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Global Hip-Hop Class
AAAS 135b: GLOBAL HIP-HOP Wed 6:30-9:20 pm Mandel G03 Spring 2012 Wayne Marshall [email protected] office hours: by appointment DESCRIPTION Examining how hip-hop travels and is embraced, represented, and transformed in various locales around the world, this course approaches hip-hop as itself constituted by international flows and as a product and set of practices that circulate globally in complex ways, cast variously as American, African-American, and/or black, and recast through the cultural logics of the new spaces it enters, the soundscapes it permeates. A host of questions arise when we consider hip-hopʼs global scope and significance: What does the genre in its various forms (audio, video, sartorial, gestural) carry beyond the US? What do people bring to it in new local contexts? How are US notions of race and nation mediated by hip-hop's global reach? Why do some global (which is to say, local) hip-hop scenes fasten onto the genre's well-rehearsed focus on place, community, and righteous opposition to structural and representational forms of violence, while others appear more enamored with slick portrayals of hustler archetypes, cool machismo, and ruggedly individualist, conspicuous consumption? How can hip-hop circulate in such contradictory forms? In what ways do hip-hop scenes differ from North to South America, West to East Africa, Europe to Asia? What threads unite them? In pursuit of such questions, we will read across the emerging literature on global hip- hop as we explore the growing resources available via the internet, where websites and blogs, MySpace and YouTube and the like have facilitated a further efflorescence of international (and peer-to-peer) exchanges around hip-hop. -
OARE Participating Academic Institutions
OARE Participating Academic Institutions Filter Summary Country City Institution Name Afghanistan Bamyan Bamyan University Charikar Parwan University Cheghcharan Ghor Institute of Higher Education Ferozkoh Ghor university Gardez Paktia University Ghazni Ghazni University Herat Rizeuldin Research Institute And Medical Hospital HERAT UNIVERSITY Health Clinic of Herat University Ghalib University Jalalabad Nangarhar University Afghanistan Rehabilitation And Development Center Alfalah University 19-Dec-2017 3:14 PM Prepared by Payment, HINARI Page 1 of 194 Country City Institution Name Afghanistan Kabul Ministry of Higher Education Afghanistan Biodiversity Conservation Program Afghanistan Centre Cooperation Center For Afghanistan (cca) Ministry of Transport And Civil Aviation Ministry of Urban Development Afghanistan Research and Evaluation Unit (AREU) Social and Health Development Program (SHDP) Emergency NGO - Afghanistan French Medical Institute for children, FMIC Kabul University. Central Library American University of Afghanistan Kabul Polytechnic University Afghanistan National Public Health Institute, ANPHI Kabul Education University Allied Afghan Rural Development Organization (AARDO) Cheragh Medical Institute Kateb University Afghan Evaluation Society Prof. Ghazanfar Institute of Health Sciences Information and Communication Technology Institute (ICTI) Ministry of Public Health of Afghanistan Kabul Medical University Isteqlal Hospital 19-Dec-2017 3:14 PM Prepared by Payment, HINARI Page 2 of 194 Country City Institution Name Afghanistan -
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afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Research Journal of Education ISSN(E): 2413-0540, ISSN(P): 2413-8886 Vol
Research Journal of Education ISSN(e): 2413-0540, ISSN(p): 2413-8886 Vol. 5, Issue. 7, pp: 114-118, 2019 Academic Research Publishing URL: https://arpgweb.com/journal/journal/15 Group DOI: https://doi.org/10.32861/rje.57.114.118 Original Research Open Access Value and Impact of Adult Education: Voices of Zambian Communities Daniel L. Mpolomoka* School of Education, Department of Adult Education Zambian Open University, Lusaka, Zambia Musonda Luchembe School of Education, Department of Adult Education and Extension Studies, University of Zambia, Lusaka, Zambia Selina Banda School of Education, Department of Adult Education Zambian Open University, Lusaka, Zambia Peter Sampa School of Education, Department of Adult Education and Extension Studies, University of Zambia, Lusaka, Zambia Abstract Zambian communities are rich with voices of the value of adult education, albeit unsystematically documented. It is these insightful voices that this article unveils. Phenomenological research design was employed. Three research sites were targeted comprising two chiefdoms and covering four villages, two villages from each chief dom. Data was collected using interviews and focus group discussions. After coding the data, narrative and thematic methods of data analysis were used. Findings reveal that the value of adult education is measured informally by the number of the adult population able to access social amenities equitably and equally on one hand, and on the other, by their ability to read the „word and the world‟ as purported by Freire and Macedo (1987). Keywords: Value; Adult education; Community. CC BY: Creative Commons Attribution License 4.0 1. Introduction The development of adult education is very vital because every society which is committed to achieve community and economic development and social transformation should have educated citizen who can participate willingly, intelligently and efficiently in all developmental programmes of the country. -
Prioritising Support for Locally Controlled Forest Enterprises
Prioritising support for locally controlled forest enterprises Duncan Macqueen (ed.), Emmanuelle Andaya, Samuêl Begaa, Mario Bringas, Martin Greijmans, Tony Hill, Shoana Humphries, Barthelemy Kabore, Thibault Ledecq, Tabin Lissendja, Alphonse Maindo, Amalia Maling, David McGrath, Simon Milledge, Femy Pinto, Nguyen Quang Tan, Elvis Tangem, Stella Schons and Bhishma Subedi Prioritising support for locally controlled forest enterprises Duncan Macqueen (ed.), Emmanuelle Andaya, Samuêl Begaa, Mario Bringas, Martin Greijmans, Tony Hill, Shoana Humphries, Barthelemy Kabore, Thibault Ledecq, Tabin Lissendja, Alphonse Maindo, Amalia Maling, David McGrath, Simon Milledge, Femy Pinto, Nguyen Quang Tan, Elvis Tangem, Stella Schons and Bhishma Subedi First published by the International Institute for Environment and Development in 2014 Copyright © International Institute for Environment and Development All rights reserved For a full list of publications please contact: International Institute for Environment and Development (IIED) 80-86 Gray’s Inn Road, London WC1X 8NH Tel: +44 (0)20 3463 7399 Fax: +44 (0)20 3514 9055 pubs.iied.org Citation: Macqueen, D. (ed.), Andaya, E., Begaa, S., Bringa, M., Greijmans, M., Hill, T., Humphries, S., Kabore, B., Ledecq, T., Lissendja, T., Maindo, A., Maling, A., McGrath, D., Milledge, S., Pinto, F., Quang Tan, N., Tangem, E., Schons, S. and Subedi, B. 2014. Prioritising support for locally controlled forest enterprises. IIED, London. This research was funded by UK aid from the Department for International Development. Its conclusions do not necessarily reflect the views of the UK Government. Copyediting by: Alastair Sarre, email: [email protected] Cover photo: Community forestry teak nursery, near Bandung, Java, Indonesia. © Duncan Macqueen / IIED Design by: Eileen Higgins, email: [email protected] Printed by Full Spectrum Print Media, UK on 100% recycled paper using vegetable oil based ink. -
'Survival of 'Radio Culture'
Coventry University Coventry University Repository for the Virtual Environment (CURVE) Author name: Mudhai, O.F. Title: Survival of ‘radio culture’ in a converged networked new media environment. Article & version: Post-print Original citation & hyperlink: Mudhai, O.F. (2011) 'Survival of ‘radio culture’ in a converged networked new media environment' in Popular Media, Democracy and Development in Africa. ed. Herman Wasserman. London: Routledge: 253-268 http://www.routledge.com/books/details/9780415577946 Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s final manuscript version of the journal article, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Available in the CURVE Research Collection: October 2011 http://curve.coventry.ac.uk/open Survival of ‘radio culture’ in a converged networked new media environment* Okoth Fred Mudhai ([email protected]) Coventry University Introduction With emphasis on popular music and related entertainment rather than democratic culture and identity politics, this chapter examines the extent to which radio remains significant in socio-cultural and political landscapes in Africa given the proliferation of newer information and communication technologies (ICTs) more recently enlivened by cell phones and social networking applications. -
Press Release for Immediate Release
Press Release Contact: Sam Cincotta Wolfgang Beach Strategics 240 405-7129 For Immediate Release http://AbleAndWilling.org Able and Willing Launches Annual Mid-Atlantic Fundraising Campaign Locally-based international nonprofit raising funds to build schools in developing countries Frederick, MD (May 1, 2009). Able and Willing International Education Foundation, a non-profit based in Frederick, launches its Annual Fundraising Campaign with the announcement of two don’t-want-to-miss events in the mid Atlantic region. Proceeds will be used to benefit education in developing countries. The campaign kicks off in our own city of Frederick on May 17th with the return of Puma’s Kitchen, a locally acclaimed dining event presented by Able and Willing, and proudly hosted by Way Station. Celebrating its 10th year, this annual Frederick tradition is orchestrated by, and features the authentic Congolese cuisine of Mbuyu “Puma” Wa Mbuyu, founder of AWIEF. The event includes dinner, plenty of time to enjoy the atmosphere and socialize, and an educational presentation by Puma, which provides the guests an opportunity to learn about Able & Willing and personally meet Puma and his staff. This year, Puma’s Kitchen is proud to present “Lake” the multi-faceted DC-metro area band, to be performing throughout the evening. This year, Puma’s Kitchen goes on the road. On May 23rd, Able and Willing will bring Puma’s Kitchen to the Hope Presbyterian Church in Lakewood, NJ where it will be cosponsored by the Kiwanis Club of Jackson and Hope Presbyterian Church. “We’re really looking forward to these events,” said Puma. -
Hip-Hop & the Global Imprint of a Black Cultural Form
Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University. -
Trace Mziki Celebrates African Greatest Music Talents at Afrimma Awards 2017
PRESS RELEASE NAIROBI, SEPT. 28 2017 TRACE MZIKI CELEBRATES AFRICAN GREATEST MUSIC TALENTS AT AFRIMMA AWARDS 2017 TRACE MZIKI, the channel dedicated to Swahili, Eastern and Pan African music is supporting the 4th annual AFRIMMA Awards and Music Festival 2017 in Dallas (TX) on Sunday October 8th. Since 2014, AFRIMMA awards and celebrates new talents from Africa and the African diaspora. As the first ceremony outside Africa showcasing Afrobeats, Assiko, Bongo, Coupé Decalé, Funana, Genge, Highlife, Hiplife, Kwaito or Soukous, AFRIMMA will be co-hosted for the first time by Kenyan stand up comedian Chipukeezy, alongside Nigerian comedian Basketmouth. This year, AFRIMMA promises a bigger show. The event will offer a music festival experience with headlines such as Tanzania sensation Diamond Platnumz as well as Uganda’s Triplets Ghetto Kids who were featured in French Montana’s “Unforgettable” music video. Other headline acts confirmed to attend are Fally Ipupa, C4 Pedro, Eddy Kenzo and Tiwa Savage. This year’s events include a Pre-Show with London band The Compozers, a Pre-Party, a Pool Party, A Music Panel, Fashion Show, as well as a grand After Party after the main show to close AFRIMMA 2017. Two new categories have also been added to the 2017 edition of AFRIMMA : Best Lusophone artist and Best Francophone artist. Anderson Obiagwu, CEO of AFRIMMA/BIG A declares, “TRACE has been a proud supporter of African music and important matters and causes in Africa. AFRIMMA is delighted to partner with TRACE in a synergy of brands synonymous to African music. It’s all about Africa as Africa’s biggest music award ceremony and Africa’s biggest music TV group brings you an unforgettable AFRIMMA experience.” Launched in 2016, TRACE Mziki with its presence at AFRIMMA allows TRACE group to continue to dedicate their love and support to African artists, whether they are newcomers or internationally acclaimed. -
The Role of Private Higher Education Provision in Zambia: Changing the Higher Education Landscape in Africa
International Journal of Humanities and Social Science Vol. 8 • No. 6 • June 2018 doi:10.30845/ijhss.v8n6p11 The Role of Private Higher Education Provision in Zambia: Changing the Higher Education Landscape in Africa Daniel L. Mpolomoka, Z Ambian Open University AMBIA Selina Band Mbono Vision Dube Zambian Open University Akombelwa Muyangana University of Zambia Esther Kanduza, Zambian Maina Kaleba, Zambian Open University Abstract This paper is anchored on the assumption that the world is approaching the end of two important international initiatives, the Decade of Education for Sustainable Development (2014) and the Millennium Development Goals (2015). Given such a scenario, Africa is gaining increased attention due to the innumerable challenges it faces in striving to achieve sustainable development. There is unanimity that African countries should improve their capacities to cope with emerging challenges. As a result, their higher education institutions need to drastically improve their own educational programmes and associated research facilities for training future generations of skilled personnel. This paper concludes by making critical observations on the general populace’s expectations of private higher education learning institutions. Keywords: Private higher education, Africa, Zambia, Learning Introduction The world we live in is radically changing from that of a couple of decades ago. It is an era of globalization, with growth of economic and social activities across national boundaries being common features. Berdahl (2008) outlines some of the major changes today, which include technological revolution in communications (the internet and large‐scale computerized information systems). Given such circumstances, both public and private institutions of higher learning face many challenges of local, national and global context. -
Redalyc.Kwaito, Hip-Hop and Television in South Africa: a Case
Interin E-ISSN: 1980-5276 [email protected] Universidade Tuiuti do Paraná Brasil Ndlovu, Musa; Smith, René Kwaito, hip-hop and television in South Africa: a case study of the Yizo Yizo 3 series and soundtrack Interin, vol. 11, núm. 1, enero-junio, 2011, pp. 1-18 Universidade Tuiuti do Paraná Curitiba, Brasil Available in: http://www.redalyc.org/articulo.oa?id=504450764003 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Kwaito, hip-hop and television in South Africa: a case study of the Yizo Yizo 3 series and soundtrack Musa Ndlovu and René Smith Abstract This paper presents an analysis of kwaito and hip-hop on television in South Africa. It employs the locally produced Yizo Yizo as a case study to explore the intertextual relationship between music and television. Yizo Yizo, a reality-based drama series, was groundbreaking in propelling the experiences of black youth onto the national agenda. In representing what can be described as ‘authentic township experiences’, the series utilizes kwaito, and to a lesser degree, hip-hop, as signifiers of township and ‘essentially’ black youth experiences. Soundtracks to the series utilize both genres and local kwaito and hip-hop artists feature as themselves. The paper adopts a discursive approach to exploring intertextuality and the ways in which meanings embedded in a television series are related to music and other secondary texts and vice versa. -
Unai Members List August 2021
UNAI MEMBER LIST Updated 27 August 2021 COUNTRY NAME OF SCHOOL REGION Afghanistan Kateb University Asia and the Pacific Afghanistan Spinghar University Asia and the Pacific Albania Academy of Arts Europe and CIS Albania Epoka University Europe and CIS Albania Polytechnic University of Tirana Europe and CIS Algeria Centre Universitaire d'El Tarf Arab States Algeria Université 8 Mai 1945 Guelma Arab States Algeria Université Ferhat Abbas Arab States Algeria University of Mohamed Boudiaf M’Sila Arab States Antigua and Barbuda American University of Antigua College of Medicine Americas Argentina Facultad de Ciencias Económicas de la Universidad de Buenos Aires Americas Argentina Facultad Regional Buenos Aires Americas Argentina Universidad Abierta Interamericana Americas Argentina Universidad Argentina de la Empresa Americas Argentina Universidad Católica de Salta Americas Argentina Universidad de Congreso Americas Argentina Universidad de La Punta Americas Argentina Universidad del CEMA Americas Argentina Universidad del Salvador Americas Argentina Universidad Nacional de Avellaneda Americas Argentina Universidad Nacional de Cordoba Americas Argentina Universidad Nacional de Cuyo Americas Argentina Universidad Nacional de Jujuy Americas Argentina Universidad Nacional de la Pampa Americas Argentina Universidad Nacional de Mar del Plata Americas Argentina Universidad Nacional de Quilmes Americas Argentina Universidad Nacional de Rosario Americas Argentina Universidad Nacional de Santiago del Estero Americas Argentina Universidad Nacional de