Jackie Mittoo Hot Milk / Get up Now Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Jackie Mittoo Hot Milk / Get Up Now mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Hot Milk / Get Up Now Country: Jamaica MP3 version RAR size: 1510 mb FLAC version RAR size: 1493 mb WMA version RAR size: 1631 mb Rating: 4.9 Votes: 306 Other Formats: FLAC AU VOC MP3 DTS VOX MP3 Tracklist Hide Credits Hot Milk A –Jackie Mittoo Written-By – C. Dodd*, J. Mittoo* Get Up Now B –Errol Dunkley Written-By – E. Dunkley* Companies, etc. Recorded At – Jamaica Recording Studio Published By – Jamrec Music Credits Producer – C. Dodd* Notes Originally released on the Coxson label 1969 Barcode and Other Identifiers Matrix / Runout (Side A): CN 2652 Matrix / Runout (Side B): 45 0 9789 W1 034 Other versions Category Artist Title (Format) Label Category Country Year Errol Dunkley / Jackie Errol Dunkley / none Mittoo - Get Up Now / Hot Coxson none Unknown Jackie Mittoo Milk (7") Jackie Mittoo / Errol Jackie Mittoo / Coxsone CS-1969 Dunkley - Hot Milk / Get Up CS-1969 US Unknown Errol Dunkley Records Now (7", RE) Jackie Mittoo / Errol Jackie Mittoo / none Dunkley - Hot Milk / Get Up Studio One none Jamaica Unknown Errol Dunkley Now (7", RE) Errol Dunkley / Jackie Errol Dunkley / none Mittoo - Get Up Now / Hot Coxson none Jamaica Unknown Jackie Mittoo Milk (7", W/Lbl) Related Music albums to Hot Milk / Get Up Now by Jackie Mittoo Errol Dunkley - Only A Smile Errol Dunkley - How Long Errol Dunkley & U-Roy - Darling Ooh Jackie Mittoo, Sound Demension - Ram Jam The Heptones / Jackie Mittoo - How Can I Leave / Sexy Taste Errol Dunkley - Goodnight My Love Jackie Mittoo, Sound Dimension - Ram Jam Errol Dunkley - Movie Star.

Copy Link

Recommended publications

There's Never Been a More Important Time to Know Our History
There’s never been a more important time to know our history. Understanding that the fundamental challenges we face as a society today are not dissimilar to those our ancestors faced gives us a fresh perspective on our lives. One of the common threads is music and, with that as its foundation, Sumach Roots (the album and live show) takes audiences on a bold and innovative exploration of Upper Canada’s evolution over the past three hundred years. The brainchild of two-time JUNO nominee and best-selling historian Jason Wilson, Sumach Roots draws from a deep well of sounds— from traditional British folk to bebop jazz and classic reggae—in order to tell the stories of those who built Upper Canada, both literally and culturally. With a top-flight cast of performers joining him on stage, Wilson delves into the late eighteenth century diaries of Elizabeth Simcoe, the impact of the Irish Famine, and the great Toronto fires of 1902 and 1904. With equal measures of humour and pathos, Sumach Roots joyfully illuminates the host/immigrant experience in Upper Canada. The album is a follow up to Wilson’s acclaimed Perennials (2016) and is the second part of his Valley Road Trilogy, a trilogy that celebrates “place” and its importance to history and memory. THE CAST JIM ARMSTRONG – James Pott / various Jim is a classically trained actor with a BFA in Acting from the University of Windsor. His favourite roles in the theatre include Detective Dick in High Park Noir (Simply Twisted Productions), Rosencrantz in Rosencrantz and Guildenstern are Dead (Hart House Theatre), Jean in Rhinoceros (Seven Siblings Theatre), Ambituoso in Cousins of Corsica (Springworks Festival) and Tom from The Generation Gap (U of T Drama Centre).
[Show full text]
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
[Show full text]
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates.
[Show full text]
Special Offer Culture - Live in Africa Dvd 19.99 €
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 116 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs/Calendar) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 06.10.2002 BIS 06.11.2002) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,- EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ SPECIAL OFFER CULTURE - LIVE IN AFRICA DVD 19.99 € CULTURE - LIVE IN AFRICA CD 14.99 € THIS SPECIAL OFFER ENDS ON MONDAY, 23rd OF DECEMBER 2002/DIESES ANGEBOT GILT NUR BIS ZUM 23. DEZEMBER 2002 REGULAR PRICE FOR THESE CULTURE ITEMS CAN BE FOUND IN THE CATALOGUE. IRIE RECORDS GMBH NEUHEITEN-KATALOG 10/2002 SEITE 2 *** CDs *** AMBELIQUE......................... SHOWER ME WITH LOVE(VOC.&DUBS) ANGELA......... (GBR) (02/02). 19.79EUR ANTHONY B......................... JET STAR REGGAE MAX: 18 TRACKS JET STAR....... (GBR) (--/02). 13.49EUR U BROWN (12 NEW VOCALS/6 DUBS).... AH LONG TIME MI AH DEE-JAY.... DUB VIBES PRODU (GBR) (02/02). 19.49EUR BARRY BROWN.......(AB 18.11.02)... KING JAMMY PRESENTS........... BLACK ARROW.... (GBR) (--/02). 18.99EUR DENNIS BROWN...................... EMMANNUEL (20 HIT TUNES!)..... ORANGE STREET.. (GBR) (--/02). 17.49EUR U BROWN (feat. PRINCE ALLAH (2x) /ALTON ELLIS/HORACE ANDY/PETER BROGGS/ROD TAYLOR)..............
[Show full text]
An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style.
[Show full text]
The Peacemaker's Chauffeur by Jason Wilson
• The Peacemaker’s Chauffeur By Jason Wilson Review by Douglas Heselgrave September 15, 2011 When I first heard Bob Marley in 1977 at fifteen years of age, the way I thought of music changed almost instantly. Until then, I thought that music that expressed the need for social change and self-reliance belonged solely to artists like Bob Dylan, Phil Ochs and Richie Havens. An acoustic guitar – and little else in the way of accompaniment – was de rigeur. ‘Dance music’ such as reggae had always existed in my mind as little more than a novelty or at best a soundtrack to a summer party. But, once I heard the newly minted ‘Exodus’ album at my friend’s brother’s apartment, I was hooked. As a burgeoning reggae fan, I couldn’t have come on board at a better time. In the next few years, I became exposed to the music of Peter Tosh, Bunny Wailer, Burning Spear, Culture, Wailing Souls, Augustus Pablo, Toots and the Maytals ….. the list goes on. I was lucky enough to see Bob Marley live on the Survival tour and in the following years, it was not uncommon to be able to attend shows by Tosh, Dennis Brown, Culture, Third World, Burning Spear and Gregory Isaacs all in a single summer. Those were heady days, and if you’re of my generation and of my musical inclination, you may have begun to despair about the state of reggae in recent years. Caribbean friends assure me that there is a lot of great music still being produced, and I’m sure that they’re right.
[Show full text]
Coloured Vinyl.Xls
Colour A Side B Side Label Blue Maytals Another Chance Tommy McCook Always On Sunday C&N Red Maytals Another Chance Tommy McCook Always On Sunday Muzik City blank Translucent Nina Sola Barb Wire Sound Dimension Barb Wire Version Studio 1 Brown Roland Alphonso Ball O Fire Linval Spence Can't Go On Coxsone Grey Roland Alphonso Ball O Fire Linval Spencer Can't Go On Coxsone Red Roland Alphonso Ball O Fire Linval Spence Can't Go On Coxsone Green Skatalites Beard Man Ska Bunny & Rita Bless You Blank Red Skatalites Beard Man Ska Bunny & Rita Bless You Blank Grey Lord Creator Beyond Lord Creator Golden Love Rolando & Powie Red King Fighter Bicycle Tyre King Fighter Jamaica National Calypso Yellow Jackie Mittoo & Ernest Ranglin Big Car Sound Dimension Big Car Version Coxsone Dark Red Roland Alphonso Bridge View Naomi & Co What Can I Do C&N Records Green Roland Alphonso Bridge View Naomi & Co What Can I Do C&N Records Grey Roland Alphonso & Group Bridge View Naomi & Co What Can I Do C&N Records Light Blue Roland Alphonso & Group Bridge View Naomi & Co What Can I Do C&N Records Red Roland Alphonso & Group Bridge View Naomi & Co What Can I Do Blank Green Winston Francis California Dreaming Jackie Mittoo Oold Cow Hand Blank Blue Roy & Millie Cherry I Love You Roy & Millie You're The One Muzik city Gold / Brown? Roy & Millie Cherry I Love You Roy & Millie You're The One Muzik city Red Roy & Millie Cherry I Love You Roy & Millie You're The One Muzik city Blue Wailers Climb The Ladder Wailers Straight And Narrow Way Coxsone Red Wailers Climb The Ladder
[Show full text]
Tribute to Late Reggae Great Mittoo 5/17/08 9:05 AM
CANOE -- JAM! - Tribute to late reggae great Mittoo 5/17/08 9:05 AM March 14, 2008 Tribute to late reggae great Mittoo By ERROL NAZARETH - Sun Media TORONTO - "He made me a better keyboard player in 30 seconds." That's keyboardist Jason Wilson reminiscing about reggae icon Jackie Mittoo's magic touch. And it was a magic touch, indeed. Widely considered one of the architects of reggae, rocksteady and ska music, Mittoo began playing keyboards when he was just four. And by 15, he became the musical director at Studio One, the legendary Jamaican label that was operated by Clement (Coxsone) Dodd, one of reggae's most prolific producers. Shortly after hooking up with Dodd, Mittoo formed one of the most influential ska bands in history, The Skatalites. To get an idea of his talent, consider this: Dodd stipulated that Mittoo would be paid only if he delivered five new rhythms every week! "I believe that," says Wilson, who was a close friend of the prolific songwriter. "He's the creator or co-creator of so many classic rhythm tracks like ram jam, pass the kutchie and dream song that are continuing to be reproduced by reggae and non-reggae artists. I can't even begin to list the people that Jackie collaborated with." Wilson says one of the reasons he admired Mittoo was because he elevated the role of keyboards and organ in reggae. "He helped popularize the idea that you could have multi keyboard parts on a single song," Wilson says. "For instance, he was big on clavinets and string pads and then he'd have a rhythm organ and then, of course, he'd have a lead organ.
[Show full text]
Jamaican Canadian Music in Toronto in the 1970S and 1980S
Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
[Show full text]
The Dub Issue 22 March 2018
Restless Mashaits/ Addis Record, Rod Taylor, Lee ‘Scratch’ Perry, #Ending The Silence, Ken Boothe, Little Richard, Word Sound Power Collective, Anthony B, Children Of Kush, Birmingham Dub Club Chapter 4, Cornerstonemusik articles — interviews—reviews—photographs—music 1 Jackie Mittoo TOP TEN Hot milk Totally together Sidewalk doctor Henry the eighth Earthquake Mash down Babylon Wall street Jericho skank Ayatollah Disco jack 2 Editorial Dub Dear Reader, Welcome to issue 22 for the month of Benjamin. Very pleased to bring you an interview with one of my favourite modern producers, Jil Addis. This month’s issue also sees the review of #Ending The Silence by Euton Daley’s Unlock The Chains Collective. It had been some time since I saw a live show in a theatre and it was very energising to witness such a vital show. Another local event was the start of reggae nights in Eynsham thanks to Richie Roots, writer for The Dub. Hopefully that can now be a regular feature. Pete Clack brings us a profile on a true individual and his connection to New Orleans music – Little Richard. Richard was a trailblazer and a controversial figure for many reasons, as well as giving one Jimi Hendrix one of his first touring jobs in his band. I have loved having Pete’s reports from the blues end of town as reggae owed so much to the sounds of New Orleans, Chicago and elsewhere in the USA. Thanks again to Steve Mosco for his continued support, it means a great deal as for many years I used to buy records from his online Reggae Music Store.
[Show full text]
Review - DVD - Skatalites ~ Live at Lokerse Feesten
Review - DVD - Skatalites ~ Live At Lokerse Feesten http://www.reggae-vibes.com/rev_dvd/skataliteslokerse.htm Title Live At Lokerse Feesten Artist Skatalites Date December 27 - 2008 Label MVD Visual Format DVD - Region Free Languages English Subtitles None Length 180 minutes (approx.) Producer/Director Gunter Kutsch & Jean Luc Young Here's a little history of the most influential Ska group coming out of Jamaica. (adapted from The Skatalites Official Website) In Jamaica in the mid-50's, a fledgling recording industry saw the birth of what became known as Ska. Created by fusing Boogie-Woogie Blues, R+B, Jazz, Mento, Calypso and African rhythms, Ska became the first truly Jamaican music and by the 60's all the vocalist were swarming to the studios to record their songs to this infectious new beat. Bob Marley, Peter Tosh, Toots and the Maytals, Jimmy Cliff, Alton Ellis, Ken Boothe are just a few of the names who came to record this new music, which coincided with the whole island's excitement about Jamaica's independence in 1962. The core musicians playing on most of these sessions saw the opportunity to play this music live to the public.Tommy McCook, Rolando Alphonso, Johnny Moore, Lester Sterling, Don Drummond, Lloyd Knibb, Lloyd Brevett, Jerry Haynes, and Jackie Mittoo began working together in 1963 and formed The Ska-talites in May 1964. The Skatalites record their first LP at Studio One in Kingston, Ska Authentic, and tour the island as the creators of Ska. Their recordings for various producers rule the airwaves, stations JBC and RJR, that is.
[Show full text]
NGO 5Th Edition Amendments.Pages
Never Grow Old 5th edition amendments (10 August 2021) AMENDMENTS: A BRIGHTER DAY - Scotty APPRENTICE DENTIST - Lone BEHOLD THE LAND - Joseph Hill Mama (Bunny Brown) Ranger [ON THE OTHER SIDE OF [FULL UP1/2/STUDIO ONE A CRADLE IN BETHLEHEM - DUB] ROOTS 2/THE SOUND OF Jimmy Tucker [BLING BLING The Thing (Jackie Mittoo & The YOUNG JAMAICA/STUDIO ONE CHRISTMAS/CHRISTMAS Sound Dimension); Dentist Dub (Dub HI-FI SPECIAL BOX SET] GREETINGS FROM STUDIO ONE] Specialist) ((credited to Culture on FULL UP)) ADORABLE YOU - Doreen Schaefer ARMAGIDEON TIME - Willie BELIEVERS WALK - Christine & [ADORABLE YOU] Williams 12”; [ARMAGIDEON The Marvetts 1/2 AFRICAN BEAT - Don Drummond TIME/FULL UP /RESPECT TO BETTER DUB - Dub Specialist [BEST OF DON DRUMMOND] STUDIO ONE/STUDIO ONE [BETTER DUB/STUDIO ONE DUB Accra (Dub Specialist); Roots DISCO MIX/THE SOUND OF FIRE SPECIAL] Undying (Dub Specialist) YOUNG JAMAICA]; Heavy Rock ~ 1/2 ((aka AFRIKAAN BEAT - Lester ARMAGIDEON VERSION - BIG MISTAKE - Bassies [FULL UP / Sterling)) Willie & The Brentford Rockers GET READY ROCKSTEADY/ AFRIKAAN BEAT - Lester Sterling [VERSION DREAD]; STUDIO ONE ROCKSTEADY 2] [STUDIO ONE SCORCHER] ARMAGEDEON TIME - Music School (Sir Harry); Thirty One Accra (Dub Specialist); Roots Willie Williams (re-mix) Thirty Five (Roy Burrowes, Clifford Undying (Dub Specialist) Real Rock ~ Jordan & Charles Davis) ((aka African Beat - Don Drummond/ AWAY FROM YOU - (workshop BIG POT - Larry & Alvin Sound Dimension)) musicians) [JAZZ JAMAICA/ Where Is The Love (Wailing Soul); ALL IN THE GAME (aka IT’S
[Show full text]