DOCSLIB.ORG

Belfast Photo Festival 2019 Truth

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Belfast Photo Festival 2019 Truth Belfast Photo Festival 2019 Truth And Lies 06-30 June Contents TRUTH & LIES 10 - 11 .................. Controlled Perspective - Korean Perspectives In Photography 12 - 13 .................. Do Governments Lie? - Solo Shows 14 - 15 .................. Double Take - Cortis & Sonderegger 16 ......................... Land of Giants - Arno Rafael Minkkinen 17 .......................... Margins of Excess - Max Pinckers 18 ......................... Portraiture In The Post Truth Era - Group Show 19 ......................... Post Truth - Group Show 20 - 21 .................. Pusedo - Alma Haser 22 - 23 .................. Science - H+ - Matthieu Gafsou 24 - 25 .................. Science - Ways of Knowing - Daniel Stier 26 -27 ................... Trusted Memory 28 ......................... Truth - i-D 29 ......................... Truth & Lies - VICE Group Show OFF THEME 32 -33 ................... Forgotten Places 34 ......................... New Talent - Annual Group Exhibition 35 ......................... Personal Identity 36 ......................... Photobook Library 37.......................... Unseen Dummy Award - Group Show 38 - 39 .................. London Alternative Photo Collective TALKS & DISCUSSION 42 - 43 .................. On My Mind 44 ........................ Abandoned NI 45 ......................... Panel Discussion 46 ......................... Comedy - Have I Fake News For You 46 ........................ Talk - Cortis & Sonderegger 47 ......................... Talk - Unseen Dummy Award Winners 48 ........................ Talk - Transhumanism with Matthieu Gafsou 49 ........................ Talk - Oliviero Toscani 50 - 51 ................. Talk - Erik Kessels 52 ........................ Talk - Phillipe Chancel 53 ........................ Talk - Tenx9 WORKSHOPS, REVIEWS, SCREENING AND TOURS 56 ......................... Workshop - Belfast City 57.......................... Workshop - Printmaking 58 ......................... Today at Apple 59 ......................... Workshop - Photography Ethics 60 - 61 .................. Workshops - London Alternative Photography Collective 61 ......................... Workshop - The Camera Never Lies 62 - 63 .................. Portfolio Reviews 64 - 65 .................. Screenings 66 -67 ................... Tours 72 -73 ................... Parties 76 -77 ................... At a Glance 2 Belfast Photo Festival 2019 06-30 June 4 5 Donegal Street 04 01 22 02 Dunbar Link 07 SSE Arena Sydenham Road 03 09 06 05 10 12 08 11 Millfield Divis Street 24 Bridge End A2 Castle Street 14 Ann St. 23 13 StreetVictoria OxfordStreet 25 Chichester Street 15 May Street Howard Street Grovenor Road 21 Great Victoria Street A1 Dublin Road Donegal Pass 16 Donegal Road London Road Ravenhill Avenue Ravenhill Road Ravenhill Lisburn Road Ormeau Road Belfast City Hospital 17 18 University Street Queens Enbankment Ormeau University Belfast 19 Ardenlee Avenue 20 Botanic Ulster Gardens Ormeau Park Museum 01. Golden Thread Gallery 10. Place Architecture Center 19. Botanic Gardens 02. The Mac 11. Belfast Exposed / 20. Ulster Museum 03. St Annes Square 12. Black Box 21. Culturlann 04. University of Ulster 13. Castle Place 22. Titanic Belfast 05. Writers Square 14. Bullitt Hotel 23. Framewerk 06. Atypical Gallery 15. City Hall Lawn 24. Vault Studios 07. The Bear & The Doll 16. Accidental Theatre 25. Apple Store 08. Castle Court 17. Queens Film Theatre 09. Gresham Street 18. The Naughton Gallery 6 Foreword Welcome to the 2019 Belfast Photo Festival, Highlights of this year’s festival include collabo- Northern Ireland’s premier visual arts festival and rations with publications which foreground image the photographic biennial for the Island of Ireland, and society: having exhibitions staged with i-D returning from 6 – 30 June 2019. magazine and the global youth media company VICE. Additionally, representatives from the This year, the Festival has taken the current V&A, Aperture Foundation and The Guardian post-truth era as its inspiration, looking at how contribute to a series of broad, exciting events and photography can be used to infuence opinion; discussion programmes. from carefully choreographed photo-shoots to image manipulation and misrepresentation. As the Director and founder, I would like to “The camera never lies,” the age-old saying goes, personally thank my family, Ellen, Lee and Callum but increasingly consumers are having to be ever- Weir, as without their help and support I could more diligent in distinguishing fact from fction never have brought the festival to this point. This – and photography has a crucial role to play in the also includes the Festival board who’s guidance era where billions of new images are captured and advice has been invaluable over the past ten daily and content is consumed at a staggering rate. years. Through a range of exhibitions, talks, workshops, Being a new year and a new Festival, we have been screenings, reviews and tours, the Festival will fortunate to welcome new fnancial supporters explore how photography has a particular role and maintain the loyalty of our original partners, in shaping our views. With a focus on sources of whose support has helped us make the Festival authority that many have come to question, from even bigger and better than ever before. the press to politics and science we look at the ability of the camera to depict the truth and the Whether it is taking part in a workshop, attending untruthful, as well as how this ability has been a talk or visiting an exhibition, we hope you enjoy embraced by photographic artists. Presenting the exploration into this new era for mankind and photography as a bridge of sight and not of truth. the role of photography within it. Michael Weir / Festival Director 7 Truth And 8 Lies 9 Controlled Korean Perspectives In Photography Seung Woo Back / Heeseung Chung / Yeondoo Jung Focusing on trends in Korean photography, the exhibiting photographic artists make use of controlled perspective and constructed environ- ments to infuence the viewers perception and convey a message. Yeondoo Jung skillfully invents carefully staged realities for the camera through elaborate sets that when only viewed from a particular perspective do they look true to life. Seung Woo Back takes the approach to a larger scale by photographing miniature cities that depict foreign lands, which appear connected and yet juxtaposed against the more traditional landscape of Korea. Date: 14 - 27 June 2019 Opening: 18:00, 13 June 2019 Venue: Culturlann Times: Mon - Sun, 09:00 - 18:00 Tickets: Free 10 Perspective 11 Do Governments Lie? Jump Trump Erik Kessels & Thomas Mailaender Asking the question do government lie? The Here’s one you won’t want to miss, wholesome Golden Thread Gallery presents three small solo fun for everyone! This is the opportunity of a exhibitions by photographic artists Erik Kessels, lifetime, the chance you didn’t know you’ve been Phillippe Chancel and Marc Lee. Each bringing waiting for. It’s time to take the leap and get the their own visual perspective to a question that has Jump on Trump. Get up in his face and tell him a multitude of answers but is as relevant today as how you feel! ever before Date: 06 - 30 June 2019 Opening: 06 June, 19:00 Venue: Golden Thread Gallery Times: Tues - Sat, 11:00 - 17:00 Tickets: Free 12 Political Campaigns Battle of Opinion on Kim Happiness Social Media Philippe Chancel Marc Lee Flashy despotism comes across as a kind of In recent months in Political Campaigns all over harmless chromo. But is it permissible to enjoy the world, the supporters of opposing parties the beauty of the images, knowing full well that have engaged in fercely waged wars of images the decor conceals the suffering of a people? Is on social media. Elections have also long since it possible for the photographer to impose the ceased to be won on the street or in the traditional sensitivity and lucidity of his eye? media— social networks have become the digital market place for political disputation. Philippe Chancel raises the question of the ethics of an image, not one taken from the news and the This Interactive Net-Based TV Show, flters the media, but right from its creation. He responds latest Twitter, Instagram, and YouTube posts to the simulacrum by using an epic style whose according to the leading candidates of the parties aim is to work against the ‘aestheticisation’ of in political campaigns. The bot weaves the posts power. How should one react to the sense of awe into a wild TV show (24/7) in which images, that the Korean spectacle is designed to provoke? tweets, and videos ficker across the screen in Michel Poivert real time. What counts today are the ‘Likes’ and ‘Retweets’ that migrate across the screen as icons in the colours of the combatants indicate their Date: 06 - 30 July 2019 current online market value. While, as users of Opening: 6 June, 19:00 social networks, we only ever see variants of Venue: Golden Thread Gallery our own opinions mirrored back to us, Political Times: Tues - Sat, 11:00 - 17:00 Campaigns confronts us with a view beyond the Tickets: Free bounds of these echo chambers. 13 Cortis & Sonderegger Double For five years, the Zurich-based artist duo Jojakim Cortis & Adrian Sonderegger worked on a project that not only captivates with its concept, but also through its intricacy and Take aesthetic power. ‘Double Take’ plays seduc- tively with iconic images from international photographic history: Pictures imprinted in the collective memory are reproduced as three-di- mensional models – a meticulous
Load more

Recommended publications
  • Penelope Umbrico's Suns Sunsets from Flickr
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Image Commodification and Image Recycling: Penelope Umbrico's Suns Sunsets from Flickr Minjung “Minny” Lee CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/506 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Image Commodification and Image Recycling: Penelope Umbrico’s Suns from Sunsets from Flickr Submitted to the Faculty of the Division of the Arts in Candidacy for the Degree of Master of Arts Department of Humanities and Liberal Arts by Minjung “Minny” Lee New York, New York May 2014 Copyright © 2014 by Minjung “Minny” Lee All rights reserved CONTENTS Acknowledgements v List of Illustrations vi Introduction 1 Chapter 1. Umbrico’s Transformation of Vernacular Visions Found on Flickr 14 Suns from Sunsets from Flickr and the Flickr Website 14 Working Methods for Suns from Sunsets from Flickr 21 Changing Titles 24 Exhibition Installation 25 Dissemination of Work 28 The Temporality and Mortality of Umbrico’s Work 29 Universality vs. Individuality and The Expanded Role of Photographers 31 The New Way of Image-making: Being an Editor or a Curator of Found Photos 33 Chapter 2. The Ephemerality of Digital Photography 36 The Meaning and the Role of JPEG 37 Digital Photographs as Data 40 The Aura of Digital Photography 44 Photography as a Tool for Experiencing 49 Image Production vs.
    [Show full text]
  • Failed It!: How to Turn Mistakes Into Ideas and Other Advice for Successfully Screwing up Ebook
    FAILED IT!: HOW TO TURN MISTAKES INTO IDEAS AND OTHER ADVICE FOR SUCCESSFULLY SCREWING UP EBOOK Author: Erik Kessels Number of Pages: 168 pages Published Date: 16 May 2016 Publisher: Phaidon Press Ltd Publication Country: London, United Kingdom Language: English ISBN: 9780714871196 Download Link: CLICK HERE Failed It!: How To Turn Mistakes Into Ideas And Other Advice For Successfully Screwing Up Online Read Get A Copy. This book is a great example of curation turning into creation. This one is an upside down book and not mend to be perfect in any way. Dec 31, Rick Marcello rated it really liked it. DE Editions: Paperback English Paperback French. Feb 11, Lex rated it really liked it Shelves: nonfiction. This is part photobook and part guide to loosening up and making mistakes to take the fear out of failure and encourage experimentation. Brueschke Editor. Pizzorno Jr. It made me laugh, but also made me think differently about the creative process. Reviews Failed It!: How To Turn Mistakes Into Ideas And Other Advice For Successfully Screwing Up Self Help. Especially since recently I noticed that I wanted more stimulation for my brain. I promise to make more of them. I believe that. Apr 03, Carolina rated it liked it. In Kessels was awarded with the Amsterdam Prize of the Arts and in he was named the most influential creative of The Netherlands. Photo Album. Charming and an easy read, highly recommended. Adams BSc PhD. Lists with This Book. A fun and fabulous take on the art of making mistakes. Sign in Subscribe.
    [Show full text]
  • The Many Lives of Erik Kessels 1 Giugno – 30 Luglio 2017 Vernice Per La Stampa: Mercoledì 31 Maggio, Ore 11.30; CAMERA
    COMUNICATO STAMPA CAMERA – Centro Italiano per la Fotografia presenta The Many Lives of Erik Kessels 1 giugno – 30 luglio 2017 Vernice per la Stampa: mercoledì 31 maggio, ore 11.30; CAMERA A cura di Francesco Zanot The Many Lives of Erik Kessels, a cura di Francesco Zanot, aperta a CAMERA dal primo giugno al 30 luglio 2017, è la prima mostra retrospettiva dedicata al lavoro fotografico dell’artista, designer ed editore olandese Erik Kessels. Come si ricorderà, CAMERA - Centro Italiano per la Fotografia, in accordo con i suoi partner principali Intesa Sanpaolo, Eni, Reda e Lavazza, ha imboccato, dall’inizio dell’anno un nuovo corso, affidandosi alla direzione di Walter Guadagnini. Il primo bilancio del nuovo corso lo traccia il Presidente dell’istituzione Emanuele Chieli che evidenzia “il grandissimo successo della mostra dedicata a Magnum e l’Italia” e sottolinea che “con questa straordinaria mostra di Kessels CAMERA conferma la sua attenzione nei confronti della ricerca più contemporanea, dei linguaggi più diversi attraverso i quali si esprime la ricerca fotografica” dichiarandosi certo che “la mostra di uno dei grandi protagonisti della fotografia europea per il pubblico costituirà una stimolante sorpresa”. La mostra The Many Lives of Erik Kessels e l’attività espositiva di CAMERA per il 2017 sono sostenute dalla Compagnia di San Paolo. In vent’anni di carriera, Kessels si è affermato come riferimento primario e imprescindibile nel campo della cosiddetta ‘fotografia trovata’. Anziché riprendere nuove immagini, per la maggior parte dei suoi progetti raccoglie fotografie pre-esistenti e le riutilizza come tasselli all’interno di un proprio mosaico.
    [Show full text]
  • REFRAMING a DIALOGUE Organizer BEGIHANDI
    GETXO PHOTO 5—30 SEPT. 2018 INTERNATIONAL IMAGE FESTIVAL getxophoto.com POSTCONFLICT — REFRAMING A DIALOGUE Organizer BEGIHANDI Curator MONICA ALLENDE Theme POSTCONFLICT. REFRAMING A DIALOGUE Opening week 5 – 9 SEPTEMBER Exhibitions 5 – 30 SEPTEMBER Venue GETXO, BASQUE COUNTRY Contact Naiara Alcobre [email protected] +34 946 576 475 www.getxophoto.com PRESS KIT GETXOPHOTO INTERNATIONAL IMAGE FESTIVAL The Live Wild Collective 7 IDEAS 1—The Festival 5—Walking routes GETXOPHOTO sees images as a GETXOPHOTO considers it essential way of looking at, experiencing and to bring the contents and the facing up to the big issues that experience of the festival to all affect us. The programme for each types of audiences, and there are festival edition is therefore based various different walking routes on a general topic of interest. so that people can walk round the exhibits at their own pace. 2—12ª Edition The Festival will reflect on the 6—Added new activities meaning of conflict, focusing Our new activities aim to provide in a special way on postconflict education, encourage people to periods, their consequences and meet and create active citizenship: the reconstruction of dialogue. It conferences, talks, screenings, is curated by Monica Allende. workshops, night walks, a lock-in and a bed cinema are just some of 3—New narratives the new events. GETXOPHOTO has selected visual representations in different media 7—A local international such as photography, video, archive, festival installation and digital art, showing With the direct involvement of local the work of artists from different people (shop owners, bars and backgrounds who have created cafés, amateur photographers) and multidisciplinary narratives.
    [Show full text]
  • UPDATE IDENTITY LATURBO AVEDON “Selfie” Was Chosen As the English Word of the Year in 2013, and Today 25 Million Germans Admit to Occasionally Taking Selfies
    E G 19/09/15 – 17/01/16 O THE FUTURE OF THE DIGITAL UPDATE IDENTITY LATURBO AVEDON “Selfie” was chosen as the English word of the year in 2013, and today 25 million Germans admit to occasionally taking selfies. A 2014 “Time” magazine survey found that Düsseldorf is the selfie capital of Germany, and the city placed 136 in an international comparison, well ahead of Berlin or Hamburg. The digital revolution has influenced and changed photography more than any previous development: “I think, therefore I am” has become “I photograph, I document, therefore I am”. The quest for identity has always been one of the major questions driving humanity, one that has presented itself in myriad social, political and cultural forms of expression. The question that naturally follows, “Who do I want to be, or who should I be?”, is part of the basic repertoire of culture, philosophy, economics, theology and politics, alongside the collective version this question: “Who are we?” – as a social group, as a nation, as Europeans. The exhibition project “Ego Update. The Future of Digital Identity” explores how these questions have changed and developed under the influence of digital media. How do digital and techno- logical advances around the world affect human identity, and what kind of society is likely to result? How are our notions of identity and our desires shaped by digital communication, or even created by it? ALAIN BIEBER CURATOR The exhibition will be accompanied by a publication featuring essays that take an in-depth look at the theme, by authors including Jerry Saltz, Douglas Coupland, Adam Levin, David Rubinstein, Brooke Wendt and Karen Ann Donnachie.
    [Show full text]
  • Catalogue Autumn 2010
    Representation 64 Index 62 Performing Arts 61 Fashion and Style 58 Industrial Design 56 Graphic Design 51 Photography 37 Art 23 Architecture 2 When ordering, please use Idea Codes. September 2010. Titles marked with an asterisk had been not yet published (*) in Prices are in Euros and may change without notice. Consult our website www.ideabooks.nl for the complete list. This catalogue is aselected list of new titles. www.ideabooks.nl e-mail [email protected] 20fax 6209299 +31 20 6226154tel +31 The Netherlands RK Amsterdam1011 Nieuwe Herengracht 11 Autumn Catalogue 2010 Contents General Information Idea Books <–––––––––––––––––––––––––––––––––––––210 mm–––––––––––––––––––––––––––––––––––––> 00 –– 00 –– 00 –– 00 –– 1 00 –– 00 –– 00 –– 01 –– 02 –– 03 –– 05 –– 06 –– 07 –– 08 –– 09 –– 10 –– 11 –– 12 –– 13 –– 15 –– 16 –– 17 –– 18 –– 19 –– 20 –– 21 –– 22 –– 23 –– 25 –– 26 –– 27 –– 28 –– 29 –– 30 –– 31 –– 32 –– steeds 7 inits per pag te beginnen met bovenste deel op pagina 1 El Croquis 149: Collective Experiments II El Croquis 150: David Chipperfield El Croquis 148/149: Collective Experiments El Croquis, El Escorial 2010 2006 2010 El Croquis, El Escorial 2010 ISBN 978 84 88386 58 8 El Croquis, El Escorial 2010 ISBN 978 84 88386 57 1 € 52.80 — Idea Code 10181 ISBN 978 84 88386 59 5 € 100.15 — Idea Code 10363 One of the main arguments in the narratives of € 58.15 — Idea Code 10292 Valuable hardback compendium of El Croquis modernity, though often disputed, is that which Issue dedicated to the projects and finished build- issues 148 and 149, covering innovative contempo- relates its urgency with the development of new ings of David Chipperfield in the last four years.
    [Show full text]
  • Photography and Visual Culture to Photography Companion the Routledge PHOTOGRAPHY and VISUAL CULTURE Cover Image: Curator Ship, an Online Resource for Visual Artists
    Routledge Companions The The Routledge Companion to Photography and Visual Culture is a seminal reference Companion source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars Routledge The Routledge Companion to from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews Photography and explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography to archives as burdens, rather than treasures; the continual technological development Visual Culture reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike. Visual Culture Photography and Moritz Neumüller is a curator, educator and writer in the field of Photography and New Media. He has worked for institutions such as MoMA New York, La Fábrica Madrid and PhotoIreland Festival in Dublin. He is the academic director of the Photography Department of IED Madrid, and runs a postgraduate course for the IDEP school in Barcelona. He is a regular contributor to European Photography Magazine (Berlin) and Photoresearcher (Vienna), and has curated exhibitions on artists such as Bernd and Hilla Becher, Yamamoto Masao, Cristina de Middel, Stephen Gill, Gabriel Orozco, Martin Parr, Chris Jordan, and Erik Kessels. Since 2010, he has run The Curator Ship, an online resource for visual artists. Recent curatorial projects include the Daegu Biennial 2014 (Korea), the Photobook Week Aarhus (Denmark), and the exhibition Photobook Phenomenon for the CCCB center in Barcelona.
    [Show full text]
  • 50 Exhibitions and Workshops
    50 exhibitions and workshops EDITION 45 Opening week from 7 to 13 July Exhibitions from 7 July to 21 September Press kit: April 2014 Press contact: Claudine Colin Communication / Marika Bekier / 28 rue de Sévigné / 75004 Paris [email protected] / www.claudinecolin.com / Tél. +33 (0)1 42 72 60 01 High resolution photographs from the programme are freely available at: http://rencontres-arles.photoshelter.com/gallery-collection / LES-RENCONTRES-DARLES-2014/C000025mop8YeSkc Password: arles2014 The Rencontres d’Arles / 34 rue du Docteur Fanton / BP 30096 / 13632 Arles Cedex [email protected] / www.rencontres-arles.com / Tél. +33 (0)4 90 96 76 06 Private partners: Special support from: Groupe Total, Prix Pictet, Mission du centenaire de la Première Guerre mondiale, Fondation d’entreprise Carac, Leica, Métrobus, Actes Sud, Cercle des mécènes des Rencontres d’Arles, Saif, ADAGP, Fnac. Support from: HSBC France, Air France, Institut de Recherches Historiques du Septentrion (IRHiS), UMR CNRS 8529, Université de Lille 3, INJEP, Le Point, Connaissance des Arts, Réponses Photo, Picto, Central Dupon Images, Janvier, Processus, Circad, Plasticollage, Atelier Alain Gambier, Atelier Voies Off, Orange Logic, ILO interprétariat et traduction. Active collaboration of: musée départemental Arles antique, abbaye de Montmajour, rectorat des académies d’Aix-Marseille, Nice et Montpellier, École nationale supérieure de la photographie d’Arles, IUP d’Arles, Museon Arlaten, musée Réattu, Conseils d’architecture, d’urbanisme et d’environnement 13, 30 et 34, Maison du geste et de l’image, parc naturel régional de Camargue, SNCF, Ligue de l’enseignement, l’Étudiant, INA, TER Provence-Alpes-Côte d'Azur, théâtre d’Arles.
    [Show full text]
  • Introduction
    Introduction Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective. At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr's term for the overwhelming power of published images is "propaganda". He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way that we live, how we present ourselves to others, and what we value. Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured. The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series.
    [Show full text]
  • PRESS RELEASE Erik Kessels & Friends
    PRESS RELEASE March 7th 2017 Erik Kessels & Friends Erik Kessels ranks among the most important creative professionals in the world. He co-founded the international agency KesselsKramer in Amsterdam and is not only a rock star among advertisers, but also an artist, curator, publicist and a passionate collector of photographs. The Erik Kessels & Friends exhibition, at the NRW-Forum Düsseldorf, will be the first comprehensive Germany-wide retrospective of this Dutch artist and advertiser who has a preference for the imperfect and the incomplete. From 12 August to 5 November 2017, the retrospective will showcase the most important works of the past 20 years. Aside from that, he has invited along five friends, the artists Paul Kooiker, Joan Fontcuberta, Peter Piller, Joachim Schmid and Ruth van Beek, who will be intervening in the survey exhibition with their own works. Advertising is all about the perfect picture. For Erik Kessels perfect pictures are boring. As both an artist and an advertiser, Kessels is interested in flawed, accidental and dissonant photographs, those that are overexposed and blurred, the ones where a finger is obscuring the lens and where there are those unfortunate poses and moments of weakness. This is because these images are human. He collects all types of photographs that he finds in his own and other people's albums as well as on the Internet. Family albums, which today are almost automatically infused with something melancholic, are his material just as much as the digital images that flood the Net en masse and bear witness to curious, personal as well as cultural obsessions.
    [Show full text]
  • Daido Moriyama Journey for Something Reflex Amsterdam
    DAIDO MORIYAMA Erik Kessels Matthias Harder 1966 Roermond, The Netherlands Dr. Matthias Harder has been working as the chief curator at the Helmut Newton Erik Kessels is since 1996 Creative Director Foundation in Berlin since 2004 and has of communications agency KesselsKramer in been teaching at the Free University of Amsterdam. Berlin since 2002. Prior to his current Kessels is a photography collector and has JOURNEY FOR SOMETHING position, he was a guest curator at the published several books of his ‘collected’ Fotomuseum/Münchner Stadtmuseum for images: Missing Links (1999), The Instant Men three years and a curator at the New (2000), in almost every picture (2001-2012) Society of Visual Art in Berlin for four years. and Wonder (2006). Since 2000, he has been an editor of the alternative photography Born in Kiel in 1965, Matthias Harder magazine Useful Photography. For BON studied Art History, Classical Archaeology International, Adformatie, iM (Identity and Philosophy in Kiel and Berlin. Matters) and Vrij Nederland Kessels has He publishes regularly in respected made editorials on a regular basis. He has international magazines and has written taught communication at the Hallo Academy numerous articles for books and exhibition Amsterdam and photography at the Gerrit catalogues. Rietveld Academy and the Willem de Kooning Academy and gave many international lectures. Kessels curated exhibitions such as The European Championship of Graphic Design, Graphic Detour, Loving Your Pictures, Use me Abuse me and From Here On and Album Beauty. In 2010 Kessels was awarded with the Amsterdam Prize of the Arts. DAIDO MORIYAMA JOURNEY FOR SOMETHING REFLEX AMSTERDAM JOURNEY FOR SOMETHING DAIDO MORIYAMA JOURNEY FOR SOMETHING Fast City, Fast Pictures Essay by Matthias Harder His photographs are characterized by their of Shinjuku, appear in Moriyama’s images as coarse grain and the sense of a passing glance a unifying element or even a leitmotif.
    [Show full text]
  • Introduction
    Introduction Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective. At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr's term for the overwhelming power of published images is "propaganda". He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way that we live, how we present ourselves to others, and what we value. Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured. The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series.
    [Show full text]