Newsletter Été 2009
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
PDF Download a Dry White Season Ebook Free
A DRY WHITE SEASON PDF, EPUB, EBOOK Andre Brink | 316 pages | 31 Aug 2011 | HarperCollins Publishers Inc | 9780061138638 | English | New York, NY, United States A Dry White Season PDF Book There are no race relations. Marlon Brando as McKenzie. Detroit: Gale Research, From metacritic. What does he think life is like there? There are so many passages that resonate with the barriers, pitfalls and depressing realities that never seem to change when fighting for a better world against incredible resistance and hatred: When the system is threatened they will do anything to defend it It's not cynicism, it's reality I just want to go back to the way things were Don't you think they would do the same to us if they had the chance. In this process the marriage dissolves. Thompson, Leonard. Police show up at the house with some regularity—to question the Du Toits, to search the house, and ultimately to threaten them. Cry, the Beloved Country. Susan Sarandon plays a sympathetic journalist, and Marlon Brando, in a juicy comeback cameo that evokes Orson Welles's Clarence Darrow impersonation in Compulsion , plays an antiapartheid lawyer. How can scenes of torture and of the death of children not? Afrikaner —the former term was Boer —refers to whites who descend mainly from the early Dutch but also from the early German and French settlers in the region. Trailers and Videos. It's filled with beautiful beaches, abundant wildlife, lush rainforest, lovely waterfalls and dozens of volcanos. In the book the image is rooted in a specific event. -
General Interest
GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. -
Proquest Dissertations
Filming in the Feminine Plural: The Ethnochoranic Narratives of Agnes Varda Lindsay Peters A Thesis in The Department of Film Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada September 2010 © Lindsay Peters, 2010 Library and Archives Bib!ioth6que et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre r6f6rence ISBN: 978-0-494-71098-2 Our file Notre reference ISBN: 978-0-494-71098-2 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Le Portique, 33 | 2014, “Straub !” [Online], Online Since 05 February 2016, Connection on 12 April 2021
Le Portique Revue de philosophie et de sciences humaines 33 | 2014 Straub ! Electronic version URL: http://journals.openedition.org/leportique/2735 DOI: 10.4000/leportique.2735 ISSN: 1777-5280 Publisher Association "Les Amis du Portique" Printed version Date of publication: 1 May 2014 ISSN: 1283-8594 Electronic reference Le Portique, 33 | 2014, “Straub !” [Online], Online since 05 February 2016, connection on 12 April 2021. URL: http://journals.openedition.org/leportique/2735; DOI: https://doi.org/10.4000/leportique.2735 This text was automatically generated on 12 April 2021. Tous droits réservés 1 TABLE OF CONTENTS Avant-Propos Autour des films Propos autour des films Le jamais vu (à propos des Dialogues avec Leucò) Jean-Pierre Ferrini À propos de Où gît votre sourire enfoui ? de Pedro Costa Mickael Kummer Autour d'Antigone Au sujet d’Antigone Barbara Ulrich Antigone s'arrête à Ségeste Olivier Goetz Autour d'Antigone Jean-Marie Straub À propos de la mort d'Empédocle Jean-Luc Nancy and Jean-Marie Straub Après la projection du film Anna Magdalena Bach Jacques Drillon and François Narboni Retour sur Chronique d’Anna Magdalena Bach par Jean-Marie Straub Jean-Marie Straub Rencontres avec Jean-Marie Straub après les projections Après Lothringen Jean-Marie Straub Après Sicilia Jean-Marie Straub Autour de O Somma Luce et de Corneille Jean-Marie Straub Après O Somma Luce et Corneille Jean-Marie Straub Le Portique, 33 | 2014 2 Après Chronique d’Anna Magdalena Bach Jean-Marie Straub Autour de trois films Jean-Marie Straub Après Othon Jean-Marie -
Paradoxes of the Nouvelle Vague
ARTICLES · Cinema Comparat/ive Cinema · Vol. I · No. 2. · 2013 · 77-82 Paradoxes of the Nouvelle Vague Marcos Uzal ABSTRACT This essay begins at the start of the magazine Cahiers du cinéma and with the film-making debut of five of its main members: François Truffaut, Claude Chabrol, Eric Rohmer, Jacques Rivette and Jean-Luc Godard. At the start they have shared approaches, tastes, passions and dislikes (above all, about a group of related film-makers from so-called ‘classical cinema’). Over the course of time, their aesthetic and political positions begin to divide them, both as people and in terms of their work, until they reach a point where reconciliation is not posible between the ‘midfield’ film-makers (Truffaut and Chabrol) and the others, who choose to control their conditions or methods of production: Rohmer, Rivette and Godard. The essay also proposes a new view of work by Rivette and Godard, exploring a relationship between their interest in film shoots and montage processes, and their affinities with various avant-gardes: early Russian avant-garde in Godard’s case and in Rivette’s, 1970s American avant-gardes and their European translation. KEYWORDS Nouvelle Vague, Jean-Luc Godard, Jacques Rivette, Eric Rohmer, Claude Chabrol, François Truffaut, radical, politics, aesthetics, montage. 77 PARADOXES OF THE NOUVELLE VAGUE In this essay the term ‘Nouvelle Vague’ refers that had emerged from it: they considered that specifically to the five film-makers in this group cinematic form should be explored as a kind who emerged from the magazine Cahiers du of contraband, using the classic art of mise-en- cinéma: Eric Rohmer, Jacques Rivette, Jean-Luc scène rather than a revolutionary or modernist Godard, Claude Chabrol and François Truffaut. -
Classic Frenchfilm Festival
Three Colors: Blue NINTH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented by March 10-26, 2017 Sponsored by the Jane M. & Bruce P. Robert Charitable Foundation A co-production of Cinema St. Louis and Webster University Film Series ST. LOUIS FRENCH AND FRANCOPHONE RESOURCES WANT TO SPEAK FRENCH? REFRESH YOUR FRENCH CULTURAL KNOWLEDGE? CONTACT US! This page sponsored by the Jane M. & Bruce P. Robert Charitable Foundation in support of the French groups of St. Louis. Centre Francophone at Webster University An organization dedicated to promoting Francophone culture and helping French educators. Contact info: Lionel Cuillé, Ph.D., Jane and Bruce Robert Chair in French and Francophone Studies, Webster University, 314-246-8619, [email protected], facebook.com/centrefrancophoneinstlouis, webster.edu/arts-and-sciences/affiliates-events/centre-francophone Alliance Française de St. Louis A member-supported nonprofit center engaging the St. Louis community in French language and culture. Contact info: 314-432-0734, [email protected], alliancestl.org American Association of Teachers of French The only professional association devoted exclusively to the needs of French teach- ers at all levels, with the mission of advancing the study of the French language and French-speaking literatures and cultures both in schools and in the general public. Contact info: Anna Amelung, president, Greater St. Louis Chapter, [email protected], www.frenchteachers.org Les Amis (“The Friends”) French Creole heritage preservationist group for the Mid-Mississippi River Valley. Promotes the Creole Corridor on both sides of the Mississippi River from Ca- hokia-Chester, Ill., and Ste. Genevieve-St. Louis, Mo. Parts of the Corridor are in the process of nomination for the designation of UNESCO World Heritage Site through Les Amis. -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice. -
M a Dry White Season
A DRY WHITE SEASON ade in 1989, A Dry White Season , things straight. He hires a lawyer, Ian this first ever release of the score, we used a searing indictment of South Africa Mackenzie (Brando), a human rights attor - only score cues and those cues are as they Munder apartheid , was a superb, riv - ney who knows the case is hopeless but were originally written and recorded. The eting film that audiences simply did not who takes it on anyway. The case is dis - film order worked beautifully in terms of dra - want to see, despite excellent reviews. Per - missed, more people die, Du Toit is threat - matic and musical flow. We’ve included two haps it was because South Africa was still ened, he is abetted in his political bonus tracks – alternate versions of two in the final throes of apartheid and the film awakening by a reporter (Susan Sarandon), cues, which bring the musical presentation was just too uncomfortable to watch. Some - has his garage bombed, and has his wife to a very satisfying conclusion. times people need distance and one sus - and daughter turn against him. Only his pects that if the film had come out even a young son knows that what Du Toit is trying Dave Grusin is one of those composers decade later it would have probably been to do is right. Eventually, gathering affidavits who can do everything. And he has – from more successful. As it is, over the years from many people, he is able to outwit the dramatic film scoring to his great work in tel - people have discovered it and been truly af - secret police and have the documents de - evision (It Takes A Thief, Maude, Good fected by its portrayal of racial turmoil in a livered to a newspaper, but in the end it Times, Baretta, The Name Of The Game, country divided and the way the film was does no real good. -
Janus Films Presents
JANUS FILMS PRESENTS NEW 35MM PRINTS – NEW RESTORATION! http://www.janusfilms.com/hulot Director: Jacques Tati JANUS FILMS Country: France Sarah Finklea Year: 1953 Ph: 212-756-8715 Run time: 88 minutes [email protected] B&W / 1.37 / mono / unrated M. HULOT’S HOLIDAY SYNOPSIS While on holiday at a seaside resort, Monsieur Hulot – Jacques Tati’s endearing, pipe-smoking clown – finds his presence provoking one catastrophe after another. A wildly funny satire of vacationers determined to enjoy themselves, the first entry in the Hulot series includes a series of brilliantly choreographed sight gags about boats, dogs, tennis, and other hazards of leisure. Janus Films is proud to present this masterpiece of gentle slapstick in a new restoration. The restoration of M. Hulot's Holiday, fully funded and managed by Fondation Groupama Gan and Thomson Foundation with Les Films de Mon Oncle (rights owners), has been made at Technicolor Creative Services (Thomson) in Los Angeles with the support of Cinémathèque française. M. HULOT’S HOLIDAY ABOUT THE RESTORATION from American Cinematographer, September 2009 issue This year’s Festival de Cannes saw the début of a newly restored edition of M. Hulot’s Holiday (Les Vacances de Monsieur Hulot), the wistful comedy written and directed by Jacques Tati, who also stars as the nearly silent title character, who goes to a seaside resort for an odd, surreal, slightly melancholy holiday. Tati himself revisited the movie several times over the course of two and a half decades. M. Hulot’s Holiday was originally shot in 1951/1952, in Saint-Marc-sur- Mer, a small French resort on the coast of the Atlantic. -
Classic French Film Festival 2013
FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S. -
Exposition & Soirée Rencontre Exceptionnelle
16/ 4 14/ 6 Exposition & Soirée rencontre exceptionnelle Du 16 avril au 14 juin 2014, YellowKorner rend hommage à Jacques Après une large recherche des meilleurs éléments originaux à Tati en exposant des photographies extraites de ses plus grands films travers les archives personnelles de Jacques Tati, les réseaux de grâce auxquels il a su s’imposer parmi les cinéastes burlesques les cinémathèques, les Archives françaises du film et les différents stocks plus originaux et les plus inventifs de sa génération. Éditée d’après les des laboratoires, chaque film a été numériquement restauré avec les éléments originaux restaurés photochimiquement et numériquement, meilleurs outils actuels. Tout en veillant à respecter les montages, cette sélection exceptionnelle de prises de vues révèle certaines des les formats, la qualité de l’image et le travail extraordinairement scènes les plus marquantes de sa filmographie, souvent devenues minutieux du son, les restaurations ont permis de stabiliser l’image, cultes aujourd’hui. de nettoyer tous les défauts, tâches, rayures et éclats liés au vieillis- Si la sortie de Jour de fête en 1949 enthousiasme tout d’abord sement de la pellicule et de retrouver la colorimétrie originale. le public par son caractère novateur, ce sont Les Vacances de Le patrimoine de Jacques Tati n’a jamais été aussi accessible et Monsieur Hulot (1952) et Mon Oncle (1958) qui permettront à Tati vivant qu’aujourd’hui avec une large diffusion en festivals internatio- de recueillir de nombreuses distinctions en France et dans le monde naux, des évènements culturels réguliers et de nouvelles créations entier (Oscar du meilleur film étranger en 1959).