A RIFF on FAIR USE in the DIGITAL MILLENNIUM COPYRIGHT ACT T DAVID NIMMER
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International Intellectual Property Law
ee--RRGG Electronic Resource Guide International Intellectual Property Law * Jonathan Franklin This page was last updated February 8, 2013. his electronic resource guide, often called the ERG, has been published online by the American Society of International Law (ASIL) since 1997. T Since then it has been systematically updated and continuously expanded. The chapter format of the ERG is designed to be used by students, teachers, practitioners and researchers as a self-guided tour of relevant, quality, up-to-date online resources covering important areas of international law. The ERG also serves as a ready-made teaching tool at graduate and undergraduate levels. The narrative format of the ERG is complemented and augmented by EISIL (Electronic Information System for International Law), a free online database that organizes and provides links to, and useful information on, web resources from the full spectrum of international law. EISIL's subject-organized format and expert-provided content also enhances its potential as teaching tool. 2 This page was last updated February 8, 2013. I. Introduction II. Overview III. Research Guides and Bibliographies a. International Intellectual Property Law b. International Patent Law i. Public Health and IP ii. Agriculture, Plant Varieties, and IP c. International Copyright Law i. Art, Cultural Property, and IP d. International Trademark Law e. Trade and IP f. Arbitration, Mediation, and IP g. Traditional Knowledge and IP h. Geographical Indications IV. General Search Strategies V. Primary Sources VI. Primary National Legislation and Decisions VII. Recommended Link sites VIII. Selected Non-Governmental Organizations IX. Electronic Current Awareness 3 This page was last updated February 8, 2013. -
Az Enyém, a Tied És a Miénk a Szellemi Tulajdonban
Bobrovszky Jenő Az enyém, a tied és a miénk a szellemi tulajdonban Áttekintés a közkincs és a szellemi magántulajdon egyes összefüggéseiről az Internet tükrében Mottó - „Az enyim, a tied mennyi lármát szüle, Miolta a miénk nevezet elüle.” (Csokonai Vitéz Mihály: Az estve) - Salus populi suprema lex (A legfőbb törvény a közjó). (Cicero, a XII táblás törvény nyomán) - „Une oevre ne tombe pas dans le domaine public. Elle s´y élève.” (Egy mű nem hullik a közkincsbe, hanem oda felemelkedik.) (Francia weblap mottója) Megjegyzés: Ezt a szakmai esszét, amely most elektronikus formában, szélesebb körben válik hozzáférhetővé, eredeti változatában a Gyertyánfy Péter kedves barátom és nagyszerű kollegám tiszteletére az ELTE ÁJK Polgári Jogi Tanszéke által megjelentetett Liber Amicorumba írtam 2008 januárjában, az ünnepi dolgozatokhoz illően komoly témáról, de könnyed, olvasmányosnak szánt, baráti stílusban. Köszönet: Köszönetemet fejezem ki Dr. Faludi Gábornak és Dr. Gödölle Istvánnak, akik értékes észrevételeikkel hozzájárultak az anyag csiszolásához. Ha ennek ellenére nem elég fényes, az az én hibám. Köszönöm továbbá Párkányi Máriának az általam gépelt kézirat „szépítgetését”. 1 I. A téma, a cím és a műfaj magyarázata 1. A téma 1.1. Közismert tény, hogy a szellemi tulajdon jelentőségének ugrásszerű felértékelődése az elmúlt 10-15 évben ment végbe. Addig csendes, szunyókáló, csak szűk körű szakembergárdának érthető, elitista jogterület volt, ahogy egyesek ironikusan mondják, „a szabadalmi és szerzői jogászok homokozója”. A 90-es évek elejétől kezdve azonban a szellemi tulajdon addig perifériális témaköre a Kereskedelmi Világszervezetben (World Trade Organization=WTO) a nemzetközi kereskedelmi politika egyik központi kérdésévé vált. A szellemi javak privatizációjával és kommercializálásával kapcsolatos új, fokozottabb követelmények a szellemi tulajdonjogok világkereskedelmi vonatkozásait szabályozó, globális hatályú un.TRIPS Megállapodásban (a továbbiakban: TRIPS=Agreement on Trade-Related Aspects of Intellectual Property Rights) nyertek kifejezést. -
Censorship, Copyright, and Free Speech: Some Tentative Skepticism About the Campaign to Impose First Amendment Restrictions on Copyright Law
CENSORSHIP, COPYRIGHT, AND FREE SPEECH: SOME TENTATIVE SKEPTICISM ABOUT THE CAMPAIGN TO IMPOSE FIRST AMENDMENT RESTRICTIONS ON COPYRIGHT LAW CHRISTOPHER L. EISGRUBER* INTRODUCTION A burgeoning tide of scholarship urges courts to subject copyright law to heightened scrutiny under the Free Speech Clause. Articles of this genre commonly begin by trying to shock the reader into recognizing the repressive character of copyright law. For example: ‘‘In some parts of the world, you can go to jail for reciting a poem in public without permission from state-licensed authorities. Where is this true? One place is the United States of America [if the poem in question is protected by copyright].’’1 Another example: ‘‘Copyright gives the government authority to seize books and enjoin their sale, award damages against booksellers, or even send them to jail. If the justification were anything other than copyright, these sweeping powers would be seen as a gaping hole at the heart of free speech rights.’’2 The authors then go on to make a variety of recommendations, some more radical than others, but all variations upon the same message: copyright law has been unjustifiably exempted from First Amendment * Director, Program in Law and Public Affairs, and Laurance S. Rockefeller Professor of Public Affairs in the Woodrow Wilson School and the University Center for Human Values, Princeton University. For useful comments on earlier drafts, I am grateful to Phil Weiser and Tom Nachbar, and to participants in the University of Colorado’s Silicon Flatirons Telecommunications Program 2003 Conference on ‘‘Models of Regulation for the New Economy.’’ 1. Jed Rubenfeld, The Freedom of Imagination: Copyright’s Constitutionality, 112 YALE L.J. -
How Developing Countries Can Manage Intellectual Property Rights to Maximize Access to Knowledge
HOW DEVELOPING COUNTRIES CAN MANAGE INTELLECTUAL PROPERTY RIGHTS TO MAXIMIZE ACCESS TO KNOWLEDGE Edited by Xuan Li and Carlos Correa February 2009 THE SOUTH CENTRE In August 1995, the South Centre was established as a permanent inter-Governmental organization of developing countries. In pursuing its objectives of promoting South solidarity, South-South cooperation, and coordinated participation by developing countries in international forums, the South Centre has full intellectual independence. It prepares, publishes and distributes information, strategic analyses and recommendations on international economic, social and political matters of concern to the South. For detailed information about the South Centre see its website www.southcentre.org The South Centre enjoys support and cooperation from the governments of the countries of the South and is in regular working contact with the Non-Aligned Movement and the Group of 77 and China. The Centre’s studies and position papers are prepared by drawing on the technical and intellectual capacities existing within South governments and institutions and among individuals of the South. Through working group sessions and wide consultations which involve experts from different parts of the South, and sometimes from the North, common problems of the South are studied and experience and knowledge are shared. This South Perspectives series comprises authored policy papers and analyses on key issues facing developing countries in multilateral discussions and negotiations and on which they need to develop appropriate joint policy responses. It is hoped that the publications will also assist developing country governments in formulating the associated domestic policies which would further their development objectives. How Developing Countries Can Manage Intellectual Property Rights to Maximize Access to Knowledge was first published in February 2009 by the South Centre. -
INTELLECTUAL PRIVILEGE: Copyright, Common Law, and The
INTELLECTUAL PRIVILEGE Copyright, Common Law, and the Common Good TOM W. BELL Arlington, Virginia Founders’ Copyright 2014 by Tom Bell. (See opposite for more information.) Second printing, April 2018 Printed in the United States of America Mercatus Center at George Mason University 3434 Washington Blvd., 4th Floor Arlington, VA 22201 www.mercatus.org 703-993-4930 Library of Congress Cataloging-in-Publication Data Bell, Tom W. Intellectual privilege : copyright, common law, and the common good / Tom W. Bell. pages cm ISBN 978-0-9892193-8-9 (pbk.) -- ISBN 978-0-9892193-9-6 (e-book (kindle)) 1. Copyright--United States. I. Title. KF2994.B45 2014 346.7304’82--dc23 2014005816 COPYRIGHT NOTE Not long ago, in “Five Reforms for Copyright” (chapter 7 of Copyright Unbalanced: From Incentive to Excess, published by the Mercatus Center at George Mason University in 2012), I suggested that the United States should return to the kind of copyright the Founders supported: the one they created in their 1790 Copyright Act. The Founders’ copyright had a term of only fourteen years with the option to renew for another fourteen. It conditioned copyright on the satisfaction of strict statutory formali- ties and covered only maps, charts, and books. The Founders’ copyright protected only against unauthorized reproductions and offered only com- paratively limited remedies. This book follows through on that policy advice. The Mercatus Center and I agreed to publish it under terms chosen to recreate the legal effect of the Founders’ 1790 Copyright Act. For example, the book’s copy- right will expire in 2042 (if not before), and you should feel free to make a movie or other derivative work at any time. -
Copyright in an Era of Information Overload: Toward the Privileging of Categorizers
Brooklyn Law School BrooklynWorks Faculty Scholarship 1-2007 Copyright in an Era of Information Overload: Toward the Privileging of Categorizers Frank Pasquale Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Science and Technology Law Commons Copyright in an Era of Information Overload: Toward the Privileging of Categorizers Frank Pasquale 60 Vand. L. Rev. 135 (2007) Environmental laws are designed to reduce negative externalities (such as pollution) that harm the natural world. Copyright law should adjust the rights of content creators in order to compensate for the ways they reduce the usefulness of the information environment as a whole. Every new work created contributes to the store of expression, but also makes it more difficult to find whatever work one wants. "Search costs" have been well- documented in information economics and addressed by trademark law. Copyright law should take information overload externalities like search costs into account in its treatment of alleged copyright infringers whose work merely attempts to index, organize, categorize, or review works by providing small samples of them. These categorizers are not "'free riding" off the labor of copyright holders. Rather, they are creating the navigational tools and filters that help consumers make sense of the ocean of expression copyright holders have created. The new scholarship of cultural environmentalism lays the groundwork for a better understanding of the costs, as well as the benefits, of copyrighted expression. Any expression that signals something to one who wants exposure to it may constitute noise to thousands of others. By modeling information overload as an externality imposed by copyrighted works generally, this article attempts to provide a new economic justification for more favorable legal treatment of categorizers, indexers, and reviewers. -
WRF Attorneys Featured in ABA Program on Copyright Protection −
PRESS RELEASE WRF Attorneys Featured in ABA Program on Copyright Protection − October 15, 2003 Practice Areas WRF attorneys Scott E. Bain and Bruce G. Joseph were featured − speakers in a copyright program entitled "Laws, Licenses, and Copyright Intellectual Property Technical Locks: The Future of Digital and High Definition Patent Entertainment Content" at the 2003 annual meeting of the American Trademark Bar Association Section of International Law and Practice in Brussels, Belgium. Mr. Bain, Vice President of the section's Intellectual Property Rights Committee, chaired the program, which focused on recent legislative, licensing and judicial "copy protection" developments. Explaining the impetus for the program, Mr. Bain noted that "copyright owners increasingly are using technical protection measures such as encryption and watermarks to protect audio or audiovisual works above and beyond copyright laws," and that the U.S. Congress and the European Union both are examining the impact of certain copy protection licenses and proposed government mandates. Mr. Joseph, leader of the WRF Copyright Practice Group, was one of three legal experts who discussed various copy protection issues. He has long been an active participant in numerous inter-industry copy protection initiatives and legislative debates and negotiations. He began by describing anti-circumvention laws as "paracopyright," noting that, unlike copyright law, technical protection measures can impose absolute restrictions on the use of a work, regulate more types of use and do not necessarily reflect the same balancing of interests as copyright law. Moreover, "since you can’t put a judge on a chip," Mr. Joseph explained, "technical protection measures can prevent or limit fair use" and other lawful uses of copyrighted works. -
Reverse Engineering IP Tonya M
Marquette Intellectual Property Law Review Volume 17 | Issue 1 Article 1 Reverse Engineering IP Tonya M. Evans Follow this and additional works at: http://scholarship.law.marquette.edu/iplr Part of the Intellectual Property Commons Repository Citation Tonya M. Evans, Reverse Engineering IP, 17 Intellectual Property L. Rev. 61 (2013). Available at: http://scholarship.law.marquette.edu/iplr/vol17/iss1/1 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Intellectual Property Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. REVERSE ENGINEERING IP TONYA M. EVANS* INTRODUCTION ....................................................................................................................... 62 PART I: SAMPLING PATENT TO REMIX COPYRIGHT: THEORY IN PRACTICE ............... 66 PART II: THE INTELLECTUAL PROPERTY MONOPOLIES ................................................ 71 A. Tale of Two Regimes ..................................................................................... 72 B. Patent .................................................................................................................. 75 1. Policy Considerations and the Law ................................................ 75 C. Copyright ............................................................................................................ 76 1. Policy Considerations and -
Minimum Documentation: N~Tional Patent Documents
PCT /TCO/SS/I/ 2 ENGLISH ONLY WIJPO DATE: October 15, 1971 WORLD INTELLECTUAL PROPERTY ORGANIZATION UNITED INTERNATIONAL BUREAUX FOR THE PROTECTION OF INTELLECTUAL PROPERTY PATENT COOPERATION TREATY INTERIM COMMITTEE ON TECHNICAL COOPERATION STANDING SUBCOMMITTEE First Session: Geneva, December 8 to 10, 1971 MINIMUM DOCUMENTATION: N~TIONAL PATENT DOCUMENTS Report prepared by the International Bureau Introduction 1. Article 15(4) of the PCT provides that any International Searching Authority must consult "the documentation specified in the Regulations," and Rule 34.l(b) of the PCT Regulations provides that the documentation referred to in Article 15(4) ("minimum documentation") shall among other things include "national patent documents," as specified in paragraph (c) of the same Rule. 2. According to the prov1s1ons of said paragraph (c), the "national patent documents'" shall be, subject to paragraphs (d) and (e), the following: (i) the patents issued in and after 1920 by France, the former Reichspatentamt of Germany, Japan, the Soviet Union, Switzerland (in French and German languages only), the United Kingdom, and the United States of America, (ii) the patents issued by the Federal Republic of Germany, (iii) the patent applications, if any, published in and after 1920 in the countries referred to in items (i) and (ii), (iv) the inventors' certificates issued by the Soviet Union, (v) the utility certificates issued by, and the published applications for utility certificates of, France, PCT/TCO/SS/I/2 page 2 (vi) such patents issued by, and such patent applica tions published in, any other country after 1920 as are in the English, French, or German language and in which no priority is claimed, provided that the national Office of the interested country sorts out these documents and places them at the disposal of each International Searching Authority. -
The Berne Convention)
International Journal of Medicine and Medical Research 2018, Volume 4, Issue 1, p. 89-93 copyright © 2018, TSMU, All Rights Reserved DOI 10.11603/IJMMR.2413-6077.2018.1.8710 CONVENTIONAL MINIMUM IN COPYRIGHT proteCTION (THE BERNE CONVENTION) J. Barg AXIOM, WROCLAW, POLAND Background. Intellectual property rights are present in our everyday lives to a huge extent. Law of intellectual property is generally governed by national law, with general principles set out in international treaties. Copyrights strictly protect only the expression of ideas, not the underlying ideas, procedures, methods of operation, or mathematical concepts themselves. Berne Convention was first signed in 1886 and to this day is one of the most important international treaties concerning copyrights and moral rights. Objective. This paper aims to shortly explain the basic rights and privileges provided to the authors by the Berne Convention in its present version, i.e. Paris Act of July 24, 1971, amended on September 28, 1979. Results. Berne Convention provides a „conventional minimum”, meaning that all members must provide at least the rights granted by the Berne Convention to the authors. However, each member can grant more rights to the authors. In article 7 Berne Convention regulates the term of protection of copyrights, which is the life of the author and fifty years after her death. Moral rights, provided in Article 6bis, were added in 1928 and grant the author a right to claim authorship of the work and the right of respect. Article 10 of the Berne Convention provides “certain free uses of works”. Conclusions. The freedoms granted include possibilities of making quotations and of using the work of someone else to illustrate for teaching purposes. -
THE TRADEMARK/Copyright DIVIDE
College of William & Mary Law School William & Mary Law School Scholarship Repository Faculty Publications Faculty and Deans 2007 The rT ademark/Copyright Divide Laura A. Heymann William & Mary Law School, [email protected] Repository Citation Heymann, Laura A., "The rT ademark/Copyright Divide" (2007). Faculty Publications. 195. https://scholarship.law.wm.edu/facpubs/195 Copyright c 2007 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/facpubs THE TRADEMARK/CoPYRIGHT DIVIDE Laura A. Heymann* I. INTRODUCTION N the mid-1980s, the well-known postmodern artist Jeff Koons dis played a sculpture called "String of Puppies" in a New York gallery.! I The sculpture was based wholly on a photograph, taken by a man named Art Rogers, of a couple with their arms full of puppies; Koons's sculpture, intended as a commentary on how mass-produced art has caused societal deterioration, caricatured the subjects of the photograph by placing flowers in their hair and clown noses on the puppies they were holding.2 Rogers, perhaps not surprisingly, brought suit against both Koons and his gallery and won a grant of summary judgment, which the United States Court of Appeals for the Second Circuit affirmed.3 Per haps even less surprisingly, Rogers's successful claim was one for copy right infringement: Rogers alleged that Koons had created an unauthorized derivative work, and the Second Circuit rejected Koons's attempt to take advantage of copyright law's fair use provisions.4 But the ease with which Rogers brought, and the Second Circuit analyzed, Rog ers's copyright infringement claim masks the fact that the interest Rogers was seeking to protect was probably not a copyright interest at all. -
ENFORCEMENT of LICENCE AGREEMENTS While Preparing
1 ENFORCEMENT OF LICENCE AGREEMENTS by Barry Gamache* LEGER ROBIC RICHARD, Lawyers, ROBIC, Patent & Trademark Agents Centre CDP Capital 1001 Square-Victoria- Bloc E – 8th Floor Montreal, Quebec, Canada H2Z 2B7 Tel. (514) 987 6242 - Fax (514) 845 7874 www.robic.ca - [email protected] While preparing this presentation on the enforcement of licence agreements, I realized that the vastness of the subject could justify different approaches. The subject could be studied by reviewing the content of licensing agreements; it could also be studied by taking note of various statutes affecting the licensee's capacity to enforce his or her own rights under the licence agreement. I decided to take the latter road and remain in a single lane and concentrate on a particular point, that is the legislative setting regulating a licensee's standing to sue an infringer under three specific laws in the field of intellectual property, namely the Copyright Act, the Patent Act and the Trade-Marks Act. The word "licence" has very ancient origins; in its primitive sense, it means a leave, a permission or the liberty to do something. For example, the Shorter Oxford English Dictionary on Historical Principles indicates that medieval English attributed to the word licence the meaning of "a formal permission from a constituted authority to do something, e.g. to marry, preach, carry on some trade". Fastforwarding to today, one realizes that the word "licence" retains the idea of a special permission or authorization. To quote one source, The Dictionary of Canadian Law (Toronto, Carswell, 1991) has the following definition for the term: © LÉGER ROBIC RICHARD / ROBIC, 1993.