, Coffee, Information

By Shelly Gaza Western Regional Director Chair, Denver Liaison Mary Lou Westerfield shared Committee information from the national level, and several members of NATIONALNATIONALNEWSNEWS The Curious Theatre, the Denver Liaison Committee housed in an historic 19th reported on topics of local century church in downtown concern. New members were Denver, was the site of this also elected to the Liaison

Austin/San Antonio Austin’s Connie McMillan Receives Lucy Jordan Award

Ms. McMillan. “But this honor is most welcome since it comes from other professionals who understand fully what it takes to make the magic happen.” After receiving At the Denver Annual Membership Meeting are (l to r): top row: her Bachelor of Rob Westan, Kitty Skillman Hilsabeck, David De Benedet, Colin Alexander, Jeremy Sortore, Seth Rossman, Landon Harris, Chaz Arts and Master Grundy, Shelly Gaza; middle: Mary Lou Westerfield, Mercedes of Arts in English Perez, Erin Joy Swank, Paul Dwyer, Sharon Kay White; front: Literature from Jane Shepard, Lowell V. Noel, Betsey Cassell, Kate Berry. Texas Tech University, Ms. year’s Annual Membership Committee. Kate Berry and McMillan moved Meeting. Actors and Stage Lowell V. Noel join existing to Austin, earning Managers from throughout the members Betsey Cassell, her PhD at the metro-Denver area gathered Paul Dwyer, Rachel Fowler, Austin’s Lucy Jordan Award recipients: (l to r) Don Toner (2006), Connie for bagels, coffee and Drew Frady, Shelly Gaza, McMillan (2012) and Dirk Van Allen (2005). (Photo: Bill McMillin) University of Texas and conversation before the Chaz Grundy, Lara Maerz, working as the meeting was called to order Anne Oberbroeckling, Kitty Austin resident Connie Manager Councillor James T. Box Office Manager for the and a wide range of AEA Skillman Hilsabeck, and McMillan has received the McDermott, 38 Equity University of Texas topics were discussed. Sharon Kay White. Western Region’s 2012 Lucy members, and several Performing Arts Center for 23 Jordan Humanitarian Award producers, friends and years. honoring an individual in the supporters. Since 2000, she has theatrical community who Ms. McMillan, who was combined her love of theatre demonstrates a “lifetime nominated for the award by Philadelphia and education through part- commitment to the theatre actors, producers, patrons time work for the University and helping other theatre and critics, has been a part of Tony Nominee Talks the Talk Interscholastic League, which artists.” Ms. McMillan is the theatre community in hosts the One-Act Play On January 23, 2012, the a Musical for Avenue X at the Austin/San Antonio’s third Austin for more than 40 years. Contest for high schools in Philadelphia Tri-Union 11th Hour Theatre Company. Lucy Jordan Award recipient. She is an avid theatergoer the state of Texas, the largest Committee of AEA, AFTRA He is an Adjunct Associate The presentation, by Western and also attends theatre play festival of its kind. She and SAG hosted How a Broad Regional Director Mary Lou festivals and conferences. has also served on the Street ‘Barrymore’ Became a Westerfield and Equity Nominators describe her as nominating committee for the Broadway ‘Tony’—Talkin’ the member Robert Tolaro, who “the ultimate Theatre Person.” B. Iden Payne Awards, which Talk with Forrest McClendon. nominated Connie for the “Loving theatre the way I recognize excellence in Austin Forrest McClendon received Award, took place at the do, I was so grateful to be theatre, and has audio- a Tony Award nomination for Austin/San Antonio Annual able to contribute to the described live performances his Broadway debut in The Membership Meeting on profession behind the scenes of theatre and opera for Scottsboro Boys. He returned February 11, 2012. Over 50 and I never wanted any patrons who are blind or have to Philadelphia to reprise his celebrants were in attendance recognition since the limited vision. role in the Philadelphia including Western Stage production is the reward,” said Theater Company’s production, which played to packed houses at the Suzanne Roberts Theatre from January New York 20-February 19. Moderated by veteran AEA, AFTRA, SAG member Sylvia Dancers Over 40 Plans Include “Chicago” Reunion Kauders, the event featured a Dancers Over 40 will present Joan Weill Center for Dance, companies Mark Stuart Dance wide-ranging discussion of its second-ever song and dance 405 West 55th Street, benefits Theatre, Thomas/Ortiz Dance how he secured his role on concert, DO40 Cares: It’s Not Broadway Cares/Equity Fights and Labyrinth Dance Theatre. Broadway, the struggles and Forrest McClendon. Where You Start..., on March AIDS and the NYC HIV Vaccine Choreography also by Larry triumphs of the business, and 12, 2012 and will feature the Trial Network. Carol Lawrence Fuller, Amy Seiwert (from the his great love for teaching. first-ever reunion of the merry hosts, with Chita Rivera leading Smuin Ballet), JT Horenstein, Forrest McClendon has Professor at the Ira Brind murderesses from the original dancers, including Graciela Claire Porter and Joy Serio appeared in plays and School of Theater Arts and the 1975 “Cell Block Tango” from Daniele, Pam Sousa, Michon Dunbar. musicals throughout the University of the Arts and an the Broadway production of Peacock, Cheryl Clark and For ticket information, call country. In 2009, he received Artist-in Residence in the Chicago. The event, at 8 PM at Candy Brown. Featured guest is telecharge or go to: the Barrymore Award for Boyer College of Music and The Ailey Citigroup Theater/The Rachelle Rak, along with dance www.dancersover40.org. Outstanding Featured Actor in Dance at Temple University. 6 / EQUITY news MARCH 2012

South Florida Philadelphia Members Meet, Greet, Discuss AEA, AFTRA, SAG Sponsor Seminar

By Irene Adjan work that was being done. He for the chance to work, that it on Health Insurance South Florida Area also met with me to discuss is easy to forget that we are The Philadelphia Tri-Union obtaining and keeping health Liaison issues unique to South all connected by a much Committee of AEA, AFTRA insurance in the Philadelphia Florida—most notably the larger ‘community’ that has South Florida held its and SAG is presenting, area, including private distances we drive to get to our best interests at heart.” General Membership Meeting Getting and Keeping Health insurance, health savings work every day. We are a Member Leonard Cole said, “I on January 23, 2012 at The Insurance, a free seminar for accounts, association plans legitimate tri-county area that learned a lot about the Playground Theatre in Miami union members on Monday, and government-subsidized spans about 120 miles from bonding process and how Shores, home of our premiere March 26, 2012 from 6-8 PM plans, as well as resources our northernmost theatre, the important that is especially TYA company. at Temple University Center for finding income-based Maltz Jupiter Theatre, to our when doing a show out-of- First was a meet-and-greet City (TUCC), 1515 Market health care when uninsured. southernmost theatres in town.” with our guests: President Street, Room 222. (Have your RSVP by March 22 via Coral Gables. Things like gas Nick Wyman, Senior Business Bob Hildreth, who recently photo ID available at the email at and toll money are major Representative Russell relocated to South Florida, entrance of the building.) [email protected] concerns for our members as Lehrer, and Developing had this to say: “Having Jim Brown, Director of or call Tom Helmer at they can eat away a big chunk Theatre Business recently attended a Chicago Health Services for The 609.835.7142. of your paycheck on the Representative Jeff Morris. membership meeting, I was Actors Fund, will discuss smaller contracts. Then came the meeting. It really gratified to find the Elizabeth Dimon was was a varied agenda, South Florida gathering added to the Liaison touching on topics specific to equally informative. I’m afraid Committee, replacing Terry our region, as well as issues that it’s all too easy to form New York Hardcastle, currently earning that affect everyone. There the impression sometimes another degree out-of-state. was a productive conversation that Equity is a New York VITA Continues Long Run When asked why she was regarding the Caldwell local, serving only the big city interested in serving on the Theatre Company, which has memberships. Even though, Opens for 36th Season Committee, Ms. Dimon said, “I fallen on some difficult being a newcomer I wasn’t up have taken my union for financial times. Mr. Lehrer on all of our local issues, I Equity’s Volunteer Income specializing in performers’ tax granted. But with this past discussed the situation and certainly had the impression Tax Assistance (VITA) returns. This year, in addition year’s union bashing in what was being done by that our guests were not only program opened its doors for to the office on the 14th Floor Wisconsin and more recently its 36th season on February of the Equity building in New Equity to help keep them invested in, and sensitive to, in Indiana, I realized it was 6, 2012. As always, a long York, the program is also open. The survival of the our unique problems, but that time to give back to my union. line of AEA, AFTRA and SAG being offered in Los Angeles, Caldwell is crucial to the they also had their eyes I want to ensure it is there for members began forming Seattle and Orlando. health of our theatre opened regarding the different community. Member Harriet me and for others.” aspects of auditioning and Oser said, “I truly feel that A new Equity member told playing down here.” Equity will do all it can to help Committee member Marj keep the Caldwell afloat and O’Neill-Butler that she Thank you to our guests, I’m hoping with all my heart learned so much at the and to The Playground that it will work out.” meeting that she would be Theatre and its Company Jeff Morris also spoke. “I attending other Equity Manager Jeanette Taylor for was impressed by Mr. Morris’ meetings from now on. “It was being our host. Thank you, willingness to volunteer his so great to see some new too, to my Committee for all contact information and to faces from our community. their hard work and make himself available for Our guest speakers were dedication: Barbara Equity members’ calls and/or informative, amusing, classy Bradshaw, Oscar Cheda, e-mails,” said John Felix. As and smart. It made for a Dave Corey, John Felix, Terry the majority of our theatres productive and excellent Hardcastle, Wayne LeGette, operate on SPT or LOA meeting,” said Amy London. Amy London, Margery Lowe, contracts, Jeff is an important Barbara Bradshaw added, Margot Moreland, Marj resource to us. He visited “We spend so much energy O’Neill-Butler, Barbara Sloan, VITA volunteer John LaGioia (l) with Frank Stellato. (Photo: Stephanie Masucci) several theatres and saw the driven by our passion, looking Laura Turnbull and Tom Wahl. before dawn in order to make AEA member Frank appointments to have their Stellato, who has been taxes done—at no charge—by coming to VITA since he VITA’s hard-working joined Equity in the 1980s, New York, Los Angeles volunteers. arrived at 2:45 AM and was VITA is the only IRS- #2 in line. “VITA is one of the Actors Fund Sets Groups, Workshops, Seminars sanctioned tax assistance best services our Union New York months in a stable recovery is The Fund office, Suite 400, program in the country offers,” he said. On Thursday, March 22, required and completed 5757 Wilshire Blvd. Information: from 5:30 to 7 PM at AFM outpatient treatment is [email protected]. Local 802 (322 West 48th preferred. Space is limited On Monday, March 26 , Street), there will be a and an initial interview is from 10:30 AM to 12:30 PM, Philadelphia seminar on How to be required. Information: there will be a workshop on Successful in Teaching, [email protected]. Powers of Attorney, Health Live Arts Festival, Philly Fringe Training, Coaching. No On Monday, March 19, Care Directives, Wills and Get Underway reservation or pre-registration from 5:30 to 7 PM at The Trusts: How, When—and required. Information: Fund office, 729 Seventh When Not—to Do It Yourself. The 2012 Philadelphia Live Artist, Special Appearance) [email protected]. Avenue, there will be a Information: Arts Festival and Philly Fringe AEA contract. On Mondays, March 19- Housing Seminar to review [email protected]. is gearing up. For information, Application deadlines are May 14 (no session on April long term options to obtaining The Actors Fund, in visit http://www.pafringe.com/ available on the Festival 9), from 5:30 to 7 PM at The affordable rental housing: collaboration with the Los festival/fringe-artists.cfm. website. The Philadelphia Fund office, 729 Seventh 80/20 housing, tenants’ rights Angeles Unified School The AEA Philly Fringe Liaison Committee Avenue, a group will explore information, and more. District, is offering Computer Code is available for members encourages members to ask how one’s money issues are Reservations not necessary. Training on the Microsoft to self-produce in the “Philly questions early in the process tied into the use-abuse- Information: Office Suite (Word, Excel, Fringe” portion of the Festival. and not to wait until June or recovering cycle of chemical [email protected]. PowerPoint, Outlook) at Other producers who are July or when the project is in dependency. Financial Los Angeles IATSE Local 80 in Burbank on interested in using AEA rehearsal. For further Wellness Along the Road of On Monday mornings Tuesdays and Wednesdays members in the “Theatre” information, contact the Recovery is a joint venture of throughout March, there will be until April 25. Cost is $45. For section of either the “Live Committee at the Financial Wellness workshops on Managing Cash more information and to Arts” or “Philly Fringe” [email protected] Program and Chemical Flow for Artist on a Fixed request an application, portions of the Festival must or call Liaison Chair Tom Dependency Services. A Income. Sessions will take place contact Caitlin Sorenson at sign AEA members to an Helmer at 609.304.9134. minimum of three to six from 10:30 AM to 12:30 PM at [email protected]. appropriate (SPT, Guest MARCH 2012 EQUITY news / 7

Austin/San Antonio forgotten Greenwich Village brief notes activist named Marie Jenney Meeting Selects New Liaison Howe, and this summer Michele • 2011 inductees into The will also be celebrating her Committee Members Theater Hall of Fame include 200th performance in it. AEA members Tyne Daly, Ben Michele’s late husband, Equity A new Liaison Committee Michael Holmes. Thanks were Vereen, and, posthumously, member Warren Kliewer, revived was selected at the Austin/San given to departing Committee Paul Sills, co-founder of the piece to tour in 1995, the Antonio Annual Membership members Charles “Huck” Chicago’s Second City improv 75th anniversary of the passage Meeting on February 11, 2012. Huckaby, Sheila Gordon and groups. of the 19th amendment for The Committee includes: Bill David S. Stahl. • Seattle’s Intiman Theater, woman’s suffrage, produced by McMillin, Chair; Babs George, The Committee plans to which has been in financial his East Lynne Company. 1st Vice Chair; Parker Williams, meet on Saturday, March 31, straits for a year, will remain • Also on the road is Equity Linda Nenno, Paul Wright, 2012 to select a 2nd Vice Chair Julie Andrews honored by open after receiving more than member Elaine Bromka’s one- Victoria Beavan, J. Michele and Secretary and determine Professional Dancers Society. $1 million in pledges since woman show, Lady Bird, Pat & Collins, Laura Walberg, Ev staggered term lengths. announcing a do-or-die Betty: Tea for Three, a valentine Lunning, Jr., Brian Coughlin and Los Angeles is producing fundraising campaign, according Rockin’ With the Ages – The to First Ladies Johnson, Nixon to The Seattle Times. Beat Goes On, a musical with a and Ford. This behind-the- • Time Out New York’s cast of performers over 60 years scenes look at the humor, theatre critics have named Ethel of age. This is the fourth of her hopes and singularity of three who were also part of the Struggle For Visibility Merman as the top Broadway Rockin’ With the Ages shows. remarkable women, has played roundtable, talked about how diva of all time. Last year’s edition featured in more than 65 venues. continued from page 1 they felt like they were seen by • The Professional Dancers Equity members Dominick • The 50th Annual World the theatre industry—more so the minority group least likely to Society, celebrating its 25th Morra, Anna Pagan, Ruben Theatre Day will be observed on than in TV and film— as the be cast in roles that could have anniversary this year, has Rabasa, Bobbi Stamm, and March 27, 2012. Through World “perpetual foreigner,” and not a been played by any ethnicity. honored Julie Andrews with its Carol Woodbury. Theatre Day, Theatre part of the American fabric. Why are there still so few 2012 Gypsy Award. • Equity member Michele Communications Group (TCG), Possible solutions included minorities on the stages of one • The Phantom of the Opera LaRue is taking her solo the national organization for of the most diverse cities in encouraging Asian Americans to celebrated its 10,000th production, Someone Must theatre and home of the U.S. America? What are the biases, join the boards of the not-for- performance on Broadway on Wash the Dishes: An Anti- Center of the International if any, that hold Asian actors profits; audience members February 11, 2012. The historic Suffrage Satire, on the road Theatre Institute (ITI-US), behind their minority leveraging their pocketbooks performance benefited The during March, Women’s History celebrates the power of theatre counterparts? Why is there still and/or publicly speaking out Actors Fund. Month. The play is celebrating to strengthen cultural exchange resistance to non-traditional against a theatre’s lack of • Equity member Jackie its centennial, having been and mutual understanding casting? How can we remove imagination, shifting the Goldberg (the Pink Lady) from written in 1912 by a sadly across borders. the hurdles in place? paradigm so that all-white casts Participants on the roundtable are deemed more politically tried to tackle these questions. risky than plays cast multi- They included Artistic Directors culturally; finding funds to create A Look Back @Equity Milestones 10 Years Ago (Oskar Eustis of the Public specific initiatives to produce the March 2002 Theater and Doug Aibel of the work of Asian American • Members are urged to join “it would be in the best interests Vineyard Theatre), Broadway playwrights; and in all ways with other entertainment 75 Years Ago of Equity’s membership to Producers (Stephen Byrd, Nelle raising awareness of these industry organizations to March 1937 engage in performances Nugent), Directors (Bartlett issues, questioning beliefs, support proposed legislation to supervised solely by members Sher, Trip Cullman, Ken Rus educating fellow artists and • An article in the March issue create a subsidy for the of the SSDC” and further Schmoll), Casting Directors continuing to engage in the of Equity [Magazine] urges payment of 50% of the COBRA recommending that any Equity (Tara Rubin, Nancy Piccione, dialogue at every opportunity. members to apply immediately to premium for a period of up to Stephanie Klapper), Playwrights “secure a number under the members who contemplate The issue of inequity when it one year for entertainment (Douglas Carter Beane and Social Security Act.” The article working as directors or comes to employment industry workers who meet the David Henry Hwang, who goes on to say that “until such an choreographers should join the opportunities for minority actors eligibility requirements. The moderated), Agents (Don Birge application is made, a number SSDC. is certainly not unique to New legislation is passed. of Stewart Talent, Paul Hilepo of assigned and an account Equity seeks its first dues York. AAPAC has received • Hartig-Hilepo and Mark opened, deductions made from 25 Years Ago increase in over 12 years. Both mainstream and national Schlegel, of Cornerstone Talent) the member’s salary cannot be Basic Dues and Working Dues coverage of this issue and the March 1987 and AAPAC Steering Committee credited to him and, as far as the would be increased, along with dialogue is being played out on • Les Misérables opens on members (Pun Bandhu, Angel member is concerned, he has the Initiation Fee. Basic Dues the national level at regional Broadway on March 12. It runs Desai and Christine Toy not begun to create a record of of $118 per year; Working theatres across the country. for 6,680 performances, Johnson). Mary McColl, time employed or of money Dues of 2.25% of gross AAPAC is interested in having provides employment for scores Executive Director of AEA, was earned against which future earnings under AEA contract of Equity members, and also a participant and framed conversations with Asian benefits may be reckoned.” and Initiation Fee of $1,100 becomes the third longest- the discussion from the American artists in other regions • Equity endorses the have not been increased since running show in Broadway beginning: “This is truly about of the country to create a more proposed 22nd Amendment to that time. history. access, making sure [a diverse national movement demanding the Constitution of the United talent pool] gets into the audition more Asian American visibility in States, the Child Labor Act, room. That’s the role that we the arts. At the same time, they which gives Congress the right play for our membership, are now reaching out to to regulate or prohibit the labor providing access.” individual theatre companies in of children under the age of 18. What’s Your Best Participants talked about the New York to have conversations “crisis of imagination” that exists on the issue away from the 50 Years Ago Health Tip? in the theatre world and the public spotlight. In addition, they March 1962 resistance they often encounter are fostering alliances with like- • Equity’s monthly magazine Enter Contest and Win $1,000 Towards when they attempt to cast minded minority performers and reports that “ice,” the profit from regardless of race. Mr. Eustis advocacy groups as well as a Gym/Fitness Center Membership the illegal scalping of tickets to proclaimed, “We cannot view established organizations such hit shows, is very much in the EA and Union Plus, candid short video (1-2 race as so primary that it as the Alliance for Inclusion in news and is the subject of the Union Member minutes) of yourself describing overrides all the other ways we the Arts, TDF, the Broadway Congressional investigation. Discount Program of your favorite health tip—what suspend our disbelief when we A League, and funding “Speculators are getting as the AFL-CIO, are sponsoring a has been most successful for go to the theatre.” Many of the organizations. Anyone much as $100 for a ticket to Health and Wellness Video you. Videos will be posted panelists agreed that directors interested in obtaining a copy of How to Succeed in Business Contest in March. We want to online and judged by your and playwrights seemed to be their report or in contacting the Without Really Trying” the share tips about how Actors fellow members. The winner where most of the resistance organization can email them at House Select Subcommittee is and Stage Managers maintain will receive a gift certificate was occurring, particularly when [email protected]. told. their peak performance, worth $1,000 towards any gym it came to new plays. Some • Equity recognizes the including mental health, or fitness center membership. casting directors mentioned that (Pun Bandhu is an Society of Stage Directors and fitness and exercise tips, Complete instructions are they felt like regional theatres actor/producer and member of Choreographers as the eating well, and managing posted on AEA’s website seemed more open to non- the AAPAC Steering Committee. bargaining agent for directors stress. (www.actorsequity.org) and on traditional casting than New York He is currently appearing in the and choreographers and notes Here’s how to enter: Make a www.unionplus.org. theatres. Members of AAPAC, Broadway production of Wit.) 8 / EQUITY news MARCH 2012

U.S.Postage Letters to The Editor 45 Letters received from paid up members on subjects of concern to Equity members will be considered and published as soon as possible. The Editor reserves the right to limit letters to 175 words and to select one or two representative letters when many similar letters are received. Letters must be signed, but names FINAL will be withheld on request for those letters which may affect members’ employment. Signatures will not be withheld on letters antagonistic or accusatory, either implied or expressed, against other members. CURTAIN Opinions expressed in Letters to the Editor are not necessarily those of Actors’ Equity Association. CELEBRATING A out to the theatre community, she touched. Harriet left us on “PERFECT CRIME” especially the New York theatre January 17, 2012. Dear Equity Members: community where Caris lived Kathleen Warfel “Were I to die and go to heaven Have you ever committed a and worked—and enjoyed so on behalf of the KC Area and find it populated by actors, Perfect Crime? many professional friendships. Liaison Committee I would not be unhappy.” If so, we’re hot on the case For more on the Brainwave and the Theatre Community and looking for clues to find you. series and to purchase tickets, —-Playwright Ben Hecht Perfect Crime, the longest- visit www.rmanyc.org/ Dear Editor: 4/5/11–10/10/11 running play in the history of brainwave. I always read the lovely eulo- New York theatre, is celebrating Rebecca Nelson gies that AEA members have Amy Aaland Mel Jurdem its 25th anniversary on April 18, with Gaylen Ross, Director written about the passing of a Lillian Adams Robert Karl 2012. Anyone who has been in- friend and colleague and dread- Douglas Alan-Mann Robin-Ann Kay LOOKING FOR ALUMS volved with the show over the ed the moment when I would Thomas Aldredge Barbara Kaye Dear Flat Rock Playhouse need to write one. Sadly, that day Tom Kelly past 25 years—actors, stage Douglas Andros Alumni: arrived over the Thanksgiving Karen Austin Audrey M. Koran managers, house managers, box This is an exciting year for weekend. Julian Bailey Andrew Krawetz office personnel, promotions FRP.This summer Flat Rock There could be no more con- Fred Baker Marketa Kimbrell staff, etc.—should email Playhouse will celebrate its 60th summate professional than Rose Alexander Balderrama Arianne Lowell [email protected] before Anniversary. A celebration is Pickering. Rose was an amazing Emery Battis Jet MacDonald March 28 to receive an invitation planned for the weekend of Frances Bay George Martin to the anniversary celebration, actress. No one knew how to August 4-6. Our goal is to make an entrance, how to take John Bayliss Ray Mason which will include a group photo establish an eventual online James Mayberry the stage (no small feat since Ronald Bazarini opportunity at the beginning of “Alumni Registry.” We are Marvin Beck Judith Mayes she suffered from horrible stage April. respectfully asking that all Spencer Beglarian Innes-Fer McDade fright), and how to inhabit a char- John Capo “Vagabonds” from the past 60 James R. Bianchi Marian Mercer acter better than Rose. My first President, John Capo years submit the following Patrick Billingsley Paul J. Michael encounter with her was a read- Public Relations information: Name, address, Eileen Blackman John Jay Miles through of Tartuffe at the Milwau- Renee Bluestone Melinda Moreno CELEBRATING DOLLY email, and phone numbers. Send kee Repertory Theater. She blew Donald L. Brassington Edd L. Morgan Dear Editor: this to [email protected]. my socks off with an extraordi- Maurice Brenner Frances Lee Morgan I am writing a coffee table Please be sure to put FLAT nary reading, and her perform- Eve Brent Dinnie Mowery book celebrating the women who ROCK PLAYHOUSE ALUMNI in ance was filled with heart, soul, Lynn Brinker Walter Muntner have played Dolly Levi. My the subject line to avoid spam. humor, truth and, most impor- Richard Burton Brown Ann Muffly publishing goal date is January Once this information is tantly, humanity. Roby Brown Gene Myers 16, 2014, the 50th anniversary of collected, the Playhouse She was always kind, a terrific Robert Brubach Leslie Nielsen Hello, Dolly! opening on administration will contact you listener, and her ethics and disci- Colleen Burns Kennley Noble Broadway. I would love to with instructions on how to sign pline set a standard for any Grace Roberts Bates Donna O’Connor interview anyone connected with up for the eventual online young actor to emulate. Ariane Orenstein Roberts S. Blossom productions of Hello, Dolly! registry. However, you will I was blessed to know Rose Annette Cardona Jess Osuna So far I have interviewed immediately begin to receive for over 25 years, and I still find Carolyn Chrisman Debbie Pavelka Carol Channing, Carole Cook information regarding this myself asking: “What would Rose Rusty Clauss Tony Perr in and Roberta Olden (she was summer’s celebration. Rest do?” She continues to guide me. Eddie Cobb Arthur Pignataro Ginger Rogers’ personal assured that your personal God Bless you, Rosie. Jeffrey Conaway Alice Playten assistant). I also have information will not be shared. Gene Culkin Henry J. Quinn Catherine Lynn Davis interviewed cast and crew of We hope to honor the David Cahn Sunna Rasch incredible legacy of Robbie, L. Joe Dahl Michael Charles Rizzo various productions. This book Dear Editor: Leona, and Robin Farquhar, and Denise Dales Howard A. Roberts will be a celebration. I’m not In October we lost a good ac- to celebrate the future of this Philip Davidson Scott Robinson interested in gossip. tor, and for those of us lucky amazing theatre under the new Curt De Bor Herbert Rubens I also have a blog enough to know John Milligan, a leadership of Vincent Marini. Robert A. Denning Martin B. Rudy (www.RichardSkipper.blogspot. very good friend. I met John in Crandall Diehl Gil Robbins com) and am including these On behalf of the 1968 as I struggled up the moun- Esther Drake Linda Robbins interviews as part of my blog to Flat Rock Playhouse, tainous stairs to my new fifth Shirley A. Drake Philip Rose build the excitement in Ralph Redpath, floor walkup. Out of breath, and Ralph Duffy Jean Sanders anticipation of the book. Vagabond since 1971 seeing my life pass before me, a Michael Daily Craig Sandquist Richard Skipper Barbara Bradshaw, stranger on the third floor John Dolf Terry Saunders www.RichardSkipper.com Vagabond since 1976 opened his door, handed me a Jack Eddleman John Scoullar Richard@ IN MEMORIAM glass of water and then, without Catherine Ellis Summer Serafin RichardSkipper.com Dear Editor: a word, turned and went back Peter Falk Jack Sevier into his apartment. Sargent Faulkner Valerie Shorr HOW THE MIND WORKS There are Equity members who go unsung in their illustrious John worked on Broadway, George Michael Feeney Mary Small Dear Editor: Off-Broadway, in the Regionals, Phillip J. Smith careers, and many are our Bettye S. Fitzpatrick The Rubin Museum of Art is and was a nationally known sto- Martha Flynn Howard Spiegel amazing Stage Managers. presenting the documentary ryteller. He had perfect comic Jo Forsberg James Spruill Harriet Stallings-Salisbury was Caris’ Peace, about AEA actress timing, a great love of theatre, Roger Franklin Charlotte Starbird one such individual, having a Caris Corfman and her effort to and enchanted the children who Mary Fickett Morgan Sterne return to the stage after the modest and somewhat shy Clebert Ford Tony Stevens nature to begin with. Always true listened to him tell them of Rikki- years of rehabilitation following Tikki-Tavi, and gave life to all the Margaret Gathright Albert Stratton brain surgery and the loss of her to her family and community, she Bruce Gordon Grant Sullivan began and ended her life characters who dwelt on the short-term memory. No easy feat pages of their books. He brought Elizabeth Green Henry Sutton for an Actor. Caris’ Peace is focused on those consuming and Joseph Stember so much to so many—he will be Donald Grody having its New York City important matters, but the in- Michael Hall John Swearingen so deeply missed. premiere as part of the Rubin’s between was a gift to the theatre Gardner Hayes Yasuko Tamaki Nikki Harmon prestigious Brainwave series in community. A life-long learner, Gary Henderson Clarice Taylor Albuquerque, NM March in which people from all she received her MFA from the Alan Neal Hubbs Cliff Terry walks of life are paired with University of Missouri, Kansas Dickson Hughes Bradley Thoennes City and worked in Kansas City, Sada Thompson neuroscientists to talk about how Tresa Hughes Texas and New York. But the Correction Maureen Hurley Kirk S. Torigoe the mind works. On March 7, truly amazing thing about Harriet James Hammerstein Giorgio Tozzi Lewis Black will kick off the film The head of Chicago’s was her generous spirit and her Edward W. Hastings Margaret Tyzack as moderator with neurologist Dr. Season of Concern is commitment and willingness to Fritz Holt Vic Vallaro Barry Gordon of Johns Hopkins Stephen Rader. Mr. Rader’s support and guide developing Len Jacobs Norma Valleau University; Mark-Linn Baker will name was inadvertently theatre works and their artists. Bradley James Roberta L. Vatske do the honors on March 10. misspelled in the She was tireless in her efforts Genevieve Johnson Shirley Verrett March 25 will be David Carr of January/February issue of and humble in her successes, Doug Juday Bee Waller The New York Times. Equity News. We very much want to reach and will be sorely missed by all