Claudio Bravo Claudio Bravo

Total Page:16

File Type:pdf, Size:1020Kb

Claudio Bravo Claudio Bravo Claudio Bravo Claudio Bravo Pintura y obra sobre papel 20 de octubre - 26 de noviembre de 2016 ORFILA 5, 28010 MADRID · T. + 34 91 319 1414 [email protected] · GALERIAMARLBOROUGH.COM Beige y morado, 2010, óleo sobre lienzo, 195 x 130 cm 4 Aluminios, 2010, óleo sobre lienzo, 65,1 x 80,3 cm Cascos, 2009, óleo sobre lienzo, 97 x 130 cm 6 7 Trìptico beige y gris, 2010, óleo sobre lienzo 150 x 60 cm / 150 x 120 cm / 150 x 60 cm Total: 150 x 240 cm 8 9 Vasija del Sáhara, 1994, óleo sobre lienzo, 120 x 100,3 cm Piel de cordero, 2003, óleo sobre lienzo, 89,9 x 113,4 cm 10 11 Tres papeles de aluminio, 2010, óleo sobre lienzo, 161,9 x 129,9 cm 12 13 Conversación en verde, 2010, óleo sobre lienzo, 97 x 130 cm Marjana amarillo, 2008, óleo sobre lienzo, 130 x 162 cm 14 Cámara fotográfica, 2003, óleo sobre lienzo, 60 x 91,8 cm Papel beige y morado, 2007, óleo sobre lienzo, 130 x 97 cm 16 17 Onions, 2002, óleo sobre lienzo, 114 x 89,9 cm Piedras rituales, 1997, óleo sobre lienzo, 96,5 x 129,5 cm 18 19 Green Paper on Green Background, 2007, óleo sobre lienzo, 146 x 114 cm 20 A White Package, 2003, pastel sobre papel, 108,9 x 74 cm 21 Stones, 2005, óleo sobre lienzo, 73 x 92,1 cm Thomas (Pastel: lana, rosa, verde), 1998, pastel sobre papel, 109,9 x 74,9 cm 22 23 Papel blanco, 2006, lápiz sobre papel, 51,8 x 74,9 cm Coconut, 2001, óleo sobre lienzo, 119,7 x 99,7 cm 24 25 CLAUDIO BRAVO 1936 Nace el 8 de Noviembre en Valparaíso, Chile 2006 Claudio Bravo, Naples Museum of Art, Naples, Florida, EE.UU. 1945 Estudia en un colegio Jesuita en Santiago (hasta 1954) Claudio Bravo: Pinturas y dibujos, Galería Marlborough, Trabaja en el estudio de Miguel Venegas Cienfuentes, Madrid; Itinera a Marlborough Fine Art, Londres, Inglaterra; Santiago, Chile Marlborough Monaco, Monte Carlo, Mónaco 1954 Primera exposición en el Salón 13 en Santiago Claudio Bravo: Peintures, Château de Chenonceau, Francia 1955 Vive en Santiago y en Concepción, Chile Claudio Bravo: Óleos, pasteles y dibujos, Galería A.M.S. Pinta, escribe poesía y baila profesionalmente con la Compañía Marlborough, Santiago, Chile de Ballet de Chile 2005 Pastel Society of America’s Board of Directors Exhibition: Hall Trabaja en el Teatro de Ensayo, Universidad Católica de Chile, of Fame Honoree, The Pastel Society of America, Nueva York, Santiago, Chile EE.UU. 1961 Se marcha de Chile a Europa y establece su residencia en Madrid Claudio Bravo, The Butler Institute of America Art, 1968 Pasa seis meses trabajando en Filipinas Youngstown, Ohio, EE.UU. 1970 Primera exposición en Staempfli Gallery, Nueva York, EE.UU. 2004 Claudio Bravo et le Maroc, Institut du Monde Arabe, París, Francia 1972 Se muda a Tánger, Marruecos 2003 Claudio Bravo: Still Life, Marlborough Gallery, Nueva York, EE.UU. 1981 Primera exposición en Marlborough Gallery Nueva York, EE.UU. 2001 Claudio Bravo: Oeuvres Récentes, Marlborough Monaco, 1987 Exposición individual itinerante por cuatro museos de Estados Monte Carlo, Mónaco Unidos (durante 1988) 1999 Claudio Bravo. Obras Recientes, Galería Marlborough, Madrid; 1994 Exposición individual en el Museo Nacional de Bellas Artes, itinera a Marlborough Gallery, Boca Raton, Florida; Santiago, Chile Marlborough Gallery, Nueva York, EE.UU.; Galería 2011 Muere el 4 de Junio en su casa de Tarudant, Marruecos A.M.S. Marlborough, Santiago, Chile (durante 2000) 1998 Claudio Bravo, Marlborough Gallery, Nueva York, EE.UU. 1997 Claudio Bravo: Wrapped Packages, Bass Museum of Art, PREMIOS Miami Beach, Florida, EE.UU. 1995 Claudio Bravo, Galería Marlborough Madrid 2005 Hall of Fame Honoree, The Pastel Society of America, Nueva 1994 Museo Nacional de Bellas Arte, Santiago, Chile York, EE.UU. 1993 Museo del Grabado Español Contemporáneo, Granada (durante 2000 International Distinguished Artist Award, Art Miami, Miami, 1994), Carlsten Art Gallery, University of Wisconsin-Stevens Florida, EE.UU. Point, Madison, Wisconsin, EE.UU. Gran Cruz de Alfonso X El Sabio, Madrid, España 1991 Claudio Bravo: Works on Paper, Marlborough Gallery, Nueva 1996 Gold Medal of Honor, Casita Maria, Bronx, Nueva York, EE.UU. York, EE.UU. 1989 Claudio Bravo: Recent Paintings and Drawings, Marlborough Gallery, Nueva, EE.UU. EXPOSICIONES INDIVIDUALES 1988 Claudio Bravo: Painter and Draftsman, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, Wisconsin; 2016 Claudio Bravo: Selected Works from the Estate, Marlborough itinaera a Meadows Museum, Southern Methodist University, Gallery, Nueva York, EE.UU. Dallas, Texas; Museum of Art, Duke University, Durham, North 2013 Claudio Bravo: 1936-2011, Marlborough Gallery, Nueva York, Carolina, EE.UU. EE.UU. 1987 Claudio Bravo, Marlborough Fine Art, Tokio, Japón (durante 1988) 2012 Claudio Bravo: Sojourn in Manila, Metropolitan Museum of 1985 Claudio Bravo Pastels, 1985: Still Lifes, Marlborough Gallery, Manila, Manila, Filipinas Nueva York, EE.UU. 2011 Claudio Bravo, Museo de Artes Visuales, Santiago, Chile 1984 Galería Quintana, Bogotá, Colombia Claudio Bravo: The Chilean Years, 1951-1960, Corporación Claudio Bravo: Recent Paintings and Works on Paper, Cultural de Las Condes, Santiago, Chile Marlborough Gallery, Nueva York, EE.UU. 2010 Claudio Bravo: Recent Work, Marlborough Chelsea, Nueva 1983 Claudio Bravo: Recent Paintings and Drawings, Marlborough York, EE.UU. Fine Art, Londres, Inglaterra 2008 Claudio Bravo: Recent Work, Marlborough Gallery, Nueva 1982 Claudio Bravo: Pinturas y Dibujos, Museo de Monterrey, York, EE.UU. Monterrey, México Claudio Bravo: A Bestiary, Marlborough Gallery, Nueva York, 1981 Galerie Levy, Hamburgo, Alemania EE.UU. (durante 2009) Claudio Bravo: Recent Paintings and Drawings, Marlborough 2007 Claudio Bravo, Museo de Arte Contemporáneo de Monterrey, Gallery, Nueva York, EE.UU. Monterrey, Nuevo León, México; itinera a Espace Bellevue, 1980 FIAC, Grand Palais, París, Francia Biarritz, Francia 1978 Staempfli Gallery, Nueva York, EE.UU. Claudio Bravo, La Biennale di Venezia: 52 Esposizione 1976 Galerie Claude Bernard, París, Francia Ait Iaaza, 2008, óleo sobre lienzo, 38,1 x 45,7 cm Internazionale d’Arte, Museo Diocesano, Chiostro di 1974 Galería Vandrés, Madrid Sant’Apollonia, Venecia, Italia Casbah de Tiout, 2008, óleo sobre lienzo, 38,1 x 45,7 cm Staempfli Gallery, Nueva York, EE.UU. 26 1972 Staempfli Gallery, Nueva York, EE.UU. 2001 Between Earth and Heaven: Nueva Classical Movements in the York, EE.UU. Drawings, Nancy Hoffman Gallery, Nueva York, EE.UU. 1971 Galería Egam, Madrid Art of Today, Museum voor Moderne Kunst, Ostend, Bélgica The First America: Selections from the Nancy Sayles Day Kijken naar de werkelijkheid, Amerikaanse Hyperrealisten- 1970 Staempfli Gallery, Nueva York, EE.UU. Latin American Art: La Belleza y la Fuerza, Elkon Gallery, Collection of Latin Europese Realisten, Museum Boymans-van Beuningen, 1968 Luz Gallery, Manila, Filipinas Nueva York, EE.UU. American Art, Center for Inter-American Relations, Nueva Rotterdam, Países Bajos 1967 Galería Fortuny, Madrid 2000 Art Miami 2000, International Art Exposition, Miami Beach York, EE.UU. 1973 Artistes Hyper-realistes, Galerie des Quatre Mouvements, 1965 Galería Edurne, Madrid Convention Center, Miami, Florida, EE.UU. 1986 The Foundation Veranneman Invites Marlborough, Foundation París, Francia 1963 Galería Fortuny, Madrid 1998 Forma y Figuración: obras maestras de la colección Blake- Veranneman, Kruishoutem, Bélgica (durante 1987) Contemporary Spanish Realists, Marlborough Fine Art, 1961 Universidad de Concepción, Concepción, Chile Purnell, Museo Guggenheim, Bilbao 1985 16th Annual Invitational Contemporary Narrative Figurative Londres, Inglaterra 1955 Salón 13, Santiago, Chile 1997 ART 1997 CHICAGO: 5th Annual Expo of International Painting, Payne Gallery of Art, Moravian College, Bethlehem, Hyper-realisme: Maîtres Américains et Européens, Galerie Isy 1954 Salón 13, Santiago, Chile Galleries Featuring Modern and Contemporary Art, Navy Pier, Pennsylvania, EE.UU. Brachot, Bruselas, Bélgica Chicago, Illinois, EE.UU. El Desnudo: Óleos, Dibujos, Esculturas, Galeria Alfred Wild, Jovenes en Torno a la Figuración, Torre del Merino IV 1996 Latin American Artists, Housatonic Museum of Art, Bridgeport, Bogotá, Colombia Exposición de Arte Actual, Santillana del Mar, Madrid SELECCIÓN DE EXPOSICIONES COLECTIVAS Connecticut, EE.UU. Nummer 8, Herbst ‘85, Galerie Levy, Hamburgo, Alemania Réalisme Relativiste, Palais des Beaux-Arts, Bruselas, Bélgica Latin Viewpoints into the Mainstream, Nassau County Museum Pastels, Nohra Haime Gallery, Nueva York, EE.UU. Super Realist Vision, De Cordoba Museum, Lincoln, 2016 Naturaleza Muerta: Pintura Española siglos XX-XXI, Galería of Art, Roslyn Harbor, Nueva York, EE.UU. Plastica Chilena Horizonte Universal, Museo Nacional de Massachusetts, EE.UU. Marlborough, Madrid On Paper, Marlborough Gallery, Nueva York, EE.UU. Bellas Artes, Chile Tropic of Cancer - Tropic of Capricorn: Contemporary Latin 2015 Group Show, Galería Marlborough, Barcelona Paper Visions: A Biennial Exhibition of Works on Paper by 24 The Classic Tradition in Painting and Sculpture, The Aldrich American Art, University of Massachusetts, Amherst, Summer Group Exhibition, Marlborough Gallery, Nueva York, Contemporary Su Carta, Galleria d’arte il gabbiano, Roma, Italia Museum of Contemporary Art, Ridgefield, Connecticut, EE.UU. Massachusetts, EE.UU. EE.UU. 1995 3 Continents: Botero, Bravo, Rivers, Valdés, A.M.S. Twentieth Century American and European Artists, Claude 1972 Documenta 5, Kassel, Alemania 2014 Summer Group Exhibition, Marlborough Gallery, Nueva York, Marlborough, Santiago,
Recommended publications
  • Claudio Bravo Cv14
    CLAUDIO BRAVO-ORTEGA CONTACT INFORMATION Address: Dirección de la Escuela de Economía y Administración Facultad de Economía y Negocios Universidad de Chile Diagonal Paraguay 205, Edificio Coorporativo Z. Santiago, Chile Email: [email protected] Webpage: http://www.econ.uchile.cl/es/academico/clbravo Nationality: Chilean MAIN FIELDS OF RESEARCH. Economics of Innovation and Growth, International Economics, Development Economics, Political Economy. PRE AND GRADUATE STUDIES DEGREE DATE FIELD UC at Berkeley Ph.D. 2003 Economics Universidad de Chile M.Sc. 1998 Industrial Engineering (Max. Distinctions) Universidad de Chile Engineering 1998 Industrial (Max. Distinctions) Universidad de Chile B.Sc. 1996 Engineering Sciences (Distinction). PROFESSIONAL EXPERIENCE. July 2017 - up to date. Member of the Directory of the Business Development Center, Las Condes, Chile. April 2017 - up to date. Member of the Impact Assessment Advisory Council from BancoEstado, Chile. December 2015 – June 2017. Member of the Directory of the Business Development Center, San Bernardo, Chile. July 2014 - up to date. Director of the School of Economics and Management, School of Business and Economics, Universidad de Chile. Among my responsibilities as Director I can mention at least: • Strategic Planning • Academic Curriculum Management • National Accreditation and Delivery of Inputs for International Accreditation • Professors Hiring • Annual Budget Plan and Monitoring • Institutional Relationship with Student Organizations • Supervision of units (with Director ESIA): Sports, Diversity, Welfare, Social Responsibility, Students Placement, International Relations, Student Affairs, Marketing and Information Dissemination, Teaching and Learning Center, Quality Assurance and Accreditation, Division of Internal Management and Finance, Information Technologies Support, Communications and Design. Additionally, I still do some research and teaching. May 2014-up to date.
    [Show full text]
  • El Greco, Ribera, and Velázquez in a New Context PRADO and MEADOWS MUSEUM LAUNCH THREE-YEAR PARTNERSHIP
    The Prado at the Meadows: El Greco, Ribera, and Velázquez in a New Context PRADO AND MEADOWS MUSEUM LAUNCH THREE-YEAR PARTNERSHIP The multifaceted collaboration encompasses the loan of major paintings from the Prado, interdisciplinary research at SMU, an unprecedented internship exchange between the two museums, and a range of public programs. The Meadows is home to one of the largest and most comprehensive collections of Spanish art outside of Spain. The Prado and the Meadows will be organizing groundbreaking focused exhibitions around pivotal masterpieces on loan from the Prado that will explore the broader cultural, political, religious, and historical contexts for the works. El Greco’s monumental painting, Pentecost, will be the first of three loans to be presented in Dallas, on display from September 12, 2010 – February 6, 2011. Next year, the Prado will lend the Meadows Jusepe de Ribera’s Mary Magdalene followed by Diego Velázquez’s full length portrait of Philip IV in 2012. The museum will produce a bilingual publication presenting new research across multiple subject areas timed to the installation of each loan, and will organize a series of symposia and educational programming with national and international scholars. In the fall of 2011, the two museums will initiate The Algur H. Meadows/Prado Internships, an annual exchange with one appointment made by each institution. This will be the first curatorial internship ever to be mounted by the Prado with a foreign institution. Sponsored by the Meadows Museum, the internships will provide graduate students with the opportunity to gain professional and international experience, and to work closely with the curatorial staff at each institution.
    [Show full text]
  • Streams of Being
    STREAMS OF BEING SELECTIONS FROM AMA | ART MUSEUM OF THE AMERICAS ORGANIZATION OF AMERICAN STATES THE ART GALLERY AT THE UNIVERSITY OF MARYLAND, COLLEGE PARK STREAMS OF BEING SELECTIONS FROM AMA | ART MUSEUM OF THE AMERICAS ORGANIZATION OF AMERICAN STATES This catalogue is published in conjunction with the exhibition of the same title, Streams of Being: Selections from the Art Museum of the Americas, organized by The Art Gallery at the University of Maryland, College Park. The exhibition is curated by Abigail McEwen, Assistant Professor, Department of Art History and Archeology, University of Maryland, with contributions by Meredith J. Gill, Professor and Chair, Department of Art History and Archeology, and Andrés Navia, Director, Art Museum of the Americas, Organization of American States. The exhibition is presented at The Art Gallery from March 25 through April 25, 2015. FOREWORD 4 MEREDITH J. GILL © 2015 The Art Gallery. All rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by any means, FOREWORD 6 electronic or mechanical, without the permission in writing of the copyright holders. ANDRÉS NAVIA Library of Congress Control Number: 2015935680 ISBN: 978-0-9961126-0-4 STREAMS OF BEING 8 All works reproduced are courtesy of Art Museum of the Americas, Organization of ABIGAIL McEWEN American States, unless otherwise noted. All images are in inches, height x width. BESTIARY 12 Design: JJ Chrystal RAINO ISTO Copy editor: Theresa Morse Printed by Doyle Printing & Offset Co., Hyattsville, MD Cover image:
    [Show full text]
  • Bravo: Keeping Focused
    CITY v WATFORD | OFFICIAL MATCHDAY PROGRAMME | 14.12.2016 | £3.00 PROGRAMME | 14.12.2016 | OFFICIAL MATCHDAY WATFORD BRAVO: KEEPING FOCUSED Explore the extraordinary in Abu Dhabi Your unforgettable holiday starts here Discover the wonders of Abu Dhabi, with its turquoise coastline, breathtaking desert and constant sunshine. Admire modern Arabian architecture as you explore world-class hotels, cosmopolitan shopping malls, and adrenaline-pumping theme parks. There is something for everyone in the UAE’s extraordinary capital. To book call 0345 600 8118 or visit etihadholidays.co.uk CONTENTS 4 The Big Picture 6 Pep Guardiola 8 Claudio Bravo 16 Showcase 20 Buzzword 22 Sequences 28 Access All Areas 34 Short Stay: Ricky Holden 36 Marc Riley 32 My Turf: Nicolas Otamendi 42 Kevin Cummins: Tony Book 46 A League Of Their Own 48 City in the Community 52 Fans: Your Shout 54 Fans: Supporters Club 56 Fans: Social Wrap 58 Fans: Junior Cityzens 62 Teams: EDS 64 Teams: Under-18s 68 Teams: Watford 74 Stats: Match Details 76 Stats: Roll Call 77 Stats: Table 78 Stats: Fixture List 82 Teams: Squads and Officials CLAUDIO BRAVO 8 INTERVIEW Etihad Stadium, Etihad Campus, Manchester M11 3FF Telephone 0161 444 1894 | Website www.mancity.com | Facebook www.facebook.com/mcfcofficial | Twitter @mancity Chairman Khaldoon Al Mubarak | Chief Executive Officer Ferran Soriano | Board of Directors Martin Edelman, Alberto Galassi, John MacBeath, Mohamed Mazrouei, Simon Pearce | Honorary Presidents Eric Alexander, Sir Howard Bernstein, Tony Book, Raymond Donn, Ian Niven MBE,
    [Show full text]
  • Artdaily Forum Gallery Represents Claudio Bravo
    11/25/2020 Forum Gallery announces representation of the Estate of Claudio Bravo The First Art Newspaper on the Net Established in 1996 Wednesd Forum Gallery announces representation of the Estate of Claudio Bravo Claudio Bravo, Marjana Amarillo / Yellow Marjana, 2008, oil on canvas, 51 1/8 x 63 3/4 inches. Forum Gallery announces representation of the Estate of Claudio Bravo NEW YORK, NY.- Forum Gallery announced representation of the work of Chilean born artist Claudio Bravo (1936-2011). Opening in January 2021, the gallery will present an exhibition of paintings, pastels and drawings by Claudio Bravo, including rarely exhibited works completed towards the end of the Artist's life. In the monograph Claudio Bravo: Painting & Drawing (Rizzoli, 2005), Edward J. Sullivan writes, “While it is certainly true that Bravo has very consciously forged his own path and makes his art with particular attention to the traditions of classicism and academic convention, I always argue that he is, at the same time, a modern painter, and even a radical one. Bravo’s intense dedication to the figure, to his own peculiar view of observed reality and his steadfast disregard of any of the artistic fashions of his time have defined him as an artistic individualist.” Claudio Bravo’s art is best known for hyper-realistic execution, but upon studying his paintings, his gift for economy and nuance reveals a greater interest in evoking an emotional response to his subjects, rather than merely documenting them. https://artdaily.com/news/130476/Forum-Gallery-announces-representation-of-the-Estate-of-Claudio-Bravo#.X76DrM1KhaS 11/25/2020 Born in Valparaiso, Chile in 1936, Claudio had prodigious talent in his early years.
    [Show full text]
  • JOSE ANTONIO FUENTES - Painting
    JOSE ANTONIO FUENTES - Painting Drawn to art since childhood, Jose Antonio Fuentes began his artistic career at a young age in the 1960s. At nine years old the Spanish-born artist sold drawings to his neighbors and exchanged paintings for gifts with his classmates. An academically gifted student, he ranked higher than his peers and joined older classmates to enter the baccalaureate program at the age of ten. There he completed additional advanced arts courses. In 1970 Fuentes featured in his first group exhibitions in local and provincial cultural centers. Unfortunately, his academic and artistic career was truncated when his father abruptly left his family, leaving the family in financial difficulty. At the age of fourteen, Fuentes was forced to leave school to begin working and support his family. After years of both working and saving money, in 1978 Fuentes garnered enough savings to enroll in school at La Marina in Spain, where he was first in his class. Whenever circumstances allowed he continued to draw and paint, participate in art contests, and visit all nearby museums and artists’ workshops. Fuentes strongly believes that observing other cultures, landscapes, and people is vital to a painter’s understanding of how to portray the world. In the early 1980s Fuentes married and began a family. The domestic and financial obligations to his young family prevented the free time necessary to continue painting. Fuentes notes that the postponement of his artistic career to raise his family is never a source of regret as there is nothing more fulfilling than to see his children grow.
    [Show full text]
  • COLLEGE of ARTS and SOCIAL SCIENCES Research School Of
    COLLEGE OF ARTS AND SOCIAL SCIENCES Research School of Humanities and the Arts SCHOOL OF ART VISUAL ARTS GRADUATE PROGRAM DOCTOR OF PHILOSOPHY MICHAEL JOHN EDWARDS The Economy of Still Life: A Practice-Led Exploration of Still-Life Painting A THESIS SUBMITTED FOR THE DEGREE OF THE DOCTOR OF PHILOSOPHY OF THE AUSTRALIAN NATIONAL UNIVERSITY JULY 2016 ii Declaration of Originality I, …………………………………………………..hereby declare that the thesis here presented is the outcome of the research project undertaken during my candidacy, that I am the sole author unless otherwise indicated, and that I have fully documented the source of ideas, references, quotations and paraphrases attributable to other authors. iii ACKNOWLEDGMENTS I thank my supervisors, Ruth Waller, Chaitanya Sambrani, Vivienne Binns and Julie Brooke, for their guidance during the course of this project. I benefitted from professional assistance and support from staff at the ANU School of Art and from fellow students. I received helpful comments from Alison Richards from Monash University. I thank my family for their patience and encouragement. iv ABSTRACT The Economy of Still life: A Practice-led Exploration of Still-Life Painting In this practice-led research project I have explored the genre of still-life painting, with a focus on material culture. I came to the project with a background as a still-life painter and economist. I was curious about the relationship between the two activities, and speculated that an artist’s approach to still-life painting might reflect the overall economic
    [Show full text]
  • Catálogo Claudio Bravo
    Julio-agosto de 2011 Corporación Cultural Las Condes El sábado 4 de junio pasado falleció en Marruecos, víctima de un ataque cardíaco, el pintor chileno Claudio Bravo. Había elegido el país africano para vivir y desde allí, en las últimas décadas, su obra –inmensa y universal- se irradió hacia los centros más importantes del mundo. Su repentina muerte no sólo enluta a Chile, sino que representa una lamentable pérdida para las artes globales, puesto que Bravo, desde los años 70, era considerado uno de los pintores latinoamericanos de mayor renombre mun- dial. Nació en Valparaíso, vivió en Santiago y Concepción y muy joven, antes de cumplir los 25 años partió a Europa, buscando oportunidades y proyección para su trabajo. Hace seis años, la Corporación Cultural de Las Condes organizó una exposición con las obras realizadas por el artista cuando aún vivía en Chile, antes de 1961. La muestra, que se constituyo en una de las más vistas de la temporada, nos permitió admirar en directo la maestría de su arte y comprender por qué había alcanzado la fama mundial. Ahora, como una forma de rendirle homenaje y recordarlo, nos ha parecido oportuno re montarla y volver a hacer público su extraordinario talento. Nuevamente se exhiben aquellas obras tempranas, generadas en los tiempos del colegio San Ignacio de Santiago y que evolucio- naron hasta la época de Concepción, última ciudad chilena en que vivió. Estas obras -simples, directas, ingenuas- denotan un virtuosismo inusual para el retrato, un manejo notable de la técnica, tanto en dibujo como en pintura, y dan luces del complejo imaginario que vendría en los años posteriores.
    [Show full text]
  • Oral History Interview with Tom Blackwell, 2009 September 22-November 11
    Oral history interview with Tom Blackwell, 2009 September 22-November 11 Funding for this interview was provided by the Terra Foundation for American Art. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Tom Blackwell on September 22, 2009. The interview took place in Andes, New York, and was conducted by Judith Richards for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview JUDITH RICHARDS: This is Judith Richards interviewing Tom Blackwell in Andes, New York, on September 22, 2009 for the Archives of American Art, Smithsonian Institution, disc one. Tom, let's begin with you family background, if you can talk about your relatives— TOM BLACKWELL: My family background, I was born in Chicago, 1938. JUDITH RICHARDS: What was the exact date? TOM BLACKWELL: March 9, and so I'm not quite a baby boomer, pre-baby boom. JUDITH RICHARDS: Where did your grandparents come from? TOM BLACKWELL: On my father's side, they were Irish so they came from Ireland. On my mother's side, English, and who had been in the country for a long time. I think they were fairly early English settlers. On my mother's side, their family name was Tankersly. JUDITH RICHARDS: How do you spell that? TOM BLACKWELL: T-A-N-K-E-R-S-L-Y.
    [Show full text]
  • University of Warwick Institutional Repository: a Thesis Submitted for the Degree of Phd at The
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1210 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. I 2ý THE CHILEAN NATIONAL IDENTITY AND THE INDIGENOUS PEOPLES OF CHILE Maria Elena Donoso Thesis submitted for the qualification of Ph. A Research Thesis UNIVERSITY OF WARWICK June 2004 TABLE OF CONTENTS TABLE OF CONTENTS PREFACE 2 ABSTRACT 3 INTRODUCTION 5 1. GENERAL BACKGROUND 9 1.1. NATI ONS AND IDENTITY 9 1.2. PERCEPTIONS OF LATIN AMERICA AND ITS IDENTITY 27 1.2.1. THE LATIN AMERICAN WORLD 27 1.2.2. THE SPANISH PRESENCE IN THE SOUTH AMERICAN'NEW WORLD' 38 11. PERCEPTIONS OF C HILEAN IDENTITY 49 11.1. GEOGRAPHY AND M LEAN IDENTITY 51 11.2 HISTORY AND CHILEAN IDENTITY 67 111. VERSIONS OF CHILEAN IDENTITY 75 111.1. A HISPANICIST-CATHOLIC VERSION OF CHILEAN IDENTITY 75 111.2. A POPULAR VERSION OF CHILEAN IDENTITY 98 111.2.1. WOMEN AND MESTIZAJE 110 IV. THE PRE-COLOMBIAN PEOPLES OF CHILE 117 IV. 1. MAPUCHE, A 'PEOPLE OF THE LAND' 126 IV. 2. THE PEOPLES OF THE NORTHERN MOUNTAINS 138 IV. 2.1. THE BRITISH IN THE NORTHERN DESERTS 145 IV. 3. THE PEOPLES OF THE SOUTHERN END 148 IVA.
    [Show full text]
  • Claudio Bravo Claudio Bravo
    1 Claudio Bravo Claudio Bravo Claudio Bravo nació en Valparaíso, Chile el 8 de noviembre de 1936 y falleció el 4 de junio de 2011 en Taroudant, Marruecos. Biografía Claudio Bravo Camus, pintor. Nació en Valparaíso, el 8 de noviembre de 1936, falleció el 4 de junio de 2011 en Taroudant, Marruecos. De familia de agricultores, vivió gran parte de su infancia en la zona rural de Melipilla. Comenzó a dibujar a los once años mostrando una clara vocación por las expresiones artísticas. Aunque su afición no fue apoyada en un principio por sus más cercanos, logró tomar clases en el taller de Miguel Venegas Cifuentes , con quien estudió dibujo y pintura. Además escribió poesía, bailó profesionalmente en la Compañía Ballet de Chile y trabajó en el Teatro de Ensayo de la Universidad Católica. A principios de la década de los sesenta, vivió en Concepción donde se hizo un nombre como retratista. Luego de exhibir sus obras en la Universidad de Concepción y buscando perfeccionarse en su técnica, viajó a Europa en 1961. Cautivado por la escuela realista clásica de los grandes maestros, decidió radicarse en Madrid, España, donde adquirió fama como retratista de la alta nobleza y la aristocracia europea. A mediados de la década, los retratos dieron paso a sorprendentes naturalezas muertas. Objetos cotidianos de la vida moderna y otros aparentemente sencillos, como piedras y envoltorios, deslumbraban al espectador al ser llevados a la tela con minucioso realismo. El artista había llevado su técnica a los límites de la perfección. En 1972 se radicó en Tánger, Marruecos. En ese mismo año participó en la Documenta 5 de Kassel, en una época en que se imponía con fuerza la tendencia hiperrealista liderada por Robert Bechtle y John Kacere.
    [Show full text]
  • Christie's Latin American Sale Offers Master Works By
    For Immediate Release October 26, 2009 Contact: Milena Sales tel. + 1 212 636 2680 [email protected] CHRISTIE’S LATIN AMERICAN SALE OFFERS MASTER WORKS BY BOTERO, BRAVO, LAM, MATTA, AND TAMAYO New York - On November 17 and 18, Christie's will offer an exceptional selection of works by leading artists representing 15 countries in its Latin American Sale. Rich in offerings from private collections, the two-day auction offers works by leading Latin American artists such as Fernando Botero, Claudio Bravo, Joaquín Torres-García, Wifredo Lam, Matta, and Rufino Tamayo, among others. Featuring over 250 works, the sale is expected to realize in excess of $15 million. Fernando Botero is well represented in the sale with major examples of the breadth and scope of his best artistic output. Exceptional works on paper, sculptures and paintings from the great Colombian master will be offered in both the Evening and Day sales. Leading the Evening Sale selection is Botero’s Mujer fumando (pictured above, estimate: $800,000-1,200,000), a glorious, monumental bronze in which the artist plays out the exquisite contradiction between the hard bronze and the softness of his subject. An iconic example of one of the artist’s most beloved themes, Mujer fumando depicts a sumptuous reclining nude; the embodiment of Botero’s own interpretation of the feminine ideal. Botero’s The Patio , (estimate: $500,000-700,000), from 2000 is a vibrant and striking painting with references to Latin American domestic life, architecture and nature. Also by the artist is an exquisite and rare work on paper, Mother and Child , 1990, (pictured right, estimate: $450,000-650,000), which graces the sale’s catalogue cover.
    [Show full text]