R:R,``-':Grrr__--=:? J 'R'.;;Z',10,,:.;00: .&L

Total Page:16

File Type:pdf, Size:1020Kb

R:R,``-':Grrr__--=:? J 'R'.;;Z',10,,:.;00: .&L Ili INSIDE ROLLERS r . Theb3 3amble' 4.,. RIoHornMUD' Whoarethehasbeèns?. lw WITH P ©PSW April 5th 1975 10p; S ET bounce back ',Is' L %,", . ,%'1^I,....-1 . 3Z,St .i;áa.9.1e%%\s.:p, :,,.-.,.,.'',',,111"t1411,aaa'=ºn,,¡,a -.;ar=a:;.ca.tt; 3\ :-......--,20 ,,,111. ,=r-r--J`.,1U :,w+ i , .,r:r,``-':grrr__--=:? J 'r'.;;Z',10,,:.;00: .&l .. `r,;o-.....'-.á-a`''='-5:,.r ' =ar:-y 1 aaia-i -t.aI. f ) o paper with this weeks BBC charts 1 1 1 1, 1 e121%. MIRROR, RECORD APRIL b, e]alflIC 1 1 20 GREATEST HITS, Tom Jones Decca 2 3 THE SHIRLEY BASSET SINGLES ALBUM, Shirley Bsssey United Artists 3 2 PHYSICAL GRAFFITI, Led Zeppelin Swan Song 4 4 THE BEST YEARS OF OUR LIVES, Steve Harley B Cockney Rebel EMI 5 7 THE SINGLES, 1969-1973, Carpenters A&M 6 11 AVERAGE WHITE BAND, Average White Band . Atlantic 7 5 ON THE LEVEL, Status Quo Vertigo 8 9 HIS GREATEST HITS, Engelbert Humperdinck Decca 9 13 'CRIME OF THE CENTURY, Supertramp A&M 10 6 THE ORIGINAL SOUNDTRACK; 10cc Mercury 11 12 ELTON JOHN'S GREATEST HITS, Elton John DJM 12 8 SIMON & GARFUNKEL'S GREATEST HITS, Simon & Garfunkel CBS 13 10 TUBULAR BELLS, Mike Oldfield Virgin 14 14 BLOOD ON THE TRACKS, Bob Dylan CBS As AT m 15 - BLUE JAYS, Justin Hayward/John Lodge 11 3C 3 Threshold 16 16 BRIDGE OVER TROUBLED WATER, 1 2 LADY MARMALADE LMN Simon & MImie II Merton F J Garfunkel CBS 2 3 LOVIM YOU 17 35 TELLY, Telly Savales MCA 16 PHILADELPHIAEEF,,RREEDOM Elton Jahn Band 3 RP Rndehs. 22 AApp M 18 THE DARK SIDE OF THE MOON, Pink Floyd 5 7 YOU ARE SOBEAUIIFLL Joe Code 1 1 BYE BYE 64e. 9 NO NO SONG/SNOOKEROO Ringo Stan BABY Bay City Rollers Bell Harvest 7 e POETRY MAN Phoebe Ss sAAeI.` 2 4 19 17 AND I THERE'S A WHOLE LOT OF LOVING LOVE YOU SO,:Perry Como' RCA 8 1 MY EYES ADORED YOU Era Vaal PrN.b Slosh Guys and Dolls 20 28 ROW N', Bay City Rollers Bell 9 10 DON'T CALL WE'LL YOU Magnet . E'L C.rt 3 21 20 Sun rlml / JeE 9 GIRLS Moments : and Whatnauts All COP YER WHACK FOR THIS, Billy Connolly 10 5 HAVE YOU NEVER BEEN MELLOWOSVM Newton-John MU Platinum Polydor ,11 16 ((H1NeYWmTYou Pie )ANOTHER SOMEBODYDONE SOMEBODY WROHO 9DI4G B. J. Tteorrrw ABC 4 2 22 27 IF Telly Savalas MCA' THE BEST OF BREAD, Bread Elektra 12 13. SAME, 9UME, SHAME Shirley 6 Cmnpene Al 5 5 WHAT AM I GONNA DO WITH YOU 23 19 WELCOME TO MY NIGHTMARE, Alice Cooper 13 17 ONCE W GET STARTED Russ ABCe 14 14 SAD SWEET DREAMER Art Seraaean Pre Barry White 20th Century Anchor 15 15 IAN LOVE Pert l and 2Jedaan 5 Motown 6 8 FANCY PANTS Kenny Rak 24 15 ROCK 'N' ROLL, John Lennon Apple 16 20 CHEVY VAN SammyJdun SJohn. 7 25 18 I'M HOME, 17 21 HARRY TRUMAN Chi op colonel. 3 ONLY YOU CAN Fox GTO COMING Johnny Mathis CBS 18 4 BLACK WATER DoesSSA.e, Warner We 8 23 THE FUNKY GIBBON/SICK MAN BLUES 26 26 SHEER HEART ATTACK, Queen EMI 19 23 EMMA Hot ChedaM BI T - 20 24 SUPERNATURAL THING Pert I Ben E Klnll 27 YESTERDAY, Yes . Goodies Bradley's Atlantic 21 26 BEFORE THE NM TEARDROP FALLS Freddy Fender Ati 28 21 9 10 I CAN DO ITRubettes Polydor CAN'TGET ENOUGH, 22 28 WALKING IN RHYTHM 8ladl7rda 23 Ste 10 21 Barry White 20th 12 LADY woe .e FOX ON THE RUN Sweet RCA Century 24 31 LQVfItare1NGreen M 29 24 BAND ON THE RUN, Paul McCartney/Wings a 3t SNININGSTAREarVr Winda Fin Cry11 11 17 PLAY ME LIKE YOU PLAY YOUR GUITAR Apple 26 32 SATIN SOUL Lore Untie:KJ Ordrebe 20e. CertaRy Duane Eddy GTO 27 33 WHAT A141 0.055400 WITH YOU Barry WAib 20th GnNY 30 25 HIS 12 GREATEST HITS, Neil Diamond MCA 28 35 LONG TALL GLASSES d Crin Den Lao Sere Wanes line 12 6 PICK UP THE PIECES Average White Band 31 46 AN EVENING WITH JOHN DENVER, 29 29 THE SOUTH'SGONNA DO FTAGNN Cherie Denies Band Marne Sutra Atlantic 30 30 BUTTER BOY Fumy Ca sees no John Denver RCA 31 36 THE BERTHA BUTT BOOGIE Pt 11Mrmmvy Band. Aimee 13 11 M ANDY Gets Barry Manilow Arista 32 34 MUD ROCK, Mud RAK 32 39 JACKIE BLUE Clark Mountain Deredeede AA M 14 33 44 HEEryDORT LOVE YOU nee I Lan Yaw) 26 SWING YOUR DADDYJim Gilstrap Chelsea 33 23 SLADE IN FLAME, Slade Polydor 15 20 PHILADELPHIA FREEDOM Elton John 34 - FOR THE EARTH BELOW, 34 42 ITS AMIRARAQLBeere Menem Arhb Band DJM 35 22 EMOTION Helen ~de Caved Robin Trower Chrysalis 36 18 CANT GET IT OUT OF MY HEAD 16 14 SWEET MUSIC Showaddywaddy Bell 35 - NEVER CAN SAY GOODBYE, Elerbic UdhlOrdeeba UnMd Are,. 17 15 DREAMER 37 37 T THE DOOR OF THE SUN (Al. Pore OW SROAl Supertramp A&M Gloria Gaynor MGM Martino 18 16 Ceded PLEASE TELL HIM THAT I SAID HELLO 36 - SPECS APPEAL, Shadowa 19 BEST OF W LOVE Eaalee Aryls lie EMI 47 Dana GTO 36 á D14n Coked: le 37 RAINBOW, Petera B Lea Philips 40 50 TALLER ppUUEEPI ppBuLe1«Bob 19 22 REACH OUT I'LL BE THERE 38 - JIMI HENDRIX,Jimi Hendrix Polydor 40 WOLF CREEK PARSG W. McCall MGM Gloria Gaynor Chelsea 31 NOT 52 SHOESHINE BOY Eddie Kendrick, Tam. 39 FRAGILE, Bachman -Turner Overdrive 4434 27 LONELY PEOPLE Ae.arka 11/ enter Bun 20 18 I'M STONE IN LOVE WITH YOU Johnny Mercury 46 I WANNA LEARN A LOVE SONG Harry 46 Chap. /Arlru Mathis CBS 40 40 STREETS, Ralph McTell Warner Brothers 55 LIVING A LITTLE. LAUGHING A LITRE AYn.ac 41 30 FREE AND EASY, Helen Reddy Capitol 60 I DONTLIKE TO SEEP ALONE Pei Arta Undid Artbb 21 12 MY EYES ADORED YOU 47 a LR IN A PUFF OF SMOKE Poly Brown 42 45 OVERNIGHT SUCCESS, Neil Sedaka Polydor 48 GTO Frankie Valli Private Stock 46 HOW LONG Aca Andes 43 - ROTTERS Er The 49 59 IVHO'S SORRY NOW CLUB, Hatfield North Virgin Mae Oe morel It 22 34 THE UGLY DUCKLING Mike Reid Pye 50, 56 I HAVE A D dab 44 - THE BEST OFJOHN DENVER, EAM Derry Owend KeNb 23 32 LET ME BE THE ONE Shadows EMI John Denver 24 7 THE THAT YOU KEEP Mud Rak RCA SECRETS 45 49 SHOWADDYWADD,Y, Showaddywaddy Bell 25 29 IN THE Ovation SKIING 'SNOW Wiggins 46 39 SOLO CONCERT, Billy Connolly Spark Transatlantic 26 38 LOVE ME LOVE MY DOG Peter Shelley 47 THE BEATLES 1962-1966, Beatles Apple M agnet- 48 SGT PEPPER'S LONELY HEARTS CLUB BAND, -1 PHYSICALGIUFFTT 27 13 MAKE ME SMILE (COME UP AND SEE ME) lad epee 9ean Beatles 2 Svc Rebel EMI Parlophone HAVE YOU NEVER BEEN MELLOW -pavk u--'-a- Steve Harley and Cockney 49 - BAD Bad 3 BLOOD ON THE TRACKS- OHe CO., Company Island 4 5 PERFECT Coinwntb. 28 37 LADY M ARM ALADÉLabelle Epic ANGEL-Mete Rnpe.n Ebb 50 47 SHADOWS GREAT HITS. Shadow* Columbia 5 4 WHAT WERE ONCE VICES ME NOW HABITS 29 24 HOW DOES IT FEEL Slade Polydor Oboes - Brothers Wanes One 30 28 HAVING A PARTY Osmonds MGM 9 AN EVENING WITH JOHN DENVER i 7 NIGHT BIRDS-Labile RCA e e FOREARM 31 19 BELOW -Robin Trevor YOUNG AMERICANS David Bowie RCA RPM/BBC chart 6 PNGEBE SNOW Cheek 32 35 L. O. V. E. Al Green London lÓ 12 ROCK TN'ROLL- Ton n Lamm Sham 11 33 47 GOOD GONE BAD Bad SUPPLIED BY: BRITISH MARKET RESÉARCH 10 HEART LWE A WHEEL Linde RooMdt LOVIN' Company 15 SUN GODDESS-Ramsey Lwb Island BUREAU / MUSIC WEEK. ii 17 AUTOBAHN Kneen. Columbia 14 41 vertigo 34 31 SOUTH AFRICAN MAN YOUNG AMERICANS -Meld Boot' 15 28 THATSTFE WAY OF THE WORLD RCA Hamilton Bohannon Brunswick -Ease, Wed 6 Fire 16 14 RLIFUSUED- Coruwm. 35 25 SHAME SHAME SHAME & Rues fearing Chaka Khan Shirley 17 13 AVERAGE WHITE RAND ABC Company 16 23 Sisada All Platinum COED ON THE SMOULDER -Gordon LMhdnot 36 39 WHAT IN THE WORLD'SCOME OVER YOU Because of the holiday, 19 19 ELDORADO - Electric ULbMhitO hestrs 20 61 CRASH LANDING-Jin1V.,>,I. llnaeÁAAY Tam White Rak 21 21 ALLTHE LOVE IN THE WORLD Repee 22 MeDark Coe nee. 37 43 THE QUEEN OF 1964 Neil Sedaka Polydor 16 DOnCT1L YOU'RE SATLSFIEDI -B.T. Eemew 23 29 ON THE BORDER-Wee Sower 38 45 SING A HAPPY SONG George McCrae only -the British album 24 II SO ~M chart was WHAT-JA Walsh aBC/DMei Jayboy 33 A F,Yow-T,lease Kobe 16 EJKPL ES YOUR MI.gND-N Grwei 39 D PLEASE MR POSTMAN Carpenters A&M 22 FIRE -Oho P.ywe 40 44 'MY MAN AND ME Lynsey De Paul Jet ready for publication this week; 24 WAR Jeers KW 32 GREATEST HITS-Oenbn Jahn RICA 41 - HONEY 3aD 60 YESTERDAYS-Yes Abrir 20 ATTY hn MCA Bobby Goldsboro United Artists the are º 40 GREATEST NETS-N GreenGruen others repeated from 33 41 AEA-J6nmy N 42 30 No 9 DREAM John Lennon Bu11Ca /Dunhill Apple 42 REMIDNIGHT Cane Kee ABC 43 - GET DOWN TONIGHT 35 as K. C. 8 The Sunshine last week and will be updated n4ye MGa SnB Jto,.
Recommended publications
  • Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
    The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011).
    [Show full text]
  • ORIGINS and OUTCOMES .0 Background 1 the 16-19 Imtlatlve
    ORIGINS AND OUTCOMES .0 Background 1 The 16-19 Imtlatlve ongmated m the work earned out m the earner ESRC Imtlatwe, Young People m Society (YPS) Launched m 1979, YPS embraced a number of studies of adolescent development m the areas of occupational and polltlcal soclallsatlon, dnnkmg and smokmg, fnendshlp and peer groups, and juvemle dehnquency The research undertaken was characterised by mter-dlsclplmary research perspectwes and naturalistic methods of enquiry, mcludmg account gathering and observation Results from a number of the studies were reported at the successful symposusm convened by Rudolph Schaffer at the 1983 conference of the Bntlsh Psychological Society m York Subsequently papers about tbe research were pubhshed m, a book Gettm~ mto Llf~ (Beloff, 1986) and summanscd m the JZSRCpamphlet, What Next (McGurk, 1987) 12 One outcome of the YPS programme was the decmon by the Human Behawour and Development Committee (HBD) to follow It with a major longitudinal study which would put on a sounder footing conclusions about the factors producing changes m mdmduals during adolescence This would embrace the study of a number of aspects of adolescent soclallsatlon researched earner, wlthm the framework of a single enqurry 13 Papers produced by Rudolph Schaffer summarlslrrg the results of the YPS programme and by Harry McGurk, dlscussmg design posslblhtles for the Iongltudmal study, were cmculated to members of the UK youth research commumty arsd comments were mvlted on how the Imhatwe should be developed Subsequently lt was decided that
    [Show full text]
  • Thesis Final Draft.Pages
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Bell, Stuart (2016) "Don't Stop": Re-Thinking the Function of Endings in Narrative Television. PhD thesis http://theses.gla.ac.uk/7282/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] “Don’t Stop…” Re-thinking the Function of Endings in Narrative Television Stuart Bell (MA, MLitt) Submitted in fulfilment for the requirements for the degree of Doctor Of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow November 2015 (c) Stuart Bell, November 2015 !1 Abstract “Don’t Stop…” Re-thinking the Function of Endings in Television This thesis argues that the study of narrative television has been limited by an adherence to accepted and commonplace conceptions of endings as derived from literary theory, particularly a preoccupation with the terminus of the text as the ultimate site of cohesion, structure, and meaning. Such common conceptions of endings, this thesis argues, are largely incompatible with the realities of television’s production and reception, and as a result the study of endings in television needs to be re-thought to pay attention to the specificities of the medium.
    [Show full text]
  • What Can Google Trends Data Tell Us About Dialect Labels: an Exploratory Study
    Globe: A Journal of Language, Culture and Communication, 5: 48-76 (2017) What can Google Trends data tell us about dialect labels: An exploratory study Marie Møller Jensen, Aalborg University1 Abstract: The aim of this article is twofold: firstly, it sets out to explore the usefulness of Google Trends to the study of language and the perception of variants and, secondly, it investigates the social realities of dialect labels as reflected in searches on the Internet search engine Google. Google Trends is an online tool which is freely available and allows you to map the search volume of search terms across time and space, and also see which other related searches Google users performed within the specified time period or area. In this way, Google Trends can perhaps help us shed light on what it is Google users are curious about or interested in when they search for words such as Geordie, Scouse and Cockney – is it the dialects which the labels denote or is it something else? The study thus takes as its primary interest the application of the Google Trends search tool to the study of folk perceptions of dialect labels and, as a secondary aim, if this can be used to uncover what these dialect labels denote to lay people. With regard to the first aim, the study found that using Google Trends data can be useful in the early stages of perceptual dialectology studies of dialects and dialect labels. With regard to the second aim, the main finding of the study was that there are vast differences between the three dialect labels investigated here, both in terms of sheer search volume over time but also with regard to the collocates with which they are associated.
    [Show full text]
  • Television Fiction in Europe
    Television Fiction in Europe Eurofiction 2002 Sixth edition Please note: The following report is a comprehensive analysis of fiction programmes scheduled in European TVs in 2001. The European Audiovisual Observatory could not publish anymore such a report for the following years. However, in the framework of its Yearbook, Film, Television and Video in Europe, Chapter “Programming”, the Observatory published for all the following years a statistical analysis of fiction programming in most of the European television markets. Milly Buonanno (editor) October 2002 Edited by Milly BUONANNO, EUROFICTION, Television Fiction in Europe, Report 2002 Sixth edition, European Audiovisual Observatory, Strasbourg, October 2002 ISBN 92-871-5028-1 The Eurofiction project team is coordinated by the Hypercampo Foundation, partner organisation of the European Audiovisual Observatory and comprises of: Italy University of Firenze Fondazione Hypercampo Osservatorio sulla Fiction Italiana (OFI) France Institut National de l’Audiovisuel (INA) Conseil Supérieur de l’Audiovisuel (CSA) Germany Universität Siegen Spain Universitat Autónoma de Barcelona (UAB) Corporación Multimedia y TVC United Kingdom British Film Institute (BFI) Director of Publication Wolfgang Closs, Executive Director of the European Audiovisual Observatory [email protected] Liaison Officer with Partner Organisation André Lange, Expert – Information on Markets and Funding andré[email protected] Marketing Markus Booms, Marketing Officer [email protected] Translators/Revisers France Courrèges, Paul Green, Erwin Rohwer, Ann Stedman and Colin Swift Print Production C.A.R. - Centre Alsacien de Reprographie Publisher European Audiovisual Observatory 76 allée de la Robertsau 67000 Strasbourg France Tel.: 0033 (0)388 14 44 00 Fax: 0033 (0)388 14 44 19 Email: [email protected] URL: www.obs.coe.int The analyses expressed in these articles are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe.
    [Show full text]
  • Význam Cockney Ve Vybraných Britských Filmech
    Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce VÝZNAM COCKNEY VE VYBRANÝCH BRITSKÝCH FILMECH Konstantin Gemov Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE ROLE OF COCKNEY IN SELECTED BRITISH FILMS Konstantin Gemov Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 27. dubna 2012 ……………………………. Konstantin Gemov ACKNOWLEDGMENTS I would like to thank the supervisor of my undergraduate thesis, Bc. et Mgr. Andrew Tollet, M.Litt., for his patience and guidance of my work. Furthermore, I am also grateful to my family for the support throughout my years of study. ABSTRACT Gemov Konstantin. University of West Bohemia. April, 2012. The role of Cockney in selected British Films. Supervisor: Bc. et Mgr. Andrew Tollet, M. Litt. The object of this undergraduate thesis is to cover the role of Cockney in British history and mainly in the British cinematography. Furthermore, this thesis should also sum up the basic differences which could be found in comparison with the Standard English. Not only are the differences in vocabulary, grammar and phonetics discussed in this work, but also the social background of Cockney in the historical development of London. Eventually, I have also included a brief summary of the future development of Cockney dialect. The thesis is divided into two major parts. The first part describes the development of Cockney and it is followed by the depiction of differences in already mentioned grammar, pronunciation and vocabulary.
    [Show full text]
  • Question Setter Roger Springthorpe 7Th March 2012 All Answers Necessary to Be Judged Correct Are in Bold and Underlined
    Question Setter Roger Springthorpe 7th March 2012 All answers necessary to be judged correct are in bold and underlined. Anything else is merely intended to be informative. Round 1 Individual questions All answers refer to the cockney rhyming slang vocabulary. Information in brackets is what the answer is used for and not needed. 1. Which cartoon character had an assistant named Penfold? Dangermouse (Spouse) 2. Which football team plays its home matches at Underhill Stadium? Barnet (Fair – Hair} 3. Which singer enjoyed eight Top 10 singles in the UK charts in 1955 but had only Number 1 with “Softly Softly”? Ruby Murray (Curry) 4. Which annual sporting event was first devised as the result of a bet in 1829 and has been conducted yearly at its present London site since 1845 over a distance of a little more than 4 miles? Boat race(Face) 5. Since 1960 what has been the name of Manchester’s main passenger rail terminus? Piccadilly (Silly) 6. The Royal Mail finished its association with which TV icon in 2000 when it said he no longer met the corporate image although he has continued his TV career from his home at Forge Cottage in Greendale? Postman Pat (Cat) 7. The Hindu God Hanuman is usually associated with which animal? Monkey (£500) 8. Which motor company made the chassis for all British armoured cars in both World wars before moving its car production to Crewe in 1946? Rolls Royce(Choice) 9. Which American sports legend had the little used first names George Herman? Babe Ruth (Truth) 10.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. MA Marc Anthony=American singer-songwriter, actor, Monica Arnold=Singer, songwriter, actress=123,055=68 and producer=76,379=49 Mandy Ashford=American, Singer=76,220=99 Matt Adler=American actor= =300 Malin Akerman=Swedish-Canadian actress, singer, Mehmet Akif+Alakurt=Turkish, Actor=69,056=52 model=59,522=132 Micah Alberti=Actor=16,364=213 Maya Angelou=Poet, dancer, producer, playwright, director, Marco Alcaraz=Pornographic actor=18,609=195 author=27,292=292 Muhammad Ali=American boxer, world Meghan Allen=Model=35,042=242 heavyweight champion, Olympic gold medalist; anti- Magali Amadei=French, Model=30,238=267 Vietnam War activist=37,307=101 Mädchen Amick=Actress=47,635=172 Michael Angarano=American, Actor=122,764=25 May Andersen=Danish, Model=27,276=293 Moises Arias=Actor=34,756=111 Mary Ann+Mobley=Actress=26,551=298 Mark Ashley=Canadian, Pornstar=19,264=189 Manuela Arcuri=Italian, Actress=55,051=142 Mehmet Aslantug=Turkish, Actor=20,786=179 Moran Atias=actress=35,963=235 Miles Austin=American football player, wide Megan Auld=American=70,589=107 receiver, return specialist=49,305=72 Mary Austin=English=37,276=229 COMPLETEandLEFT Marie Avgeropoulos=Canadian, Actress=39,141=218 MA,Madeleine Albright Maj Axelsson=American, Personality=35,264=239 MA,Mahmoud Ahmadinejad Mónica Ayos=Argentinean, Actress=36,895=231 MA,Marc Anthony ……………….. MA,Marcus Allen Madison Avenue MA,Marian Anderson Mickey Avalon Massive Attack MA,Marie Antoinette Meredith Andrews MA,Mario Andretti Marsha Ambrosius MA,Mary Kay Ash Melanie Amaro MA,Matthew
    [Show full text]
  • The Little Man Comedies of Charlie Drake and Their Relation to the Unconscious
    THE LITTLE MAN COMEDIES OF CHARLIE DRAKE AND THEIR RELATION TO THE UNCONSCIOUS JOHN BANNISTER Ph.D. Thesis 2012 THE LITTLE MAN COMEDIES OF CHARLIE DRAKE AND THEIR RELATION TO THE UNCONSCIOUS John BANNISTER School of Media, Music and Performance College of Arts and Social Sciences University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, December 2012 THE LITTLE MAN COMEDIES OF CHARLIE DRAKE AND THEIR RELATION TO THE UNCONSCIOUS Portrait of Charlie Drake by the artist Gerard de Rose (c.1960s) Source: reproduced by kind permission of Theodore de Rose Contents Introduction i. Methodology………………………………………………………………………..13 ii. A critical review of psycho-analytic and comedy theory………………………….16 Chapter 1. Building up a psycho-biographical profile of Charlie Drake………………….29 Chapter 2. “Frood started it you know”…………………………………………………...58 Chapter 3. The Descent of the ‘Little Man’ in British Comedy………………………......91 Chapter 4. Psycho-analysis of the film Petticoat Pirates………………………………...132 Conclusion……………………………………………………………………………......178 Appendix…………………………………………………………………….…………...188 Bibliography……………………………………………………………………………...243 Television Index………………………………………………………………………….258 Film Index………………………………………………………………………………..262 List of Illustrations Frontispiece: Portrait of Charlie Drake by the artist Gerard de Rose (c.1960s) Charlie Drake self-portrait…………………………………………………………..page 28 Figure 1. The ‘little man’ rides the giant father-phallus through the amniotic sea in the Oedipus Stakes…………………………………………………………….……………...71 Figures 2-8. The ‘contraphallic’ Drake in his phallocentric pram….…………………….87 Figure 9. Admiral Charlie Drake whose comic sketches scuttled his own ship in the ABPC film Petticoat Pirates………………….……………….………………………………...132 Figure 10. Dream trial before a jury of Drakes/a league of Laius’……………………....155 Figure 11. Lieutenant Commander Drake/Charlie reading out the charges…………..…155 Figure 12.
    [Show full text]
  • It's Back Spirit of Old, New Year at SCA Red Tide in Patchy Blooms
    BIG Arts show New Year s 'Ding' update page 23 page 13 page 15 DECEMBER 31, 1998 VOLUME 25 NUMBER 53 s and 36 PAGES REPO It's back Spirit of old, new year at SCA Red tide in patchy blooms By Gioenda Hiett-Clements At right, Philippe News Editor Brisebois putts as his mom Danielle and dad Dead fish started washing ashore last week on Captiva Martin look on during and around Blind Pass sending out a red title alarm to resi- the Sanibel Community dents and visitors. Association's annual But Sanibel Natural Resources Director Rob Loi'lin said end-of-the year Holiday this current outbreak is nothing like last year's the first week Minature Golf of January, At that time the Sanibel/Captiva Chamber of Tournament. Four men and four women came out as the winners of the event. Women's prizes were jewelry donated by Congress, Rene's Artisans of Fine Jewelry and Cedar Chest. The men won rounds of golf at the Dunes, Beachview, South Seas Plantation and the Sanctuary. In keeping with the spir- it of community enter- tainment for the new year, the Community Association will host "Night of Comedy" Jan. 13. The evening will fea- ture island "funny men" Steve Greenstein and Walt Hadley. Call 472-2155 for information. Michael Pislella ™ Dead fish have been washing up on hcaches Michael Pistclla this week in the Blind Pass area of Sanibel. Towers up 98 IN REVIEW Fight for life Electrician^ son battles cancer for debate By Pattie Pace Staff Writer By Puttie Puce Staff Writer The Kemery family believes in togetherness.
    [Show full text]